The term that is translated as “test” or “trap” in English is rendered in Natügu with the phrase “catch him in a net.” (Source: David Clark)
In Noongar it is translated with a derivative of “fish trap” (source: Warda-Kwabba Luke-Ang).
In the German New Testament translation by Berger / Nord (publ. 1999) it is often translate idiomatically as einen Strick drehen or “give him enough rope so he will hang himself.”
See also trap him by what he said / catch him in some statement.
The Hebrew in Psalm 60:4 that is typically translated as “banner” in English is translated in Natügu as nc nqngq: “rooster tail.”
Brenda Boerger (in Beerle-Moor / Voinov, p. 164) tells the story of that translation:
“Both bushes and trees use nc ‘tree’ as the first part of their compound forms. The nc nqngq or ‘rooster tail’ is a waist-high bush having long, narrow reddish leaves. While translating a battle text from the Psalms, we needed to find a translation equivalent to ‘banner’ or ‘standard’. Mr. Simon [the native language translator] told me that, previously, a war leader would cut rooster tail branches and put them in the back waistband of his loincloth to identify himself as the nqrlrvea ‘war leader’ during battle. The red color of the leaves made it easy for his warriors to find and follow him during battle. The war leader could also remove the leaves from his waistband and wave them in the air to rally his men to him. Alternatively, he could tie the branches to a stick to be flown as a battle standard. These two latter actions were what gave the secondary meaning of ‘banner’ or ‘standard’. Therefore, we used this concept to translate Psalm 60:4, which reads: Kxetu, nim ngrlrvea ngrgr. Glalzm nc nqngq bagr. ‘Bigman, you are our war leader. Lift up the ‘rooster tail banner’ for us.’
“As it turns out, even though inter-clan warfare is no longer practiced on Santa Cruz, younger people are still able to understand the practice today because the nc nqngq is integrally related to Santa Cruz’s most culturally significant dance, the nelc dance. Those who lead the dance wear nc nqngq branches just like the war leaders did previously. The senior translator’s testing of the passage in several villages confirmed that the meaning is accessible to younger speakers who can derive the accurate meaning from context based on their knowledge of the use of the leafy branches in the nelc dance.
“Turning to another tree metaphor, the sea trumpet or beach cordi is called nc niglq in Natügu. It grows close to the sea and can become quite tall, with thick, spreading branches. It has light orange trumpet-shaped flowers, which are favored by the small, red-colored mzngra bird. This habitat is significant because the feathers of this bird species are used to make either Irdq red feather money coils or nceapu red feather money sticks.
“To Santa Cruz people, a man who has a niglq tree where the mzngra birds are found has a good chance of acquiring wealth. As a result, the tree name is associated with wealth and prestige and has acquired four metonymic meanings in which the name of the tree is substituted for other nouns. The four metonymies are: important person, important person’s house, treasure, and throne. So, someone having this tree near his home is an important person, and he can be said to come and go to the tree, rather than to the house. Further, he has access to treasure since the tree is a means to wealth. And finally, nc niglq can also mean ‘throne’ or ‘seat of power’, in that an important man who has a niglq tree on his property might sit at its base to converse with others, and by association, the place where the important one sits is his throne.”
“In addition to the red feather money coils which were previously used for paying bride price, the red feathers also come in a stick form, called nceapu, where they are glued to a stick about 10-12 inches long. The red feather money stick itself also has the metaphorical meaning of ‘rich, wise man,’ which was used to describe King Solomon in the Natügu scriptures.”
The Hebrew text of Psalms 9/10, 25, 34, 37, 111, 112, 119, and 145 uses acrostics, a literary form in which each verse is started with one of the successive 22 letters of the Hebrew alphabet. According to Brenda Boerger (in Open Theology 2016, p. 179ff. ) there are three different reasons for acrostics in the Hebrew text: “for ease of memorization,” the representation “of the full breadth and depth of a topic, all the way from aleph to taw (tav),” and the perception of “the acrostic form as aesthetically attractive.” (p. 191)
While most translations mention the existence of an acrostic in a note or a comment, few implement it in their translation. The Natügu translation is one such exception. Boerger (see above) cites a strong tradition in singing the psalms and the fact that Natügu, like Hebrew, also has 22 possible initial letters as motivating factors to maintain the acrostics in that language.
