2“So whenever you give alms, do not sound a trumpet before you, as the hypocrites do in the synagogues and in the streets, so that they may be praised by others. Truly I tell you, they have received their reward.
The Greek and Hebrew terms that are translated as “hypocrite” in English typically have a counterpart in most languages. According to Bratcher / Nida (1961, p. 225), they can be categorized into the following categories:
those which employ some concept of “two” or “double”
those which make use of some expression of “mouth” or “speaking”
those which are based upon some special cultural feature
those which employ a non-metaphorical phrase
Following is a list of (back-) translations from some languages:
Mazahua: “have a swollen mouth” (from too much speaking)
Tai Dam: “have a straight mouth and a crooked heart”
Kongo: “the bitterness of white” (an idiom based on the fact that white-wash looks nice but tastes bitter)
Merina Malagasy: “spread a clean carpet” (an expression used in Madagascar to describe one who covers up the dirt of an unswept floor just before the arrival of guests)
Zanaki: “those who make themselves out to be good”
Tetelcingo Nahuatl: “those who deceive” (this and all examples above acc. to Bratcher / Nida 1961, p. 225)
Kafa: “one who makes as if his belly is clean” (source: Loren Bliese)
Bauzi: “good on top person” (source: David Briley in Kroneman (2004), p. 502)
Tibetan: kha chos pa (ཁ་ཆོས་པ།), lit. “mouth + religion + person” (used for instance in Matt. 7:5) or sgyu zog can (སྒྱུ་ཟོག་ཅན།), lit. “deception + fraud + person” (used for instance in Matt. 24:51) (source: gSungrab website )
Low German: “actor in a comedy” (translation by Johannes Jessen, publ. 1933, republ. 2006)
Lélé: ne kub so or “make mouth two” (source: Andy Warren-Rothlin)
The Latvian term liekulis was likely coined by the Bible translation of Ernst Glück (1654–1705) in the late 17th century and is still being used today (source ).
The English version of Sarah Ruden (2021) uses “play-actor.” She explains (p. li): “A hupokrites is fundamentally an actor. The word has deep negativity in the Gospels on two counts: professional actors were not respectable people in the ancient world, and traditional Judaism did not countenance any kind of playacting. I write ‘play-actor’ throughout.”
The Greek that is often translated in English as “sound a trumpet before you” is translated in Kayaw as “blow flutes beat drums.” “Flutes and drums are always played at Kayaw festivals and special occasions; flute and drum bands normally accompany visiting dignitaries in a procession as they arrive at a festival.” (Source: Anonymous)
In the EnglishGood News Version (publ. 1966) it is translated non-figuratively as do not make a big show of it and the German equivalent, Die Bibel im heutigen Deutsch (publ. 1968) uses an existing German figure of speech with nicht an die große Glocke hängen (literally: “don’t hang it on the great bell”), meaning “don’t make a big fuss about it” or “don’t broadcast it all around.” (Source: Newman / Stine) See also expose to public disgrace.
The newly-created expression that Luther used in 1522 in the German New Testament translation, ausposaunen, has become a widely used idiom with the meaning of “broadcast (new information)” (literally “to trumpet out”). (Source: Jost Zetzsche)
The Greek that is often translated in English as “truly, truly, I tell you” or similar is translated in the Russian BTI translation (publ. 2015) as Поверьте Мне (Pover’te Mne) or “trust me.” (Source: Andy Warren-Rothlin)
In many English translations the Greek terms “hieron” (the whole “temple” in Jerusalem or specifically the outer courts open to worshippers) and “naos” (the inner “shrine” or “sanctuary”) are translated with only one word: “temple” (see also for instance “Tempel” in German [for exception see below] and “tempel” in Dutch, Danish, or Afrikaans).
