Lloyd Peckham explains the Mairasi translation: “In secret stories, not knowable to women nor children, there was a magical fruit of life. If referred to vaguely, without specifying the specific ‘fruit,’ it can be an expression for eternity.”
San Blas Kuna: “their thinking is not in their hearts” (source for this and above: Bratcher / Nida)
Mairasi: “tribute of theirs for me [which] will-be-on-their-own” (source: Enggavoter 2004)
Guhu-Samane: “with the front teeth of their mouths they worship me” (“‘In vain’ caused puzzlement [because] why should their efforts to worship God produce no results, try as they may? [But the idiom] ‘with the front teeth of their mouths they worship me’ comes from the picture of one who is making a pretense at eating food, hence their deceit is apparent.’ Source: Ernest L. Richert in Notes on Translation December 1963: p. 4-7; reprinted in The Bible Translator 1965, p. 198ff. )
The Greek and Hebrew terms that are translated as “hypocrite” in English typically have a counterpart in most languages. According to Bratcher / Nida (1961, p. 225), they can be categorized into the following categories:
those which employ some concept of “two” or “double”
those which make use of some expression of “mouth” or “speaking”
those which are based upon some special cultural feature
those which employ a non-metaphorical phrase
Following is a list of (back-) translations from some languages:
Mazahua: “have a swollen mouth” (from too much speaking)
Tai Dam: “have a straight mouth and a crooked heart”
Kongo: “the bitterness of white” (an idiom based on the fact that white-wash looks nice but tastes bitter)
Malagasy: “spread a clean carpet” (an expression used in Madagascar to describe one who covers up the dirt of an unswept floor just before the arrival of guests)
Zanaki: “those who make themselves out to be good”
Tetelcingo Nahuatl: “those who deceive” (this and all examples above acc. to Bratcher / Nida 1961, p. 225)
Kafa: “one who makes as if his belly is clean” (source: Loren Bliese)
Bauzi: “good on top person” (source: David Briley in Kroneman (2004), p. 502)
Tibetan: kha chos pa (ཁ་ཆོས་པ།), lit. “mouth + religion + person” (used for instance in Matt. 7:5) or sgyu zog can (སྒྱུ་ཟོག་ཅན།), lit. “deception + fraud + person” (used for instance in Matt. 24:51) (source: gSungrab website )
Low German: “actor in a comedy” (translation by Johannes Jessen, publ. 1933, republ. 2006)
The English version of Sarah Ruden (2021) uses “play-actor.” She explains (p. li): “A hupokrites is fundamentally an actor. The word has deep negativity in the Gospels on two counts: professional actors were not respectable people in the ancient world, and traditional Judaism did not countenance any kind of playacting. I write ‘play-actor’ throughout.”
The Greek that is translated as “envy” in most English translations is, according to Nida (1952, p. 134), translated into Tzeltal and Tabasco Chontal in the following manner:
“Envy is bred of covetousness and self-centeredness. The Tzeltals, who recognize a covetous man as having a ‘small heart,’ say that an envious person has ‘a greedy heart.’ ‘Small hearts’ and ‘greedy hearts’ go together, and the soul shrinks in direct proportion to its greediness. The envious person is never satisfied, for he can never keep step with his own insatiable ego.
“The Chontal Indians, living in the low, swampy delta land of Tabasco in southern Mexico, regard envy in a more subtle way. They say of the man who is envious of his neighbor, ‘He did not want to see his neighbor.’ This describes the end result of envy. People cannot bear to see others enjoying the privileges which they insist should be their own. The envious man has acquired such a self-directed stare that he cannot take his eyes off self to see another’s enjoyment.”
In Central Mazahua is is translated as “jealous of each other, their fellow people” and in Sayula Popoluca as “hate those who have something.” (Source: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.)
Balinese: “put on a new behavior” (compare “repentance“: “to put on a new mind”)
Tzeltal: “cause one’s heart to return to God” (compare “repentance”: “to cause one’s heart to return because of one’s sin”)
Pedi: “retrace one’s step” (compare “repentance”: “to become untwisted”)
Uab Meto: “return” (compare “repentance”: “to turn the heart upside down”)
Northwestern Dinka: “turn oneself” (compare “repentance”: “to turn the heart”) (source for this and all above: Bratcher / Nida)
Central Mazahua: “change the heart” (compare “repentance”: “turn back the heart”) (source: Nida 1952, p. 40)
Western Kanjobal: “molt” (like a butterfly) (source: Nida 1952, p. 136)
Latvian: atgriezties (verb) / atgriešanās (noun) (“turn around / return”) which is also the same term being used for “repentance” (source: Katie Roth)
Isthmus Mixe: “look away from the teaching of one’s ancestors and follow the teachings of God”
Highland Popoluca: “leave one’s old beliefs to believe in Jesus” (source for thsi and above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
The Greek that is translated with “deny himself” or “deny oneself” is according to Bratcher / Nida “without doubt one of the most difficult expressions in all of Mark to translate adequately.” These are many of the (back-) translations:
Aari: “the day our Savior comes” (in Rom 13:11) (source: Loren Bliese)
in Mairasi its is translated as “life fruit” or “life fruit all mashed out.” Lloyd Peckham explains: “In secret stories, not knowable to women nor children, there was a magical fruit of life. If referred to vaguely, without specifying the specific ‘fruit,’ it can be an expression for eternity.” And for “all masked out” he explains: “Bark cloth required pounding. It got longer and wider as it got pounded. Similarly, life gets pounded or mashed to lengthen it into infinity. Tubers also get mashed into the standard way of serving the staple food, like the fufu of Uganda, or like poi of Hawaii. It spreads out into infinity.” (See also eternity / forever)
In Lisu a poetic construct is used for this term. Arrington (2020, p. 58f.) explains: “A four-word couplet uses Lisu poetic forms to bridge the abstract concrete divide, an essential divide to cross if Christian theology is to be understood by those with oral thought patterns. Each couplet uses three concrete nouns or verbs to express an abstract term. An example of this is the word for salvation, a quite abstract term essential to understanding Christian theology. To coin this new word, the missionary translators used a four-word couplet: ℲO., CYU. W: CYU (person … save … person … save). In this particular case, the word for person was not the ordinary word (ʁ) but rather the combination of ℲO., and W: used in oral poetry. The word for ‘save’ also had to be coined; in this case, it was borrowed from Chinese [from jiù / 救]. These aspects of Lisu poetry, originally based on animism, likely would have been lost as Lisu society encountered communism and modernization. Yet they are now codified in the Lisu Bible as well as the hymnbook.”
The Greek that is translated as “justify” in English is translated into Tzotzil in two different ways. One of those is with Lec xij’ilatotic yu’un Dios ta sventa ti ta xc’ot ta o’ntonal ta xch’unel ti Jesucristoe (“we are seen well by God because of our faith in Jesus Christ”) (source: Aeilts, p. 118) and the other is “God sees as righteous” (source: Ellis Deibler in Notes on Translation July, 1967, p. 5ff.).
Other (back-) translations include:
Bilua: “straigthened” (Rom 3:20: “Nobody can be straightened in God’s presence…”) (source: Carl Gross) (see also: righteous)