10When the builders laid the foundation of the temple of the Lord, the priests in their vestments were stationed to praise the Lord with trumpets, and the Levites, the sons of Asaph, with cymbals, according to the directions of King David of Israel;
San Mateo del Mar Huave: “honor (Father God)” (source for this and three above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
In Dan a figurative expression for praising God is used: “push God’s horse.” “In the distant past people closely followed the horses ridden by chiefs, so ‘pushing’ them.” (Source: Don Slager)
Description: Cymbals were a percussion instrument consisting of two metal discs that were struck together in order to make a shrill, clashing sound. There were two types of cymbals: (1) flat metal plates that were struck together, and (2) metal cones, one of which was brought down on top of the other, on the open end.
Translation: The equivalent of “cymbal” in many languages is a phrase such as “loud metal.”
Cymbals (source: Susan Mitford (c) British and Foreign Bible Society 1986)
The Hebrew, Aramaic, Ge’ez, and Greek that are typically translated as “priest” in English (itself deriving from Latin “presbyter” — “elder”) is often translated with a consideration of existing religious traditions. (Click or tap for details)
Bratcher / Nida (1961) say this:
“However, rather than borrow local names for priests, some of which have unwanted connotations, a number of translations have employed descriptive phrases based on certain functions: (1) those describing a ceremonial activity: Pamona uses tadu, the priestess who recites the litanies in which she describes her journey to the upper or under-world to fetch life-spirit for sick people, animals or plants; Batak Toba uses the Arabic malim, ‘Muslim religious teacher;’ ‘one who presents man’s sacrifice to God’ (Bambara, Eastern Maninkakan), ‘one who presents sacrifices’ (Baoulé, Navajo (Dinė)), ‘one who takes the name of the sacrifice’ (Kpelle, and ‘to make a sacrifice go out’ (Hausa); (2) those describing an intermediary function: ‘one who speaks to God’ (Shipibo-Conibo) and ‘spokesman of the people before God’ (Tabasco Chontal).”
In Obolo it is translated as ogwu ngwugwa or “the one who offers sacrifice” (source: Enene Enene), in Mairasi as agam aevar nevwerai: “religious leader” (source: Enggavoter 2004), in Ignaciano as “blesser, one who does ritual as a practice” (using a generic term rather than the otherwise common Spanish loan word sacerdote) (source: Willis Ott in Notes on Translation 88/1982, p. 18ff.), and in Noongar as yakin-kooranyi or “holy worker” (source: Warda-Kwabba Luke-Ang).
For Guhu-Samane, Ernest Richert (in The Bible Translator, 1965, p. 81ff. ) reports this: “The [local] cult of Poro used to be an all-encompassing religious system that essentially governed all areas of life. (…) For ‘priest’ the term ‘poro father’ would at first seem to be a natural choice. However, several priests of the old cult are still living. Although they no longer function primarily as priests of the old system they still have a substantial influence on the community, and there would be more than a chance that the unqualified term would (in some contexts particularly) be equated with the priest of the poro cult. We learned, then, that the poro fathers would sometimes be called ‘knife men’ in relation to their sacrificial work. The panel was pleased to apply this term to the Jewish priest, and the Christian community has adopted it fully. [Mark 1:44, for instance, now] reads: ‘You must definitely not tell any man of this. But you go show your body to the knife man and do what Moses said about a sacrifice concerning your being healed, and the cause (base of this) will be apparent.'”
For a revision of the 1968 version of the Bible in Khmer Joseph Hong (in: The Bible Translator 1996, 233ff. ) talks about a change in wording for this term:
Bau cha r (បូជាចារ្យ) — The use of this new construction meaning “priest” is maintained to translate the Greek word hiereus. The term mean sang (មាន សង្ឃ) used in the old version actually means a “Buddhist monk,” and is felt to be theologically misleading. The Khmer considers the Buddhist monk as a “paddy field of merits,” a reserve of merits to be shared with other people. So a Khmer reader would find unthinkable that the mean sang in the Bible killed animals, the gravest sin for a Buddhist; and what a scandal it would be to say that a mean sang was married, had children, and drank wine.
