“one storey of growing” (using a term also denoting a storey or floor of a building) in Highland Totonac (source for this and one above: Reiling / Swellengrebel)
The Greek that is typically translated in English as “sign” is translated in Huehuetla Tepehua as “thing to be marveled at” (source: Larson 1889, p. 279) and in Mairasi as “big work” (source: Enggavoter 2004).
Drawing by Ismar David from H. L. Ginsberg 1969. For other images of Ismar David drawings, see here.
Following is an image of the Jonah Sarcophagus or the 3rd quarter of the 3rd century, housed in the Museo Pio Cristiano (photographed by Richard Stracke , shared under Attribution-NonCommercial-ShareAlike license):
Peppard (2024, p. 119ff.) analyzes the sarcophagus (click or tap here to see the analysis):
The textual version of the short story begins with God calling Jonah as a prophet to go east and preach repentance to the Gentiles of the great city of Nineveh (ancient Assyria; modern Mosul, Iraq). On the left the men load a boat, which Jonah has disobediently boarded to sail westward, away from Israel and away from God’s prophetic commandment (Jonah 1). Moving to the right, the men throw Jonah into the sea, in an attempt to quell the raging storm, which they (rightly) interpret has been caused by Jonah’s disobedience to his god. In this artistic version, he dives straight into the mouth of the great fish—portrayed here, as elsewhere, like a sea monster—and prays to God for salvation over three days and three nights (Jonah 2). He is then spit out onto shore and commanded again by God to preach repentance to Nineveh (Jonah 3). He does so but then becomes disgruntled when the Ninevites do repent and God does not enact his planned punishment. Despite having been saved himself, Jonah doesn’t think these others are deserving of God’s mercy. So God teaches him a final lesson (Jonah 4). While Jonah pouts alone outside of the city, God provides a large new plant to grow over Jonah, to protect him from the desert sun. This scene dominates the upper-right register, with Jonah reclining nude under bountiful shade, as if in a blessed afterlife. But as quickly as the plant grew, God sends a worm to destroy it, so that Jonah is again near death—first from a tempest-tossed ocean, and now from a sun-scorched desert. The story concludes with God delivering a prophetic sermon to his reluctant prophet: if Jonah is concerned over the life and death of just one plant that emerged and vanished so quickly, how much more should God be concerned with the fate of the thousands of lives in Nineveh, at that time the largest city in the known world?
The textual version of the story ends, like many prophetic oracles of the Old Testament, with a question. The question hangs in the air for ancient listeners and modern readers, opening up to reflection and discussion about the tension between justice and mercy, about God’s commitment to a chosen people while offering salvation to others, and about the persistent self-centered ways of even God’s chosen messengers. The earliest Christian textual interpreters seized on two aspects of the story. First, as represented by the Gospel of Luke, Jesus interprets “the sign of Jonah” for his generation to be a call toward repentance (Luke 11:29-32). Just as he began his ministry with, “Repent, for the Kingdom of God is at hand,” along with John’s baptismal ritual to enact such repentance, so, too, does he connect his preaching to the universalism of Jonah’s mission. Luke thus emphasizes chapters 3 and 4 of Jonah, but Matthew’s version of Jesus’ teaching draws from the action of chapter 2. Just as Jonah was in the belly of the great fish for three days, “so will the Son of Man be in the heart of the earth three days and three nights” (Matt 12:40). Matthew includes the same teaching of repentance as Luke but also adds the unique interpretation of Jonah’s “death” and “resurrection” as a foreshadowing of Jesus’ own. This second idea comes to dominate the subsequent reception history. Then, when the apostle Paul describes immersion baptism as a ritualized participation in death and resurrection (Rom 6:3-4), the resources are all present to close the loop on the Jonah cycle. The story of Jonah therefore portrays (for Christians) the necessity of repentance, the salvific role of immersion in water as a death and resurrection, and the universal message of the God of Israel for all people, whether Jews or Gentiles. No matter how wayward a son of Israel has been, no matter how wicked a king of the Gentiles has been, God’s mercy is available and boundless.
