
Drawing by Ismar David from The Psalms: A new English translation, linked with permission from Ismar David Archive .
For other images of Ismar David drawings, see here.
כִּֽי־אַתָּ֣ה גֹחִ֣י מִבָּ֑טֶן מַ֝בְטִיחִ֗י עַל־שְׁדֵ֥י אִמִּֽי׃
9Yet it was you who took me from the womb;
you kept me safe on my mother’s breast.

Drawing by Ismar David from The Psalms: A new English translation, linked with permission from Ismar David Archive .
For other images of Ismar David drawings, see here.
Following are a number of back-translations as well as a sample translation for translators of Psalm 22:9:
The Greek and Hebrew that is translated as “trust (you)” is translated in Una as “put our (my) insides on (you).” (Source: Kroneman 2004, p. 477)
In Luchazi it is translated with tisliela: “to die absolutely completely.” (Source: E. Pearson in The Bible Translator 1954, p. 160ff. )
See also trust with all your heart and Seat of the Mind.
The translation of the tetragrammaton (YHWH or יהוה) is easily the most often discussed issue in Bible translation. This is exemplified by the fact that there is virtually no translation of the Bible — regardless of language — where the position of the respective translator or translation team on how to translate the name of God into the respective language is not clearly stated in the preface or introduction.
The literature on this topic is overwhelming, both as far as the meaning of YHWH and the translation of it by itself and in combination with other terms (including Elohim and Adonai). There is no reason or room to rehash those discussions. Aside from various insightful translations of YHWH into various languages (see below), what’s of interest in the context of this tool are official and semi-official statements regarding the translation by Bible translation agencies and churches. These include the 1992 statement by United Bible Societies’ “Names of God” Study Group (see The Bible Translator 1992, p. 403-407 ) or the “Letter to the Bishops’ Conference on ‘The Name of God'” by the Congregatio de Cultu Divino et Discriplina Sacramentorum of 2008 (see here et al.).
In summary, the UBS study group gives six different options on how to translate YHWH: 1) transliterate (some form of “Yahweh” or “Jehovah” if this is an already established term); 2) translate (along the lines of kurios — κύριος in the Septuagint); 3) translate the meaning of YHWH; 4) use a culture-specific name; 5) translate Elohim and YHWH in the same way; or 6) use a combination of any of these options.
The official Catholic directive states that for liturgical purposes YHWH is to be translated as an equivalent of Kurios (“Lord”) unless when appearing in combination with Elohim (“God”) or Adonai (“lord”), in which case it’s to be translated with “God.”
In the following collection of examples, any of the above-mentioned strategies are used.
Use of Typographical Means to Offset the Name of God
A large number of Bible translations in many Western European languages have used a similar strategy to translate YHWH as an equivalent of Kurios or Adonai (“lord” in Greek in Hebrew) but have used either small caps or all caps to denote these occurrences as an equivalent to a proper name. Here are some examples:
None of the European languages have found a “cultural-linguistic equivalent” with the possible exception of Eternal or l’Éternel (see below).
The rendering of the translation of YHWH in bold (and uppercase) characters is for instance used in Guhu-Samane: QOBEROBA (a term of address for a respected person and also connotes “forever”) (for “forever”, see below under Translations of the Name of God) and the upper-casing in Bible translations in several other languages in Papua New Guinea:
In Cebuano (Ang Pulong sa Dios edition, 2010) and Hiligaynon (all versions), Ginoo, a typographical variant of Ginoo (“Lord”) is used. Bible translation consultant Kermit Titrud (SIL): “‘Yahweh’ is too close to Yahwa, their word for ‘Satan.’ We were afraid that in the pulpits readers might misread ‘Yahweh’ and say ‘Yahwa.’ So we went with the tradition found in most English translations. Ginoo for ‘Yahweh’ and Ginoo for ‘adonai.'”
In languages where capitalization is not a typographical option, other options are available and used, such as in Japanese, where the generic term shu 主 for “Lord” is bolded in some translations to offset its meaning (Source: Omanson, p. 17).
