9“You shall make the court of the tabernacle. On the south side the court shall have hangings of fine twisted linen one hundred cubits long for that side;
The Hebrew, Aramaic and Greek that is translated as “cubit” or into a metric or imperial measurement in English is translated in Kutu, Kwere, and Nyamwezi as makono or “armlength.” Since a cubit is the measurement from the elbow to the tip of the middle finger, one armlength (measured from the center of the chest to the fingertips) equals two cubits or roughly 1 meter. (Source: Pioneer Bible Translators, project-specific translation notes in Paratext)
Similarly, in Akoose, the translation is “arm distance.” (Source: Joseph Nkwelle Ngome and Marlie van Rooyen & Jacobus A. Naudé in Communicatio 2009, p. 251ff.)
In Klao it is converted into “hand spans” (app. 6 inches or 12 cm) and “finger spans” (app. 1 inch or 2 cm) (source: Don Slager) and in Bariai into leoa or “fathom,” which comprises the distance from a person’s fingertip to fingertip with arms outstretched, app. 6 feet (source: Bariai Back Translation).
The Hebrew, Ge’ez, and Greek that is translated as “tabernacle” in English is translated in San Blas Kuna as “house of prayer that can be carried.” (Source: Ronald Ross)
In Bandi it is translated as “holy sitting place.” The “sitting place for the Bandi is where you live.” Therefore the tabernacle is the place where God lived. (Source: Becky Grossmann in this newsletter )
In Vidunda it is translated as “God’s tent” (source: Pioneer Bible Translators, project-specific translation notes in Paratext) and in Tibetan as gur mchog (གུར་མཆོག) or “perfect tent” (source: gSungrab website )
In American Sign Language it is translated with with a sign for “tent” combined with a sign referring to the outer court surrounding the tent (see Exodus 27:9 and following). (Source: Ruth Anna Spooner, Ron Lawer)
“Tabernacle” in American Sign Language, source: Deaf Harbor
According to Anne Garber Kompaoré (in Le Sycomore 3/2009, p. 34ff. ), there are 4 ways to identify cardinal directions:
1. celestial bodies, especially the sun and certain stars
2. geographical landmarks, for example a mountain, sea, or river (depending on its position or the direction in which the water flows) etc.
3. climatic phenomena, such as the wind and the direction from which rain comes
4. bodily reference points, especially front, back, left, and right, in relation to celestial bodies or geographical landmarks
Following are examples of how these are practically implemented by various languages: (click or tap here to see the rest of this insight)
Celestial Bodies
East and west are often translated by the rising and the setting of the sun (note that the origin of English and other Indo-European languages is “dawn” for “east” and “evening” [i.e. sun-down] for “west”):
Maan: “where the sun comes up” and “where the sun goes down” (source: Don Slager)
Kankanaey: “from the coming-out of the sun “and “going-away of the sun” (source: Kankanaey back-translation)
Northern Emberá: “from where the sun comes up” and “from where the sun falls” (source: Charles Mortensen)
Ejamat “the side where the sun comes from” and “the side where it sets” (source: David Frank in this blog post )
Tzeltal: “where the sun pours-out” (west) (source: Reiling / Swellengrebel)
Northern Ngbandi: “the sun behind the chief’s house” (east — the chief lives traditionally at the eastern side of the village, therefore he does not get the sunlight into his eyes) and “under the sun” (west)
Northwestern Dinka: “earth behind” (east — the place behind the earth, i.e. the area where the sun rises)
Jula: “salt village” (north — because salt comes from the north, from the Sahara Desert) and “kola village” (south — since kola comes from the coastal region to the south) (source: Garber Kompaoré)
Matumbi: “toward the beach” (East) (the coast is in the eastern direction in Matumbi-speaking areas), “north” and “south” can be defined as above or below another place (Source: Pioneer Bible Translators, project-specific notes in Paratext)
Acoli: “right” (of the local White Nile) (north) and “left” (of the White Nile) (south)
Zande: “interior (dry) land” (east); “place-inside-country” (north / south) — Zande, like a number of other languages, including Matengo and Hehe, traditionally only has three cardinal directions.
