Following are a number of back-translations as well as a sample translation for translators of Psalm 8:3:
Chichewa Contempary Chichewa translation, 2002/2016:
“When I think about your heavenly worlds,
the work of your fingers,
the moon and the stars,
which you have put in their place,” (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Newari:
“When I look at Your handicraft –
the heavens, the moon and the stars,
then I think-” (Source: Newari Back Translation)
Hiligaynon:
“When I look-(up) to the heaven that you (sing.) made,
and I see the moon and the stars that you (sing.) put/placed in their position/place,” (Source: Hiligaynon Back Translation)
Eastern Bru:
“When I look up toward the sky, I see the moon and the stars you created and placed there,” (Source: Bru Back Translation)
Laarim:
“When I see heaven,
it is the work of your hands,
moon and stars
who you put them in a place where they stay,” (Source: Laarim Back Translation)
Nyakyusa-Ngonde (back-translation into Swahili):
“Wakati natazama mbinguni, matendo ya mikono yako,
wakati nauona mwezi na nyota ambazo ulizipanga,” (Source: Nyakyusa Back Translation)
English:
“When I look up at the sky at night,
and see the things that you have made—
the moon and the stars that you have set in place—” (Source: Translation for Translators)
Greek, Hebrew, Latin, Ge’ez, and Aramaic all have one term only that refers to what can be expressed in English as “sky” or “heaven(s)” (as a physical and spiritual entity). While there is a slight overlap between the meaning of the two English terms, “sky” (from Old Norse sky meaning “cloud”) typically refers to the physical entity, and “heaven” (from Old English heofon meaning “home of God”) typically refers to the spiritual entity. While this enriches the English lexicon, it also forces English Bible translators to make decisions that can be found only in the context in the Greek, Hebrew, and Aramaic texts. Most versions tend to use “heaven(s)” even if the meaning is likely “sky,” but the Contemporary English Version (NT: 1991, OT: 1995, DC: 1999) is an English translation that attempted to be more specific in the separation of the two meanings and was used as the basis for the links to verses used for this and this record (“sky”).
Norm Mundhenk (in The Bible Translator 2006, p. 92ff. ) describes the difficulty that English translations face (click or tap here to see more):
“A number of years ago an old lady asked me a question. What did Jesus mean when he said, ‘Heaven and earth will pass away, but my words will never pass away’? I do not remember what answer I gave, but I was surprised at how concerned she seemed to be about the verse. It was only later, after I had left her, that I suddenly realized what it was that she was so concerned about. She knew that death could not be far away, and all her life she had looked forward to being with God in heaven. But this verse said that ‘heaven will pass away’! What did that mean for her hopes? In fact, of course, in this verse Jesus was talking about the skies or the heavens, not about Heaven as the place of God’s presence. If I had realized the problem in time, I could easily have set the lady’s mind at rest on this question that was troubling her so much. However, I suspect that she is not the only person to be misled by the wording of this verse. Therefore, it is very surprising to find that even today many English versions (including the New International Version, New Revised Standard Version, Revised English Bible, Good News Translation) still say ‘heaven and earth’ in verses like Matt 24:35 and its parallels (Mark 13:31 and Luke 21:33). The Contemporary English Version (CEV) and Phillips’ translation seem to be aware of the problem, and in Mark 13:31 both of these have ‘earth and sky’ instead of ‘heaven and earth.’ But in some other passages (such as Matt 5:18) the traditional wording is still found in both of those translations. The New Century Version (NCV) does have ‘earth and sky’ more consistently, and the New Jerusalem Bible (NJB) has ‘sky and earth’ in these passages. (Although ‘sky and earth’ is closer to the Greek, it seems more natural in English to say ‘earth and sky’; but either way, at least the meaning is correct.)