The artist of the sarcophagus surrounds the Jonah cycle with other stories to reinforce these meanings for the viewer. Looking closely at the water, between the sea monster and the reclining Jonah, one can see an inset Noah. Depicted in the “Jack-in-the-box” style typical of this era, Noah emerges from the ark to find the dove messenger returning with an olive branch (Gen 8:11), signifying the end of the flood and the salvation of those in the ark.- Early Christian artists often juxtapose various stories of salvation near or through water. One might even read the fisherman on the lower right, whose line casts near to where Jonah comes on shore, as a symbol of Jesus’ first metaphor for preaching and discipleship: “Come, follow me,” Jesus said to Simon Peter and Andrew while they were fishing, “and I will make you fishers of men” (Matt 5:19).
The upper left features Jesus’ raising of Lazarus, a “sign” performed in the Gospel of John that bears obvious connection to the “sign of Jonah” in the Gospel of Matthew. The center of the upper register shows two scenes that are open to multiple interpretations. One possibility is from the Old Testament: here depicts Moses drawing “water from the rock” to satisfy the thirst of the Israelites wandering the wilderness during the exodus (Exod 17 / Num 20); to its right might then be the rebellion of Israelites against Moses (perhaps Num 16).
Another possibility involves a different “water from the rock” miracle, that of Peter summoning a spring of water with which to baptize his repentant jailers. This is a non-canonical story about Peter’s life, but one apparently in very wide circulation, as there are at least 225 examples of it preserved from early Christian art. The scene to its right would thus be the arrest of Peter, another non-canonical but widely depicted story. Either option signifies God’s miraculous provision for salvation through water, whether through thirst-quenching or a new covenant with God. The upper right shows a shepherd guiding sheep out of a mausoleum-like structure, and this calls to mind various biblical images of a shepherd and flock as salvation from death: the “Lord is my shepherd” (Psalm 23), the parables of the lost sheep (Luke 15 / Matt 18), and the “good shepherd” and “gate” for the sheep (John 10), among others. Whoever “enters the gate” of death through Jesus will be saved, say the Gospel of John and the Jonah sarcophagus in unison. Both Jews and Gentiles will be “one flock” with “one shepherd” (John 10:16).
With these details in mind, we can zoom back out to see the big picture one final time. If you allow your eyes to be guided by the overall flow of the shapes and lines, you will see a curved arc of descent and ascent. Begin above the sail of the boat, where there stands in the sky what looks like a person peering through a circular portal in the heavens. In fact, this is the Roman sky god Caelus, who is often pictured this way during the Roman imperial era, with a billowing garment over his head. This personification of the sky or heaven (hence the word “celestial”) was adopted frequently in early Christian art as a way to communicate heavenly realms to the viewer (see also Figure 5.6 below). Some Roman writers even identified the God of Israel (as a sky god) with the Roman god Caelus, so we might imagine him here as a symbol of divine command over the drama below U His gaze looks down along the line of the sail and follows the halyard directly into the snout of the beast. The arc flattens at the center of the sarcophagus and then bends upward through the right-facing snout, upward along the reclining Jonah’s left arm, then his right arm, and above to the plant of his blessed afterlife. From its tiny details to its overall form, this artistic masterwork conjures a treasury of biblical stories and frames the hoped-for arc of salvation from death.
Following is a contemporary Coptic Orthodox icon of Jonah.
Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )
In Spanish Sign Language it is translated with a sign that depicts “swallow (by a large fish).” (Source: Steve Parkhurst)
The Greek that is translated as “Son of Man” is mostly used by Jesus to refer to himself as well as in the prophecies of Daniel and Enoch (see Enoch 17:34 et al). It is translated in the following languages as (click or tap for details):
Tzotzil: “I who am equal with men” or “The Older Brother of Everybody” (“expressing the dignity and authority of the Messiah and the universality of his work”)
Tenango Otomi: “The Man Appointed” (i.e. the man to whom authority has been delegated) (source for this and preceding: Beekman, p. 189-190, see also Ralph Hill in Notes on Translation February 1983, p. 35-50)
Aguaruna: “One who was born becoming a person” (source for this and two above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
Western Bukidnon Manobo: “Older Sibling of Mankind” (source: Western Bukidnon Manobo Back Translation)
Kankanaey: “Child of a Person” (source: Kankanaey Back Translation)
Tagbanwa: “One From Heaven Born of Man/human?” (source: Tagbanwa Back Translation)
Tenango Otomi: “Man who came from heaven” (source: Tenango Otomi Back Translation)
Yatzachi Zapotec: “One who God sent, who was born a human” (a direct translation would have suggested “that the father is unknown due to the indiscretions of the mother” and where “he is the son of people” is used when one wants to disclaim responsibility for or relationship with a child caught in some mischief — source: Reiling / Swellengrebel)
Kâte: Ŋic Fâri Wâtuŋne or “the man who is a true support” (source: Renck, p. 106)
Mezquital Otomi: “The son who became a person” (Source: B. Moore / G. Turner in Notes on Translation 1967, p. 1ff.)
