The Hebrew, Greek, and Latin that is sometimes translated as “ark of the covenant” in English (other English options: “pact chest” [translation by John Goldingay, 2018] or “Coffer of the Covenant” [translation by Everett Fox, 1995]) is translated in various ways:
Mairasi: Anasi Farjora or “Covenant Place” (source: Enggavoter 2004)
Following is an artwork by Sister Marie Claire , SMMI (1937–2018) from Bengaluru, India:
For more information about images by Sister Marie Claire and ways to purchase them as lithographs, see here . For other images of Sister Marie Claire paintings in TIPs, see here.
In American Sign Language it is translated with a sign that combines “box” and the wings of the cherubim on top of the ark (see Exod 25:18 and following). (Source: Ruth Anna Spooner, Ron Lawer)
“Ark of the covenant” in American Sign Language, source: Deaf Harbor
The Greek that is translated as “cross” in English is often referred to a visualization of the cross’ shape. In Mandarin Chinese and Japanese, for instance, it is translated as 十字架 (Chinese: shízìjià; Japanese: jūjika) — “10-character-frame” because the character for “10” has the shape of a cross) or in Ancient Greek manuscripts with the staurogram (⳨) a ligature of the Greek letters tau (Τ) and rho (Ρ) that was used to abbreviate stauros (σταυρός), the Greek word for cross, and may visually have represented Jesus on the cross.
Elsewhere it refers to the function, e.g. a newly coined term, like one made up of two Sanskrit words meaning “killing-pole” (Marathi NT revision of 1964), “wood to-stretch-out-with” (Toraja-Sa’dan), or “nailing pole” (Zarma). A combination of the two seems to be used in Balinese, which employs a word for the crossbeams in a house, derived from a verb that can refer both to a beam that stretches from side to side under a roof, and to a person stretched out for torture (source for this and above: Reiling / Swellengrebel). Similarly, in Lamba it is translated “with umutaliko — ‘a pole with a cross-piece, on which maize was normally tied’ from the verb ‘talika’ which, strangely enough, is used of ‘holding down a man with arms and legs stretched out, someone gripping each limb.'” (Source C. M. Doke in The Bible Translator 1958, p. 57ff. ).
“In Mongolian, the term that is used is togonoltchi mott, which is found in the top of a tent. The people on the steppes live in round felt-yurts and the round opening on the top of the tent serves as a window. The crosswood in that opening is called togonoltchi mott. ‘Crucified’ is translated ‘nailed on the crosswood.’ This term is very simple, but deep and interesting too. Light comes to men through the Cross. What a privilege to be able to proclaim such a message.” (Source: A. W. Marthinson in The Bible Translator 1954, p. 74ff. )
In Mairasi it is translated as iwo nasin ae: “chest measurement wood.” “This term refers to the process of making a coffin when a person dies. The man making the coffin takes a piece of bamboo and measures the body from head to heel. He then breaks the stick off at the appropriate point. For the width he measures the shoulders and then ties the two sticks together in the shape of a cross. As he works, he continually measures to make sure the coffin is the correct size. At the gravesite, the coffin is lowered. Then the gravecloth, palm leaves, and finally the chest measurement stick are laid on top of the coffin before the dirt is piled on. This term is full of meaning, because it is in the shape of a cross, and each person will have one. The meaning is vividly associated with death.” (Source: Enggavoter, 2004)
In Lisu it is translated as ꓡꓯꓼ ꓐꓳ ꓔꓶꓸ DU — lä bo tɯ du: “a place to stretch the arms across” (source: Arrington 2020, p. 215), in Noongar as boorn-yambo: “crossed tree” (source: Warda-Kwabba Luke-Ang), in Yagaria as malipu yava or “cross-wood,” Alekano as “cross-wise tree,” in Kuman (PNG) as endi pirake or “vertical and horizontal beam” (source for this and two above: Renck 1990, p. 81), and in Tibetan as rgyangs shing (རྒྱངས་ཤིང་།), lit. “stretch + wood” (“translators have adopted the name of this traditional Tibetan instrument of torture to denote the object on which Jesus died”) (source: gSungrab website ).