1 Awibzku mz Yawe! Murde amrlzle ncblo kx
Bilvzle natqde x amrluele nide.
2 Clvele mrnyzde kcng naxplrng mz nzaclve-krdr.
Doa nedeng kxnztubqng, sa na-amrlz Gct.
3 Esalz-ngrbz Gct bade da kxmrlzting kxkqlu.
Gct okatrle nide murde natubq.
4 Ipq ncblo lc kztedeng mz nzvz-nqblq-krde zmrlz ngrde, nzryckr drtwrde, x nztubq-krde.
Jzsle da kx naokatrle leplz kc-kzng, mz nzngini-krbzle lrpzki badr.
5 Kabzle da kxkqlu mz krkcng trnzrngiscung.
Lalztqbzle mz Gct x alele da kx rsakrlrngr mz nzwz-krde.
6 Murde ncblo kxtubq kxtr-rnrcti-lzbqu
Nadcpx zvz mz drtwr leplz.
7 Obqtipx-zvzle Yawe x
Prlxpxle kx nabzde trtaprlzpuu mz nrpa kxtrka.
8 ?Rnrcti-lzbq-ngrde? Trtingr, a’ tu-amqngile.
Sa namcle nzaovxiokr Yawe enqmi rdeng.
9 Tresakiu nzrka-krbzle da mz kxrsuti drtwr.
Vz zvz nzayzlu-krbz Gct bade mz nqmq krde lc tqtubq.
Wxbu me matq mz mzlir leplz.
10 X angya drtwr kxdrka’-ngrng mzli kc namc-ngrdr nide.
Ycpwz pipz kxdrka’-ngrng lcng sa namrbr, x mane nzmadqti-krdr nqngidr mz zngya.
Zbz da amrlx kcng tqmrlzbz badr sa nangitx brmrda x sa na-apulr zsikapu kx ngilia.
© 2008, Wycliffe Bible Translators, Inc. All rights reserved.
The Danish Bibelen på Hverdagsdansk (publ. 1985, rev. 2015 et al.) also translated Psalm 112 into an acrostic. Due to the higher number of Danish letters, it skips the Danish letters C, Q, W, X, Z, Å, and Ø.
1 At adlyde Herren giver velsignelse.
Budene er til for at blive overholdt.
2 Du og dine efterkommere får fremgang og magt,
enhver, der handler ret, bliver velsignet.
3 Familien vil opleve velstand,
gode mennesker vil altid blive husket.
4 Herren gør de gudfrygtige til et lys midt i mørket,
især når de er venlige og barmhjertige.
5 Ja, velsignet er de gavmilde og hjælpsomme,
kendetegnet på deres handlinger er ærlighed.
6 Lever de sådan, får de styrke og fasthed,
mennesker med et godt ry bliver husket længe.
7 Når modgangen kommer, som kunne skabe frygt,
opgiver de ikke, for de stoler på Herren.
8 På trods af fjendens angreb
rider de stormen af og ender med sejr.
9 Sådanne mennesker giver gavmildt til dem, der er i nød,
taknemmelighed og ære bliver dem til del,
uselvisk godhed vil aldrig blive glemt.
10 Ved at se en sådan velsignelse bliver de gudløse vrede.
Ynkeligt sidder de tilbage med tomme hænder,
ærgrelsen står malet i deres ansigter.
Copyright © 1985, 1992, 2005, 2013, 2015 by Biblica, Inc.®
There are two Dutch translations that maintain the acrostic: Naardense Bijbel (publ. 2004) and the Tot Lof van God by Frans Croese (publ. 2010).
