The Greek and Hebrew terms that are translated as “hypocrite” in English typically have a counterpart in most languages. According to Bratcher / Nida (1961, p. 225), they can be categorized into the following categories:
those which employ some concept of “two” or “double”
those which make use of some expression of “mouth” or “speaking”
those which are based upon some special cultural feature
those which employ a non-metaphorical phrase
Following is a list of (back-) translations from some languages:
Mazahua: “have a swollen mouth” (from too much speaking)
Tai Dam: “have a straight mouth and a crooked heart”
Kongo: “the bitterness of white” (an idiom based on the fact that white-wash looks nice but tastes bitter)
Malagasy: “spread a clean carpet” (an expression used in Madagascar to describe one who covers up the dirt of an unswept floor just before the arrival of guests)
Zanaki: “those who make themselves out to be good”
Tetelcingo Nahuatl: “those who deceive” (this and all examples above acc. to Bratcher / Nida 1961, p. 225)
Kafa: “one who makes as if his belly is clean” (source: Loren Bliese)
Bauzi: “good on top person” (source: David Briley in Kroneman (2004), p. 502)
Tibetan: kha chos pa (ཁ་ཆོས་པ།), lit. “mouth + religion + person” (used for instance in Matt. 7:5) or sgyu zog can (སྒྱུ་ཟོག་ཅན།), lit. “deception + fraud + person” (used for instance in Matt. 24:51) (source: gSungrab website )
Low German: “actor in a comedy” (translation by Johannes Jessen, publ. 1933, republ. 2006)
The English version of Sarah Ruden (2021) uses “play-actor.” She explains (p. li): “A hupokrites is fundamentally an actor. The word has deep negativity in the Gospels on two counts: professional actors were not respectable people in the ancient world, and traditional Judaism did not countenance any kind of playacting. I write ‘play-actor’ throughout.”
The Greek that is translated into English as “babbler” is translated in Fuyug as “this birdbrain.” (Source: David Clark)
In San Mateo del Mar Huave, it is translated as “that man who does not know how to close his mouth,” in Eastern Highland Otomi as “much-talker man,” in Teutila Cuicatec as “loud-mouthed fellow,” in Chichimeca-Jonaz as “person who does nothing but talk,” and in Morelos Nahuatl as “man who talks so much.” (Source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
In Low German it is translated as Klooksnaker or “know-it-all” (translation by Johannes Jessen, publ. 1933, republ. 2006).
The Greek that is translated into English as “anchor” in English is, due to non-existing nautical language, rendered as kayo’ barko (“an instrument that keeps the boat from drifting”) in Chol (source: Steven 1979, p. 76), “iron hooks” (“that make the boat stop”) in Isthmus Mixe, “irons called ‘anchors’ with ropes” in Teutila Cuicatec (source for this and above: Ronald D. Olson in Notes on Translation January, 1968, p. 15ff.), “weights, and thus they were able to make the boat stand” in Xicotepec De Juárez Totonac (source: Larson 1998, p. 99), “an iron attached to a rope attached to the boat so that it may not drift away” in Lalana Chinantec (source: John Beekman in Notes on Translation, March 1965, p. 2ff.), “a thing that makes the water vehicle stand still” in Kamwe (source: Roger Mohrlang in here), “the metal piece that was in the water that detained the boat” in Eastern Highland Otomi (source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.), “iron crab” in Bawm Chin (source: David Clark), and “big canoe stopping metal” in Kouya.
Eddie Arthur tells the story of the translation into Kouya: “A slightly more prosaic example comes from Paul’s sea voyages in the Book of Acts. In Acts 27, when Paul’s ship was facing a huge storm, there are several references to throwing out the anchor to save the ship. Now the Kouya live in a tropical rain-forest and have no vessels larger than dug-out canoes used for fishing on rivers. The idea of an anchor was entirely foreign to them. However, it was relatively easy to devise a descriptive term along the lines of ‘boat stopping metal’ that captured the essential nature of the concept. This was fine when we were translating the word anchor in its literal sense. However, in Hebrews 6:19 we read that hope is an anchor for our souls. It would clearly make no sense to use ‘boat stopping metal’ at this point as the concept would simply not have any meaning. So in this verse we said that faith was like the foundation which keeps a house secure. One group working in the Sahel region of West Africa spoke of faith being like a tent peg which keeps a tent firm against the wind. I hope you can see the way in which these two translations capture the essence of the image in the Hebrews verse while being more appropriate to the culture.”
Click or tap here to see a short video clip showing an anchor in biblical times (source: Bible Lands 2012)
Teutila Cuicatec: “people from other nations who believe the same as those of the nation of Israel”
Chuj: “those who have received the religion of the Israel people”
Morelos Nahuatl: “those who entered the religion of the Jews”
Lalana Chinantec: “those who worship God as the Israel people do”
Chichimeca-Jonaz: “those who joined with the Jews because they went to believing like them”
Falam Chin: “those who entered/joined the Jews’ religious party from other tribes” (source for this and above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
The Greek that is translated in English as “gave them authority over the unclean spirits” or similar is translated in Teutila Cuicatec as “gave them the work that they should take out evil spirits.” In Teutila Cuicatec, “authority” is never spoken of as being “given”.Rather it is considered to be the automatic possession of one who has been given a “work” by a recognized authority. (Source: B. Moore / G. Turner in Notes on Translation 1967, p. 1ff.)
The Greek and Latin that is translated as “resurrection” in English is translated in Chicahuaxtla Triqui and Pohnpeian as “live-up” (i.e. return to life) (source: Reiling / Swellengrebel) and in Iloko as panagungar: a term that stems “from the word ‘agungar,’ an agricultural term used to describe the coming back to life of a plant which was wilting but which has been watered by the farmer, or of a bulb which was apparently dead but grows again.” (Source: G. Henry Waterman in The Bible Translator 1960, p. 24ff. )
In Estado de México Otomi, it is translated as “people will be raised from the dead,” in Teutila Cuicatec as “the dead having to come to life again,” in San Mateo del Mar Huave as “arose from the grave” (source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.), and in Kriol as gidap laibala brom dedbala or “get up alive from the dead” (source: Sam Freney in this article .)
The Greek that is translated as “does not dwell in houses made with hands” in English is translated in does not dwell in Palantla Chinantec as “it isn’t as though men are capable of building a house where he will live,” in Tenango Otomi as “doesn’t reside in churches made by people,” in Lalana Chinantec as “it isn’t a house that people made where God lives. He lives up in heaven,” in Morelos Nahuatl as “does not really live in churches that we made with our hands,” and in Teutila Cuicatec as “it is not necessary for God….to live inside churches that people build.” (Source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
The Greek that is translated in English as “examined the scriptures” or similar is translated in Isthmus Mixe as “hunted in the written Word of God” and in Teutila Cuicatec as “looked at the paper on which was written down the Word of God.” (Source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)