“Louw and Nida’s Lexical Semantics of the Greek New Testament (publ. 1992) suggests that the Greek expression being translated here, ho ouranos kai he ge is ‘a more or less fixed phrase equivalent to a single lexical unit’ and that it means everything that God created, that is, the universe. They then quote Mark 13:31 as an example, using ‘heaven and earth’ in their translation of it. However, they go on to say that there ‘may be certain complications involved in rendering ho ouranos kai he ge as ‘heaven and earth,’ since ‘heaven’ might be interpreted in some languages as referring only to the dwelling place of God himself. The referents in this passage are ‘the sky and the earth,’ in other words, all of physical existence, but not the dwelling place of God, for the latter would not be included in what is destined to pass away.’ In my opinion, English itself is one of the languages where the word ‘heaven’ will be interpreted as referring only to the dwelling place of God himself, and translations into English should not use ‘heaven’ in these passages. It is probably because these passages are so very familiar that translators do not realize the meaning they are giving their readers when they use the expression ‘heaven and earth’ here. In modern English we might talk about a rocket ‘soaring into the heavens,’ but we would certainly not describe it as ‘soaring into heaven,’ because ‘heaven’ is not another way of referring to the sky or to outer space.
“In fact, it is surely important in all languages to have some way of distinguishing the concept of ‘sky’ from the concept of ‘dwelling place of God.’ In these passages translators should never use a term meaning ‘the dwelling place of God.’ It may not be necessary to use a term meaning ‘sky’ either, if there is some other expression in the language which gives the correct meaning of ‘everything that has been created’ or ‘the universe.’ There are of course places in the New Testament where Heaven, as the place where God lives, is contrasted with the earth. In these passages, translators should be careful to give the correct meaning. A good example of this is in the Lord’s Prayer, in Matt 6:10: ‘Your will be done, on earth as it is in heaven.’ Similarly, 1 Cor 15:47 says that ‘the first man [a reference to Adam] was from the earth, a man of dust; the second man is from heaven.’ Passages like these are referring to Heaven, not to the sky. Other NT passages where heaven refers to God’s dwelling place, in contrast with earth, are Matt 5:34-35, 16:19, 18:18, Acts 7:49, James 5:12, and Rev 5:3.
“Sometimes in the New Testament, the word ‘heaven’ is used because of the Jewish reluctance to use the name of God. ‘Heaven’ in these cases is used in place of ‘God’ and refers to God himself. This is the case in the many references in Matthew to ‘the kingdom of heaven’ where other gospels have ‘the kingdom of God’ (e.g., compare Matt 4:17 with its parallels in Mark 1:15 and Luke 10:9). It is also most likely the case in references like Matt 16:1, Luke 20:4, 5, John 3:27, and even perhaps Col 1:5.
“There are some places, such as Matt 11:25, where God is called ‘Lord of heaven and earth.’ Since God is of course the Lord of Heaven as well as of the universe, it may not matter so much which interpretation is given in these passages (others are Luke 10:21 and Acts 17:24). Nevertheless, the intended meaning here is likely to be ‘the universe.’ This is because this expression in Greek, as Louw and Nida say, is a set expression referring to everything that has been created. Acts 17:24 in fact combines the idea of the creation of the universe with the idea of God as Master or Lord of the universe. (…)
“Old Testament background The use of ‘heaven and earth’ in the New Testament is very similar to what we find in the Old Testament, because it is largely based on the Old Testament.
“The Old Testament begins with the story of creation, which is presented as the creation of the heavens and the earth, with lights to shine in the heavens and give light to the earth. Birds are created to live in the heavens, animals to live on earth, and fish to live in the sea (Gen 1:1-2:4).
“As we can see from the way the creation story is told, it is meant to be understood as the creation of the universe. Although in English the regions above the earth have traditionally been called ‘the heavens’ in the story of creation, they cannot be called ‘Heaven,’ in the sense of the place where God dwells. In terms of modern English, it would probably be better to say ‘the sky and the earth’ or ‘the earth and the sky.’ The story of creation then becomes an important theme throughout the Old Testament. (…)
“In most passages, whether in the Old Testament or the New Testament, when ‘heaven and earth’ or ‘the heavens and the earth’ are mentioned, the meaning is the created universe. It is not a reference to Heaven, as the dwelling place of God. In English, translators have not been careful to keep this distinction clear, and this is probably true in many other languages as well. However, as we have seen, this can lead to real confusion for ordinary Bible readers. It is better if translators find ways to make the meaning clear in these passages. ‘Heaven’ should be mentioned only in passages which clearly mean the dwelling place of God. In other passages, an expression should be used which means only ‘sky.’ Or else, the whole expression ‘heaven and earth’ can be translated in a way to show that the whole universe is meant.”