The English translation of Ruden (2021) uses “stake.” She explains (p. xlv): “The cross was the perpendicular joining of two execution stakes, and the English word euphemistically emphasized the geometry: a cross could also be an abstract cross drawn on paper. The Greeks used their word for ‘stake,’ and this carries the imagery of what was done with it, as our ‘stake’ carries images of burning and impaling. ‘Hang on the stakes’ for ‘crucify’ is my habitual usage.”
Low German translation by Johannes Jessen, publ. 1933, republ. 2006: “steppe”
Yakan: “the lonely place” (source: Yakan Back Translation)
Western Bukidnon Manobo: “a land where no people lived” (source: Western Bukidnon Manobo Back Translation)
Kankanaey: “the place with no inhabitants” (source: Kankanaey Back Translation)
Matumbi uses various term: lubele (desert, sandy place without water) — used in John 11:54, lupu’ngu’ti (a place where no people live, can be a scrub land, a forest, or a savanna) — used in Mark 1:3 et al.), and mwitu (a forest, a place where wild animals live) — used in Mark 1:13 et al.) (Source: Pioneer Bible Translators, project-specific notes in Paratext)
Chichewa Contemporary translation (2002/2016): chipululu: a place uninhabited by people with thick forest and bush (source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Note that in Luke 15:4, usually a term is used that denotes pastoral land, such as “eating/grazing-place,” in Tagbanwa (source: Tagbanwa Back Translation).
Translator Lee Bramlett submitted this on the translation of the Greek word that is translated into English as “love” (referring to God’s love). This letter was then reposted by Wycliffe Bible Translators (see here ):
“Translator Lee Bramlett was confident that God had left His mark on the Hdi culture somewhere, but though he searched, he could not find it. Where was the footprint of God in the history or daily life of these Cameroonian people? What clue had He planted to let the Hdi know who He was and how He wanted to relate to them?
“Then one night in a dream, God prompted Lee to look again at the Hdi word for ‘love.’ Lee and his wife, Tammi, had learned that verbs in Hdi consistently end in one of three vowels. For almost every verb, they could find forms ending in i, a, and u. But when it came to the word for love, they could only find i and a. Why no u?
“Lee asked the Hdi translation committee, which included the most influential leaders in the community, ‘Could you ‘ɗvi’ your wife?’ ‘Yes,’ they said. That would mean that the wife had been loved but the love was gone.
“‘Could you ‘ɗva’ your wife?’ ‘Yes,’ they said. That kind of love depended on the wife’s actions. She would be loved as long as she remained faithful and cared for her husband well.
“‘Could you ‘ɗvu’ your wife?’ Everyone laughed. ‘Of course not! If you said that, you would have to keep loving your wife no matter what she did, even if she never got you water, never made you meals. Even if she committed adultery, you would be compelled to just keep on loving her. No, we would never say ‘ɗvu.’ It just doesn’t exist.’
“Lee sat quietly for a while, thinking about John 3:16, and then he asked, ‘Could God ‘ɗvu’ people?’
“There was complete silence for three or four minutes; then tears started to trickle down the weathered faces of these elderly men. Finally they responded. ‘Do you know what this would mean? This would mean that God kept loving us over and over, millennia after millennia, while all that time we rejected His great love. He is compelled to love us, even though we have sinned more than any people.’
“One simple vowel and the meaning was changed from ‘I love you based on what you do and who you are,’ to ‘I love you, based on Who I am. I love you because of Me and NOT because of you.’
“God had encoded the story of His unconditional love right into their language. For centuries, the little word was there — unused but available, grammatically correct and quite understandable. When the word was finally spoken, it called into question their entire belief system. If God was like that, did they need the spirits of the ancestors to intercede for them? Did they need sorcery to relate to the spirits? Many decided the answer was no, and the number of Christ-followers quickly grew from a few hundred to several thousand.