Naardense Bijbel:
1
Alleluia!- zalig een man die vreest de Ene, ✡
behagen heeft
in zijn geboden bovenal!-
2
capabel zal worden op aarde zijn zaad, ✡
de oprechten: gezegend hun geslacht!-
3
en geld en geluk vullen zijn huis, ✡
fleur houdt zijn gerechtigheid
voor altijd;
4
genadig, barmhartig en rechtvaardig, ✡
helpt in het duister licht de oprechten;
5
iemand die gul en genadig uitleent
gaat het goed,- ✡
ja, die zijn woorden naar recht onderhoudt;
6
kwijnen zal hij voor eeuwig niet, ✡
leven in gedachtenis
is er voor een rechtvaardige voor eeuwig;
7
merkt hij kwaad gerucht op,
hij vreest niet, ✡
nergens zo vast en zo veilig
zijn hart als bij de Ene;
8
ondersteund wordt zijn hart,
hij vreest niet, ✡
prijst God bij het zien van zijn benauwers;
9
ruimschoots heeft hij gegeven
aan de armen,
stand houdt zijn gerechtigheid
voor immer, ✡
ten slotte wordt met glorie verheven
zijn hoorn;
10
vol wrok moet de booswicht dat aanzien,
weg kwijnt hij,
tandenknarsend vergaat hij: ✡
zo gaat de toeleg van bozen teloor.
The Tot Lof van God translation:
Looft Jah!
Ah, hoe gelukkig, de mens die ontzag heeft voor Jehovah,
bijzonder behaagd hebben hem Diens geboden.
Daardoor zal zijn zaad op aarde machtig zijn,
en dat geslacht der oprechten zal gezegend zijn.
Fraaie zaken en rijkdom sieren zijn huis weliswaar,
glanzender nog is zijn rechtvaardigheid, die eeuwig stand houdt.
Hij is voor de oprechten stralend opgegaan, als licht in het duister,
immer goedgunstig, barmhartig, rechtvaardig.
Ja, het gaat hem goed, hij is gul en leent goedgunstig uit,
kwijtend zich van zijn zaken naar recht en behoren. Levend op deze wijze zal hij nimmer wankelen,
maar wordt, rechtvaardig levend, tot een blijvende gedachtenis.
Negatieve verhalen of geruchten deren hem niet,
omdat hij, standvastig van hart, op Jehovah vertrouwt.
Pal en onwrikbaar van hart is hij; hij is onbevreesd,
raakt ook niet van slag, geconfronteerd met wie tegen hem zijn.
Strooiend bijkans deelt hij wijd en zijd aan de behoeftigen uit,
tot zijn eigen rechtvaardigheid ook; die houdt voor eeuwig stand.
Uiteindelijk zal zijn positie qua heerlijkheid v/orden verhoogd.
Voor wie gewetenloos slecht is, is het pure ergernis dat te zien,
waardoor die tandenknarsend bezwijkt.
Zo zal de begeerte vergaan van wie doortrapt gewetenloos zijn.
In the Zürich German dialect (Züritüütsch) of Swiss German, the Psalms were translated while maintaining the acrostic by Josua Boesch (publ. 2009 ).
1 Halleluja!
Am beschte gaat s dèm, wo uufrächt vor IMM labt,
Bi siine wiisige bliibt vo ganzem hèrze.
2 Chasch dèm sini naachkome gaar nüme zele.
Die wèrded gsägnet als gschlächt vo de graade.
3 Er hat au riichtum und woolschtand im huus.
Für siini bewèèrig mues me nöd soorge, die blübt.
4 Graade straalt imer es liecht im tunkle:
Hoffnig, vertrouen und liebi.
5 Iich glaube dèm lieber, wo vo hdrze vertleent,
Kän fuule drèè macht mit sine sache.
6 Lueg nu, de uufrichtig cha me nöd legge.
Me wiird an en tänke dur gänerazione.
7 Nüüt mues er füürche vom bööse gschwätz.
Ooni en wank vertrout er uf INN.
8 Pass uuf, dè bliibt getrooscht, er hat ja nüüt z füürche.
Ruig chan er waarten uf s änd vo de find.
9 Still täilt er den aarmen und dürftigen uus.
Tröi bliibt d grächtigkäit biin em für imer.
Und gachtet wiird er vo ale.