Other languages make a distinction: (Click or tap here to see more)
Navajo: “house in which worship is carried out” (for naos)
Balinese: “inner part of the Great Temple” (“the term ‘inner part’ denoting the hindmost and holiest of the two or three courts that temples on Bali usually possess”) vs. “Great Temple”
Telugu: “womb (i.e. interior)-of-the-abode” vs. “abode”
Thai: a term denoting the main audience hall of a Buddhist temple compound vs. “environs-of-the-main-audience-hall”
Kituba: “place of holiness of house-God Lord” vs. “house-God Lord”
Shipibo-Conibo: “deep in God’s house” vs. “God’s house” (source: Reiling / Swellengrebel)
Germandas Buch translation by Roland Werner (publ. 2009-2022): “inner court of the temple” (Tempelinnenhof) vs. “temple”
Languages that, like English, German, Dutch, Danish, or Afrikaans, don’t make that distinction include:
Toraja-Sa’dan: “house that is looked upon as holy, that is sacred, that is taboo and where one may not set foot” (lit. “house where-the-belly-gets-swollen” — because taboo is violated — using a term that is also applied to a Muslim mosque) (source for this and the three above: Reiling / Swellengrebel)
Aguaruna: “the house for talking to God” (source for this and above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
Guhu-Samane: “festival longhouse of God” (“The biiri, ‘festival longhouse’, being the religious and social center of the community, is a possible term for ‘temple’. It is not the ‘poro house’ as such. That would be too closely identified with the cult of poro. The physical features of the building, huge and sub-divided, lend it further favor for this consideration. By qualifying it as ‘God’s biiri’ the term has become meaningful and appropriate in the context of the Scriptures.”) (Source: Ernest Richert in The Bible Translator, 1965, p. 81ff. )
Enga: “God’s restricted access house” (source: Adam Boyd on his blog )
Another distinction that tends to be overlooked in translations is that between hieron (“temple” in English) and sunagógé (“synagogue” in English). Euan Fry (in The Bible Translator 1987, p. 213ff. ) reports on this:
“Many older translations have simply used transliterations of ‘temple’ and ‘synagogue’ rather than trying to find equivalent terms or meaningful expressions in their own languages. This approach does keep the two terms separate; but it makes the readers depend on explanations given by pastors or teachers for their understanding of the text.
“Translators who have tried to find meaningful equivalents, for the two terms ‘temple’ and ‘synagogue’ have usually made a distinction between them in one of two ways (which focus on the contrasting components of meaning). One way takes the size and importance of the Temple to make a contrast, so that expressions such as ‘sacred meeting/ worship house of the Jews’ and ‘big sacred meeting/worship house of the Jews’ are used. The other way focuses on the different nature of the religious activity at each of the places, so that expressions such as ‘meeting/worship house of the Jews’ and ‘sacrifice/ceremony place of the Jews’ are used.
“It is not my purpose in this article to discuss how to arrive at the most precise equivalent to cover all the components of meaning of ‘temple’. That is something that each translator really has to work through for himself in the light of the present usage and possibilities in his own language. My chief concern here is that the basic term or terms chosen for ‘temple’ should give the reader of a translation a clear and correct picture of the location referred to in each passage. And I am afraid that in many cases where an equivalent like ‘house of God’ or ‘worship house’ has been chosen, the readers have quite the wrong picture of what going to the Temple or being in the Temple means. (This may be the case for the word ‘temple’ in English too, for many readers.)”
Here are some examples:
Bambara: “house of God” (or: “big house of worship”) vs. “worship house” (or: “small houses of worship”)
Toraja-Sa’dan: “house where-the-belly-gets-swollen” (see above) vs. “meeting house for discussing matters concerning religious customs” (and “church” is “house where one meets on Sunday”)
Navajo: “house in which worship is carried out” vs. “house of gathering” (source for all above: Bratcher / Nida)
Click or tap here to see a short video clip about Herod’s temple (source: Bible Lands 2012)Click or tap here to see a short video clip showing synagogues in New Testament times (source: Bible Lands 2012)
Following are a number of back-translations of Matthew 6:2:
Uma: “So, if we (incl.) give money to poor people, don’t continually say it around, like is the custom of people who are just good on the outside. They cause-to-be-seen the goodness of their hearts in the houses of prayer or on the main-roads so that others praise them. Truly I tell you: there will be nothing that they receive from God, because they have already received the praise of others.” (Source: Uma Back Translation)
Yakan: “Therefore when you give to the poor people do not make it known like the people who give in the prayer-house and on the roads in order to be praised by the other people. Truly I tell you, if people praise them they are already rewarded and that is their reward.” (Source: Yakan Back Translation)