In Cherokee (Jewish) priests are translated as atsilv-anelohi (ᎠᏥᎸ-ᎠᏁᎶᎯ), “fire feeders.” Bender / Belt (2025, p. 26) explain: “[This] provides a point of semantic overlap between the Jewish priests mentioned in the book of John and traditional Cherokee leaders who would have maintained a ceremonial fire. No loanword or semantic extension would have highlighted this specific similarity. Just as the New Testament Christ seeks to supersede the priests of his day, the missionaries working to translate the New Testament hoped to replace traditional ceremonialism with Christian beliefs and practices. Describing the Jewish priests as ‘fire feeders’ may have been a way to emphasize the obsolescence of fire-based ceremonialism. Strikingly, this word has become the term for Catholics. The vast majority of Cherokee converts to Christianity are Protestants.”
In Cuban Sign Language (the Jewish) priest is translated referencing the ephod , the traditional apron that was worn by priests:
Alain Montano (in: The Bible Translator 2026, p. 173ff.) explains: “A second challenge arose in translating the term ‘priest’ in Luke 10:31, referring to the priest who was descending from the temple. The translation team consisted primarily of Evangelical translators and included one Catholic translator. The initial sign proposed for ‘priest’ referenced the clerical collar, a symbol commonly associated with clergy across multiple Christian denominations, such as Methodists, Anglicans, Lutherans, Presbyterians, Reformed, Catholics, Moravians, and others. While most team members considered this option acceptable, the Catholic translator raised concerns that this representation could generate confusion, as it encompassed denominational identities not directly related to the priest described in the biblical text.
“Given this observation, the team began searching for a sign that accurately represented the priest in question and his role, with the aim of ensuring that the translation and interpretation of the text was as faithful as possible. Signs referencing a bishop’s miter or the skullcap worn by cardinals and popes were discarded, as the priest in question did not belong to the Catholic tradition as the evangelical translators initially understood it.
“The possibility of representing the high priest—using the breastplate and the Urim and Thummim — was also rejected, since the character in the text was not the high priest, but a Levitical priest serving his assigned turn in the temple. The challenge was ultimately resolved through the creation of a new sign referencing the ephod, which more accurately represented this type of priest, who served as an assistant in the work of the temple of Israel.”
The Greek, Hebrew, Aramaic and Latin that is transliterated “Levites” in English (only the Contemporary English Version translates it as “temple helpers”) is translated in Ojitlán Chinantec as “temple caretakers,” Yatzachi Zapotec as “people born in the family line of Levi, people whose responsibility it was to do the work in the important church of the Israelites,” in Alekano as “servants in the sacrifice house from Jerusalem place,” and in Tenango Otomi as “helpers of priests.” (Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
In American Sign Language with a sign that combines “temple” + “servant.” (Source: Ruth Anna Spooner, Ron Lawer)
“Levite” in American Sign Language, source: Deaf Harbor
Description: The trumpet was a wind instrument, frequently used in signaling, especially in connection with war. It was made of metal (the trumpets mentioned in Numbers 10:2 et al. were made of silver). It was a straight, narrow tube, about 40-45 centimeters (16-18 inches) in length. One end had a mouthpiece, while the other end was widened into a bell shape.
Usage: The sound on the trumpet was made by blowing into the mouthpiece in such a way as to vibrate the lips. The vibrations were magnified as they passed along the widening body of the tube.
The purpose of the trumpet in Israel was primarily to signal. Numbers 10 lists a variety of occasions in which the trumpets were to be used, including signaling the people to break camp, calling all of the people together for a meeting, calling only the leaders together, sounding an alarm at the beginning of a battle, and blowing them for liturgical purposes during certain festivals. It is significant that it was the task of the priests to sound the trumpets.
Translation: Generally speaking, translators may distinguish between the Hebrew words chatsotsrah and shofar by rendering chatsotsrah as “trumpet” or “bugle” and shofar with a more generic word for “horn” or with “ram’s horn.” Note the following comment in Translation commentary on Psalm 98:4 – 98:6: “In some languages it will not be possible to make a distinction between the two Hebrew terms translated trumpets and horn. In such cases the local term for a horn will be used. The Greek Old Testament used only one term.”