Belanda Bor: “lower place” (north) and “higher place” (south)
Turkana: “(up)stream” (north) and (down)stream (south)
Mono (DRC): “water place” (south) (source for this and five above: Mietzner / Pasch)
Climatic Phenomena
Shilluk: “opening westwind” (north) and “opening eastwind” (south)
Swahili used to have six directions. In reducing them to four, kusini and kaskazini which used to refer to south-west and north east respectively (the directions from where the two monsoons blow) have become the terms for “south” and north.” (source for this and one above: Mietzner / Pasch)
Bodily Reference Points
Nuer / Burun: “face” and “sun face” respectively (both: east)
Kalenjin: “eye sun” (east) (this and the one above indicate that the sun is “facing” the spectator from its position in the east:
Shilluk: doesn’t use a fixed position of the speaker, instead it has “eye sun morning” for east and “eye sun evening” for west
Mono (DRC): “foot-sun” (east — the start of the sun’s journey)
Burun: “sun leg” (west — the end of the sun’s journey)
Bari: “back” (north — when people are facing south, north is at their back) (source for this and above: Mietzner / Pasch)
Northern Emberá “the looking [left] hand” (north) and “the real [right] hand” (south) (source: Charles Mortensen)
Morelos Nahuatl: “from above” (north) and “from below” (south) (source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
When all four directions are mentioned, translators tend to avoid listing the four, sometimes verbose terms, and chose solutions like “all directions” (such as in Maan or Manya (source: Don Slager). Yakan has “from the four corners of the earth” (source: Yakan back-translation) and Western Bukidnon Manobo “from the four directions here on the earth” (source: Western Bukidnon Manobo back-translation).
The Hebrew text that gives instructions where to place items in the tabernacle with the help of cardinal directions (north and south) had to be approached in the Bambam translation specific to spacial concepts of that culture. Phil Campbell explains: “There are no words in Bambam for north and south. In Exodus 26:35, God instructs that the table is to be placed on the north side and the lamp on the south side inside the tabernacle. The team wants to use right and left to tell where the lamp and table are located. In many languages we would say that the table is on the right and the lampstand is on the left based on the view of someone entering the tabernacle. However, that is not how Bambam people view it. They view the placement of things and rooms in a building according to the orientation of someone standing inside the building facing the front of the building. So that means the table is on the left side and the lampstand is on the right side.”
The concepts of distance that are translated in English with “long,” “wide,” and “high/tall” are translated in Kwere with one word: utali. (Source: Pioneer Bible Translators, project-specific translation notes in Paratext)
Flax Linum usitatissimum, from which linen cloth is made, was cultivated in the Middle East, including Canaan, at least as early as 5000 B.C. A document from Gezer (in Israel) from around King Saul’s time (1000 B.C.) refers to the cultivation of flax and states that flax and wool were the main materials for making cloth. According to Joshua 2:6, the Israelite spies were hidden under flax stalks by Rahab. Flax was grown extensively in Egypt and made into cloth and mats.
Pesheth and pishtah are probably the original Hebrew words for flax, if indeed the plant was domesticated in the Holy Land, as Zohary (Plants of the Bible. Cambridge University Press, 1982) proposes. They may be related to the word pashat, meaning “to strip off” or “to flay,” or to the word pasas, meaning “to disintegrate.” Pesheth and pishtah are used twenty times in the Old Testament, twice referring clearly to the plant itself (Exodus 9:31; Joshua 2:6). Other references are to the processed flax (Judges 15:14 et al.). A few cases refer to finished products, namely wicks (Isaiah 42:3 et al.), cords (Ezekiel 40:3), and items of clothing (Jeremiah 13:1 et al.).
It is likely that the Hebrews acquired the word shesh from the Egyptians during their sojourn in Egypt, since flax was cultivated there also. The Egyptian word for flax was shent (via shen-suten). Shesh is used thirty-eight times in the Old Testament: for the material that Pharaoh put on Joseph, for the Tabernacle curtains and hangings in Exodus, for the ephod, and for the priests’ tunics. The wise woman of Proverbs 31:22 wears it. In Ezekiel 16:10 et al. it is paired with silk, and in Ezekiel 27:7 “shesh from Egypt” is spoken of as material for the sails of ships.
Several references to linen use the Hebrew word bad. In Exodus 28:42 the priests’ underwear are made from bad, and it is used thereafter in Leviticus to describe various items of clothing—coat, breeches, girdle, and turban. It turns up again in Samuel’s and King David’s “ephods” and then again in Ezekiel and Daniel, where we see visions of “a man clothed in bad.”
Linen is referred by the Hebrew word buts in 1‑2 Chronicles, Esther, and Ezekiel, where the robes of the Temple choir, kings, and rich men are described.