In Pattani Malay, the word for “Lord” is underlined: ربي. (Source: Andy Warren-Rothlin)
A graphical way of representation beyond typography was used by André Chouraqui in his French La Bible hebraique et le Nouveau Testament (publ. 1974-1977) for which he superimposed adonai and Elohim over (the French rendition) of the tetragrammaton:

(Source: Andy Warren-Rothlin in Noss / Houser, p. 618ff.; see also tempt God / put God to the test)
Translations of the Name of God
A translation of YHWH with a rendering of the meaning of “Eternal” was done in English by James Moffatt (between 1926 and 1935) with Eternal, The Voice translation with Eternal One (2012), in French versions as L’ÉTERNEL by J. F. Ostervald in 1904 or l’Éternel by L. Segond (1910-1938, not in more recent revisions) and Zadoc Kahn (1964) (for the French translation, see also LORD of hosts), in Esperanto as “la Eternulo,” and in Obolo as Okumugwem: “The Ever-Living” (source: Enene Enene). In francophone Africa, translations of l’Éternel are widely used, due to the wide use of Segond’s early editions (see above). Examples include Nancere (Nandjéré) with Kumuekerteri, Ngambay (Ngambaï) with Njesigənea̰, Sar with Kɔ́ɔ̄ɓē, Mbay (Mbaï) with Bïraþe, Kim with Bage ɗiŋnedin, or Lélé uses Gojɛnɛkirɛkindiy (verbatim: “who remains for his eyes”). (Source: Andy Warren-Rothlin)
Similarly and at the same time expanding its meaning, the Nzima translation of 1998 translated YHWH as Ɛdεnkεma, the “Eternal All-Powerful Creator and Sustainer” (Source: David Ekem in The Bible Translator 2005, p. 72ff. ).
“Creator” is also used in Kazakh (Zharatkhan [Жаратқан]), Karakalpak (Zharatkhan [Жаратқан], sometimes in combination with Iyeg [Ийег] — “Master”), and Kirghiz (Zharatkhan [Жаратқан], likewise in combination with “Master” or Ege [Эге]). (Source: David Gray).
Nepali, Bengali, and Hindi are all derived from Sanskrit and have (eventually) all found similar translations of YHWH. In Bengali “God” is translated as Ishwar (ঈশ্বর) (widely used in Hindu scriptures, where it’s used as a title, usually associated with “Siva”) and YHWH as Shodaphrobhu (সদাপ্রভু) — “Eternal Lord”; in Nepali and Newari YHWH is translated as Paramaprabhu (परमप्रभु)– “Supreme Lord”; and Hindi translates YHWH as Phrabu (प्रभु) — “Lord.” In earlier translations all three languages used transliterations of Jehovah or Yahweh. (Source: B. Rai in The Bible Translator 1992, p. 443ff. and Barrick, p. 124).
“The name ‘Jehovah’ had been used in some contexts, but I had the feeling that it did not mean much to the people, and when I asked the pastors they all said it didn’t, and worse, it very often confused people, especially in the villages. During the conversation it was suggested that the name Chinawej be used in the place of ‘Jehovah’, and this met with immediate approval. A few days later I was working on a Psalm in which ‘Jehovah’ was used frequently, so I wrote Chinawej in its place and then read the Psalm to them. The response was about like this: “That is it, now people will understand, that is how Chinawej is. The Jews call God ‘Jehovah’, we call Him Chinawej, it is the same God. but we know Him as Chinawej as the Jews know Him as ‘Jehovah’ “. They often call God Chinawej in prayer, it seems to indicate warmth and intimacy.
The same word is used in two other ways. It is the name of a snake which never attacks human beings. And it is used as a response of approval. When told of something they are pleased to hear, something they find good, just, helpful, generous, they often respond by saying, Chinawej. When they call God Chinawej, it indicates that they think of Him as One Who is good and just and generous towards them. When it was suggested at the committee that we use Chinawej in place of ‘Jehovah’ it was accepted immediately and unanimously.
Jim Zvara (2019, p. 6) explains: “The Uzbek term ega means owner or master (‘master,’ in the historical context of an owner-slave relationship). By extension, it is natural for an Uzbek to speak to or refer to God as Egam (‘my owner’/’master’). In the Uzbek context to be God’s slave is a positive way of understanding one’s relation to him. It suggests that one is in a dependent and obedient relationship to God. The team felt that this relational connection and what it implies fits well with the concept of YHWH as the God who is in a covenant relationship with his people. In the Uzbek context, the choice of Ega was deemed to be the best balance of natural language with meaningful translation.”
“(…) The Seediq team requested that we spend time with them on key terms. They had compiled a list of key terms that they wanted input on, and we went through the list item by item. The most important item was how to deal with the divine name. They had tentatively translated it as Yehoba, transliterated from Jehovah, but they were also aware that this transliteration may not be accurate, and they were keen to explore other options.
“We explored various alternatives. Were they interested in following the ancient Jewish practice of substituting ‘Lord’ for the divine name? Would capitalising the letters help? Would they be bold enough to use ‘Yahweh,’ following the opinion of most Old Testament scholars who regard this as the correct pronunciation? Was it feasible to adopt a mixed approach in dealing with the divine name (…)? Each option had its advantages as well as disadvantages.
“In the midst of the discussion, a participant said, ‘Our ancestors, as well as we today, always call God by the term Utux Tmninun. I suggest we use this term.’ The term Utux Tmninun in the Seediq culture means ‘the weaving God.’ In their culture, God is the weaver, the one who weaves life together. All the participants were excited about this proposal. They tried this term with all the composite terms that involve the divine name, and it seemed to work well, so they decided tentatively to adopt this term. After the workshop, the participants went back to their villages and sought feedback from the wider community, and eventually they confirmed the use of the term Utux Tmninun as the rendering of the divine name.
