The Greek, Ge’ez, and Latin that is transliterated as “paradise” in English is often transliterated in other languages as well. Translations include “Place of well-being” (Toraja-Sa’dan, Tzeltal), “abode of happiness (or: of happy people)” (Marathi), “garden of eternal life” (Uab Meto), or the name of a place where you don’t have to work and fruits drop ripe in your hand (Ekari). (Source: Reiling / Swellengrebel)
In Mandarin Chinese and Cantonese it is translated as 乐园 / 樂園 (lèyuán in Mandarin, lok6jyun4 in Cantonese). This term, literally meaning “garden of joy,” originates from Buddhist terminology.
“something was-consuming in our-heart” in Tae’ (an idiom for “we were profoundly moved”) (source for this and above: Reiling / Swellengrebel)
“O, how sweet coolness did our hearts feel” in an early version of the Bible in Sranan Tongo. “The translator “did this to avoid misunderstanding. In Sranan Tongo, when one says ‘my heart is burning’ he means ‘I am angry.'” (Source: Janini 2015, p. 33)
“Wasn’t it as rain coming down on us?” in Afar. “Heat is bad, rain is good in the desert.” (Source: Loren Bliese)
“our interiors bubbled up” in Bariai (source: Bariai Back Translation)
In the 2008 MobaYendu Kadapaaonn translation it is translated as “were not our hearts encouraged (literally: made strong)?” While Moba has a rich metaphorical library using the concept of “heart” (pal) it follows very different paradigms compared to Greek, Hebrew and English concepts. (Source: Bedouma Joseph Kobaike in Le Sycomore 17/1, 2024, p. 3ff. .) (See also I hold you in my heart)
“much work overwhelmed Martha” (Sranan Tongo) (source for all above: Reiling / Swellengrebel)
“her face kept on getting turned with her work inside the house” (Mairasi) (source: Enggavoter 2004)
“she was alone in the kitchen because she was making food for them, and there were many problems that she had with what she was doing” (Western Bukidnon Manobo) (source: Western Bukidnon Manobo Back Translation)
“Marta’s eye was here and there with the doing of tasks” (Bariai) (source: Bariai Back Translation)
The Greek in Luke 11:40 that is translated as “(you) foolish people” or “(you) foolish ones” is (back-) translated in a number of ways:
San Blas Kuna: “people having a dark liver” (“incapable of intelligent, thoughtful behavior”) (See Seat of the Mind for traditional views of “ways of knowing, thinking, and feeling.”)
Batak Toba: “those short-of-mind” (“mostly referring to stupidity or ignorance in general”)
Zarma: a word indicating a person who refuses to use the intelligence he has
Chichewa, Yao: expressions implying intractability and willful opposition to common interests or commonly accepted ideas (source for this and above: Reiling / Swellengrebel)
The Greek in Luke 24:16 that is translated as “their eyes were prevented from recognizing” in English is translated with idioms in languages like Shona with “their eyes were clouded, or, shrouded/blindfolded,” Uab Meto with “their eyes were misty” or with a simile such as “their eyes were just as if they had been caused to be shut” in Marathi.
In the German New Testament translation by Berger / Nord (publ. 1999) it is translated idiomatically with wie mit Blindheit geschlagen or “as if struck with blindness.”
The Greek that is translated as “cross” in English is often referred to a visualization of the cross’ shape. In Mandarin Chinese and Japanese, for instance, it is translated as 十字架 (Chinese: shízìjià; Japanese: jūjika) — “10-character-frame” because the character for “10” has the shape of a cross) or in Ancient Greek manuscripts with the staurogram (⳨) a ligature of the Greek letters tau (Τ) and rho (Ρ) that was used to abbreviate stauros (σταυρός), the Greek word for cross, and may visually have represented Jesus on the cross.