The Old Testament has some references to the Hebrew word sadin (“linen garment”): Judges 14:12 (Samson promises them to his opponents), Proverbs 31:24 (the wise woman makes them), and Isaiah 3:23 (the rich women of Jerusalem wear them). The Septuagint uses the Greek word bussos or sindōn in these passages.
The Hebrew word ’etun occurs only in Proverbs 7:16, where it refers to a linen bedspread from Egypt.
In the New Testament there are three primary Greek words for linen: linon/linous, sindōn, and othonē/othonion. Linon is used to refer to garments of the angels in Revelation 15:6 as well as to the “smoldering wick” in Matthew 12:20. The synoptic Gospel writers refer to the linen cloth that Joseph and Nicodemus used to wrap Jesus’ body as a sindōn. Mark uses the same word to refer to the cloth that was worn by the unidentified young man at the time of Jesus’ arrest (Mark 14:51f.). John uses a different Greek word for Jesus’ burial cloths: othonion.
The rich man referred to in the Lazarus story (Luke 16:19) is clothed in “fine linen” (bussos). The Greek word bussos is the root word for bussinos, which refers to tunics, robes and turbans made from linen fabric (Revelation 18:12 et al.).
Flax is a little taller than a sesame plant, about a meter (3 feet) tall. Its leaves are narrow and the flowers are bright blue with five petals. The seed capsule contains oil that is used for cooking and also for thinning paint. After flax ripens, the plants are uprooted and the stalks are left to dry for a while. The stalks are then soaked, dried, and beaten to separate the fibers, which are then combed and woven into cloth.
Linen cloth was relatively costly in Israel, and being light and easy to dye it was highly valued. Their priests wore linen garments to combat sweating (see Ezekiel 44:18). They had to remove these holy garments when they left the Temple, “lest they communicate holiness to the people” (Ezekiel 44:19). The high esteem given to linen by the Jews is shown also by the fact that they used it for burying the dead, and we are told that the Dead Sea Scrolls were wrapped in linen cloths. However, the flax plant was special in other ways. The crushed stalks of flax plants were also used for making rope and lamp wicks. The seed was used for oil.
Today flax is raised more for the oil that comes from the seeds (called linseed oil) than for the fibers, although flax stalks are also made into special kinds of paper.
Metaphorical uses of flax are relatively few in the Bible, and all suggest the weakness of the material. In Judges 15:14 flax fiber is used as a simile for Samson’s fetters (they snapped like linen thread). Isaiah 42:3 says the Messiah will be gentle with weak people (“a dimly burning wick [pishtah] he will not quench”), in contrast to the typical iron-fisted tyrants of the day. Isaiah 43:17 describes the fate of the Babylonian enemies: they will be snuffed out “like a wick [pishtah].”
Linen cloth (or other cloth with a similar name) is surprisingly widespread. Cloth merchants in the translators’ area may know it under a trade language name, and if so, that can be used.In some places it is used only for burying people. In that case, if it is used in translation at all, the difference in culture should be explained in a footnote. Since linen is bleached white, a generic phrase such as “beautiful white cloth” can be considered in many places. In the three metaphorical passages mentioned above, an appropriate cultural image may be substituted, or an adverb expressing weakness or fragility.
Following are a number of back-translations as well as a sample translation for translators of Exodus 27:9:
Kupsabiny: “A fence is to be built to surround my Tent. That fence is to be built with woven curtains. The curtains for the southern part of the Tent should be having a length of forty five meters.” (Source: Kupsabiny Back Translation)
Newari: “Make a courtyard for the holy Tent. Its south side must be of hundred cubits long. Then make curtains of fine linen for it.” (Source: Newari Back Translation)
Hiligaynon: “‘Have-(someone)-make a yard/courtyard for the Place-of-Worship Tent, and have- a framework linen curtain -put-around it. The length of the curtain on the south side is about 150 feet.” (Source: Hiligaynon Back Translation)
Bariai: “God spoke again like this, ‘You (pl.) must take good cloths and then erect a fence so that it surrounds my shelter. And the long side of this fence toward the saut, its length will amount to twenty-five fathoms.” (Source: Bariai Back Translation)
Opo: “«And Dwelling-Tent-of-God, you shall erect fence there. you shall hang clothes which they make with flax cloth on the right, in order that its width, it be joint of hand which be 100.” (Source: Opo Back Translation)
English: “‘Around the Sacred Tent there is to be a courtyard. To form the courtyard, tell them to make curtains of fine linen. On the south side, the curtain is to be 50 yards/44 meters long.” (Source: Translation for Translators)
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