10 Vill z tänke und èèrger git daas bi de rueche.
Wie sell s die nöd pötzli verjage vor wuet!
Zietscht schwiint ene jedi hoffnig uf s glück, wo s gmäint händ chönid s erzwänge.
The English Bible translation by Ronald Knox (publ. 1950) maintains almost every Hebrew acrostic (even though Knox’s translation itself is based on the Latin text of the Vulgate rather than the Hebrew). Due to the higher number of letters in the English alphabet, it skips the letter K, X, Y, and Z.
1 A blessed man is he, who fears the Lord, bearing great love to his commandments.
2 Children of his shall win renown in their country; do right, and thy sons shall find a blessing.
3 Ease shall dwell in his house, and great prosperity; fame shall ever record his bounty.
4 Good men see a light dawn in darkness; his light, who is merciful, kind and faithful.
5 It goes well with the man who lends in pity, just and merciful in his dealings.
6 Length of days shall leave him still unshaken; men will remember the just for ever.
7 No fear shall he have of evil tidings; on the Lord his hope is fixed unchangeably.
8 Patient his heart remains and steadfast, quietly he waits for the downfall of his enemies.
9 Rich are his alms to the needy; still his bounty abides in memory. The Lord will lift up his head in triumph;
10 ungodly men are ill content to see it. Vainly they gnash their teeth in envy; worldly hopes must fade and perish. (Source )
Another English translation that maintains the acrostic is by Gordon Jackson (The Lincoln Psalter, 1997):
Hallelujah!
A man who bows himself to the Lord is in clover,
Blest with the joy he finds in divine directives;
Celebrated far and wide for his children’s accomplishments,
Delighting in their integrity most of all.
Every good thing shall have place within his house,
For his own heart is a just and intelligent measure;
Good is his beacon in all things, even in darkness,
Honest men find him a great encouragement;
In generosity nobody will outdo him,
Just in his dealings, jealous of his good name;
Let things go against him, he’ll never bend or buckle;
Men will long remember his name with respect.
News of disaster will not dismay him
Or ever unsettle the trust he puts in the Lord;
Patience and perseverance are his watchwords,
Quiet in spirit as enemies triumph, and fail.
Rich is the man who freely gives to the needy,
Sustained by the Lord who so freely gives to his own;
Trusting and true, he may hold his head up high.
Ungodly souls shall be aggrieved to see it,
Violent hatred and envy shall tear them in two,
While all their evil hopes are disappointed.
1 Allelu-Yah! Give him well-deserved praise!
Blessed is the person who humbly obeys,
Clings to Creator’s commands all his days.
2 Descendants of his are mighty on earth.
Each upright off-spring is blessed from his birth.
3 Funding and fortune are found in their land.
Great their integrity. Watch it expand.
4 Hope dawns from God’s light in darkness’s face.
It helps the honorable heed and embrace
Justice and gentleness, righteousness, grace.
5 Kind, honest people who copiously lend,
Look to their Lord and are blessed in the end.
6 Moreover the moral are not rejected;
Not one of them is ever neglected.
7 Ominous news gives the upright no fright,
People like that trust in Yahweh’s great might.
Quaking hearts quiet; his help is in sight.
8 Resting in Yahweh, their worried hearts clear,
Safe in the Sovereign, not yielding to fear —
Triumph o’er foes from the one they revere.
9 Unstintingly they share with those in need,
Vindicated ever, avoiding greed.
While it’s respect which the godly have earned,
10 Exasperated, vexed, wicked are spumed.
Yet yelling is useless; they’re gone in a flash.
Zap! How desires of the wicked are dashed.
Another published English translation with acrostics is The Psalms Chronologically Arranged by the “Four Friends” (C.T. Arnold, A.W. Potts, F.E. Kitchener, S. Philpotts) of 1870.
