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The Greek that is translated as “I find no crime in him” or similar in English is translated as “not a single fault do I find in this man” in Ojitlán Chinantec, “I don’t find any sin in this man” in Huehuetla Tepehua, “it is not known to me even a little bit of bad which he has done” in Aguaruna, “I think this man has no sin” in Chol, and “it is not apparent that this man is guilty” in Yatzachi Zapotec.
(Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
The Greek and Ge’ez that is translated “scripture” or “scriptures” in English is translated as “God’s word which people wrote” in Guerrero Amuzgo (source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125), “paper writings” in Copainalá Zoque (source: B. Moore / G. Turner in Notes on Translation 1967, p. 1ff.), “writing that one believes” in Cherokee (putting the focus on the ones who interact with them rather the scriptures themselves) (source: Bender / Belt 2025, p. 101), and Toposa as “carved material” (source: Schröder 2026, p. 104).
For other translations of scripture see all scripture is inspired by God and examined the scriptures.
The Greek and Hebrew that is translated as “casting” or “drawing lots” in English is often translated with a specific idiom, such as “to take out bamboo slips” — 掣 籤 chè qiān (in most Mandarin Chinese Bibles), “each to pick-up which is-written (i.e. small sticks inscribed with characters and used as slots)” (Batak Toba), a term for divination by means of reed stalks (Toraja-Sa’dan).
In some cases a cultural equivalent is not available, or it is felt to be unsuitable in this situation, e.g. in Ekari where “to spin acorns” has the connotation of gambling, one may have to state the fact without mentioning the means, e.g. “it came to him” (source for this and all above: Reiling / Swellengrebel). In Shipibo-Conibo there was no equivalent for “casting lots” so the translation for Mark 15:24 is descriptive: “they shook little things to decide what each one should take” (source: Nida 1952, p. 47).
Other solutions include:
In North Alaskan Inupiatun a term for “gambling” is used. The same Inupiatun term is also used in Esther 3:7, “though there winning and losing is not in view, but rather choosing by chance” (source: Robert Bascom)
The stand-alone term that is translated “lots” in English is translated as “two pieces of potsherd” in Highland Totonac. (Source: Ronald D. Olson in Notes on Translation January, 1968, p. 15ff.)
The Greek that is translated “born again” or “born from above” in English is translated in Xicotepec De Juárez Totonac as “have new life,” in Tenango Otomi as “live anew,” in Tojolabal as “become new like a little baby” (source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125), or in Iu Mien as ganh siang-yungz jiex or “again newly-born pass-through” (source: Arisawa 2017, p. 515)
The English The Translator’s New Testament (publ. 1973) translates this term in a way to cover both sides of its ambiguity: reborn from above.
The now commonly-used English idiom “born again” (meaning to be revived) was first coined in 1382 in the English translation by John Wycliffe (in the spelling borun ayen). (Source: Crystal 2010, p. 288)
For other idioms in English that were coined by Bible translation, see here.
The Greek in John 21:15 that is translated as “feed my lambs” in English is translated as “teach my people my words, as if to say you will feed my little sheep” in Ojitlán Chinantec, “teach my word to the men who are like lambs” in Huehuetla Tepehua, “help those who believe in me” in Xicotepec De Juárez Totonac, “teach the people who have just begun to trust in me” in Yatzachi Zapotec and “now do like a shepherd does. Take care of the people who believe in me” in Tenango Otomi.
(Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
See also tend my sheep.
The Greek in John 12:14 that is translated as “young donkey” in English is translated in Aguaruna as “young riding animal” and in Xicotepec De Juárez Totonac and Chol as “burro.” (Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125)
The Hebrew, Ge’ez, and Greek that are translated in English versions as “prophesy” are translated into Anuak as “sing a song” (source: Loren Bliese), into Balanta-Kentohe as “passing on message of God” (source: Rob Koops), and into Ixcatlán Mazatec with a term that does not only refer to the future, but is “speak on behalf of God” (source: Robert Bascom).
Other translations include: “God making someone to show something in advance” (Ojitlán Chinantec), “God causing someone to think and then say it” (Aguaruna), “speaking God’s thoughts” (Shipibo-Conibo), “God made someone say something” “Xicotepec De Juárez Totonac) (source for this and above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125), “proclaim God’s message” (Teutila Cuicatec), “speak for God” (Chichimeca-Jonaz), “preach the Word of God” (Lalana Chinantec), “speak God’s words” (Tepeuxila Cuicatec), “that which God’s Spirit will cause one to say one will say” (Mayo) (source for this and four above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.), “say what God wants people to hear” (tell people God wod dat e gii oona fa say) (Gullah) (source: Robert Bascom), and “bring God’s mouth” (Bariai) (source: Bariai Back Translation).
In Luang it is translated with different shades of meaning:
Source: Kathy Taber in Notes on Translation 1/1999, p. 9-16.
See also prophet and prophesy / prophetic frenzy.
The Greek and Hebrew hat is translated as “purple” in English is translated as “blue-red” in Ojitlán Chinantec (source: M. Larson in Notes on Translation 1970, p. 1ff.) and in Elhomwe (source: project-specific translation notes in Paratext). In Silimo it is translated with a local reference: “the colour of the wipegen berry” (source: Buzz and Myrna Maxey ).
In Kasua was a little bit more involved, as Rachel Greco recalls (in The PNG Experience ):
“The Kasua people of Western Province have no word for the color purple. They have words for many other colors: black, red, white, yellow, green, and blue, but not for the color of royalty.
“About nine New Testament passages mention people placing a purple robe on Jesus. The Kasua translation team always wanted to use the word ‘red,’ or keyalo, to describe the robe. Tommy, one of the translation team helpers, disagreed because this is not historically accurate or signifies the royalty of Jesus.
“One of the main rules of translation is that the team must stick to the historical facts when they translate a passage. If they don’t, then how can the readers trust what they’re reading is true? Other questions about truth could bubble in the reader’s minds about the Scriptures. For this reason, Tommy was not willing to change the word purple. So the team hung up the problem, hoping to revisit it later with more inspiration.
“God did not disappoint.
“Years later, Tommy hiked with some of the men near their village. They saw a tree that possessed bulbous growths growing on the side of it like fruit. These growths were ‘the most beautiful color of purple I’d ever seen,’ explained Tommy.
“’What is the name of this tree?’ Tommy asked the men.
“’This is an Okani tree,’ they replied.
“Tommy suggested, ‘Why don’t you, in those passages where we’ve been struggling to translate the color purple, use ‘they put a robe on Jesus the color of the fruit of the Okani tree’?
“’Yeah. We know exactly what color that is,’ the men said enthusiastically.
“Everyone in their village would also visualize this phrase accurately, as the Okani tree is the only tree in that area that produces this kind of purple growth. So now, among the Kasua people, in his royal purple robe, Jesus is shown to be the king that he is.”
In Numbers 4:13, Gbaya uses the ideophone soi-soi to emphasize the purple color. Ideophones are a class of sound symbolic words expressing human sensation and soi-soi designates something that has a red or purple color, or a thing with a clear or clean appearance. (Source: Philip Noss)