The exact meaning of the Aramaic word qeren in Daniel 3:5 and following is debated. It probably refers to a brass wind instrument and is best rendered “horn.”
The present-day equivalent for the Greek word salpigx is “bugle.” A bugle is generally smaller than a trumpet and is often associated with the sounding of military signals.
Man blowing a trumpet (source: Horace Knowles (c) British and Foreign Bible Society 1954, 1967, 1972)
Following are a number of back-translations as well as a sample translation for translators of Ezra 3:10:
Kupsabiny: “And when the builders had finished the foundation of the House of God, the priests dressed in their clothes and took their horns/trumpets, and the Levites who came from the house of Asaph took the cymbals and they all praised God as David who was leader/king of Israel had said.” (Source: Kupsabiny Back Translation)
Newari: “After the foundations had been laid, the priests who built the temple of the LORD got dressed, took trumpets and levites of clan of Asaph, taking cymbals stood to praise the LORD as commanded by David, the former King of Israel.” (Source: Newari Back Translation)
Hiligaynon: “When the workers had-finished the foundation of the temple of the LORD, the priests positioned to sound the trumpets. They wore their clothes as priests. The Levites, the descendants of Asaf, also positioned to play the cymbals in-order to praise the LORD according to the way that was-taught before by King David of Israel.” (Source: Hiligaynon Back Translation)
English: “When the builders finished laying the foundation of the temple, the priests put on their robes and stood in their places, blowing their trumpets. Then the Levites, who were descendants of Asaph, clashed/banged their cymbals to praise Yahweh, just as King David had many years previously told Asaph and the other musicians to do.” (Source: Translation for Translators)
Some languages do not have a concept of kingship and therefore no immediate equivalent for the Greek, Hebrew, Aramaic, and Latin that is translated as “king” in English. Here are some (back-) translations:
Ninia Yali: “big brother with the uplifted name” (source: Daud Soesilio in Noss 2007, p. 175)
Nyamwezi: mutemi: generic word for ruler, by specifying the city or nation it becomes clear what kind of ruler (source: Pioneer Bible Translators, project-specific translation notes in Paratext)
Ghomála’: Fo (“The word Fo refers to the paramount ruler in the kingdoms of West Cameroon. He holds administrative, political, and religious power over his own people, who are divided into two categories: princes (descendants of royalty) and servants (everyone else).” (Source: Michel Kenmogne in Theologizing in Context: An Example from the Study of a Ghomala’ Christian Hymn))
Faye Edgerton retells how the term in Navajo (Dinė) was determined:
“[This term was] easily expressed in the language of Biblical culture, which had kings and noblemen with their brilliant trappings and their position of honor and praise. But leadership among the Navajos is not accompanied by any such titles or distinctions of dress. Those most respected, especially in earlier days, were their headmen, who were the leaders in raids, and the shaman, who was able to serve the people by appealing for them to the gods, or by exorcising evil spirits. Neither of these made any outward show. Neither held his position by political intrigue or heredity. If the headman failed consistently in raids, he was superceded by a better warrior. If the shaman failed many times in his healing ceremonies, it was considered that he was making mistakes in the chants, or had lost favor with the gods, and another was sought. The term Navajos use for headman is derived from a verb meaning ‘to move the head from side to side as in making an oration.’ The headman must be a good orator, able to move the people to go to war, or to follow him in any important decision. This word is naat’áanii which now means ‘one who rules or bosses.’ It is employed now for a foreman or boss of any kind of labor, as well as for the chairman of the tribal council. So in order to show that the king is not just a common boss but the highest ruler, the word ‘aláahgo, which expresses the superlative degree, was put before naat’áanii, and so ‘aláahgo naat’áanii ‘anyone-more-than-being around-he-moves-his-head-the-one-who’ means ‘the highest ruler.’ Naat’áanii was used for governor as the context usually shows that the person was a ruler of a country or associated with kings.”
Leave a Reply
You must be logged in to post a comment.