Other languages that have a semantic distinction similar to English include (click or tap here to see more):
Mossi: saase — “sky”; nyingeri — “the up above”(source for Loma and Mossi: Bratcher/Nida)
Roviana: mamaṉa — “sly”; maṉauru — “heaven” (an old word, meaning “empty, open space of the sky”) (source: Carl Gross)
Kayaw: mô̄la or “canopy-under”/mô̄khû̄la or “canopy-above-under” — “sky” (atmosphere where there is just air); mô̄khû̄ or “canopy-on/above” — “heaven” (invisible abode of God and angels)
Mairasi: Sinyavi — an indigenous term that is used for both “sky” and heaven”; Surga — loanword from Sanskrit via Indonesian referring to “heaven” (source: Enggavoter 2004)
Kupsabiny: “up” for “sky” vs. “God’s Homestead” for “heaven” (source: Kupsabiny Back Translation)
In some languages, such as Yagaria, a term that was originally used as “sky” (gokudana) was adopted by the Christian community as “heaven.” This resulted in a language shift so that now all communities uses “empty space / air” (galogina or hakalogina) as “sky” and gokudana is exclusively used for the Christian concept of heaven. (Source: Renck 1990, p. 133)
Many languages follow the original biblical languages in not making that distinction, such as (click or tap here to see more):
In some languages, such as Wandala, the vocabulary for terms for either “heaven” or “sky” is much richer than just to include those two distinction. While zhegela, the term that is specifically used for the physical sky was only used in early translations of the New Testament for “sky,” other terms such as samaya (used for both “sky” and “heaven”), zlanna (specifically used for the perfect abode of God and the goal of the faithful, as in Matthew 8:11), kwárá (a locational term used to speak of a chief’s rule [lit., “voice”] such as Matthew 3:2), or sleksire (“chieftaincy,” “kingship,” or “royalty” [originally from slekse “chief”] and used where there are no locational overtones, such as in Matthew 16:28) are used. (Source: Mona Perrin in Notes on Translation 1/1999, p. 51ff.)
Under the auspices of the Dhama Mate Swe Association , a new Burmese translation of the New Testament was published in 2024 which uses terminology that attempts to overcome “insurmountable barriers to the Buddhist world.” One term that this version uses is ရွှေမြို့တော် (shway myahoettaw) or “Golden City” for “heaven,” referring it to the golden city described in Revelation 21 but at the same time using a Buddhist term for a desired destination that does not have the Buddhist connotation of ကောင်း ကင် (kaungg kain) as being the Trāyastriṃśa (တာဝတိံသာ) heaven, home of Śakra/Indra. This Burmese translation formed the basis of translations of parts of the New Testament into other languages spoken in Burma, including Sumtu Chin, Ekai Chin, Songlai Chin, Danau, Kadu, Kanan, Khün, Lahta Karen, Rakhine, Marma (Northern Rakhine), Riang Lai, Samtao, Shwe Palaung, Tai Laing, Taungyo, and Chak (Thet). (Source: Jay Pratt)
The English translation by Sarah Ruden (2021) uses “sky” throughout. Ruden explains (p. li): “The Greek word ouranos refers evenhandedly to the physical sky and the place—often pictured as a royal court — where supreme divinity resides. ‘Sky’ seems generally better, first of all in avoiding the wackier modern imagery that comes with the English ‘heaven.’ And even when a supernatural realm is meant, ‘sky’ will often do, because the divine realm was thought to be located there, in addition to the weather and the heavenly bodies, whereas ‘heaven’ to us is fundamentally a religious term, and the ancients did not tend to separate linguistic domains in this way. I have retained the plural ‘skies’ where I see it in the Greek, because it is a Hebraism familiar in English translations of scripture and (I hope) not too archaic or jarring.”
Translators of different languages have found different ways with what kind of formality God is addressed.
Click or tap here to see the rest of this insight
Like many languages (but unlike Greek or Hebrew or modern English), Tuvan uses a formal vs. informal 2nd person pronoun (a familiar vs. a respectful “you”). Unlike other languages that have this feature, however, the translators of the Tuvan Bible have attempted to be very consistent in using the different forms of address in every case a 2nd person pronoun has to be used in the translation of the biblical text.
As Voinov shows in Pronominal Theology in Translating the Gospels (in: The Bible Translator2002, p. 210ff. ), the choice to use either of the pronouns many times involved theological judgment. While the formal pronoun can signal personal distance or a social/power distance between the speaker and addressee, the informal pronoun can indicate familiarity or social/power equality between speaker and addressee.
In these verses, in which humans address God, the informal, familiar pronoun is used that communicates closeness.
Voinov notes that “in the Tuvan Bible, God is only addressed with the informal pronoun. No exceptions. An interesting thing about this is that I’ve heard new Tuvan believers praying with the formal form to God until they are corrected by other Christians who tell them that God is close to us so we should address him with the informal pronoun. As a result, the informal pronoun is the only one that is used in praying to God among the Tuvan church.”
In Gbaya, “a superior, whether father, uncle, or older brother, mother, aunt, or older sister, president, governor, or chief, is never addressed in the singular unless the speaker intends a deliberate insult. When addressing the superior face to face, the second person plural pronoun ɛ́nɛ́ or ‘you (pl.)’ is used, similar to the French usage of vous.
Accordingly, the translators of the current version of the Gbaya Bible chose to use the plural ɛ́nɛ́ to address God. There are a few exceptions. In Psalms 86:8, 97:9, and 138:1, God is addressed alongside other “gods,” and here the third person pronoun o is used to avoid confusion about who is being addressed. In several New Testament passages (Matthew 21:23, 26:68, 27:40, Mark 11:28, Luke 20:2, 23:37, as well as in Jesus’ interaction with Pilate and Jesus’ interaction with the Samaritan woman at the well) the less courteous form for Jesus is used to indicate ignorance of his position or mocking.” (Source Philip Noss)
In the most recent Manchu translation of 1835 (a revision of an earlier edition from 1822), God is never addressed with a pronoun but with “father” (ama /ᠠᠮᠠ) instead. Chengcheng Liu (in this post on the Cambridge Centre for Chinese Theology blog ) explains: “In Manchu tradition, as in Chinese etiquette, second-person pronouns could be considered disrespectful when speaking to superiors or spiritual beings. Manchu Shamanist prayers avoided si [‘you’] and sini [‘your’] for this very reason. To use them for God would be, in Lipovzoff’s [one of the two translators] words, ‘the most uncouth and indecent way to speak to the Almighty — as if He were a servant or slave.’ There was also a grammatical problem. In Manchu, si and sini could refer to both singular and plural subjects. For a faith that insisted on the singularity of God, this was potentially confusing. By contrast, repeating ama removed any ambiguity.”
Click or tap here to see the rest of this insight.
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme rare (られ) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, totonoe-rare-ru (整えられる) or “arrange/order” is used.
The following is an English translation of Psalm 8 into song by linguists & professional musicians under the auspices of The Spoken English Bible , an oral Bible translation designed to reach Americans who may not yet engage with Scripture and to serve as a model for Bible translation in minority languages.
Lyrics: 1 Oh Yahweh, how majestic is Your name Inscribed on the earth?
Yahweh, You’re the One in charge of our lives,
Your face shines in all You create.
Ooh, isn’t it lovely?
You have made the heavens shine!
And how beautiful, majestic, and divine
You are!
2 Infants cry to You, and You place Your strength Into them, so the enemy
Cannot speak one word because
You’re too powerful.
3 Ooh, as I look at how
You have placed the moon and stars,
With Your fingertips, 4 who are we?
Why care for us?
Son of Adam, why care for him?
5 Yet You made all humanity
Just a little lower than the angels,
And You crowned us royals
With honor and respect.
6 Ooh, You entrusted us with the beauty You have made,
Who are we?
You placed all this at our feet.
7 All the sheep, all the herds, and even the wild animals, and birds that fly, and fish at sea, and creatures ocean deep…
9 Ooh, how majestic is Your signature inscribed Over all the earth, Yahweh, One in charge of our lives.
The reflection on God’s sovereign greatness leads the psalmist to wonderment at God’s concern for human beings, who are so insignificant in comparison with God’s awesome works of creation. The translation of look at thy heavens should not imply the mere act of seeing but rather should suggest contemplation. It is therefore sometimes necessary to say “when I look at and think about….” God made the heavens with his own hands (the work of thy fingers; see also 102.25). The plural heavens may reflect the idea of several levels of heaven (three or seven) in the Hebrew concept of the universe, or else it is a way of saying “the vast heaven.”