Another 19th century translation with maintained acrostics is the German 1883 commentary and translation by Franz Delitzsch . Unlike the other translations, he translates the acrostics of this and the other acrostic psalms by following an approximation of the German sound of the 22 letters (alef/א = a; bet/ב = b; gimel/ג = g; dalet/ד = d; he/ה = h; vav/ו = u; zayin/ז = s; chet/ח = h; tet/ט = t; yod/י = i or j; kaf/כ = k; lamed/ל = l; mem/מ = m; nun/נ = n; samech/ס = s; ayin/ע = e; pe/פ = f; tsadi/צ = z; qof/ק = k; resh/ר = r; shin/ש = sch; tav/ת = t).
The Hebrew, Greek, Ge’ez, and Latin that are translated as “covenant” in English are translated in a variety of ways. Here are some (back-) translations:
“Right from the start we witness the influence of the Septuagint on the earliest expressions of the Christian faith. In the New Testament, Jesus speaks of his blood being a kaine diatheke, a ‘new covenant.’ The covenant is elucidated in Hebrews 8:8-12 and other texts, but it was preserved in the words of Jesus with this language in Luke 22:20 when at the Last Supper Jesus said, ‘This cup that is poured out for you is the new covenant in my blood. Jesus’s blood was to provide the grounds for the ‘new covenant,’ in contrast to the old one his disciples knew from the Jewish scriptures (e.g., Jeremiah 31:31-34). Thus, the earliest Christians accepted the Jewish Scriptures as prophecies about Jesus and in time began to call the collection the ‘Old Testament’ and the writings about Jesus and early Christianity the ‘New Testament,’ since ‘testament’ was another word for ‘covenant.’ The covenant promises of God (berith in Hebrew) were translated in the Septuagint with the word diatheke. In classical Greek diatheke had meant ‘last will, testament,’ but in the Septuagint it is the chosen equivalent for God’s covenant with his people. The author of Hebrews plays on the double meaning, and when Luke records Jesus’ announcement at the Last Supper that his blood was instituting a ‘new covenant,’ or a ‘new testament,’ he is using the language in an explicit contrast with the old covenant, found in the Jewish scriptures. Soon, the writings that would eventually be chosen to make up the texts about the life and teachings of Jesus and the earliest expression of the Christian faith would be called the New Testament. This very distinction between the Old and New Testaments is based on the Septuagint’s language.”
See also establish (covenant) and covenant (book).
Learn more on Bible Odyssey: Covenant in the Hebrew Bible .
The Hebrew, Aramaic, Latin and Greek that is translated as “vision” in English is translated in a variety in the following languages:
The Greek in the books of Revelation and Acts is translated as obq-rmwible: “look-dream” in Natügu. Brenda Boerger (in Beerle-Moor / Voinov, p. 162ff.) tells the story of that translation: “In the book of Revelation, the author, John, talks about having visions. Mr. Simon [the native language translator] and I discussed what this meant and he invented the compound verb obq-rmwible ‘look-dream’ to express it. Interestingly, during village testing no one ever had to ask what this neologism meant.”
See also see a vision.
The traditional Natügu song form uses stanzas of four lines (“quatrains”) “in which the first and last lines exhibit verbatim repetition in the words (…). Given that repetition, the form requires that the clause of the first line also be able to function syntactically as a final clause in the fourth line, or as an independent sentence. And because the lines of the quatrain are rather short, it involves a distillation of the message into one or two short sentences. The number of syllables in each set of two lines is usually in the 12-15 syllable range.” (Source: Brenda Boerger in Open Theology 2016, p. 179ff. )
Psalm 148 “with its extensive repetition” provided an ideal text to use the traditional Natügu literary form. Following is a back-translation from Natügu that follows the stanzas of four lines with the first and last line repeated (the Natügu original can be read right here ):
1-2 Ever exalt Yahweh, all you heavenly ones.
You his angels, ever exalt Yahweh.
3 Ever exalt Yahweh, sun and moon.
And all you stars, ever exalt Yahweh.
4 Ever exalt him, everything in the sky.
And you upper waters, ever exalt him.
5 Ever exalt his name. He who made you,
By the word he gave. Ever exalt Yahweh.
6 His word’s eternal. He set for each one
Where you’ll ever be. His word’s eternal.
7 Ever exalt Yahweh, you fish and monsters
Of the sea and deeps. Ever exalt Yahweh.
