The Hebrew, Ge’ez, and Greek that are translated in English versions as “prophesy” are translated into Anuak as “sing a song” (source: Loren Bliese), into Balanta-Kentohe as “passing on message of God” (source: Rob Koops), and into Ixcatlán Mazatec with a term that does not only refer to the future, but is “speak on behalf of God” (source: Robert Bascom).
Other translations include: “God making someone to show something in advance” (Ojitlán Chinantec), “God causing someone to think and then say it” (Aguaruna), “speaking God’s thoughts” (Shipibo-Conibo), “God made someone say something” “Xicotepec De Juárez Totonac) (source for this and above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125), “proclaim God’s message” (Teutila Cuicatec), “speak for God” (Chichimeca-Jonaz), “preach the Word of God” (Lalana Chinantec), “speak God’s words” (Tepeuxila Cuicatec), “that which God’s Spirit will cause one to say one will say” (Mayo) (source for this and four above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.), “say what God wants people to hear” (tell people God wod dat e gii oona fa say) (Gullah) (source: Robert Bascom), and “bring God’s mouth” (Bariai) (source: Bariai Back Translation).
In Luang it is translated with different shades of meaning:
For Acts 3:18, 3:21, 3:25: nurwowohora — “mouth says words that don’t come from one’s own mind.” (“This term refers to an individual’s speaking words that are not his because either a good or bad spirit is at work through him. The speaker is not in control of himself.”)
For Acts 19:6, Acts 21:9: nakotnohora — “talk about.” (“The focus of this term is on telling God’s message for the present as opposed to the future.”)
For Acts 21:11: rora — “foretell” (“The focus of this term is giving God’s message concerning the future. The person who speaks is aware of what he is doing and he is using his own mind, yet it is with God’s power that he foretells the future.”)
Source: Kathy Taber in Notes on Translation 1/1999, p. 9-16.
The Greek in John 2:4 that is tramslated in English as “my hour has not yet come” or similar is translated in Huehuetla Tepehua as “the moment hasn’t come when I can do anything,” in Ojitlán Chinantec as “it has not yet arrived, the time of my showing myself,” in Xicotepec De Juárez Totonac as “it is not yet time for my task to begin, and in Yatzachi Zapotec as “my hour has yet to come for me to help people.” (Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
The Greek in John 12:14 that is translated as “young donkey” in English is translated in Aguaruna as “young riding animal” and in Xicotepec De Juárez Totonac and Chol as “burro.” (Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125)
The Greek in Acts 24:1 that is translated as “spokesman,” “orator,” or “lawyer” in English is translated as “person who takes out the word of them” in Lalana Chinantec, as “settler” in Isthmus Mixe, as “one who speaks for another in court” in Xicotepec De Juárez Totonac, as “accuser” in Eastern Highland Otomi, or as “one who brings charges” in Highland Popoluca. (Source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
The Greek (and Hebrew) that is translated on many English versions as “Zeal for your house will consume me” is translated in various ways in other languages:
Yanesha’: “My protectiveness for your house completely possesses me.”
Xicotepec De Juárez Totonac: “So very much I want the house of God to be honored. And because of this I am treated with contempt.”
Tenango Otomi: “I look with respect on your house, even though I lose my life.”
Lalana Chinantec: “I cannot stand it, so much do I value the house where they worship You.” (Source for this and above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
Uma: “My heart boiled, because I love your (sing.) House, Lord.” (Source: Uma Back Translation)
Yakan: “My love for your house o God, is like a fire in my liver which is destroying me.” (Source: Yakan Back Translation)
Western Bukidnon Manobo: “Very great is my cherishing of your house, God, and that’s why it has become a reason for giving me a very painful breath.” (Source: Western Bukidnon Manobo Back Translation)
Kankanaey: “My extreme concern-for (lit. hurting-for) your (sing.) house, that will be my death.” (Source: Kankanaey Back Translation)
Tagbanwa: “I really uphold/stand-up-for very much your house where you are worshiped even if it will cause my life/breath to be severed.” (Source: Tagbanwa Back Translation)
Tenango Otomi: “I look with respect on your house, even though I lose my life.” (Source: Tenango Otomi Back Translation)
In Gbaya, the notion of “consume” (or “burn like a fire” in the Good News Translation) is emphasized with lɛk-lɛk, an ideophone “that is often used to describe the flames of a fire.”
Philip Noss (in The Bible Translator 1976, p. 100ff. ) explains: “A descriptive device common to Gbaya oral literature that is often found in translations of the Psalms is the ideophone. The ideophone may be identified with onomatopoeia and other sound words frequently seen in French and English comic strips, but in Gbaya and other African languages it comprises a class of words with a very wide range of meaning and usage. They may function verbally, substantively, or in a modifying role similar to adverbs and adjectives. They describe anything that may be experienced: action, sound, color, quality, smell, or emotion. In oral literature they are used not only with great frequency but also with great creativity.
Conforming to Gbaya literary style, the team used ideophones in its translation of the Psalms, although an average of less than two per psalm is a considerably lower rate of occurrence than in Gbaya narrative. There were two reasons for this limited usage. The first was that the Psalms are poetry rather than action narrative where their occurrence would be more common. The second was that in a tale being performed for artistic reasons, the ideophone may predominate over the action, whereas in the psalm the ideophone must complement without dominating or overshadowing the message. However, since the ideophone is an integral part of Gbaya literary expression, it could not be omitted. To do so would have rendered the translation colorless and unliterary.”
The Greek in Acts 24:16 that is translated “clear conscience towards God and all people” or similar in English is translated as “I do not owe either God or man” in Xicotepec De Juárez Totonac. (Source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
The Greek that is translated “born again” or “born from above” in English is translated in Xicotepec De Juárez Totonac as “have new life,” in Tenango Otomi as “live anew,” in Tojolabal as “become new like a little baby” (source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125), or in Iu Mien as ganh siang-yungz jiex or “again newly-born pass-through” (source: Arisawa 2017, p. 515)
The EnglishThe Translator’s New Testament (publ. 1973) translates this term in a way to cover both sides of its ambiguity: reborn from above.
The now commonly-used English idiom “born again” (meaning to be revived) was first coined in 1382 in the English translation by John Wycliffe (in the spelling borun ayen). (Source: Crystal 2010, p. 288)
For other idioms in English that were coined by Bible translation, see here.
