The Greek and Hebrew terms that are translated as “hypocrite” in English typically have a counterpart in most languages. According to Bratcher / Nida (1961, p. 225), they can be categorized into the following categories:
those which employ some concept of “two” or “double”
those which make use of some expression of “mouth” or “speaking”
those which are based upon some special cultural feature
those which employ a non-metaphorical phrase
Following is a list of (back-) translations from some languages:
Mazahua: “have a swollen mouth” (from too much speaking)
Tai Dam: “have a straight mouth and a crooked heart”
Kongo: “the bitterness of white” (an idiom based on the fact that white-wash looks nice but tastes bitter)
Merina Malagasy: “spread a clean carpet” (an expression used in Madagascar to describe one who covers up the dirt of an unswept floor just before the arrival of guests)
Zanaki: “those who make themselves out to be good”
Tetelcingo Nahuatl: “those who deceive” (this and all examples above acc. to Bratcher / Nida 1961, p. 225)
Kafa: “one who makes as if his belly is clean” (source: Loren Bliese)
Bauzi: “good on top person” (source: David Briley in Kroneman (2004), p. 502)
Tibetan: kha chos pa (ཁ་ཆོས་པ།), lit. “mouth + religion + person” (used for instance in Matt. 7:5) or sgyu zog can (སྒྱུ་ཟོག་ཅན།), lit. “deception + fraud + person” (used for instance in Matt. 24:51) (source: gSungrab website )
Low German: “actor in a comedy” (translation by Johannes Jessen, publ. 1933, republ. 2006)
Lélé: ne kub so or “make mouth two” (source: Andy Warren-Rothlin)
The Latvian term liekulis was likely coined by the Bible translation of Ernst Glück (1654–1705) in the late 17th century and is still being used today (source ).
The English version of Sarah Ruden (2021) uses “play-actor.” She explains (p. li): “A hupokrites is fundamentally an actor. The word has deep negativity in the Gospels on two counts: professional actors were not respectable people in the ancient world, and traditional Judaism did not countenance any kind of playacting. I write ‘play-actor’ throughout.”
The Greek that is translated in English as “full armor” or similar is translated in Copainalá Zoque as “full metal suit” (source: William Wonderly in The Bible Translator 1953, p. 14ff. ), in Mairasi as “all warfare clothes” (source: Enggavoter 2004), and in Bariai as “all the fighting things” (source: Bariai Back Translation).
The Greek that is translated as “(they) insulted him and shook their heads” in English is translated in Dobel with the culturally equivalent “(they) continuously bit their lips at him and abused him.”
In Nüpode Huitoto, “shake their heads” is translated with the cultural equivalent “stick out their chins” (source: Ronald D. Olson in Notes on Translation January, 1968, p. 15ff.), in Chol with “spitting on the ground,” in Copainalá Zoque with “clapping the hands” (source: John Beekman in Notes on Translation, March 1965), p. 2ff.), and in Chichewa (interconfessional translation) as “showing their scorn” (“‘wagging their heads’ is understood as a nonverbal expression of frustration, grief, or even surprise — source: Wendland 1987, p. 110).
In the German New Testament translation by Berger / Nord (publ. 1999) idiomatically with verzogen höhnisch das Gesicht und spotteten or “tauntingly grimaced at him and mocked him.”
The Greek that is often translated as “(you are) not partial to any” into English is translated as “you do not look at what is on the surface” into Shipibo-Conibo) and “you do not just see a man’s face” into Copainalá Zoque (source: Bratcher / Nida).
In Gumuz it is translated as “you do not look into face of men” (= do not make people bigger) (source: Loren Bliese) which is the same way the German translation by Fridolin Stier (1989) translates it.
The German New Testament translation by Berger / Nord (publ. 1999) as unparteiisch und unbestechlich or “impartial and incorruptible.”
The Greek in Mark 13:27 that is translated as “from the four winds, from the ends of the earth to the ends of the heaven” or similar in English is translated in Copainalá Zoque as “out of all the towns there are under heaven” and in Teutila Cuicatec as “throughout the whole earth.” (Source: B. Moore / G. Turner in Notes on Translation 1967, p. 1ff.)
The Greek that is translated into English as “vain” or “in vain” in English is (back-) translated in various ways:
Guhu-Samane: “with the front teeth of their mouths they worship me” (“‘In vain’ caused puzzlement [because] why should their efforts to worship God produce no results, try as they may? [But the idiom] ‘with the front teeth of their mouths they worship me’ comes from the picture of one who is making a pretense at eating food, hence their deceit is apparent.’ Source: Ernest L. Richert in Notes on Translation December 1963: p. 4-7; reprinted in The Bible Translator 1965, p. 198ff. )
The Greek that is translated as “curtain” in English is translated in Shuar as “divider” (aource: B. Moore / G. Turner in Notes on Translation 1967, p. 1ff.) and in Copainalá Zoque as “cloth closure” (source: Bratcher / Nida).
In the German New Testament translation by Berger / Nord (publ. 1999) it is translated colloquially as wie vernagelt or “obtuse” (in Mark 6:52 and 8:17).
While Moba has a rich metaphorical library using the concept of “heart” (pal) it follows very different paradigms compared to Greek, Hebrew and English concepts. The parallel expression of “hardened heart” means “courageous” or “encouraged” (see hearts burning) so in the 2008 Moba Yendu Kadapaaonn translation various constructs are used to translate “hardness of heart,” including “not willing to change one’s mind” (in Mark 3:5) or “make temptation into the heart” (John 12:40). (Source: Bedouma Joseph Kobaike in Le Sycomore 17/1, 2024, p. 3ff. )