“The New Testament in Hdi is ready to be printed now, and 29,000 speakers will soon be able to feel the impact of passages like Ephesians 5:25: ‘Husbands, ‘ɗvu’ your wives, just as Christ ‘ɗvu’-d the church…'”
In Hawai’i Creole English the love that God has is often translated as love an aloha. Aloha has a variety of meanings, including “hello,” “goodbye,” “love,” “thank you,” etc.
The Philippine languages of Cebuano, Tagalog, and Pampanga use a word (gugma, pag-ibig, and lugud respectively) that is also used for a “noble, refined love of people for each other,” distinct from romantic love. (Source: G. Henry Waterman in The Bible Translator 1960, p. 24ff. )
In Mairasi, the term that is used for love by God, for God and for people is the same: “desire one’s face.” (source: Enggavoter 2004)
Joseph Hong (in The Bible Translator 1996, p. 233ff. ) explains the translation of this kind of love into Khmer: “Expressing the idea of God’s love has also caused some problems. Since the Khmer knows only about the Buddha as compassionate, the translation team was at a loss to find an adequate term to express God’s love for humankind which is so great that God even allowed himself to become a human being. A solution was found which says that God “relates himself” to (that is, “interacts with”) human beings, srolanh (ស្រលាញ់).”
The Greek that is translated as “astonished” or “amazed” or “marvel” in English is translated in Pwo Karen as “stand up very tall.” (In John 5:20, source: David Clark)
Elsewhere it is translated as “confusing the inside of the head” (Mende), “shiver in the liver” (Uduk, Laka), “to lose one’s heart” (Mískito, Tzotzil), “to shake” (Southern Bobo Madaré), “to be with mouth open” (Panao Huánuco Quechua) (source: Bratcher / Nida), “to stand with your mouth open” (Citak) (source: Stringer 2007, p. 120), “ceasing to think with the heart” (Bulu), “surprise in the heart” (Yamba) (source for this and one above: W. Reyburn in The Bible Translator 1959, p. 1ff. ), or “have one’s mouth full” (Maan (source: Don Slager).
In Mark 5:20 and elsewhere where the astonishment is a response to listening to Jesus, the translation is “listen quietly” in Central Tarahumara, “forget listening” (because they were so absorbed in what they heard that they forgot everything else) in San Miguel El Grande Mixtec, “it was considered very strange by them” in Tzeltal (source: Bratcher / Nida), “in glad amazement” (to distinguish it from other kinds of amazement) (Quetzaltepec Mixe) (source: Robert Bascom), or “breath evaporated (or “escaped”)” (Mairasi) (source: Enngavoter 2004).
In Western Dani astonishment is emphasized with direct speech. In Mark 1:22, for instance, it says: “Wi!” yinuk, pi wareegwaarak — “They were all amazed, saying ‘Oh'” (source: Lourens De Vries in The Bible Translator 1992, p. 333ff. )
In Low German it is translated as grote Oken maken or “make big eyes” (sometime followed by: un kreegn dat Stillswiegen: “and became silent”) (translation by Johannes Jessen, publ. 1933, republ. 2006).
In the Kölsch translation (Boch 2017) it is translated as brummte de Lück de Kopp or “the heads of the people buzzed,” Bauklötz jestaunt, lit. “marvel toy blocks,” and vür Staune de Muhl nit mieh zojekräch or “so full of marvel that they couldn’t close their mouths again.”
In the Pfälzisch translation by Walter Sauer (publ. 2012) it is often translated as baff vor staune or “speechless because of their marvel.” (Source: Jost Zetzsche)
The Greek and Hebrew terms that are often translated as “leprosy (or: defiling/skin disease)” or “leprous (person)” in English is translated in Mairasi as “the bad sickness,” since “leprosy is very common in the Mairasi area” (source: Enggavoter 2004).
Usila Chinantec “sickness like mal de pinta” (a skin disease involving discoloration by loss of pigment) (source: B. Moore / G. Turner in Notes on Translation 1967, p. 1ff.)
