The Greek, Hebrew, Ge’ez, and Latin that is translated in English as “thunder” is translated in Q’anjob’al with the existing idiom “the sun trembles.” (Source: Newberry and Kittie Cox in The Bible Translator 1950, p. 91ff. )
In Matumbi njai means “thunder” and/or “lightning.” (Source: Pioneer Bible Translators, project-specific notes in Paratext)
The Greek in Mark 4:24 that is translated in English as “pay attention” or “take heed” is translated in Q’anjob’al with “hear dying.” Newberry and Kittie Cox (in The Bible Translator 1950, p. 91ff. ) explain: “The use of the word ‘dying’ makes any action important and serious, that is to say, somewhat similar to he English phrase ‘a matter of life and death,’ when it refers to the seriousness of the occasion.”
The Greek and Hebrew phrases that are often translated as “birds of the air” in English “refer to the undomesticated song birds or wild birds, to be distinguished in a number of languages from domesticated fowl. In Tzeltal these former are ‘field birds’.” (source: Bratcher / Nida)
Q’anjob’al also uses an established term for non-domesticated birds. Newberry and Kittie Cox (in The Bible Translator 1950, p. 91ff. ) explain: “Qʼanjobʼal has two distinct terms, one to identify domesticated birds and the other non-domesticated birds. The additional descriptive phrase ‘of the air’ seemed entirely misleading, for Qʼanjobʼal speakers had never heard of such creatures. Actually, of course, all that was necessary was the term for non-domesticated birds, for that is precisely the meaning of the Biblical expression.”
In Elhomwe they are just translated as “birds” or “birds of the bush” (i.e., wild birds) to “not give the impression that these are special type of birds.” (Source: project-specific translation notes in Paratext)
See also birds of the air / fish of the sea and birds or four-footed animals or reptiles.
In Gbaya, the notion becoming rigid as a sign of fear is emphasized in Mark 9:18 with kiŋgiŋgi, an ideophone that describes a sign of great emotion, a panic of fear and helplessness.
Ideophones are a class of sound symbolic words expressing human sensation that are used as literary devices in many African languages. (Source: Philip Noss)
In Q’anjob’al it is translated with the existing idiom “become bony.” (Source: Newberry and Kittie Cox in The Bible Translator 1950, p. 91ff. )
Nida (1952, p. 125ff.) reports on different translation of the Greek and Hebrew terms that are translated as “love” when referring to loving God:
“The Toro So Dogon people on the edge of the Sahara in French West Africa speak of ‘love for God’ as ‘put God in our hearts.’ This does not mean that God can be contained wholly within the heart of a man, but the Eternal does live within the hearts of men by His Holy Spirit, and it is only love which prompts the soul to ‘put God in the heart.’
“The Mitla Zapotec Indians, nestled in the mountains of Oaxaca, Mexico, describe ‘love’ in almost opposite words. Instead of putting God into one’s own heart, they say, ‘my heart goes away with God.’ Both the Toro So Dogon and the Zapotecs are right. There is a sense in which God dwells within us, and there is also a sense in which our hearts are no longer our own. They belong to Him, and the object of affection is not here on earth, but as pilgrims with no certain abiding place we long for that fuller fellowship of heaven itself.
“The Uduks seem to take a rather superficial view of love, for they speak of it as ‘good to the eye.’ But we must not judge spiritual insight or capacity purely on the basis of idioms. Furthermore, there is a sense in which this idiom is quite correct. In fact the Greek term agapé, which is used primarily with the meaning of love of God and of the Christian community, means essentially ‘to appreciate the worth and value of something.’ It is not primarily the love which arises from association and comradeship (this is philé), but it defines that aspect of love which prompted God to love us when there was no essential worth or value in us, except as we could be remade in the image of His Son. Furthermore, it is the love which must prompt us to see in men and women, still unclaimed for Jesus Christ, that which God can do by the working of His Spirit. This is the love which rises higher than personal interests and goes deeper than sentimental attachment. This is the basis of the communion of the saints.
