“Because of me you will arrive to where God is” in Tenango Otomi. (Source: John Beekman in Notes on Translation 12, November 1964, p. 1ff.)
“I am the way, in me you will meet God” in the German New Testament translation by Berger / Nord (publ. 1999)
Upper Guinea Crioulo does not use definite articles. So in that language it says: “I (emph.) am way/road” and likewise: “I am truth, I am life.” (Source: David Frank)
“God our Father, you are our Boss, the biggest” Tataltepec Chatino (source for this and all above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
“Lord, Owner of All Power” in Hausa (source: Hausa Common Language Bible Back Translation)
“Lord who is mightier than all” in Hiligaynon (source: Hiligaynon Back Translation)
The Greek that is translated in English as “Receive the Holy Spirit” is translated as “The Good Spirit, let it be yours” in Aguaruna, “Now receive from me the Holy Spirit” in Xicotepec De Juárez Totonac, “May the Holy Spirit come upon you” in Navajo (Dinė), “Now you are accompanied by the Holy Spirit” in Tenango Otomi or “May the Holy Spirit enter into your hearts” in Lalana Chinantec. (Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
In the German New Testament translation by Berger / Nord (publ. 1999) it is Empfange Heiligen Geist or “Receive Holy Spirit,” i.e. without a definite article. (Only in John 20:22)
The Greek that is translated in English as “the light” is translated in John 1:8 in Alekano as “the father of light,” in Xicotepec De Juárez Totonac as “the true light,” and in Tenango Otomi as “that one who opens the hearts of the people.”
Matt Taylor (in The PNG Experience ) describes the process of finding the correct term for the presently prepared Nukna translation of John:
“We’ve been working on the Nukna translation of the book of John, and recently came to Jesus’ famous statement in John 8:12, ‘I am the light of the world.’ As we discussed how to best translate this metaphor, we realized that there was a problem. There is a Nukna word for light — yam — but it’s not possible to say just yam by itself. Light always has a source, and grammatically that source must be included, either by mentioning the actual source or by using a possessive pronoun — ‘its light,’ ‘their light,’ etc. It would be ungrammatical to just say ‘light.’ ( This grammatical feature is known as ‘inalienable possession.’) To literally translate ‘I am the light of the world’ into Nukna would lead to an unacceptable Nukna sentence.
“One idea we’ve had is to use a common source of light that the Nukna people are familiar with: the bamboo torch. The Nukna people live in a remote area without electricity. To see at night, they often light up a species of bamboo named kup. Kup burns with a blazing brightness, and a long piece can be held as a torch, enabling a person to walk at night around the otherwise pitch black village. So in Nukna, Jesus’ words would read, ‘I am like a bamboo torch [kup] that shines its light to the world.’
“Our translation team needs to do further testing to see if this figure of speech is communicating accurately and powerfully. Please pray for us, that God would guide us as we seek to communicate this concept, as well as many others, into the Nukna language in a dynamic and life-changing way. ‘It’s like the light of a bamboo torch shining in the darkness, and the darkness has not overcome it.’ (John 1:5).”
Likewise, Mungaka also uses “torch” (source: Nama 1990).
The Greek in John 2:4 that is tramslated in English as “my hour has not yet come” or similar is translated in Huehuetla Tepehua as “the moment hasn’t come when I can do anything,” in Ojitlán Chinantec as “it has not yet arrived, the time of my showing myself,” in Xicotepec De Juárez Totonac as “it is not yet time for my task to begin, and in Yatzachi Zapotec as “my hour has yet to come for me to help people.” (Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
The Greek (and Hebrew) that is translated on many English versions as “Zeal for your house will consume me” is translated in various ways in other languages:
Yanesha’: “My protectiveness for your house completely possesses me.”
Xicotepec De Juárez Totonac: “So very much I want the house of God to be honored. And because of this I am treated with contempt.”
Tenango Otomi: “I look with respect on your house, even though I lose my life.”
Lalana Chinantec: “I cannot stand it, so much do I value the house where they worship You.”
(Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
In Gbaya, the notion of “consume” (or “burn like a fire” in the Good News Translation) is emphasized with lɛk-lɛk, an ideophone “that is often used to describe the flames of a fire.”
Philip Noss (in The Bible Translator 1976, p. 100ff. ) explains: “A descriptive device common to Gbaya oral literature that is often found in translations of the Psalms is the ideophone. The ideophone may be identified with onomatopoeia and other sound words frequently seen in French and English comic strips, but in Gbaya and other African languages it comprises a class of words with a very wide range of meaning and usage. They may function verbally, substantively, or in a modifying role similar to adverbs and adjectives. They describe anything that may be experienced: action, sound, color, quality, smell, or emotion. In oral literature they are used not only with great frequency but also with great creativity.
Conforming to Gbaya literary style, the team used ideophones in its translation of the Psalms, although an average of less than two per psalm is a considerably lower rate of occurrence than in Gbaya narrative. There were two reasons for this limited usage. The first was that the Psalms are poetry rather than action narrative where their occurrence would be more common. The second was that in a tale being performed for artistic reasons, the ideophone may predominate over the action, whereas in the psalm the ideophone must complement without dominating or overshadowing the message. However, since the ideophone is an integral part of Gbaya literary expression, it could not be omitted. To do so would have rendered the translation colorless and unliterary.”
