The Greek and Hebrew terms that are translated as “hypocrite” in English typically have a counterpart in most languages. According to Bratcher / Nida (1961, p. 225), they can be categorized into the following categories:
those which employ some concept of “two” or “double”
those which make use of some expression of “mouth” or “speaking”
those which are based upon some special cultural feature
those which employ a non-metaphorical phrase
Following is a list of (back-) translations from some languages:
Mazahua: “have a swollen mouth” (from too much speaking)
Tai Dam: “have a straight mouth and a crooked heart”
Kongo: “the bitterness of white” (an idiom based on the fact that white-wash looks nice but tastes bitter)
Merina Malagasy: “spread a clean carpet” (an expression used in Madagascar to describe one who covers up the dirt of an unswept floor just before the arrival of guests)
Zanaki: “those who make themselves out to be good”
Tetelcingo Nahuatl: “those who deceive” (this and all examples above acc. to Bratcher / Nida 1961, p. 225)
Kafa: “one who makes as if his belly is clean” (source: Loren Bliese)
Bauzi: “good on top person” (source: David Briley in Kroneman (2004), p. 502)
Tibetan: kha chos pa (ཁ་ཆོས་པ།), lit. “mouth + religion + person” (used for instance in Matt. 7:5) or sgyu zog can (སྒྱུ་ཟོག་ཅན།), lit. “deception + fraud + person” (used for instance in Matt. 24:51) (source: gSungrab website )
Low German: “actor in a comedy” (translation by Johannes Jessen, publ. 1933, republ. 2006)
Lélé: ne kub so or “make mouth two” (source: Andy Warren-Rothlin)
The Latvian term liekulis was likely coined by the Bible translation of Ernst Glück (1654–1705) in the late 17th century and is still being used today (source ).
The English version of Sarah Ruden (2021) uses “play-actor.” She explains (p. li): “A hupokrites is fundamentally an actor. The word has deep negativity in the Gospels on two counts: professional actors were not respectable people in the ancient world, and traditional Judaism did not countenance any kind of playacting. I write ‘play-actor’ throughout.”
Tepeuxila Cuicatec: “a person who pardons people of their sins” (source for this and two above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
Noongar: Keny-Barranginy-Ngandabat or “One Bringing Life” (source: Warda-Kwabba Luke-Ang)
Uma: “the King who lifts us from the punishment of our sins” (source: Uma Back Translation)
Western Bukidnon Manobo: “one who delivers us from punishment” (source: Western Bukidnon Manobo Back Translation)
Kankanaey: “one whom we hope/expect will do all we are waiting for” (source: Kankanaey Back Translation)
Tagbanwa: “one who is the pledge of our assurance of salvation in the future.” (Source: Tagbanwa Back Translation)
Kâte: bâbâpiaŋ or “healer” (source: Renck 1990, p. 104)
In various German and Dutch Bible translations, the term Heiland is used, which was introduced by Martin Luther in the 16th century and means “the healing one.” This term (as “Hælend”) was used in Old English as a translation for “Jesus” — see Swain 2019 and Jesus.
In American Sign Language it is signed with a sign describing releasing someone from bondage. (Source: Yates 2011, p. 52)
The Greek, Ge’ez, and Latin that is translated as “archangel” in English is translated in Tibetan as pho nya mchog (ཕོ་ཉ་མཆོག) or “best messenger.” (gSungrab website )
The Hebrew in Zechariah 12:10 that is translated as “the one whom they have pierced” in English is translated into Tibetan with a honorific for “the one” or “him,” with a view to allowing for the quotation in John 19:37 (In the English New Revised Standard Version: “And again another passage of scripture says, ‘They will look on the one whom they have pierced.'”).
The Greek that is translated as “antichrist” in English is translated in Tibetan as ma shi ka’i bstan dgra (མ་ཤི་ཀའི་བསྟན་དགྲ།) or “Christ’s-teaching-enemy.” (Source: gSungrab website )
The following is a stained glass window from the Three choir windows in the Marienkirche, Frankfurt (Oder), Germany, of the 14th century, depicting the antichrist as a wandering preacher:
Source: Der gläserne Schatz: Die Bilderbibel der St. Marienkirche in Frankfurt (Oder), Neuer Berlin Verlag, 2005, hosted by Wikimedia Commons under a public domain license
Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )
The Hebrew in Numbers 11:20 that is translated by some English versions “comes out of your nostrils” is rendered in Tibetan as “till you are sick with it and cannot bear the smell.”
“Son of x, son of y” must be rendered as “son of x and grandson of y” in Tibetan or else it will sound like two different people.
Note: The same translation solution is chosen in many contemporary English Bibles that emphasize easy readability, such as the Contemporary English Version, Common English Bible, Good News Translation, God’s Word, or New Living Translation.
Where English versions tend to translate “touched the top of the scepter” in Esther 5:2 (and the reader assumes that Esther touched the scepter with her hand), Tibetan says she touched it with her head, which is more respectful in that culture.