Western Bukidnon Manobo: “And if you have something to give to a poor person, it’s necessary that the reason you do that is not so that you will be praised by people. For that is the activity of people whose faith if false. They do that in the worshipping places and on the streets so that they might be praised by people. Don’t you forget that because they have already received people’s praise of them there is nothing that they will receive from God.” (Source: Western Bukidnon Manobo Back Translation)
Kankanaey: “‘Therefore if/when you give help to the poor, don’t show-it and talk-loudly-about-it like what the hypocrites (lit. pretend good-ones) are doing in the church and road so that people will praise them. This that I tell you is true: they already have gained their reward.” (Source: Kankanaey Back Translation)
Tagbanwa: “Therefore, when you (sing.) give aid to whoever is in need, don’t make a noise about it like what is done by those who are pretending that they are obeying the will of God. They do like this when they are in the worship-place and there on the streets so that they will be spoken well of by people. I tell you (pl.), they have already received their reward in that praising. There’s no other reward for them to hope-for/expect.” (Source: Tagbanwa Back Translation)
Tenango Otomi: “Therefore when you help the people who are poor, do not want it be known by people. Because that is what is done by some people in the church and on the streets, who only want to elevate themselves by having people see the good they do. But truly I tell you, that people like that, in that people look well on what they do, that is all the wages they get.” (Source: Tenango Otomi Back Translation)
Description: The trumpet was a wind instrument, frequently used in signaling, especially in connection with war. It was made of metal (the trumpets mentioned in Numbers 10:2 et al. were made of silver). It was a straight, narrow tube, about 40-45 centimeters (16-18 inches) in length. One end had a mouthpiece, while the other end was widened into a bell shape.
Usage: The sound on the trumpet was made by blowing into the mouthpiece in such a way as to vibrate the lips. The vibrations were magnified as they passed along the widening body of the tube.
The purpose of the trumpet in Israel was primarily to signal. Numbers 10 lists a variety of occasions in which the trumpets were to be used, including signaling the people to break camp, calling all of the people together for a meeting, calling only the leaders together, sounding an alarm at the beginning of a battle, and blowing them for liturgical purposes during certain festivals. It is significant that it was the task of the priests to sound the trumpets.
Translation: Generally speaking, translators may distinguish between the Hebrew words chatsotsrah and shofar by rendering chatsotsrah as “trumpet” or “bugle” and shofar with a more generic word for “horn” or with “ram’s horn.” Note the following comment in Translation commentary on Psalm 98:4 – 98:6: “In some languages it will not be possible to make a distinction between the two Hebrew terms translated trumpets and horn. In such cases the local term for a horn will be used. The Greek Old Testament used only one term.”
The exact meaning of the Aramaic word qeren in Daniel 3:5 and following is debated. It probably refers to a brass wind instrument and is best rendered “horn.”
The present-day equivalent for the Greek word salpigx is “bugle.” A bugle is generally smaller than a trumpet and is often associated with the sounding of military signals.
Man blowing a trumpet (source: Horace Knowles (c) British and Foreign Bible Society 1954, 1967, 1972)
Like many languages (but unlike Greek or Hebrew or English), Tuvan uses a formal vs. informal 2nd person pronoun (a familiar vs. a respectful “you”). Unlike other languages that have this feature, however, the translators of the Tuvan Bible have attempted to be very consistent in using the different forms of address in every case a 2nd person pronoun has to be used in the translation of the biblical text.
As Voinov shows in Pronominal Theology in Translating the Gospels (in: The Bible Translator2002, p. 210ff. ), the choice to use either of the pronouns many times involved theological judgment. While the formal pronoun can signal personal distance or a social/power distance between the speaker and addressee, the informal pronoun can indicate familiarity or social/power equality between speaker and addressee.
Here, Jesus is addressing his disciples, individuals and/or crowds with the formal pronoun, showing respect.
In most Dutch translations, Jesus addresses his disciples and common people with the informal pronoun, whereas they address him with the formal form.
Click or tap here to see the rest of this insight.
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way Japanese shows different degree of politeness is through the choice of a formal plural suffix to the second person pronoun (“you” and its various forms) as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. In these verses, anata-gata (あなたがた) is used, combining the second person pronoun anata and the plural suffix -gata to create a formal plural pronoun (“you” [plural] in English).
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