Scriptures Plain & Simple (Luke 22:14-23)

Barclay Newman, a translator on the teams for both the Good News Bible and the Contemporary English Version, translated passages of the New Testament into English and published them in 2014, “in a publication brief enough to be non-threatening, yet long enough to be taken seriously, and interesting enough to appeal to believers and un-believers alike.” The following is the translation of Luke 22:14-23:

The time had now come to slaughter lambs for Passover,
so Jesus sent Peter and John
       to make preparations for the meal.

“Where do you want us to do this?” they asked.

Jesus replied:
       “As you enter the city, you’ll meet a man
              carrying a jug of water.
       Follow him into the house and say to the owner,
              ‘Our teacher sent us to find out where he can eat
              the Passover meal with his closest friends.’
       The owner will take you upstairs and show you
              a large room ready for you to use.
       Prepare the meal there.”

Peter and John left, and they found everything
precisely as Jesus had indicated,
       so they did exactly as he had instructed.

When it was supper time, Jesus said,
“I’ve really wanted to eat this Passover meal
       with you before I suffer.
It will be the last one I eat
before the Celebration Supper
       in the Ultimate Kingdom.”

Jesus took a cup of wine in his hands,
and after giving thanks to God, he said,
       “Take this wine and share it with each other.
I’ll drink no more wine before the Celebration Supper
       in the Ultimate Kingdom.”

Jesus then took some bread in his hands,
and after giving thanks to God,
       he broke the bread and passed it around.
Then he said, “This is my body offered for you.
       Eat this and remember me!”

After the meal, Jesus took another cup of wine
in his hands and said, “This is my blood
       poured out for you, and with it
       God makes his new agreement.
Here at the table is the one who will betray me!
I’ll die as God intends,
       but it will be terrible for my betrayer.”

The followers started arguing
       about who would do such a thing.

Passover

The Hebrew and Greek pesach/pascha that is typically translated in English as “Passover” (see below) is translated in a variety of descriptive ways of various aspects of the Jewish festival. (Click or tap here to see the rest of this insight):

  • Ojitlán Chinantec: “the feast of the passing by of God’s angel”
  • Lalana Chinantec: “the day would come which is called Passover, when the Israel people remember how they went out of the land of Egypt”
  • Huehuetla Tepehua: “the celebration when they ate their sheep”
  • Umiray Dumaget Agta: “the celebration of the day of their being brought out of bondage”
    (source for this and above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
  • Obolo: ijọk Iraraka — “Festival of Passing” (source: Enene Enene)
  • Guhu-Samane: “special day of sparing” (source: Ernest Richert in The Bible Translator 1965, p. 198ff. )
  • Yakan: “The festival of the Isra’il tribe which they call For-Remembering” (source: Yakan Back Translation)
  • Wolof: “Festival of the day of Salvation” (“the term ‘pass over’ brings up the image of a person’s crossing over a chasm after death”) (source: Marilyn Escher)
  • Bura-Pabir: vir kucelir fəlɓəla kəi — “time-of happiness-of jumping-over house”
  • Berom: Nzem Gyilsit Nelɔ — “Festival-of jumping-of houses”
  • Nigerian Fulfulde: Humto Ƴaɓɓitaaki / Humto Sakkinki — “Festival-of passing-over”
  • Hausa: Bikin Ƙetarewa — “Festival-of going-over” (source for this and three above: Andy Warren-Rothlin)
  • Jula: “Feast of end of slavery” (source: Fritz Goerling)
  • Bafanji: laiŋzieʼ — “pass-jump over” (source: Cameron Hamm)
  • Tiéyaxo Bozo / Jenaama Bozo: “Salvation/Rescue (religious) feast” (source: Marko Hakkola)
  • Sabaot: Saakweetaab Keeytaayeet — “Festival of Passing-by” (source: Iver Larsen)
  • Language spoken in India and Bangladesh: “Festival of avoidance”
  • Vlax Romani: o ghes o baro le Nakhimasko — “the Day of the Passing”
  • Saint Lucian Creole: Fèt Délivwans — “Feast of Deliverance” (source: David Frank)
  • Finnish: pääsiäinen (“The term is very probably coined during the NT translation process around 1520-1530. It is connected to a multivalent verb päästä and as such refers either to the Exodus (päästä meaning “to get away [from Egypt]”) or to the end of the Lent [päästä referring to get relieved from the limitations in diet]. The later explanation being far more probable than the first.”)
  • Northern Sami: beas’sážat (“Coined following the model in Finnish. The Sami verb is beassat and behaves partly like the Finnish one. Many Christian key terms are either borrowed from Finnish or coined following the Finnish example.”)
  • Estonian: ülestõusmispüha — “holiday/Sunday of the resurrection” — or lihavõttepüha — “holiday/Sunday of returning of meat”
  • Karelian: äijüpäivü — “the great day” (“Here one can hear the influence of the Eastern Christianity, but not directly Russian as language, because the Russian term is Пасха/Pasha or Воскресение Христово/Voskresenie Hristovo, ‘[the day of] the resurrection of Christ,’ but the week before Easter is called as the great week.”) (Source for this and three above: Seppo Sipilä)
  • Russian (for Russian speaking Muslims): праздник Освобождения/prazdnik Osvobozhdeniya — “Festival of-liberation” (source: Andy Warren-Rothlin)
  • Kono: laaŋumɛ̃ɛ̃ or “skip over the person” (provisional term). Alesha Hagemeyer explains in this blog post that laaŋumɛ̃ɛ̃ is a play on the term laaɲámɛ̃ɛ̃ or “to skip over the water” which is traditionally used for the sacrifice of a sheep or a goat after the death of a family member. That term literally means “to skip over the water” so that “their loved one will pass over the water and enter the presence of God”
  • Chagatai (a precursor language of both Uzbek and Uighur): faṭīr, derived from the Arabic word fiṭr for the holiday celebrated by Muslims after fasting in Ramadan (ʿĪd al-Fiṭr / عيد الفطر) (source: F. Erbay and F.N. Küçükballı in Acta Theologica 2025 45/2, p. 133ff. )
  • Low German: Osterfest “Easter” (translation by Johannes Jessen, publ. 1933, republ. 2006)
  • Spanish Sign Language: pass through + miracle (source: John Elwode in The Bible Translator 2008, p. 78ff. )


