The Greek and Hebrew terms that are translated as “hypocrite” in English typically have a counterpart in most languages. According to Bratcher / Nida (1961, p. 225), they can be categorized into the following categories:
those which employ some concept of “two” or “double”
those which make use of some expression of “mouth” or “speaking”
those which are based upon some special cultural feature
those which employ a non-metaphorical phrase
Following is a list of (back-) translations from some languages:
Mazahua: “have a swollen mouth” (from too much speaking)
Tai Dam: “have a straight mouth and a crooked heart”
Kongo: “the bitterness of white” (an idiom based on the fact that white-wash looks nice but tastes bitter)
Merina Malagasy: “spread a clean carpet” (an expression used in Madagascar to describe one who covers up the dirt of an unswept floor just before the arrival of guests)
Zanaki: “those who make themselves out to be good”
Tetelcingo Nahuatl: “those who deceive” (this and all examples above acc. to Bratcher / Nida 1961, p. 225)
Kafa: “one who makes as if his belly is clean” (source: Loren Bliese)
Bauzi: “good on top person” (source: David Briley in Kroneman (2004), p. 502)
Tibetan: kha chos pa (ཁ་ཆོས་པ།), lit. “mouth + religion + person” (used for instance in Matt. 7:5) or sgyu zog can (སྒྱུ་ཟོག་ཅན།), lit. “deception + fraud + person” (used for instance in Matt. 24:51) (source: gSungrab website )
Low German: “actor in a comedy” (translation by Johannes Jessen, publ. 1933, republ. 2006)
Lélé: ne kub so or “make mouth two” (source: Andy Warren-Rothlin)
The Latvian term liekulis was likely coined by the Bible translation of Ernst Glück (1654–1705) in the late 17th century and is still being used today (source ).
The English version of Sarah Ruden (2021) uses “play-actor.” She explains (p. li): “A hupokrites is fundamentally an actor. The word has deep negativity in the Gospels on two counts: professional actors were not respectable people in the ancient world, and traditional Judaism did not countenance any kind of playacting. I write ‘play-actor’ throughout.”
The Hebrew and the Greek that is translated as “psalm” in English is translated as “chanting” in Ekari, “songs” in Shona (translation of 1966) and Tae’, “Holy Songs” in Chuukese, or “holy songs of old” in Uab Meto.
The Hebrew or Greek which are translated into English as “sackcloth” are rendered into Chamula Tzotzil as “sad-heart clothes.” (Source: Robert Bascom)
Pohnpeian and Chuukese translate it as “clothing-of sadness,” Eastern Highland Otomi uses “clothing that hurts,” Central Mazahua “that which is scratchy,” Tae’ and Zarma “rags” (Source: Reiling / Swellengrebel), and Tangale as “torn clothes that show contrition on the body” (source: Andy Warren-Rothlin). In the English translation by Goldingay (2018), “put on sackcloth” is translated as wrap on sack.
“In Turkana, a woman removes her normal everyday skin clothes and ornaments and wears rather poor skins during the time of mourning. The whole custom is known as ngiboro. It is very difficult to translate putting on sackcloth because even material like sacking is unfamiliar. The Haya, on the other hand, have a mourning cloth made out of the bark of a tree; and the use of this cloth is similar to the Jewish use of sackcloth. It was found that in both the Turkana and Ruhaya common language translations, their traditional mourning ceremonies were used.” (Source: Rachel Konyoro in The Bible Translator1985, p. 221ff. )
Click or tap here to see a short video clip showing what a sackcloth looked like in biblical times (source: Bible Lands 2012)
The phrase that is translated as “with all your heart, and with all your soul, and with all your mind” in English versions is rendered in Kahua with a term for belly/chest as the seat of the emotions.
The same phrase is translated into Kuy as “with all your heart-liver”to show the totality of one’s being. (Source: David Clark)
Similar to that, in Laka one must love with the liver, in Western Kanjobal with the “abdomen,” and in Marshallese with the throat.
What is translated as “soul” in English is translated as “life” in Yaka, Chuukese, and in Ixcatlán Mazatec, “that which stands inside of one” in Navajo (Dinė), and “spirit” in Kele.
The Greek that is translated in English as “strength” is translated in Yao as “animation” and in Chuukese as “ability.”
The Greek that is translated in English as “mind” is translated in Kele as “thinking,” in Chuukese as “thought(s),” and in Marathi as “intelligence.”
The whole phrase is translated in Tboli as “cause it to start from the very beginning of your stomach your loving God, for he is your place of holding.”
In Poqomchi’ (as in many other Mayan languages), the term “heart” covers both “heart” and “mind.”
(Sources: Bratcher / Nida, Reiling / Swellengrebel, and Bob Bascom [Ixcatlán Mazatec and Poqomchi’])
The Greek that is often translates as “glutton” in English is translated with figurative expressions or descriptive phrases such as “one who has just stomach” (Navajo (Dinė)), “a stomach-for food” (Pohnpeian), “one who eats-much” (Chuukese), or “one who thinks only of eating” (Ekari). (Source: Reiling / Swellengrebel 1971).
In Kako it is translated as “dog heart” (source: Reyburn 2002, p. 190).