Translating the divine name as Utux Tmninun, the weaving God, is a creative solution. This term is viewed very positively in the Seediq community. It also correlates well with the concept of God as the creator (Gen. 1-2) and as the weaver who formed our inward parts and knit us together in our mothers’ wombs (Ps. 139:13). It also has the advantage of portraying God beyond the traditional masculine form.
“Some may argue that since names are usually transliterated, we should do the same with YHWH, most likely pronounced ‘Yahweh.’ Unfortunately, due to the influence of Chinese Union Version for almost one hundred years now, Chinese Christians only know God as Yehehua. Attempts to change the term Yehehua to Yahweh have not been successful. This is a reality that the Seediq Christians have to live with.
“Others may argue on theological grounds that YHWH is not only the creator, but also the God of the covenant, hence any attempt to substitute another term for YHWH will not do justice to the Hebrew text. In the case of the Seediq translation, there are significant similarities between Utux Tmninun and YHWH, though the terms are not identical. This is a reality translators often have to struggle with. Exact correspondence is hard to come by. Often it is a matter of approximation, give and take. Besides theological considerations, one has to deal with the constraints of past traditions (‘Jehovah,’ in this instance), the biblical cultures and one’s own culture, and audience acceptance. Hopefully, by using Utux Tmninun for YHWH, the Seediq term will be transformed and take on the aspect of the covenant God as well.” (Source: Yu Suee Yan, The Bible Translator 2015, p. 316ff. )
“The name Chauta, literally ‘Great-One-of-the-Bow’, i.e. [is] either the rainbow (descriptively termed uta-wa-Leza ‘the-bow-of-God’) or, less likely, the hunter’s bow. And yet Chauta was also distinct from Mulungu [“God”] in that it has reference to the specific tribal deity of the Chewa people — the God who ‘owns’ yet also ‘belongs to’ them — and hence it carries additional positive emotive overtones. Although research indicated that in an ancient traditional setting, Chauta too was probably associated with the indigenous ancestral rain cult, in the Christian era it has been progressively generalized to encompass virtually all religious contexts in which God may be either appealed to, proclaimed, or praised. After prolonged deliberation, therefore, the translation committee determined Chauta to be the closest functional equivalent to YHWH of the Hebrew Scriptures. The choice of this name is not without its difficulties, however, and these were carefully considered by the Chewa committee. For example, the use of a more specific local term, as opposed to the generic Mulungu, carries a greater likelihood of bringing along with it certain senses, connotations, and situations that were (and no doubt still are) associated with the indigenous, pre-Christian system of worship. If these happened to remain strong in any contemporary sacred setting, then of course the dangers connected with conceptual syncretism might well arise. In the case of Chauta, however, it appeared that the process of positive Christian contextualization had already reached an advanced stage, that is, judging from the widespread use of this name in all aspects of religious life and practice. A more scholarly argument against Chauta takes the position that there is too great a female component associated with this term because it was traditionally applied (by figurative metonymy) to refer also to the ritual ‘wife of God’, i.e. the chief officiant at a traditional rain shrine and worship sanctuary. However, this usage seems to be quite remote, and most people questioned do not even recognize the connection anymore. Besides, in a matrilineal society such as the Chewa, it does not seem inappropriate to have this aspect of meaning lying in the background, particularly since it is not completely foreign to the notion of God in the Bible (cf. Ps. 36:7; 73:15; Isa. 49:14-15; Mt. 23:37). In terms of ‘connotative fit’ or emotive identification and appeal, there can be little doubt that the name Chauta is by far the closest natural equivalent to YHWH in the contemporary Chewa cultural and religious environment. This aspect of meaning was probably also utmost from the ancient Jewish perspective as well; in other words, “for them the associated meaning of this special name [YHWH], in terms of their history and culture, far outweighed any meaning it may have suggested because of its form or derivation”. To be sure, this ‘new’ divine name — that is, new as far as the Scriptures are concerned — may take some getting used to, especially in the formal setting of public worship. But this is not a foreign god whom we are talking about; rather, he is certainly by now regarded as the national deity of the Chewa nation. Chauta is the great God who for one reason or another ‘did not make himself known to them by his holy name, the LORD’ (Exod. 6:3), that is, in the prior translations of his Word into Chewa. He is, however, and always has been “a God who saves … the LORD (Chauta), our Lord, who rescues us from death” (Ps. 68:20, Good News Bible)!” (Source: Wendland 1998, 120f.; see also The Bible Translator 1992, 430ff. )
Transliteration of YHWH
A 12th century reading of the Masoretic vowel points around יהוה (יְהֹוָה) was interpreted to be pronounced as Yehowah from which Iehouah and Jehovah were derived. This was reflected in the English versions of Tyndale (publ. 1530) and the Geneva Bible (significantly based on Tyndale and publ. in 1560) and again the King James Version (Authorized Version) (publ. 1611) which all used Iehouah or Jehovah in 7 different verses in the Old Testament. The translators and editors of the American Standard Version (publ. 1901), a review of the King James Version used Jehovah for all appearances of the tetragrammaton something that the Spanish Reina-Valera (publ. 1602) had already done as well.