“Love may sometimes be described in strong, powerful terms. The Miskitos of the swampy coasts of eastern Nicaragua and Honduras say that ‘love’ is ‘pain of the heart.’ There are joys which become so intense that they seem to hurt, and there is love which so dominates the soul that its closest emotion seems to be pain. The Tzotzils, living in the cloud-swept mountains of Chiapas in southern Mexico, describe love in almost the same way as the Miskitos. They say it is ‘to hurt in the heart.’ (…) [See also pain-love]
“The Q’anjob’al Indians of northern Guatemala have gone even a step further. They describe love as ‘my soul dies.’ Love is such that, without experiencing the joy of union with the object of our love, there is a real sense in which ‘the soul dies.’ A man who loves God according to the Conob idiom would say ‘my soul dies for God.’ This not only describes the powerful emotion felt by the one who loves, but it should imply a related truth—namely, that in true love there is no room for self. The man who loves God must die to self. True love is of all emotions the most unselfish, for it does not look out for self but for others. False love seeks to possess; true love seeks to be possessed. False love leads to cancerous jealousy; true love leads to a life-giving ministry.” (Source: Nida 1952)
In Mairasi, the term that is used for love for God, by God and for people is the same: “desire one’s face” (source: Enggavoter 2004), likewise in Ogea, where the word for “love” is “die for someone” (source: Sandi Colburn in Holzhausen 1991, p. 22).
The Greek that is translated in English as “beside the sea” or “seaside” is translated in Q’anjob’al with the existing idiom “mouth of the sea.” (Source: Newberry and Kittie Cox in The Bible Translator 1950, p. 91ff. )
Bawm build with bamboo and thatch in their mountainous forests. They made the apostles and prophets become the roof ridge pole and Jesus the central uprights which support it. I asked why not the corner uprights since Greek has a term that is translated in English as ‘cornerstone.’ Bawm translators responded that the central uprights are more important than the corner ones, and Greek refers to the most important stone. (“Corner uprights” used in 1 Timothy 3:15.) (Source: David Clark)
Similarly, Chris Pluger tells the following from the translation into Tsamakko: “At the end of Ephesians 2, Paul uses the idea of a building to show that people of all nations and backgrounds are united together by faith in Christ. This building is pictured as standing on a stone foundation, and believers are ‘joined together’ as parts of that building. Christ himself is the cornerstone on which everything is based. However, the Tsamakko people of southwest Ethiopia do not build on stone foundations, and their buildings are traditionally round. This makes the idea of a ‘cornerstone’ difficult for several obvious reasons. In the Tsamakko translation of Ephesians 2:20, Christ is the
In Mono, translators used “main post,” in Martu Wangka “two forked sticks with another long strong stick laid across” (see also 1 Peter 2:6-7.), and in Arrernte, the translation in 1 Peter 2:7 (in English translation: “the stone . . . became the very cornerstone”) was rendered as “the foundation… continues to be the right foundation,” (source for this and two above: Carl Gross) and in Uripiv and Sabaot it is the “post” (source: Ross McKerras and Jim Leonhard in Holzhausen / Riderer 2010, p. 50). Likewise, in Hakha Chin it is the “central upright poles of a house.” (Hakha Chin speakers are mountain people who build houses with bamboo and palm thatch, not stone) (source: David Clark)
In Ixcatlán Mazatec it is translated with a term denoting the “the principal part of the ‘house’ (or work)” (source: Robert Bascom), in Enlhet as “like the house-root” (source: Jacob Loewen in The Bible Translator 1969, p. 24ff. ), in Q’anjob’al it is translated with with the existing idiom “ear of the house.” (Source: Newberry and Kittie Cox in The Bible Translator 1950, p. 91ff. ), in Desano as “main support of the house,” and in Tataltepec Chatino as “the best stone” (source for this and one above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.).
Shuar translates as “that stone was placed to the main house pole.” The Shuar use stones in house building either at the bottom of the posthole as a base for the house pole to rest on, or as chocking material around the post to hold it firm. Either function is acceptable here particularly as applied to the main house-pole. In Ocotlán Zapotec it is “master stone of the house.” This is a special stone they put into the foundation as sort of a guide stone of how the foundation is to true up. (Source: B. Moore / G. Turner in Notes on Translation 1967, p. 1ff.)
In Matumbi it is “the great foundation stone.” It’s the first large stone you place for a house, the one that determines where all the other stones will go, but unlike in Greek thought it’s often in the center of a building instead of a corner. (Source: Pioneer Bible Translators, project-specific notes in Paratext)
See also rock / stone, foundation on rock, and foundation.
The Hebrew, Aramaic, Greek, Ge’ez, and Latin that is translated as “blasphemy” or “blaspheme” is translated in various forms: