The Hebrew and Greek that is transliterated as “Sarai” and “Sarah” in English is translated in Spanish Sign Language with the sign depicting coins on a headband, referring to women from the Middle East and North Africa who wear a headband decorated with small coins. (Source: Steve Parkhurst)
The musical instrument that is most often translated as “flute” or “pipe” in English is more or less universally used, so it’s typically translated directly with the applicable term.
Since its cultural significance is sometimes different it might be translated with a different instruments is some cases (see also below). When in Matthew 11:17 and Luke 7:32 the flute is mentioned as an instrument played at a wedding, the Chichewa (interconfessional translation, 1999) translates it as “we played the wedding drum for you” (source: Wendland 1987, p. 74), the Yakan and Kankanaey translations use “gongs” (source: Yakan and Kankanaey Back Translations), in Western Bukidnon Manobo “drumming” is used (source: Western Bukidnon Manobo Back Translation), and in Tagbanwa “stringed-instruments” (source: Tagbanwa Back Translation).
Or in Jeremiah 48:36 where the flute is used for mourning, Bassa uses “funeral drum” (source: Newman / Stine) or Hiligaynon, while using “flute,” makes the meaning explicit: “like a lonely music of a flute for the dead” (source: Hiligaynon Back Translation).
Description: The flute was a wind instrument consisting of a tube with a series of finger holes used to alter the tone. Some flutes were made of reed and could take several forms: the tube could be a cylinder or it could be more in the shape of a cone. There were instruments made of a single tube, while others had two tubes side by side. Often ancient double flutes or double pipes were arranged in a V-shape, with two separate reeds. One of these pipes had several holes while the other had only one hole and acted as a kind of drone, providing an unchanging tone to accompany the varying tones coming from the first pipe. Some pipes or flutes were made of other materials, such as wood, ivory, bone, or metal.
Usage: Sound was produced with the flute by blowing across an opening leading into a hole running inside the length of the instrument; in some cases the opening hole was in the end of the instrument while in others this hole was in the side of the instrument toward one end. With the reed pipe, on the other hand, a column of air was set in motion by blowing over a reed device, causing it to vibrate.
Translation: If there is no wind instrument available to translate “flute,” a different kind of wind instrument may be used.
The Hebrew word ‘ugav is usually understood to refer to a wind instrument. It is possible, however, that it is a generic term for “instrument” or even refers to a particular stringed instrument. In Job 21:12 and Job 30:31 it is identified as an instrument that expressed joy and contentment.
Psalms 5:1: The Hebrew word nchiloth appears only here in the Old Testament, and its meaning is uncertain. It may mean “wind instruments” in general or “flutes” in particular. Extra-biblical evidence indicates that it may have been an instrument played for funeral laments.
Matthew 9:23: Here New Revised Standard Version, updated edition has “flute players”: According to Jewish tradition, even the poorest people were expected to have two flute players and a wailing woman for a funeral. In order to clarify the role of the flute players Good News Translation adds “for the funeral.” This information was immediately evident to a Jewish reader who was familiar with the funeral customs, but it will not be clear to other readers. Many cultures are familiar with the flute or other instruments that are played by blowing through a wooden tube. If no such instrument exists, then translators can say “those who played musical instruments for a funeral” or, as in Good News Translation, “musicians for the funeral.” See also flute players.
Men playing flutes (source: Louise Bass (c) British and Foreign Bible Society 1994)
The Hebrew, Aramaic, and Greek that are translated as “wine” in English is translated into Pass Valley Yali as “grape juice pressed long ago (= fermented)” or “strong water” (source: Daud Soesilo). In Guhu-Samane it is also translated as “strong water” (source: Ernest L. Richert in The Bible Translator 1965, p. 198ff. ), in Noongar as “liquor” (verbatim: “strong water”) (source: Warda-Kwabba Luke-Ang), in Hausa as ruwan inabi or “water of grapes” (with no indication whether it’s alcoholic or not — source: Mark A. Gaddis), in sar as kasə nduú or “grape drink” (source: Andy Warren-Rothlin), or in Papantla Totonac and Coyutla Totonac as “a drink like Pulque” (for “Pulque,” see here ) (source: Jacob Loewen in The Bible Translator 1971, p. 169ff. ).
In Swahili, Bible translations try to avoid local words for alcoholic drinks, because “drinking of any alcohol at all was one of the sins most denounced by early missionaries. Hence translators are uncomfortable by the occurrences of wine in the Bible. Some of the established churches which use wine prefer to see church wine as holy, and would not refer to it by the local names used for alcoholic drinks. Instead church wine is often referred to by terms borrowed from other languages, divai (from German, der Wein) or vini/mvinyo (from ltalian/Latin vino/vinum). Several translations done by Protestants have adapted the Swahili divai for ‘wine,’ while those done by Catholics use vini or mvinyo.” (Source: Rachel Konyoro in The Bible Translator 1985, p. 221ff. )
The Swahili divai was in turn borrowed by Sabaot and was turned into tifaayiik and is used as such in the Bible. Kupsabiny, on the other hand, borrowed mvinyo from Swahili and turned it into Finyonik. (Source: Iver Larsen)
In Nyamwezi, two terms are used. Malwa ga muzabibu is a kind of alcohol that people specifically use to get drunk (such as in Genesis 9:21) and ki’neneko is used for a wine made from grapes (source: Pioneer Bible Translators, project-specific translation notes in Paratext).
In some Hindi translations (such as the Common Language version, publ. 2015 ), one term (dākharasa दाखरस — grape juice) is used when that particular drink is in the focus (such as in John 2) and another term (madirā मदिरा — “alcohol” or “liquor”) when drunkenness is in the focus (such as in Eph. 5:18).
In Mandarin Chinese, the generic term jiǔ (酒) or “alcohol(ic drink)” is typically used. Exceptions are Leviticus 10:9, Numbers 6:3, Deuteronomy 29:6, Judges 13:4 et al., 1 Samuel 1:15, and Luke 1:15 where a differentiation between weak and strong alcohol is needed. The Mandarin Chinese Union Version (2010) translates that as qīngjiǔ lièjiǔ (清酒烈酒) and dànjiǔ lièjiǔ (淡酒烈酒), both in the form of a Chinese proverb and meaning “light alcohol and strong drink.” (Source: Zetzsche)
Click or tap here to see a short video clip about wine in biblical times (source: Bible Lands 2012)
The musical instrument that is most often translated as “lyre” or “lute” in English is translated in the following ways:
Chichewa Contempary Chichewa translation, 2002/2016: pangwe (a musical instrument that is made from a hollow tube filled with pellets or small stones to create a rain-like sound) or “five stringed instrument” (source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Kankanaey: “guitar” (Source: Kankanaey Back Translation)
Newari: “sitar ” (source: Newari Back Translation)
Description: The lyre consisted of a sound box out of the ends or sides of which projected two arms. The arms supported a crosspiece. Strings descended from the crosspiece over the sound box. As with the nevel, the number of strings could vary. Their varying thickness and tension gave the instrument a range of notes. The lyre was normally made of wood. The strings were made of animal intestines (perhaps from sheep).
Usage: The strings were normally plucked with the fingers. The kinor in particular is frequently depicted as an instrument that accompanied singing.
Job 21:12: For the stringed instrument (kinor in Hebrew) accompanying the tambourine, French Common Language Version has “guitar” and the French La Bible de Jérusalem has “zither,” which seems to be an instrument used in 1 Samuel 10:5. The first line of this verse may also be rendered “The children sing as people play the tambourine and the lyre.” In some languages these instruments will be a local drum and a stringed instrument; the latter may be a guitar. If no instruments can be found to render any of the instruments in this verse, the translator may have to express the whole verse differently; for example, “The children dance and sing and make joyful sounds/music.”
The identity of the instrument called sabka’ in Aramaic in Daniel (Hebrew) is uncertain. New Revised Standard Version, updated edition renders it “trigon,” which is a small triangular lyre-type instrument with four strings. Probably trigon is technically correct, but it is unknown to the average English reader. Good News Translation has attempted to find a better-known equivalent with “zither,” but the zither has far too many strings (over thirty). Some translations use “lyre” for sabka’ and render the Aramaic word qathros before it as “zither”. Revised English Bible has “triangle,” but most readers will wrongly identify that as a percussion instrument. Common English Version avoids the problem by rendering only the first three instruments in the list and grouping the last three together, including sabka’ as follows: “Trumpets, flutes, harps, and all other kinds of musical instruments.”
Lyre (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)
The musical instrument that is most often translated as “harp” or “large lyre” in English is translated in the following ways:
Chichewa Contempary Chichewa translation, 2002/2016: “two stringed instrument” (source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Hiligaynon: “instruments which have strings to praise you,” “beautiful to-be-listened-to instruments,” or kudyapi (source: Hiligaynon Back Translation)
Description: The exact identification of the nevel is very problematic. Some take it to be a kind of harp. The harp consisted of a neck projecting out of a soundbox. Strings were stretched from the extremity of the neck down its length and into the sound box. The body of the harp was made of wood and its strings of animal intestines (perhaps from sheep). The number of strings varied.
Others place the nevel in the category of lyres, where the strings are stretched over top of and parallel to the soundbox. While this is the interpretation preferred here, we will discuss the harp-type of instrument, since the identification is problematic and many translations have preferred “harp” for nevel.
Usage: The strings were plucked either with the fingers or with a thin piece of ivory or metal to give a resonating sound, probably in a lower register than that made by the kinor.
Translation: In several Psalms (33.2; 92.3; 144.9), the nevel is linked to the Hebrew word ‘asor, which could indicate it was “ten-stringed.”
Some degree of cultural adaptation must be made in the translation of these stringed instruments since cultures differ from each other in the shape, the number of strings, and the function of their instruments. Translators will have to select an equivalent instrument in the receptor language. In most passages the most accurate translation for nevel will be “guitar” or some equivalent medium-sized stringed instrument on which the strings are stretched over a sound box and are plucked.
In those passages where nevel and kinor appear together it is recommended that the translator use an instrument that can vary in size and then render the two words as “large and small X,” for example, “large and small guitars.” Alternately, it may be possible to select two stringed instruments that are similar in construction but different in size, for example, “guitar and lute.” It is also possible to say “large and small stringed instruments” or to combine the two, saying “stringed instruments.”
Psalms 33:2: “Praise the LORD with the lyre” (New Revised Standard Version, updated edition) contains two major translation problems. The first problem is that in many languages, the phrase “with the lyre” must be changed into a verb phrase or clause; for example, the whole line may be rendered “Praise the LORD by playing music on the lyre” or “Make music with the lyre, and praise the LORD.” The second problem, which applies also to the second line of this verse, is the terms to be used for the musical instruments here. In languages in which there are several stringed instruments, translators may use one of the smaller ones for kinor (“lyre”) and a larger one for nevel (“harp” in New Revised Standard Version, updated edition). In languages where there is little or no choice, they should use the known local stringed instrument for the kinor, and a more generic expression for the nevel. Where there are no known stringed instruments, it will often be necessary to say “small instruments with strings” for kinor and “large instruments with strings” for nevel.
Harp (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)
Description: The drum consisted of a membrane, usually of animal skin, which was stretched over a shallow circular, triangular, or square frame.
Usage: The drum was struck sharply with one or two hands, depending on where it was situated. It could be held in the left hand, under the left arm, or against the chest and struck with the right hand, or it could be held on the knees or the ground and struck with one or two hands. The fingers of the left hand could be used to tighten or loosen the tension on the membrane as it was struck with the palm of the right hand.
Translation: The use of the Hebrew word tof is usually associated with singing, processions, and festivals. Archaeological evidence indicates that drums with metal circlets on the frame (“tambourines” or “timbrels”) were not known in biblical times. As a general rule, the best translation for this word will be “hand drum” or simply “drum.”
Lyre (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)
Following are a number of back-translations as well as a sample translation for translators of Isaiah 5:12:
Kupsabiny: “Those people only think of feasts, they spend all their time playing lyres and drinking wine, but they do not know what God is doing.” (Source: Kupsabiny Back Translation)
Newari: “At their feasts they have harps lyres, tambourines, flutes and wine. But they do not think at all about what the LORD is doing.” (Source: Newari Back Translation)
Hiligaynon: “In your (plur.) feasts/celebrations you (plur.) have bands and wines. But you (plur.) do- not -pay-attention to what the LORD is-doing.” (Source: Hiligaynon Back Translation)
The name that is transliterated as “Abraham” in English means “father of a multitude,” “father of mercy,” “father of many nations.” (Source: Cornwall / Smith 1997 )
In the vast majority of sign languages, including American Sign Language it is translated with the sign signifying “hold back arm” (referring to Genesis 22:12).
In Vietnamese (Hanoi) Sign Language it is translated with a sign for that demonstrates his new destiny. Previously, he had been called to wander from his home, and the name “Abram” reflected this movement (see here). The new sign name is in one location and stays there, showing Abraham will be given a land to call his own. At this time, Abraham was in the southern part of Canaan, which is shown on the base arm by the location near the elbow. (Source: The Vietnamese Sign Language translation team, VSLBT)
“Abraham” in Vietnamese Sign Language, source: SooSL
In Tira it is transliterated as Abaram. The choice of this, rather than the widely-known “Ibrahim,” as used in the Tira translation of the Qu’ran, was to offset it against the Muslim transliteration which originates from Arabic. (Source: J.A. Naudé, C.L. Miller Naudé, J.O. Obono in Acta Theologica 43/2, 2023, p. 129ff. )
Click or tap here to see two short video clips about Abraham (source: Bible Lands 2012)