In English versions, Yahweh as a transliteration of the tetragrammaton is used by the Catholic Jerusalem Bible (publ. 1966), the Protestant Holman Christian Standard Bible (publ. 2004) and the Legacy Standard Bible (publ. 2021). The Catholic translation by Knox (publ. 1949) occasionally uses Javé, “to make it a Latin name, to match all the other names in the Old Testament.” (Source Knox 1949, p. 80)
Mandinka for instance uses Yawe for YHWH. “The use of Yawe for YHWH is good and may be a trendsetter in this part of Africa.” (Source: Rob Koops)
In a group of related languages in another part of Africa an interesting development from a transliteration to a indigenous translation can be shown: In the Nandi Bible (1938) Jehovah was used as a translation for YHWH. Kamuktaindet (“The Powerful One”) was used as a translation for Elohim (“God”). This was taken over by a translation into the macrolanguage Kalenjin (1969) (intended to include the closely related Keiyo, Kipsigis, Markweeta, Nandi, Okiek, Sabaot, Terik, and Tugen). Sabaot, Markweeta, Tugen and Okiek later wanted there own translations. Both Sabaot and Markweeta use the indigenous word for “Creator” (Yēyiin in Sabaot and Iriin in Markweeta) to translate Elohim and YHWH of the Old Testament and Theos of the New Testament. The Kalenjin Bible has recently been revised to cater to Keiyo, Kipsigis, Nandi and Terik, and this revision has completely dropped Jehovah in favour of Kamuktaindet. (Source: Iver Larsen)
Early translations into Gilbertese faced a problem when transliterating “Jehovah” (a form of “Jehovah” was first used in Spanish Bible translations in 1569 and 1602): “There are only thirteen letters in the Kiribati alphabet: A, E, I, O, U, M, N, NG, B, K, R, T (pronounced [s] when followed by ‘i’), W For instance, ‘Jehovah’ is rendered Iehova, but Kiribati speakers can only pronounce it as ‘Iowa,’ since the phonemes [h] and [v] do not exist in Kiribati.” (source: Joseph Hong, The Bible Translator 1994, p. 329ff. .)
Other transliterations include Yoba (Kovai), Iaue (Mussau-Emira), Jawe (Waskia), Iave (Maiadomu), Iawe (Waboda) (source: P. King, The Bible Translator 2014, p. 194ff. ), Yawi (Western Tawbuid, Eastern Tawbuid), or Yihowah (Kapingamarangi).
In a recent edition of a Thai translation (Thai Standard Version, publ. 2011) a combination of translation and transliteration is used: phra’ ya(h)we (h) (พระยาห์เวห์) (“Divine Yawe”). (Source: Stephen Pattemore)
In Nyarafolo Senoufo the transliteration is Yewe which also means “the being one” or “he that is.” David DeGraaf (in: Notes on Translation 3/1999, p. 34ff.) explains: “Since it is widely recognized that the vowels of the name are uncertain, another possible transliteration is Yewe. This proposal is in accord with the Nyarafolo rules of vowel harmony and is thus open to being understood as a normal nominalization in the language. Second, Yewe is exactly the word that would be formed by nominalizing the verb ‘to be’ in the class that includes sentient beings. Thus, Yewe can be understood as ‘the being one’ or ‘he that is’. This solution accords well with YHWH’s self-revelation to Moses in Exodus 3:14, ‘I am who I am.'”
“YHWH” is rendered in the Chinese Union Version — the most widely used Bible translation in China—as well as most other Chinese Bible translations as yehehua 耶和華. According to Chinese naming conventions, yehehua could be interpreted as Ye Hehua, in which Ye would be the family name and Hehua — “harmonic and radiant” — the given name. In the same manner, Ye would be the family name of Jesus (transliterated as yesu 耶穌) and Su would be the given name. Because in China the children inherit the family name from the father, the sonship of Jesus to God the Father, yehehua, would be illustrated through this. Though this line of argumentation sounds theologically unsound, it is indeed used effectively in the Chinese church.” (see Wright 1953, p. 298, see also Jesus).
“Ye 耶, an interrogative particle in classical Chinese, is part of the same phonetic series as ye 爺, which gives it a certain exchangeability. Ye 爺 carries the meaning “father” or is used as an honorable form of address. The choice of the first Bible translators to use the transliteration yehehua 爺火華 for Jehovah had a remarkable and sobering influence on the history of the 19th century in China by possibly helping to shape the fatal Taiping ideology, a rebellion that ended up costing an estimated 20 million lives.
