The Greek that is usually translated as “scribe” in English “were more than mere writers of the law. They were the trained interpreters of the law and expounders of tradition.”
Tboli: “one who taught the law God before caused Moses to write” (or “one who taught the law of Moses”) (source for this and 5 above: Reiling / Swellengrebel)
Noongar: Mammarapa-Warrinyang or “law man” (source: Warda-Kwabba Luke-Ang)
Mairasi: “one who writes and explains Great Above One’s (=God’s) prohibitions” (source: Enggavoter 2004)
Chichewa: “teacher of Laws” (source: Ernst Wendland)
Lalana Chinantec: “one who is a teacher of the law which God gave to Moses back then”
Tepeuxila Cuicatec: “one who know well the law” (Source for this and four above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
Huixtán Tzotzil: “one who mistakenly thought he was teaching God’s commandments”(Huixtán Tzotzil frequently uses the verb -cuy to express “to mistakenly think something” from the point of view of the speaker; source: Marion M. Cowan in Notes on Translation 20/1966, pp. 6ff.)
Germandas Buch translation by Roland Werner (publ. 2009-2022): “theologian” and the 1998 translation by Walter Jens: “interpreter of scriptures” (Schriftausleger)
English translation by Scot McKnight (The Second Testament, publ. 2023): Covenant Code scholar
In British Sign Language it is translated with a sign that combines the signs for “expert” and “law.” (Source: Anna Smith)
“Scribe” in British Sign Language (source: Christian BSL , used with permission)
The Hebrew and Greek pesach/pascha that is typically translated in English as “Passover” (see below) is translated in a variety of descriptive ways of various aspects of the Jewish festival. (Click or tap here to see the rest of this insight):
Umiray Dumaget Agta: “the celebration of the day of their being brought out of bondage”
(source for this and above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
Copainalá Zoque: “celebrating the deliverance of Jews from Egypt” (source: John Beekman in Notes on Translation, March 1965, p. 2-20)
Obolo: ijọk Iraraka — “Festival of Passing” (source: Enene Enene)
Yakan: “The festival of the Isra’il tribe which they call For-Remembering” (source: Yakan Back Translation)
Wolof: “Festival of the day of Salvation” (“the term ‘pass over’ brings up the image of a person’s crossing over a chasm after death”) (source: Marilyn Escher)
Bura-Pabir: vir kucelir fəlɓəla kəi — “time-of happiness-of jumping-over house”
Sabaot: Saakweetaab Keeytaayeet — “Festival of Passing-by” (source: Iver Larsen)
Language spoken in India and Bangladesh: “Festival of avoidance”
Vlax Romani: o ghes o baro le Nakhimasko — “the Day of the Passing”
Saint Lucian Creole: Fèt Délivwans — “Feast of Deliverance” (source: David Frank)
Finnish: pääsiäinen (“The term is very probably coined during the NT translation process around 1520-1530. It is connected to a multivalent verb päästä and as such refers either to the Exodus (päästä meaning “to get away [from Egypt]”) or to the end of the Lent [päästä referring to get relieved from the limitations in diet]. The later explanation being far more probable than the first.”)
Northern Sami: beas’sážat (“Coined following the model in Finnish. The Sami verb is beassat and behaves partly like the Finnish one. Many Christian key terms are either borrowed from Finnish or coined following the Finnish example.”)
Estonian: ülestõusmispüha — “holiday/Sunday of the resurrection” — or lihavõttepüha — “holiday/Sunday of returning of meat”
Karelian: äijüpäivü — “the great day” (“Here one can hear the influence of the Eastern Christianity, but not directly Russian as language, because the Russian term is Пасха/Pasha or Воскресение Христово/Voskresenie Hristovo, ‘[the day of] the resurrection of Christ,’ but the week before Easter is called as the great week.”) (Source for this and three above: Seppo Sipilä)
Russian (for Russian speaking Muslims): праздник Освобождения/prazdnik Osvobozhdeniya — “Festival of-liberation” (source: Andy Warren-Rothlin)
Kono: laaŋumɛ̃ɛ̃ or “skip over the person” (provisional term). Alesha Hagemeyer explains in this blog post that laaŋumɛ̃ɛ̃ is a play on the term laaɲámɛ̃ɛ̃ or “to skip over the water” which is traditionally used for the sacrifice of a sheep or a goat after the death of a family member. That term literally means “to skip over the water” so that “their loved one will pass over the water and enter the presence of God”
English: Passover (term coined by William Tyndale that both replicates the sound of the Hebrew original pesah — פסח as well as part of the meaning: “passing over” the houses of the Israelites in Egypt) — oddly, the English Authorized Version (King James Version) translates the occurrence in Acts 12:4 as Easter
Many Romance languages follow the tradition from Latin that has one term for both “Easter” and “Passover” (pascha). Portuguese uses Páscoa for both, Italian uses Pascha, and French has Pâque for “Passover” and the identically pronounced Pâques for “Easter.”