Alekano: “The true man who descended from heaven” (source: Ellis Deibler in Notes on Translation June 1986, p. 36ff.)
Central Tarahumara: “One who has been stood up to help” (“This suggests that Christ has been given authority to some appointed task. A very generic word, help, was selected to fill in the lexically obligatory purpose required by the word which means to appoint or commission. Usually this word is used of menial tasks but not exclusively. The choice of this generic term retains the veiled reference to the character of Christ’s work which He intended in using the ‘Son of Man’ title.”)
Chicahuaxtla Triqui: “He who is relative of all people.” (“The Triqui word for relative is a rather generic term and in its extended sense sometimes is diluted to neighbor and friend. But the primary meaning is relative.”)
Tepeuxila Cuicatec: “The Person who Accompanies All People” (“The literal equivalents ‘son of man’ and ‘son of people’ were both rejected because of the false inference of natural birth involving a human father. Furthermore, it was necessary to expand any translation of the Bible by the addition of the pronoun ‘I’ so as to clarify the fact that Jesus is using the third person in referring to Himself. A common expression used by the Cuicatecos when difficulties befall someone, is to say to that one, ‘don’t worry, we are accompanying you.’ By this they mean they share that person’s sorrow. When wedding guests arrive at the home of a son who has just been married, they say to the father, ‘We have come to accompany you.’ By this they mean that they have come to share the father’s joy. These expressions do not refer to ordinary physical accompaniment, which is expressed by a set of different verbs. For example, visits are always announced by some such greeting as, “I have come to visit you,’ ‘I have come to see you,’ or ‘I have come to ask you something.’ The desire to accompany a friend on a journey is expressed by saying, ‘I will go with you.’ Translation helpers used the verb ‘accompany’ in constructing the phrase ‘I, the Person who Accompanies All People.'(…) It reflects the fact that Jesus closely identified Himself with all of us, understands our weaknesses, shares our burdens, rejoices with us in times of gladness, etc.”) (source for this and the three preceding: Beekman in Notes on Translation January 1963, p. 1-10)
Guhu-Samane: “Elder-brother-man” (“Since the term denotes an elder brother in every way such as honor, power, leadership, representation of the younger, etc. it is a meaningful and fitting — though not ostentatious — title.” Source: Ernest Richert in The Bible Translator 1965, p. 198ff. )
Navajo (Dinė): Diné Silíi’ii — “Man he-became-the-one-who” (“This terra presented a difficulty not only in Navajo but also one peculiar to all the Athapaskan languages. It lies in the fact that all these languages, so far as we know, have a word phonetically similar to the Navajo diné which has three meanings: ‘man, people in general,’ ‘a man,’ ‘The People’ which is the name the Navajos use for themselves. (The name Navajo was first used by the Spanish explorers.) Although it seemed natural to say diné biye’ ‘a-man his-son,’ this could also mean ‘The-People their-son’ or ‘a-Navajo his-son,’ in contrast to the son of a white man or of another Indian tribe. Since the concept of the humanity of Christ is so important, we felt that diné biye’ with its three possible meanings should not be used. The term finally decided on was Diné Silíi’ii ‘Man he-became-the-one-who.’ This could be interpreted to mean ‘the one who became a Navajo,’ but since it still would impart the idea of Christ’s becoming man, it was deemed adequate, and it has proven acceptable to the Navajos.”) (Source: Faye Edgerton in The Bible Translator 1962, p. 25ff. )
Toraja-Sa’dan: “Child descended in the world” (“using a poetic verb, often found in songs that [deal with] the contacts between heaven and earth”) (source: Reiling / Swellengrebel)
Obolo: Gwun̄ Ebilene: “Child of Human” (source: Enene Enene).