“The founder of the Taiping rebellion, Hong Xiuquan, was given a tract (…) [that he used to] interpret a nervous breakdown he had had in 1837 as his “call” to be the “Messiah.” This “vision” that Hong experienced is likely to have had a direct correlation with the name of “God” in that tract. Shen yehuohua 神爺火華 (directly translated: ‘God (or: spirit); old man (or: father); fire; bright)” was the term that was used in that tract for ‘God Jehovah,’ but this was not indicated as a (in its second part) transliteration of a proper name. In his vision, Hong saw ‘a man venerable in years (corresponding with ye), with golden (corresponding with huo and hua) beard and dressed in a black robe,’ an image likely to have been inspired by a direct translation from that name for ‘God,’ especially as it appeared at the beginning of the tract. That this term was considered to be a term of some relevance to the Taiping ideology is demonstrated by the fact that both yehuohua 爺火華 as the personal name of God and ye 爺 as “God the Father” later appeared in Taiping writings.” (Source: Zetzsche in Malek 2002, p. 141ff.)
In American Sign Language it is translated with a sign that combines the letter Y and a sign that points up and is similar to the sign for “God.” (Source: Ruth Anna Spooner, Ron Lawer)
“YHWH” in American Sign Language, source: Deaf Harbor
In British Sign Language is is translated with a sign that combines the signs for “God” and “name” and the finger-spelling of Y-H-W-H. (Source: Anna Smith)
“YHWH” in British Sign Language (source: Christian BSL, used with permission)
Japanese Sign Language combines the sign for “Lord” with “exist” to make a name sign that technically means “the existent one,” but is close enough to “Lord” that it isn’t too jarring for people in the church who expect to see “Lord” in certain contexts (source: Mark Penner). For a Japanese Sign Language explanation, see here.
“YHWH” in Japanese Sign Language, source: 日本手話訳聖書を
For further reading on the translation of YHWH, see Rosin 1956, p. 89-125 and Andy Warren-Rothlin in Noss / Houser, p. 618ff.
See also Lord, God, and Exod. 3:14-15.
Translators of different languages have found different ways with what kind of formality God is addressed.
Like many languages (but unlike Greek or Hebrew or modern English), Tuvan uses a formal vs. informal 2nd person pronoun (a familiar vs. a respectful “you”). Unlike other languages that have this feature, however, the translators of the Tuvan Bible have attempted to be very consistent in using the different forms of address in every case a 2nd person pronoun has to be used in the translation of the biblical text.
As Voinov shows in Pronominal Theology in Translating the Gospels (in: The Bible Translator 2002, p. 210ff. ), the choice to use either of the pronouns many times involved theological judgment. While the formal pronoun can signal personal distance or a social/power distance between the speaker and addressee, the informal pronoun can indicate familiarity or social/power equality between speaker and addressee.
In these verses, in which humans address God, the informal, familiar pronoun is used that communicates closeness.
Voinov notes that “in the Tuvan Bible, God is only addressed with the informal pronoun. No exceptions. An interesting thing about this is that I’ve heard new Tuvan believers praying with the formal form to God until they are corrected by other Christians who tell them that God is close to us so we should address him with the informal pronoun. As a result, the informal pronoun is the only one that is used in praying to God among the Tuvan church.”
In Gbaya, “a superior, whether father, uncle, or older brother, mother, aunt, or older sister, president, governor, or chief, is never addressed in the singular unless the speaker intends a deliberate insult. When addressing the superior face to face, the second person plural pronoun ɛ́nɛ́ or ‘you (pl.)’ is used, similar to the French usage of vous.
Accordingly, the translators of the current version of the Gbaya Bible chose to use the plural ɛ́nɛ́ to address God. There are a few exceptions. In Psalms 86:8, 97:9, and 138:1, God is addressed alongside other “gods,” and here the third person pronoun o is used to avoid confusion about who is being addressed. In several New Testament passages (Matthew 21:23, 26:68, 27:40, Mark 11:28, Luke 20:2, 23:37, as well as in Jesus’ interaction with Pilate and Jesus’ interaction with the Samaritan woman at the well) the less courteous form for Jesus is used to indicate ignorance of his position or mocking.” (Source Philip Noss)
In the most recent Manchu translation of 1835 (a revision of an earlier edition from 1822), God is never addressed with a pronoun but with “father” (ama /ᠠᠮᠠ) instead. Chengcheng Liu (in this post on the Cambridge Centre for Chinese Theology blog ) explains: “In Manchu tradition, as in Chinese etiquette, second-person pronouns could be considered disrespectful when speaking to superiors or spiritual beings. Manchu Shamanist prayers avoided si [‘you’] and sini [‘your’] for this very reason. To use them for God would be, in Lipovzoff’s [one of the two translators] words, ‘the most uncouth and indecent way to speak to the Almighty — as if He were a servant or slave.’ There was also a grammatical problem. In Manchu, si and sini could refer to both singular and plural subjects. For a faith that insisted on the singularity of God, this was potentially confusing. By contrast, repeating ama removed any ambiguity.”