Languages indicate space above the earth in very different ways. Some simply refer to everything as “up,” while others make such distinctions as (1) the area of clouds and (2) the area where the moon and stars are. In addition, many languages use figurative expressions to indicate the realm where God is said to be; for example, “God’s town,” “God’s house,” or “the high home.” Here the term for sky should be the area where the moon and stars are thought to exist.
As commentators point out, the psalmist is looking up at the sky at night, since he mentions the moon and the stars but not the sun. Of them he says “you set (them) in their places” (Good News Translation). The verb established means here to put firmly in place, reflecting the thought of that time that the moon and the stars were set in the solid vault of heaven. It should be noted that Good News Translation “you set” is to be understood as a past tense; it would be better to have “you have set.”
Verse 3 contains four dependent clauses, and all four serve as an introduction to the double rhetorical question of verse 4. Moreover, this arrangement is made complex by the fact that there is an implied cause in verse 3 relating it to verse 4. By observing creation the psalmist is led to ask the question in verse 4. Furthermore, the psalmist is contrasting the smallness of man with the greatness of the heavens. The translator must determine:
(1) whether it is possible or natural for the clauses in verse 3 to give rise to the question in verse 4;
(2) whether or not verse 3 can remain as four dependent clauses or must be restructured;
(3) whether or not a rhetorical question requires an explicit reply; and
(4) whether or not the contrastive picture between man in verse 4 and the heavenly bodies in verse 3 is sufficiently clear.
In some languages it will be necessary in (1) to introduce the question; for example, “When I look at the sky which you have made, at the moon and the stars which you have set in their places, I ask this question:….” Regarding (2), for languages which will not permit series of dependent clauses to precede a question, these clauses may be recast as statements; for example, “I look at the sky you have made; I look at the moon and the stars which you set in their places. Therefore I ask, what are people…?” In respect to (3), if the receptor language requires a reply, one may say “What are people, that you think of them? They are nothing.” Concerning (4), in some languages it may be necessary to make the contrast between the smallness of people and the greatness of heavenly bodies more explicit; for example, “What are mere people that you think of them?” Alternatively, one may speak of the “vast heavens” and the “great moon and stars” in order to highlight the contrast with man; for example, “What are people–so small as they are–that you care for them?”
The rhetorical question in verse 4 eloquently expresses the psalmist’s wonder at God’s care for humankind. The two lines are exactly parallel, both making the same point in different ways. Both man and the son of man mean “humankind” or “a human being.” It should be emphasized that the Hebrew phrase translated son of man means “human being,” with emphasis on the creature’s frailty and mortality, as one made of the dust of the earth. In languages where the use of male-oriented language is considered undesirable, it is important to avoid saying man, if at all possible. So Bible en français courant “The human being … a mere individual.” In some languages man in the generic sense is rendered by the use of the plural. The son of man may need to be rendered with a qualifier to indicate “mere humanity”; for example, “a plain human being,” “simply people,” or “nothing more than people.” The line is repeated in 144.3; in Job 7.17 it is used ironically.
The verb art mindful is literally “remember” in the sense of being concerned about, and in some languages is rendered idiomatically as “to have a warm heart for” or “to feel in one’s insides for.”
The Hebrew verb for care for is used in a great variety of ways; the basic idea is to look for what is missing, to worry about, and to do something for it. One translation can be “show concern.” The verb is often used of God taking care of his people by going to them and acting on their behalf (see its use in 65.9a; 80.14c; 106.4b, where it is translated by a number of English verbs).
Quoted with permission from Bratcher, Robert G. and Reyburn, William D. A Handbook on the Book of Psalms. (UBS Helps for Translators). New York: UBS, 1991. For this and other handbooks for translators see here .
The following are presentations by the Psalms: Layer by Layer project, run by Scriptura . The first is an overview, the second an introduction into the poetry, and the third an introduction into the exegesis of Psalm 7.