Mairasi: Jaanoug Tat: “Person Child” (source: Enggavoter 2004)
Costa Rican Sign Language: “It was impossible to translate the expression ‘Son of Man.’ The son-man sign simply means ‘male child.’ The Costa Rican Sign Language (LESCO) team opted for an interpretation of the term and translated it ‘Jesus.'” (Source: Elsa Tamez (in The Bible Translator 2008, p. 59ff. )
Lokạạ: wẹẹn wạ ọnẹn or “son of a person.” “This translation is symbolic in that it uses indigenous Lokạạ words. However, since the publication of the New Testament in 2006, this phrase has gained popularity within contemporary Lokạạ society as an expression to describe an important person whose career is going well. In the New Testament, the phrase ‘son of man’ is used to describe Jesus as prototypically human, but the Lokạạ phrase is now being used to describe an exceptional person in Lokạạ society.” (Source: J.A. Naudé, C.L. Miller Naudé, J.O. Obono in Acta Theologica 43/2, 2023, p. 129ff. )
In many West African languages, using a third person reference as a first person indicator is common practice with a large range of semantic effects. Languages that use the exact expression “son of man” as a self-reference or reference to another person include Lukpa, Baatonum, Mossi (“son of Adam”), Yoruba (“son of person”), Guiberoua Béte, or Samo. (Source: Lynell Zogbo in: Omanson 2000, p. 167-188.)
In Swahili the expression Mwana wa Mtu or mwana wa mtu or “son/daughter of human person,” which is used by several Bible translations, also has “the idiomatic meaning of ‘a human being’” (source: Jean-Claude Loba-Mkole in An Intercultural Criticism of New Testament Translations 2013, see here). The same is true for the Lingala expression Mwana na Moto — “son/daughter of human person.” (Ibid.)
In Balinese “we are again bordering on theological questions when we inquire as to which vocabulary shall be used to translate the texts where Jesus speaks of himself as ‘the Son of man.’ One of the fixed rules governing the use of these special vocabularies is that one may never use the deferential terms in speaking of oneself. This would be the extreme of arrogance. Now if one considers the expression ‘Son of man’ primarily as a description of ‘I,’ then one must continually indicate the possessions or actions of the Son of man by Low Balinese words. In doing this the mystery of the expression is largely lost. In any case the vocabulary used in most of the contexts would betray that Jesus means the title for himself.
“However, a distinction can actually be made in Balinese between the person and the exalted position he occupies. For example, the chairman of a judicial body may employ deferential terms when referring to this body and its chairman, without this being taken as an expression of arrogance. Considered from this standpoint, one may translate in such a way that Jesus is understood as using such deferential words and phrases in speaking of himself. The danger is, however, that the unity between his person and the figure of “the Son of man” is blurred by such usage.
“On request, the New Testament committee of the Netherlands Bible Society advised that ‘the sublimity of this mysterious term be considered the most important point and thus High Balinese be used.'”
“One of the first things that we did in working through the earlier part of the New Testament was to decide on how we would translate some of the more difficult technical terms. It was immediately obvious that something must be done with the translation of ‘the Son of Man,’ since the literal rendering anak manusia (literally ‘child of a man’) held absolutely no meaning for Malay readers. We felt that the title should emphasize the divine origin and authority of the one who used this title, and at the same time, since it was a title, we decided that it should not be too long a phrase. Finally, a phrase meaning ‘the One whom God has ordained’ was chosen (yang dilantik Allah). It is interesting to note that the newly-begun Common Indonesian (Alkitab Kabar Baik, published in 1985) has followed a similar route by translating ‘the One whom God has chosen’ (yang depilih Allah).”