Hiligaynon: “dangerous skin disease” (source: Hiligaynon Back Translation)
Kankanaey: “fearful skin disease” (source: Kankanaey Back Translation)
Tenango Otomi: “terrible rotting” (source: Tenango Otomi Back Translation)
Newari: “infectious skin disease” (source: Newari Back Translation)
Targumim (or: Targums) are translations of the Hebrew Bible into Aramaic. They were translated and used when Jewish congregations increasingly could not understand the biblical Hebrew anymore. Targum Onqelos (also: Onkelos) is the name of the Aramaic translation of the Torah (the first five books of the Hebrew Bible) probably composed in Israel/Palestine in the 1st or 2nd century CE and later edited in Babylon in the 4th or 5th century, making it reflect Jewish Babylonian Aramaic. It is the most famous Aramaic translation and was widely used throughout the Jewish communities. In Leviticus 13 and 14 it translates tzaraat as a “quarantining affliction” — focusing “on what occurs to individuals after they suffer the affliction; the person is isolated from the community.” (Source: Israel Drazin in this article ). Similarly, the English Jewish Orthodox ArtScroll Tanach translation (publ. 2011) transliterates it as tzaraat affliction.
The Greek in Matthew 21:33 that is translated in English as “wine press” is translated in Tzotzil and in Mairasi as “a hole dug in the rock where juice is pressed out of grapes.” (Sources: Holzhausen 1991, p. 39 (Tzotzil) and Enggavoter 2004 (Mairasi).)
Click or tap here to see a short video clip showing a wine press in biblical times (source: Bible Lands 2012)
The Greek term that means “one who is sent off” in its singular form and is usually transliterated as “apostle(s)” in English is (back-) translated in the following ways:
San Blas Kuna: “witnesses to God” (meaning “those who speak up and out for God” (source for this and all above: Bratcher / Nida, except Balanta-Kentohe: Rob Koops)
Mairasi: sasiri atatuemnev nesovnaa or “sent witnesses” (source: Enggavoter 2004)
Khmer: Christtout (“messenger representing Christ”) or when Jesus addresses them: Tout robas Preah Ang (“his messengers-representatives”) (source: Joseph Hong in The Bible Translator 1996, p. 233ff. )
Pwo Karen: “eyeballs” (i.e., “right-hand men”) (source: David Clark)
Chicahuaxtla Triqui: “one who goes about preaching the good word” (source for this and above: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.)
Noongar: Moorta Ngany Waangki-Koorl or “People I (Jesus) Send” (source: Warda-Kwabba Luke-Ang)
Ayutla Mixtec: “those who bore the word of God’s mouth”
Chichimeca-Jonaz: “elders messengers” (source for this and above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
Yakan: “commissioned ones” (source: Yakan Back Translation) — note that Scot McKnight in the EnglishThe Second Testament (publ. 2023) translates it as commissioners
Tenango Otomi: “(Jesus’) representatives” (source: Tenango Otomi Back Translation)
Tsamakko: “ones-who-work-for-Christ” (source: Chris Pluger)
Scot McKnight (in The Second Testament, publ. 2023) translates it into English as commissioner.
In American Sign Language it is translated with a combination of the signs for “following” plus the sign for “authority” to differentiate it from disciple. (Source: Ruth Anna Spooner, Ron Lawer)
“apostles” in American Sign Language, source: Deaf Harbor
In Hungarian Sign Language it is translated with a sign that shows the shape of the beard, based on the common and general visual representation of the apostles. This sign differs from the sign for a beard as used in colloquial language. The sign of the apostle does not originate from a specific biblical verse, but rather from the cultural context and later ecclesiastical tradition. “Do not cut the hair at the sides of your head or clip off the edges of your beard.” Lev 19:27. In the biblical era, wearing a beard was the default social and religious norm among Jewish men. The Apostle Peter is generally depicted with a short, curly, white beard. The Apostle Paul appears with a longer, pointed beard. The Apostle John is an exception, as he was the youngest disciple. In iconography, he is often the only one painted without a beard (as a youth) to emphasize his purity and age (see for instance at Transfiguration (icon)). (Source: Jenjelvi Biblia and HSL Bible Translation Group)