In languages in francophone and lusophone (Portuguese speaking) Africa, indigenous languages typically use the Romance word for “Easter” as a loanword and often transliterate pesach/pascha. In Kinyarwanda and RundiPasika is used, in Swahili and Congo SwahiliPasaka, and in LingalaPasika. In some cases, the transliteration of “Passover” is derived from the European language, such as Umbundu’sPascoa (from Portuguese) and Bulu’sPak (from French). In languages that use Pak or similar for both “Passover” and “Easter” (such as Adioukrou), the identical spelling “serves to reinforce the idea that this is one celebration, not two distinct ones” (source: Hill 2006).
As John Ellingworth (in The Bible Translator 1980, p 445f. ) points out “in most contexts only the presence or absence of the definite article distinguishes them [in French la pâque for Passover and Pâques for Easter]. Since most African languages do not have definite articles, there remains no way to distinguish between the two terms where the general population has borrowed the word for Easter and the Bible translators have borrowed the word for Passover to use in their translation. Some even consider the references to [Passover] before the death of Christ as prophetic!”
The Hebrew, Ge’ez, and Greek that are translated in English versions as “prophesy” are translated into Anuak as “sing a song” (source: Loren Bliese), into Balanta-Kentohe as “passing on message of God” (source: Rob Koops), and into Ixcatlán Mazatec with a term that does not only refer to the future, but is “speak on behalf of God” (source: Robert Bascom).
Other translations include: “God making someone to show something in advance” (Ojitlán Chinantec), “God causing someone to think and then say it” (Aguaruna), “speaking God’s thoughts” (Shipibo-Conibo), “God made someone say something” “Xicotepec De Juárez Totonac) (source for this and above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125), “proclaim God’s message” (Teutila Cuicatec), “speak for God” (Chichimeca-Jonaz), “preach the Word of God” (Lalana Chinantec), “speak God’s words” (Tepeuxila Cuicatec), “that which God’s Spirit will cause one to say one will say” (Mayo) (source for this and four above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.), “say what God wants people to hear” (tell people God wod dat e gii oona fa say) (Gullah) (source: Robert Bascom), and “bring God’s mouth” (Bariai) (source: Bariai Back Translation).
In Luang it is translated with different shades of meaning:
For Acts 3:18, 3:21, 3:25: nurwowohora — “mouth says words that don’t come from one’s own mind.” (“This term refers to an individual’s speaking words that are not his because either a good or bad spirit is at work through him. The speaker is not in control of himself.”)
For Acts 19:6, Acts 21:9: nakotnohora — “talk about.” (“The focus of this term is on telling God’s message for the present as opposed to the future.”)
For Acts 21:11: rora — “foretell” (“The focus of this term is giving God’s message concerning the future. The person who speaks is aware of what he is doing and he is using his own mind, yet it is with God’s power that he foretells the future.”)
Source: Kathy Taber in Notes on Translation 1/1999, p. 9-16.
