Lloyd Peckham explains the Mairasi translation: “In secret stories, not knowable to women nor children, there was a magical fruit of life. If referred to vaguely, without specifying the specific ‘fruit,’ it can be an expression for eternity.”
The Greek and Hebrew terms that are translated as “hypocrite” in English typically have a counterpart in most languages. According to Bratcher / Nida (1961, p. 225), they can be categorized into the following categories:
those which employ some concept of “two” or “double”
those which make use of some expression of “mouth” or “speaking”
those which are based upon some special cultural feature
those which employ a non-metaphorical phrase
Following is a list of (back-) translations from some languages:
Mazahua: “have a swollen mouth” (from too much speaking)
Tai Dam: “have a straight mouth and a crooked heart”
Kongo: “the bitterness of white” (an idiom based on the fact that white-wash looks nice but tastes bitter)
Malagasy: “spread a clean carpet” (an expression used in Madagascar to describe one who covers up the dirt of an unswept floor just before the arrival of guests)
Zanaki: “those who make themselves out to be good”
Tetelcingo Nahuatl: “those who deceive” (this and all examples above acc. to Bratcher / Nida 1961, p. 225)
Kafa: “one who makes as if his belly is clean” (source: Loren Bliese)
Bauzi: “good on top person” (source: David Briley in Kroneman (2004), p. 502)
Tibetan: kha chos pa (ཁ་ཆོས་པ།), lit. “mouth + religion + person” (used for instance in Matt. 7:5) or sgyu zog can (སྒྱུ་ཟོག་ཅན།), lit. “deception + fraud + person” (used for instance in Matt. 24:51) (source: gSungrab website )
Low German: “actor in a comedy” (translation by Johannes Jessen, publ. 1933, republ. 2006)
Lélé: ne kub so or “make mouth two” (source: Andy Warren-Rothlin)
The English version of Sarah Ruden (2021) uses “play-actor.” She explains (p. li): “A hupokrites is fundamentally an actor. The word has deep negativity in the Gospels on two counts: professional actors were not respectable people in the ancient world, and traditional Judaism did not countenance any kind of playacting. I write ‘play-actor’ throughout.”
The Greek that is translated into English versions as “throne” is translated into Naro as ntcõó-q’oo: “he will rule.” The figure of the “throne” cannot be translated in the egalitarian Naro culture, so the idea had to be expressed more explicitly. (Source: Gerrit van Steenbergen)
In other languages it is translated as “stool/seat of the king” (Marathi), “seat of commanding/chieftainship” (Highland Totonac, Kituba), “seat of the Supreme one (lit. of-him-who-has-the umbrella)” (Toraja-Sa’dan — the umbrella being a well-known symbol of power in various parts of South and South-East Asia), “glorious place to sit” (Ekari) (source: Reiling / Swellengrebel), “where God sits and rules” (Estado de México Otomi), “where God reigns” (Central Mazahua) (source: John Beekman in Notes on Translation, March 1965, p. 2ff.), or “bed of kingship” (Kafa) (source: Loren Bliese).
The Greek that is translated as “was raised from the dead” is translated as “rose from the dead” (Xicotepec De Juárez Totonac), “came up again from where he was buried” (Huehuetla Tepehua) or “returned from among the dead” (Ojitlán Chinantec). (Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
The Greek that is often translated as “patriarchs” in English is translated as “first old fathers” in Isthmus Zapotec, as “the ancient fathers” in Tzeltal, as “the old important people who lived long ago were forefathers of the Israelites” in Yatzachi Zapotec, as “the ancient fathers” in Highland Totonac, as “the 12 sons of Jacob” Central Tarahumara, or “the fathers from way back when” in Chicahuaxtla Triqui. (Source: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.)
The Greek that is translated with “deny himself” or “deny oneself” is according to Bratcher / Nida “without doubt one of the most difficult expressions in all of Mark to translate adequately.” These are many of the (back-) translations:
San Mateo del Mar Huave: “honor (Father God)” (source for this and three above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
In Dan a figurative expression for praising God is used: “push God’s horse.” “In the distant past people closely followed the horses ridden by chiefs, so ‘pushing’ them.” (Source: Don Slager)
The Greek that is translated as “slanderer” or “backbiter” or similar in English is translated as “raised up lies about their fellow people” in Central Mazahua, as “talk ugly about their fellows” in Chicahuaxtla Triqui, as “those who give a vicious twist to what they hear” in Highland Totonac, and as “hunted people’s sin” in Huehuetla Tepehua. (Source: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.)