Following are a number of back-translations of Luke 11:30:
Noongar: “God sent the Prophet Jonah to Ninevah. He became a sign for the people. In the same way, the Son of Man will be a sign for the people today.” (Source: Warda-Kwabba Luke-Ang)
Uma: “Like Yunus was a sign that the townspeople of Ninewe long ago were surprised about, so also I the Child of Man am a sign that people who live at this time are surprised about.” (Source: Uma Back Translation)
Yakan: “For as Prophet Yunus was made a sign by God for the people of Niniba of old, likewise I, the Son of Mankind am made a sign for you the people of this day/now.” (Source: Yakan Back Translation)
Western Bukidnon Manobo: “For as for Jonah, when he arrived long ago in the town of Nineveh, he showed a sign of the punishment of God upon the people of Nineveh. In the same way also, I, the older sibling of mankid, my teaching can be a sign of what God is soon going to do for you.” (Source: Western Bukidnon Manobo Back Translation)
Kankanaey: “Because what happened to Jonas, that is the sign that showed those who were at Nineve that God had sent him. And what will happen also to me who am Child of a Person, it will be a sign for people today.” (Source: Kankanaey Back Translation)
Tagbanwa: “For how Jonas was made a sign to the taga Ninive to whom he was sent, as for me who am the One From Heaven Born of Man/human, it’s like that indeed with the people of this time right now.” (Source: Tagbanwa Back Translation)
Living Water is produced for the Bible translation movement in association with Lutheran Bible Translators. Lyrics derived from the ESV® Bible (The Holy Bible, English Standard Version®).
kathōs gar egeneto Iōnas tois Nineuitais sēmeion ‘for just as Jonah became a sign to the Ninevites,’ i.e. by his preaching (cf. Jonah 3.1-5)
houtōs estai kai ho huios tou anthrōpou tē genea tautē, with sēmeion understood, ‘so too will the Son of man be (a sign) to this generation.’ The future tense of estai and of dothēsetai in v. 29 are explained variously (see commentaries). Since the ‘sign of Jonah’ appears to refer to Jesus’ preaching, estai and dothēsetai refer to the immediate future and not to eschatological judgment. For ho huios tou anthrōpou cf. on 5.24.
Translation:
Jonah became a sign, or ‘Jonah’s behaviour (or, what Jonah did) became a sign.’ A similar specification will then be necessary in the next clause.
The men of Nineveh, or, ‘the people/inhabitants (of the city) of N.’; the reference is not restricted to persons of the male sex.
Be to, or, ‘be a sign to/for.’
Quoted with permission from Reiling, J. and Swellengrebel, J.L. A Handbook on the Gospel of Luke. (UBS Handbook Series). New York: UBS, 1971. For this and other handbooks for translators see here . Make sure to also consult the Handbook on the Gospel of Mark for parallel or similar verses.
For: The Greek conjunction that the Berean Standard Bible translates as For introduces an explanation. Verse 11:30a–b explains what Jesus meant when he used the phrase “sign of Jonah” in 11:29d. Other ways to introduce this explanation are:
What I mean is -or-
In other words
Some English versions do not translate this word. For example:
As Jonah was a sign for those people who lived in Nineveh (New Century Version)
as…so…: The Greek words that the Berean Standard Bible translates as as…so… indicate a comparison. Jesus compared himself to Jonah. He said that he would be the same kind of sign to the people of his time as Jonah was to the people who lived in Nineveh.
11:30a
Jonah was a sign to the Ninevites: This clause probably means that what happened to Jonah proved to the people of Nineveh that his message was from God.
the Ninevites: The phrase the Ninevites means “the people who lived in the city of Nineveh.” Nineveh was the capital of Assyria.
11:30b
so the Son of Man will be a sign to this generation: This clause means “in the same way, the Son of Man will be a sign to this generation.” Jesus said that he was going to be the same kind of sign that Jonah was to the people of his time. God saved Jonah from dying, and God was going to save Jesus from death by causing him to live again. These miracles were signs that proved that Jonah and Jesus spoke with the authority of God.
the Son of Man: The Greek phrase that the Berean Standard Bible translates as the Son of Man is literally “the Son of the human/person.” It is a title that Jesus often used to refer to himself. It implies that:
(a) he was a true human being, and he represented all people
(b) he came from God and had authority from God
Some ways to translate this title are:
the Man whom God Sent -or-
the True Man from God/Heaven -or-
the Representative of Mankind -or-
The Older Brother of All People
In some languages it may be necessary to indicate explicitly that Jesus was referring to himself here. For example:
I, the Son of Man
This term also occurs in 9:22a.
this generation: As in 11:29b, this generation refers to the people who were living at the same time that Jesus was living on earth.
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