Elsewhere it refers to the function, e.g. a newly coined term, like one made up of two Sanskrit words meaning “killing-pole” (Marathi NT revision of 1964), “wood to-stretch-out-with” (Toraja-Sa’dan), or “nailing pole” (Zarma). A combination of the two seems to be used in Balinese, which employs a word for the crossbeams in a house, derived from a verb that can refer both to a beam that stretches from side to side under a roof, and to a person stretched out for torture (source for this and above: Reiling / Swellengrebel). Similarly, in Lamba it is translated “with umutaliko — ‘a pole with a cross-piece, on which maize was normally tied’ from the verb ‘talika’ which, strangely enough, is used of ‘holding down a man with arms and legs stretched out, someone gripping each limb.'” (Source C. M. Doke in The Bible Translator 1958, p. 57ff. ).
“In Mongolian, the term that is used is togonoltchi mott, which is found in the top of a tent. The people on the steppes live in round felt-yurts and the round opening on the top of the tent serves as a window. The crosswood in that opening is called togonoltchi mott. ‘Crucified’ is translated ‘nailed on the crosswood.’ This term is very simple, but deep and interesting too. Light comes to men through the Cross. What a privilege to be able to proclaim such a message.” (Source: A. W. Marthinson in The Bible Translator 1954, p. 74ff. )
In Mairasi it is translated as iwo nasin ae: “chest measurement wood.” “This term refers to the process of making a coffin when a person dies. The man making the coffin takes a piece of bamboo and measures the body from head to heel. He then breaks the stick off at the appropriate point. For the width he measures the shoulders and then ties the two sticks together in the shape of a cross. As he works, he continually measures to make sure the coffin is the correct size. At the gravesite, the coffin is lowered. Then the gravecloth, palm leaves, and finally the chest measurement stick are laid on top of the coffin before the dirt is piled on. This term is full of meaning, because it is in the shape of a cross, and each person will have one. The meaning is vividly associated with death.” (Source: Enggavoter, 2004)
In Lisu it is translated as ꓡꓯꓼ ꓐꓳ ꓔꓶꓸ DU — lä bo tɯ du: “a place to stretch the arms across” (source: Arrington 2020, p. 215), in Noongar as boorn-yambo: “crossed tree” (source: Warda-Kwabba Luke-Ang), in Yagaria as malipu yava or “cross-wood,” Alekano as “cross-wise tree,” in Kuman (PNG) as endi pirake or “vertical and horizontal beam” (source for this and two above: Renck 1990, p. 81), and in Tibetan as rgyangs shing (རྒྱངས་ཤིང་།), lit. “stretch + wood” (“translators have adopted the name of this traditional Tibetan instrument of torture to denote the object on which Jesus died”) (source: gSungrab website ).
The English translation of Ruden (2021) uses “stake.” She explains (p. xlv): “The cross was the perpendicular joining of two execution stakes, and the English word euphemistically emphasized the geometry: a cross could also be an abstract cross drawn on paper. The Greeks used their word for ‘stake,’ and this carries the imagery of what was done with it, as our ‘stake’ carries images of burning and impaling. ‘Hang on the stakes’ for ‘crucify’ is my habitual usage.”
The Greek that is translated into English versions as “throne” is translated into Naro as ntcõó-q’oo: “he will rule.” The figure of the “throne” cannot be translated in the egalitarian Naro culture, so the idea had to be expressed more explicitly. (Source: Gerrit van Steenbergen)
In other languages it is translated as “stool/seat of the king” (Marathi), “seat of commanding/chieftainship” (Highland Totonac, Kituba), “seat of the Supreme one (lit. of-him-who-has-the umbrella)” (Toraja-Sa’dan — the umbrella being a well-known symbol of power in various parts of South and South-East Asia), “glorious place to sit” (Ekari) (source: Reiling / Swellengrebel), “where God sits and rules” (Estado de México Otomi), “where God reigns” (Central Mazahua) (source: John Beekman in Notes on Translation, March 1965, p. 2ff.), or “bed of kingship” (Kafa) (source: Loren Bliese).
In Elhomwe it is translated as “seat of the king,” unless it refers to the throne of God (such as in Matthew 19:28. Then the translation is the “seat of God.”) (Source: project-specific translation notes in Paratext)