In Dutch, Afrikaans, Gronings, and Western Frisian translations, God is always addressed with the formal pronoun.
See also formal pronoun: disciples addressing Jesus, female second person singular pronoun in Psalms.
Yet: turning once more from his distress, the psalmist now bases his hopeful plea for help (verses 9-11) on his own past experience of the LORD’s faithful care (verses 9-10).
With expressive figures the psalmist speaks of Yahweh’s care of him ever since he was born. In verse 9a the verb “draw out” (took … from) is used only here in the Old Testament; the psalmist does not actually mean that the LORD pulled him out of the womb, but, as Good News Translation expresses it, he brought him safely through birth. Took me from the womb may normally be kept closer to the pictorial language of the Hebrew than Good News Translation has chosen; for example, “you are the one who brought me out of my mother’s womb.” If the figurative language of the Hebrew is inappropriate, the translator can follow the model of Good News Translation. If the figurative language is retained in verse 9a, then it will be appropriate to do so in verse 9b.
My mother’s breasts in line b is a way of referring to the time when he was a baby, while he was still being nursed. Some translations take the two lines as descriptive of what happens at the birth of a child. So New English Bible “But thou art he who drew me from the womb, who laid me at my mother’s breast” (see also Bible en français courant). This may be used if the translator is certain the readers will not understand that in a literal fashion God did the work of a midwife.
In verse 10a the language, as Dahood points out, implies that the LORD had adopted him: “I was placed in your custody.” New Jerusalem Bible has “I became Your charge at birth.” Biblia Dios Habla Hoy, somewhat differently, “Even before I was born I was entrusted to your care.” Revised Standard Version Upon thee was I cast is not a natural English expression.
In verse 10b the language is literally “from the womb of my mother my God (are) you.” This does not mean that as a newborn baby the psalmist had acknowledged Yahweh as his God, but that from his birth God had cared for, protected, him. New Jerusalem Bible has “from the womb I have belonged to you.” Hast been my God must often be recast, since God may not be thought of as being possessed; for example, “you have been the God who watches over me” or “… the God who takes care of me.”
Quoted with permission from Bratcher, Robert G. and Reyburn, William D. A Handbook on the Book of Psalms. (UBS Helps for Translators). New York: UBS, 1991. For this and other handbooks for translators see here .
John Wu Ching-hsiung (1899-1986) was a native of Ningbo, Zhejiang, a renowned jurist who studied in Europe and the United States, and served as a professor of law at Soochow University, as a judge and the Acting President of the Shanghai Provisional Court, and as the Vice President of the Commission for the Drafting of the Constitution of the Republic of China, before becoming the Minister of the Republic of China to the Holy See. Wu has written extensively, not only on law but also on Chinese philosophy, and has also written his autobiography, Beyond East and West, in English. Wu was a devout Catholic and had a personal relationship with Chiang Kai-shek (1887-1975). Wu began translating the the Psalms in 1938, and was encouraged by Chiang to translate the entire New Testament, which he corrected in his own handwriting. (…) John Wu Ching-hsiung’s translation of the Psalms (first draft in 1946, revised in 1975) was translated into Literary Chinese in the form of poetic rhyme, with attention paid to the style of writing. According to the content and mood of the different chapters of the original psalm, Wu chose Chinese poetic forms such as tetrameter, pentameter, heptameter [4, 5 or 7 syllables/Chinese characters per stanza], and the [less formal] Sao style, and sometimes more than two poetic forms were used in a single poem. (Source: Simon Wong)
“Nothing could have been farther from my mind than to translate the Bible or any parts of it with a view to publishing it as an authorized version. I had rendered some of the Psalms into Chinese verse, but that was done as a part of my private devotion and as a literary hobby. When I was in Hongkong in 1938, I had come to know Madame H. H. Kung [Soong Ai-ling], and as she was deeply interested in the Bible, I gave her about a dozen pieces of my amateurish work just for her own enjoyment. What was my surprise when, the next time I saw her, she told me, “My sister [Soong Mei-ling] has written to say that the Generalissimo [Chiang Kai-shek] likes your translation of the Psalms very much, especially the first, the fifteenth, and the twenty-third, the Psalm of the Good Shepherd!”
“In the Autumn of 1940, when I was in Chungking, the Generalissimo invited me several times to lunch with him and expressed his appreciation of the few pieces that he had read. So I sent him some more. A few days later I received a letter from Madame Chiang [Soong Mei-ling], dated September 21, 1940, in which she said that they both liked my translation of the few Psalms I had sent them. ‘For many years,’ she wrote, ‘the Generalissimo has been wanting to have a really adequate and readable Wen-li (literary) translation of the Bible. He has never been able to find anyone who could undertake the matter.’ The letter ends up by saying that I should take up the job and that ‘the Generalissimo would gladly finance the undertaking of this work.’