The Greek in Acts 27:14 that is translated as “But soon a violent wind, called the northeaster (or: Euroclydon), rushed down from Crete” or similar in English is translated in a lot of different ways:
Upper Guinea Crioulo: “A great storm rose up on the side of the island that came against them.” (“The point wasn’t the name of the wind [nor’easter]. All of these nautical terms can be difficult for people who aren’t seafaring. The point wasn’t so much which cardinal direction the wind was coming from. The point was that the wind was coming from a direction that made it impossible for them to go in the direction they wanted to go. This is further explained in the following verse.”) (Source: David Frank)
Caluyanun: “Not long-afterward, the wind from the aminhan/northeast got-strong, which was from the land-area of the island of Crete.” (“’Aminhan’ is the common direction of the wind during half the year.”) (Source: Kermit Titrud)
Northern Emberá: “But soon a bad wind called the Euroclidon blew forcefully from the right hand.” (“When we have to specify north and south we use left hand and right hand, respectively. But in Acts 27:14, the Northeaster wind comes from the right, hitting the right side of the ship as they headed west.”) (Source: Chaz Mortensen)
Amele: “But shortly a strong wind called Jawalti blowing from the direction of the sun coming up to the left came up.” (“East is cam tobec isec ‘the direction the sun comes up’ and west is cam tonec/nec isec ‘the direction the sun goes/comes down.’ ‘Jawalti’ is a local name for the wind that blows down from the north coast of Madang. ‘Sea corner’ is the Amele term for ‘harbour‘”) (Source: John Roberts)
Mairasi: “But after not a very long time at all already a very big wind blew from behind us. In Greek that wind is called ‘Eurokulon’ from over there in the north and east. It blew down from that island itself.” (Source: Enggavoter 2004)
Kankanaey: “But it wasn’t long, a swift wind arrived from the upper-part of Creta.” (Source: Kankanaey Back Translation)
Western Bukidnon Manobo: “And it wasn’t a long time from then, we were typhooned. A very strong wind arrived which was called Abagat. The wind came from the direction of the land.” (Source: Western Bukidnon Manobo Back Translation)
Tagbanwa: “But before we had been sailing for long, suddenly/unexpectedly the wind changed again to an off-shore wind of tremendous strength. Euraclidon was what the people from there called that wind.” (Source: Tagbanwa Back Translation)
Uma: “But in fact not long after that, a big wind came from the land, a wind called Sea Storm.” (Source: Uma Back Translation)
Yakan: “But not long after, a very strong wind blew from the coast.” (Source: Yakan Back Translation)
The Greek in Acts 12:8 that is translated as “wrap your cloak around you” or similar in English is translated in Lalana Chinantec a “put on your warm cloth,” in Morelos Nahuatl as “put on your other clothing,” in Teutila Cuicatec as “put on your outer shirt,” and in Chichimeca-Jonaz as “put on your blanket well.” (Source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
The Greek (and Hebrew) that is translated on many English versions as “Zeal for your house will consume me” is translated in various ways in other languages:
Yanesha’: “My protectiveness for your house completely possesses me.”
Xicotepec De Juárez Totonac: “So very much I want the house of God to be honored. And because of this I am treated with contempt.”
Tenango Otomi: “I look with respect on your house, even though I lose my life.”
Lalana Chinantec: “I cannot stand it, so much do I value the house where they worship You.” (Source for this and above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
Uma: “My heart boiled, because I love your (sing.) House, Lord.” (Source: Uma Back Translation)
Yakan: “My love for your house o God, is like a fire in my liver which is destroying me.” (Source: Yakan Back Translation)
Western Bukidnon Manobo: “Very great is my cherishing of your house, God, and that’s why it has become a reason for giving me a very painful breath.” (Source: Western Bukidnon Manobo Back Translation)
Kankanaey: “My extreme concern-for (lit. hurting-for) your (sing.) house, that will be my death.” (Source: Kankanaey Back Translation)
Tagbanwa: “I really uphold/stand-up-for very much your house where you are worshiped even if it will cause my life/breath to be severed.” (Source: Tagbanwa Back Translation)
Tenango Otomi: “I look with respect on your house, even though I lose my life.” (Source: Tenango Otomi Back Translation)
In Gbaya, the notion of “consume” (or “burn like a fire” in the Good News Translation) is emphasized with lɛk-lɛk, an ideophone “that is often used to describe the flames of a fire.”
Philip Noss (in The Bible Translator 1976, p. 100ff. ) explains: “A descriptive device common to Gbaya oral literature that is often found in translations of the Psalms is the ideophone. The ideophone may be identified with onomatopoeia and other sound words frequently seen in French and English comic strips, but in Gbaya and other African languages it comprises a class of words with a very wide range of meaning and usage. They may function verbally, substantively, or in a modifying role similar to adverbs and adjectives. They describe anything that may be experienced: action, sound, color, quality, smell, or emotion. In oral literature they are used not only with great frequency but also with great creativity.
Conforming to Gbaya literary style, the team used ideophones in its translation of the Psalms, although an average of less than two per psalm is a considerably lower rate of occurrence than in Gbaya narrative. There were two reasons for this limited usage. The first was that the Psalms are poetry rather than action narrative where their occurrence would be more common. The second was that in a tale being performed for artistic reasons, the ideophone may predominate over the action, whereas in the psalm the ideophone must complement without dominating or overshadowing the message. However, since the ideophone is an integral part of Gbaya literary expression, it could not be omitted. To do so would have rendered the translation colorless and unliterary.”