John Wu Ching-hsiung (1899-1986) was a native of Ningbo, Zhejiang, a renowned jurist who studied in Europe and the United States, and served as a professor of law at Soochow University, as a judge and the Acting President of the Shanghai Provisional Court, and as the Vice President of the Commission for the Drafting of the Constitution of the Republic of China, before becoming the Minister of the Republic of China to the Holy See. Wu has written extensively, not only on law but also on Chinese philosophy, and has also written his autobiography, Beyond East and West, in English. Wu was a devout Catholic and had a personal relationship with Chiang Kai-shek (1887-1975). Wu began translating the the Psalms in 1938, and was encouraged by Chiang to translate the entire New Testament, which he corrected in his own handwriting. (…) John Wu Ching-hsiung’s translation of the Psalms (first draft in 1946, revised in 1975) was translated into Literary Chinese in the form of poetic rhyme, with attention paid to the style of writing. According to the content and mood of the different chapters of the original psalm, Wu chose Chinese poetic forms such as tetrameter, pentameter, heptameter [4, 5 or 7 syllables/Chinese characters per stanza], and the [less formal] Sao style, and sometimes more than two poetic forms were used in a single poem. (Source: Simon Wong)
John Wu Ching-hsiung himself talks about his celebrated and much-admired (though difficult-to-understand) translation in his aforementioned autobiography: (Click or tap here to see)
“Nothing could have been farther from my mind than to translate the Bible or any parts of it with a view to publishing it as an authorized version. I had rendered some of the Psalms into Chinese verse, but that was done as a part of my private devotion and as a literary hobby. When I was in Hongkong in 1938, I had come to know Madame H. H. Kung [Soong Ai-ling], and as she was deeply interested in the Bible, I gave her about a dozen pieces of my amateurish work just for her own enjoyment. What was my surprise when, the next time I saw her, she told me, “My sister [Soong Mei-ling] has written to say that the Generalissimo [Chiang Kai-shek] likes your translation of the Psalms very much, especially the first, the fifteenth, and the twenty-third, the Psalm of the Good Shepherd!”
“In the Autumn of 1940, when I was in Chungking, the Generalissimo invited me several times to lunch with him and expressed his appreciation of the few pieces that he had read. So I sent him some more. A few days later I received a letter from Madame Chiang [Soong Mei-ling], dated September 21, 1940, in which she said that they both liked my translation of the few Psalms I had sent them. ‘For many years,’ she wrote, ‘the Generalissimo has been wanting to have a really adequate and readable Wen-li (literary) translation of the Bible. He has never been able to find anyone who could undertake the matter.’ The letter ends up by saying that I should take up the job and that ‘the Generalissimo would gladly finance the undertaking of this work.’
“After some preliminary study of the commentaries, I started my work with the Psalms on January 6, 1943, the Feast of the Epiphany.
“I had three thousand years of Chinese literature to draw upon. The Chinese vocabulary for describing the beauties of nature is so rich that I seldom failed to find a word, a phrase, and sometimes even a whole line to fit the scene. But what makes such Psalms so unique is that they bring an intimate knowledge of the Creator to bear upon a loving observation of things of nature. I think one of the reasons why my translation is so well received by the Chinese scholars is that I have made the Psalms read like native poems written by a Chinese, who happens to be a Christian. Thus to my countrymen they are at once familiar and new — not so familiar as to be jejune, and not so new as to be bizarre. I did not publish it as a literal translation, but only as a paraphrase.
“To my greatest surprise, [my translation of the Psalms] sold like hot dogs. The popularity of that work was beyond my fondest dreams. Numberless papers and periodicals, irrespective of religion, published reviews too good to be true. I was very much tickled when I saw the opening verse of the first Psalm used as a headline on the front page of one of the non-religious dailies.”
A contemporary researcher (Lindblom 2021) mentions this about Wu’s translation: “Wu created a unique and personal work of sacred art that bears the imprint of his own admitted love and devotion, a landmark achievement comparable to Antoni Gaudi’s Basilica of the Sagrada Família in Barcelona, Spain. Although its use is still somewhat limited today, it continues to attract readers for the aforementioned qualities, and continues to be used in prayers and music by those who desire beauty and an authentic Chinese-sounding text that draws from China’s ancient traditions.”
The translation of Psalm 8 from the 1946 edition is in pentameter with a rhyme scheme based on -ang (the 1946 edition did not have verse numbers either):
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