    “Passover” in Spanish Sign Language, source: Sociedad Bíblica de España

  • English: Passover (term coined by William Tyndale that both replicates the sound of the Hebrew original pesah — פסח as well as part of the meaning: “passing over” the houses of the Israelites in Egypt) — oddly, the English Authorized Version (King James Version) translates the occurrence in Acts 12:4 as Easter

Many Romance languages follow the tradition from Latin that has one term for both “Easter” and “Passover” (pascha). Portuguese uses Páscoa for both, Italian uses Pascha, and French has Pâque for “Passover” and the identically pronounced Pâques for “Easter.”

In languages in francophone and lusophone (Portuguese speaking) Africa, indigenous languages typically use the Romance word for “Easter” as a loanword and often transliterate pesach/pascha. In Kinyarwanda and Rundi Pasika is used, in Swahili and Congo Swahili Pasaka, and in Lingala Pasika. In some cases, the transliteration of “Passover” is derived from the European language, such as Umbundu’s Pascoa (from Portuguese) and Bulu’s Pak (from French).

As John Ellingworth (in The Bible Translator 1980, p 445f. ) points out “in most contexts only the presence or absence of the definite article distinguishes them [in French la pâque for Passover and Pâques for Easter]. Since most African languages do not have definite articles, there remains no way to distinguish between the two terms where the general population has borrowed the word for Easter and the Bible translators have borrowed the word for Passover to use in their translation. Some even consider the references to [Passover] before the death of Christ as prophetic!”

See also this devotion on YouVersion .

Learn more on Bible Odyssey: Passover .

the last supper (icon)

Following is a contemporary Ukrainian Orthodox icon of the last supper by Ulyana Tomkevych.