“After some preliminary study of the commentaries, I started my work with the Psalms on January 6, 1943, the Feast of the Epiphany.
“I had three thousand years of Chinese literature to draw upon. The Chinese vocabulary for describing the beauties of nature is so rich that I seldom failed to find a word, a phrase, and sometimes even a whole line to fit the scene. But what makes such Psalms so unique is that they bring an intimate knowledge of the Creator to bear upon a loving observation of things of nature. I think one of the reasons why my translation is so well received by the Chinese scholars is that I have made the Psalms read like native poems written by a Chinese, who happens to be a Christian. Thus to my countrymen they are at once familiar and new — not so familiar as to be jejune, and not so new as to be bizarre. I did not publish it as a literal translation, but only as a paraphrase.
“To my greatest surprise, [my translation of the Psalms] sold like hot dogs. The popularity of that work was beyond my fondest dreams. Numberless papers and periodicals, irrespective of religion, published reviews too good to be true. I was very much tickled when I saw the opening verse of the first Psalm used as a headline on the front page of one of the non-religious dailies.”
A contemporary researcher (Lindblom 2021) mentions this about Wu’s translation: “Wu created a unique and personal work of sacred art that bears the imprint of his own admitted love and devotion, a landmark achievement comparable to Antoni Gaudi’s Basilica of the Sagrada Família in Barcelona, Spain. Although its use is still somewhat limited today, it continues to attract readers for the aforementioned qualities, and continues to be used in prayers and music by those who desire beauty and an authentic Chinese-sounding text that draws from China’s ancient traditions.”
The translation of Psalm 22 from the 1946 edition is in the so-called Sao style (the 1946 edition did not have verse numbers either and underlined proper names):
受天下之垢
主兮主兮。胡為棄我如遺。發呻吟於危急兮。何惠音之遲遲。 朝籲主而不應兮。暮惆悵而無依。 夫主固吾族之所口碑兮。精靈夙彪炳乎歌詩。 稽先人之遐迹兮。孰不托聖澤而優游。 但聞籲主而見拯兮。焉有倚主而蒙羞。 謇予乃蚯蚓而非人兮。為萬民所唾棄而受天下之垢。 覩予者皆大施其嘲嗤兮。相與反其唇而搖其首。 曰彼既托命於天主兮。應蒙天主之援手。苟為天主之所寵兮。當見天主之營救。
信夫吾平生之所仰望兮。惟在天主之躬。主既出予於母胎兮。又教予仰聖恩於慈母之懷中。 溯自予之有生兮。向承吾主之恩撫。即予之尚在胎中兮。主亦未始非予之所怙。 今大難已臨而援手無人兮。吾主寧能捐棄而不顧。
健牡紛紛兮。圍我周匝。來自巴珊兮。洶洶相逼。 猛如餓獅兮。張口欲食。 體渙解兮骨脫。心消融兮如蠟。 喉焦如礫兮舌貼齶。身被委棄兮轉溝壑。 惡犬環縈兮。群小蜂聚。 手與足兮洞穿。骨嶙峋兮可數。眾人旁觀兮。舉瞪目而視予。 分我外衣兮。鬮我內服。 求主毋我遐棄兮。祈恩佑之神速。 保吾魂於刀劍兮。脫吾命於狂畜。 出我於獅口兮。拯我於兕角。 會當宣聖名於諸弟兮。誦大德於會中。 願凡虔敬之人兮。播揚仁風。願雅谷之苗裔兮。聖道是弘。願義塞之子孫兮。惟主是崇。 惟天主之慈憫兮。樂拯厄而濟窮。信乎其有求而必應兮。何曾掩其天容。 吾欲申讚歎於廣眾之中兮。還夙願於諸聖之前。上以報罔極之恩。下以踐平生之言。 必使謙謙君子。飲和飽德。懷主之徒。絃歌不絕。心靈日健。永生不滅。 行見普天率土兮。幡然憬悟而來歸。列國萬民兮。翕然致眷戀於庭闈。 蓋主乃天地之宰兮。又為萬國之君。 世之豐席厚履者固當飲水而思源兮。困苦瀕死者亦應俯伏而投誠。勗哉吾魂。為主而生。 來胤後嗣。事主惟勤。世代緜緜。恭聆福音。 父以傳子。子以傳孫。念念毋忘。主之經綸。
Transcription into Roman alphabet with the rhyme scheme and the particle xī, that is characteristic for the Sao style, highlighted:
shòu tiān xià zhī gòu
zhǔ xī zhǔ xī 。 hú wéi qì wǒ rú yí 。 fā shēn yín yú wēi jí xī 。 hé huì yīn zhī chí chí 。 zhāo xū zhǔ ér bù yīng xī 。 mù chóu chàng ér wú yī 。 fū zhǔ gù wú zú zhī suǒ kǒu bēi xī 。 jīng líng sù biāo bǐng hū gē shī 。 jī xiān rén zhī xiá jì xī 。 shú bù tuō shèng zé ér yōu yóu 。 dàn wén xū zhǔ ér jiàn zhěng xī 。 yān yǒu yǐ zhǔ ér mēng xiū 。 jiǎn yú nǎi qiū yǐn ér fēi rén xī 。 wéi wàn mín suǒ tuò qì ér shòu tiān xià zhī gòu 。 yì yú zhě jiē dà shī qí cháo chī xī 。 xiāng yǔ fǎn qí chún ér yáo qí shǒu 。 yuē bǐ jì tuō mìng yú tiān zhǔ xī 。 yīng mēng tiān zhǔ zhī yuán shǒu 。 gǒu wéi tiān zhǔ zhī suǒ chǒng xī 。 dāng jiàn tiān zhǔ zhī yíng jiù 。
xìn fū wú píng shēng zhī suǒ yǎng wàng xī 。 wéi zài tiān zhǔ zhī gōng 。 zhǔ jì chū yú yú mǔ tāi xī 。 yòu jiào yú yǎng shèng ēn yú cí mǔ zhī huái zhōng 。 sù zì yú zhī yǒu shēng xī 。 xiàng chéng wú zhǔ zhī ēn fǔ 。 jí yú zhī shàng zài tāi zhōng xī 。 zhǔ yì wèi shǐ fēi yú zhī suǒ hù 。 jīn dà nán yǐ lín ér yuán shǒu wú rén xī 。 wú zhǔ níng néng juān qì ér bù gù 。
jiàn mǔ fēn fēn xī 。 wéi wǒ zhōu zā 。 lái zì bā shān xī 。 xiōng xiōng xiāng bī 。 měng rú è shī xī 。 zhāng kǒu yù shí 。 tǐ huàn jiě xī gǔ tuō 。 xīn xiāo róng xī rú là 。 hóu jiāo rú lì xī shé tiē è 。 shēn bèi wěi qì xī zhuǎn gōu hè 。 è quǎn huán yíng xī 。 qún xiǎo fēng jù 。 shǒu yǔ zú xī dòng chuān 。 gǔ lín xún xī kě shù 。 zhòng rén páng guān xī 。 jǔ dèng mù ér shì yú 。 fēn wǒ wài yī xī 。 jiū wǒ nèi fú 。 qiú zhǔ wú wǒ xiá qì xī 。 qí ēn yòu zhī shén sù 。 bǎo wú hún yú dāo jiàn xī 。 tuō wú mìng yú kuáng xù 。 chū wǒ yú shī kǒu xī 。 zhěng wǒ yú sì jiǎo 。 huì dāng xuān shèng míng yú zhū dì xī 。 sòng dà dé yú huì zhōng 。 yuàn fán qián jìng zhī rén xī 。 bō yáng rén fēng 。 yuàn yǎ gǔ zhī miáo yì xī 。 shèng dào shì hóng 。 yuàn yì sāi zhī zǐ sūn xī 。 wéi zhǔ shì chóng 。 wéi tiān zhǔ zhī cí mǐn xī 。 lè zhěng è ér jì qióng 。 xìn hū qí yǒu qiú ér bì yīng xī 。 hé zēng yǎn qí tiān róng 。 wú yù shēn zàn tàn yú guǎng zhòng zhī zhōng xī 。 huán sù yuàn yú zhū shèng zhī qián 。 shàng yǐ bào wǎng jí zhī ēn 。 xià yǐ jiàn píng shēng zhī yán 。 bì shǐ qiān qiān jūn zǐ 。 yǐn hé bǎo dé 。 huái zhǔ zhī tú 。 xián gē bù jué 。 xīn líng rì jiàn 。 yǒng shēng bù miè 。 xíng jiàn pǔ tiān shuài tǔ xī 。 fān rán jǐng wù ér lái guī 。 liè guó wàn mín xī 。 xī rán zhì juàn liàn yú tíng wéi 。 gài zhǔ nǎi tiān dì zhī zǎi xī 。 yòu wéi wàn guó zhī jūn 。 shì zhī fēng xí hòu hòu lǚ zhě gù dāng yǐn shuǐ ér sī yuán xī 。 kùn kǔ bīn sǐ zhě yì yīng fǔ fú ér tóu chéng 。 xù zāi wú hún 。 wéi zhǔ ér shēng 。 lái yìn hòu sì 。 shì zhǔ wéi qín 。 shì dài mián mián 。 gōng líng fú yīn 。 fù yǐ chuán zǐ 。 zǐ yǐ chuán sūn 。 niàn niàn wú wàng 。 zhǔ zhī jīng lún 。
With thanks to Simon Wong.
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