8 You obey his word, lightning and hail.
Clouds, wind and rain, you obey his word.
9 Ever exalt Yahweh, all mountains and hills.
You trees of the bush, ever exalt Yahweh.
10 Ever exalt him, all animals and birds.
And things that crawl, ever exalt Yahweh.
11 Let’s exalt Yahweh too, all of us in the world.
VIPs and leaders, we must also exalt Yahweh.
12 Let’s exalt him too, us lads and lasses.
Babes and elders, let’s exalt him too.
13 Let’s exalt his name, all of us.
His name is high. Let’s exalt his name.
His greatness surpasses the land
And the sky too. His greatness!
14 Let’s ever exalt Yahweh,
All us his Israelites.
He saves and loves us.
Let’s ever exalt Yahweh.
The musical instrument that is most often translated as “harp” or “large lyre” in English is translated in the following ways:
In the UBS Helps for Translators‘ Human-made Things in the Bible (original title: The Works of Their Hands: Man-made Things in the Bible) it says the following:
Description: The exact identification of the nevel is very problematic. Some take it to be a kind of harp. The harp consisted of a neck projecting out of a soundbox. Strings were stretched from the extremity of the neck down its length and into the sound box. The body of the harp was made of wood and its strings of animal intestines (perhaps from sheep). The number of strings varied.
Others place the nevel in the category of lyres, where the strings are stretched over top of and parallel to the soundbox. While this is the interpretation preferred here, we will discuss the harp-type of instrument, since the identification is problematic and many translations have preferred “harp” for nevel.
Usage: The strings were plucked either with the fingers or with a thin piece of ivory or metal to give a resonating sound, probably in a lower register than that made by the kinor.
Translation: In several Psalms (33.2; 92.3; 144.9), the nevel is linked to the Hebrew word ‘asor, which could indicate it was “ten-stringed.”
Some degree of cultural adaptation must be made in the translation of these stringed instruments since cultures differ from each other in the shape, the number of strings, and the function of their instruments. Translators will have to select an equivalent instrument in the receptor language. In most passages the most accurate translation for nevel will be “guitar” or some equivalent medium-sized stringed instrument on which the strings are stretched over a sound box and are plucked.
In those passages where nevel and kinor appear together it is recommended that the translator use an instrument that can vary in size and then render the two words as “large and small X,” for example, “large and small guitars.” Alternately, it may be possible to select two stringed instruments that are similar in construction but different in size, for example, “guitar and lute.” It is also possible to say “large and small stringed instruments” or to combine the two, saying “stringed instruments.”
Psalms 33:2: “Praise the LORD with the lyre” (NRSVue) contains two major translation problems. The first problem is that in many languages, the phrase “with the lyre” must be changed into a verb phrase or clause; for example, the whole line may be rendered “Praise the LORD by playing music on the lyre” or “Make music with the lyre, and praise the LORD.” The second problem, which applies also to the second line of this verse, is the terms to be used for the musical instruments here. In languages in which there are several stringed instruments, translators may use one of the smaller ones for kinor (“lyre”) and a larger one for nevel (“harp” in NRSVue). In languages where there is little or no choice, they should use the known local stringed instrument for the kinor, and a more generic expression for the nevel. Where there are no known stringed instruments, it will often be necessary to say “small instruments with strings” for kinor and “large instruments with strings” for nevel.
Harp (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)
Quoted with permission.
The musical instrument that is most often translated as “cymbals” in English is translated in the following ways:
In the UBS Helps for Translators‘ Human-made Things in the Bible (original title: The Works of Their Hands: Man-made Things in the Bible) it says the following:
Description: Cymbals were a percussion instrument consisting of two metal discs that were struck together in order to make a shrill, clashing sound. There were two types of cymbals: (1) flat metal plates that were struck together, and (2) metal cones, one of which was brought down on top of the other, on the open end.
Translation: The equivalent of “cymbal” in many languages is a phrase such as “loud metal.”
Cymbals (source: Susan Mitford (c) British and Foreign Bible Society 1986)
Quoted with permission.
See also clanging cymbal.