 

Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )

complete verse (Luke 22:15)

Following are a number of back-translations of Luke 22:15:

  • Noongar: “Jesus told them, ‘Truly, I want us to eat this Passover meal together before I suffer!” (Source: Warda-Kwabba Luke-Ang)
  • Uma: “He said to them: ‘I really want to eat with you this Paskah Day, before I receive/undergo suffering.” (Source: Uma Back Translation)
  • Yakan: “Then Isa said to them, ‘Really, that is what I have been wanting that we (incl.) would eat together the food for this feast of Remembrance before I endure persecution.” (Source: Yakan Back Translation)
  • Western Bukidnon Manobo: “And Jesus said to them, ‘It is very big in my breath, this our being together to eat the Feast of this Passover before I die.” (Source: Western Bukidnon Manobo Back Translation)
  • Kankanaey: “He said to them, ‘I greatly want to eat-with you at this fiesta called Passed-By, after that I will suffer.” (Source: Kankanaey Back Translation)
  • Tagbanwa: “Jesus said to them, ‘I very-much really want that we-together eat this Passed-by evening-meal, before I will experience hardship/suffering.” (Source: Tagbanwa Back Translation)

the last supper (image)

Click here to see the image in higher resolution.

Willy Wiedmann, the artist, commented on this picture: “In spite of some difficulty, and unlike Leonardo da Vinci [see here ] I did not set my last supper in a theatrical scene with Jesus in the center behind an elongated table with all the disciples, with two at each end so that that there are 11 seated behind the table. And not like the panel by Juan de Juanes (1623-79) [see here ] in which the six disciples left and right are very dynamic figures. And also not like Martin Schongauer’s Last Supper [see here ] with a slightly shorter table (also incidentally very similar to Juanes in the attitudes of the figures) and two figures seen from the back in the foreground of the panel. Instead I have given the Master the middle place to the foreground, with his back to us to finally leave the controversial Jesus-existential questions unanswered. Slightly symbolically it means that he is leaving his world. The iris color is meant to transfer the rainbow to Jesus, that God once linked to Noah (my kingdom is not of this world). I attempted to present answers that correspond to the characters of each individual.”

Image and text taken from the Wiedmann Bible. For more information about the images and ways to adopt them, see here .

For other images of Willy Wiedmann paintings in TIPs, see here.

 

Painting by Wang Suda 王肅達 (1910-1963),
Copyright by the Catholic University Peking, China.

Text under painting translated from Literary Chinese into English:

Beginning of the Holy Communion
You have this as food and this is my body.

Image taken from Chinese Christian Posters . For more information on the “Ars Sacra Pekinensis” school of art, see this article , for other artworks of that school in TIPs, see here.

 

Acrylic on canvas painting by Hanna-Cheriyan Varghese, used with permission by the Overseas Ministries Study Center (OMSC) at Princeton Theological Seminary. You can purchase this and many other artworks by artists in residence at the OSMC in high resolution and without a watermark via the OSMC website .

“Hanna-Cheriyan Varghese (1938 – 2009) of Selangor, Malaysia, was the artist in residence at OMSC for the 2006–2007 academic year. She was born to Christian parents, and she remembered her mother taking her to a different worship service every week: ‘My parents encouraged me to attend different churches so that my siblings and I would appreciate the liturgy and traditions of the Christian believers of different denominations. Christians are a minority in Malaysia so we continue to struggle for our identity in a Muslim society. There is no open conflict as such.’

“She always had a passion for painting and drawing. She worked in the mediums of acrylic paint and Batik dye.

“‘All creative work, be it the spoken word, the written word or the sung word, are essentials in praise and worship, meditation, education, inculturation and evangelism. This also includes art and pictures, which is universal seeing.’ Hanna Varghese.” (Source )

See also the last supper (icon) and We All are One in Christ.

1st person pronoun referring to God (Japanese)

Click or tap here to see the rest of this insight.

Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way Japanese shows different degree of politeness is through the choice of a first person singular and plural pronoun (“I” and “we” and its various forms) as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. The most commonly used watashi/watakushi (私) is typically used when the speaker is humble and asking for help. In these verses, where God / Jesus is referring to himself, watashi is also used but instead of the kanji writing system (私) the syllabary hiragana (わたし) is used to distinguish God from others.

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

See also pronoun for “God”.

formal 2nd person plural pronoun (Japanese)

Click or tap here to see the rest of this insight.

Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way Japanese shows different degree of politeness is through the choice of a formal plural suffix to the second person pronoun (“you” and its various forms) as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. In these verses, anata-gata (あなたがた) is used, combining the second person pronoun anata and the plural suffix -gata to create a formal plural pronoun (“you” [plural] in English).

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

Honorary "are" construct denoting God ("say")

Click or tap here to see the rest of this insight.

Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme are (され) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, iw-are-ru (言われる) or “say” is used.

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )