Following are a number of back-translations as well as a sample translation for translators of Psalm 4:2:
Chichewa Contempary Chichewa translation, 2002/2016:
“You people, until when will you be turning my glory into shame?
Until when will you love worthless things and seek false gods?
4” (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Newari:
“O people! How long will you put me to shame?
How long will you falsely accuse me?
How long will you pursue false ideas?
Sela” (Source: Newari Back Translation)
Hiligaynon:
“You (plur.) people who oppose me,
when will- you (plur.) -stop putting- my honor -to-shame?
When will- you -stop loving the things that have-no value and following the lies?” (Source: Hiligaynon Back Translation)
Eastern Bru:
“Oh people! How much longer do you want to curse me? And how much longer do you want to continue to do things that don’t make sense? And how much longer do you want to worship gods that aren’t really gods?” (Source: Bru Back Translation)
Laarim:
“You people, you turn my glory to be shame until when?
You will say a word that you lie about me until when?
You will love lie until when?” (Source: Laarim Back Translation)
Nyakyusa-Ngonde (back-translation into Swahili):
“Enyi watu ninyi,
hadi lini mtaniaibisha?
Mtayapenda ya upumbavu hadi lini?
Hadi lini mtafuata ya uongo?” (Source: Nyakyusa Back Translation)
English:
“How long will you people cause me to be disgraced instead of honoring me?
You people love to falsely accuse me.
(Think about that!)” (Source: Translation for Translators)
“beg” or “ask,” (full expression: “ask with one’s heart coming out,” which leaves out selfish praying, for asking with the heart out leaves no place for self to hide) (Tzotzil)
“raise up one’s words to God” (implying an element of worship, as well as communication) (Miskito, Lacandon) (source of this and all above: Bratcher / Nida)
“speak to God” (Shilluk) (source: Nida 1964, p. 237)
“talk together with Great Above One (=God)” (Mairasi) (source: Enggavoter, 2004)
“beg” (waan) (Ik). Terrill Schrock (in Wycliffe Bible Translators 2016, p. 93) explains (click or tap here to read more):
What do begging and praying have to do with each other? Do you beg when you pray? Do I?
“The Ik word for ‘visitor’ is waanam, which means ‘begging person.’ Do you beg when you go visiting? The Ik do. Maybe you don’t beg, but maybe when you visit someone, you are looking for something. Maybe it’s just a listening ear.
When the Ik hear that [my wife] Amber and I are planning trip to this or that place for a certain amount of time, the letters and lists start coming. As the days dwindle before our departure, the little stack of guests grows. ‘Please, sir, remember me for the allowing: shoes, jacket (rainproof), watch, box, trousers, pens, and money for the children. Thank you, sir, for your assistance.’
“A few people come by just to greet us or spend bit of time with us. Another precious few will occasionally confide in us about their problems without asking for anything more than a listening ear. I love that.
“The other day I was in our spare bedroom praying my list of requests to God — a nice list covering most areas of my life, certainly all the points of anxiety. Then it hit me: Does God want my list, or does he want my relationship?
“I decided to try something. Instead of reading off my list of requests to God, I just talk to him about my issues without any expectation of how he should respond. I make it more about our relationship than my list, because if our personhood is like God’s personhood, then maybe God prefers our confidence and time to our lists, letters, and enumerations.”
In Luang it is translated with different shades of meaning (click or tap here to read more):
For Acts 1:14, 20:36, 21:5: kola ttieru-yawur nehla — “hold the waist and hug the neck.” (“This is the more general term for prayer and often refers to worship in prayer as opposed to petition. The Luang people spend the majority of their prayers worshiping rather than petitioning, which explains why this term often is used generically for prayer.”)
For Acts 28:9: sumbiani — “pray.” (“This term is also used generically for ‘prayer’. When praying is referred to several times in close proximity, it serves as a variation for kola ttieru-yawur nehla, in keeping with Luang discourse style. It is also used when a prayer is made up of many requests.”)
For Acts 8:15, 12:5: polu-waka — “call-ask.” (“This is a term for petition that is used especially when the need is very intense.”)
Source: Kathy Taber in Notes on Translation 1/1999, p. 9-16.
Translators of different languages have found different ways with what kind of formality God is addressed.
Click or tap here to see the rest of this insight
Like many languages (but unlike Greek or Hebrew or modern English), Tuvan uses a formal vs. informal 2nd person pronoun (a familiar vs. a respectful “you”). Unlike other languages that have this feature, however, the translators of the Tuvan Bible have attempted to be very consistent in using the different forms of address in every case a 2nd person pronoun has to be used in the translation of the biblical text.
As Voinov shows in Pronominal Theology in Translating the Gospels (in: The Bible Translator2002, p. 210ff. ), the choice to use either of the pronouns many times involved theological judgment. While the formal pronoun can signal personal distance or a social/power distance between the speaker and addressee, the informal pronoun can indicate familiarity or social/power equality between speaker and addressee.
In these verses, in which humans address God, the informal, familiar pronoun is used that communicates closeness.
Voinov notes that “in the Tuvan Bible, God is only addressed with the informal pronoun. No exceptions. An interesting thing about this is that I’ve heard new Tuvan believers praying with the formal form to God until they are corrected by other Christians who tell them that God is close to us so we should address him with the informal pronoun. As a result, the informal pronoun is the only one that is used in praying to God among the Tuvan church.”
In Gbaya, “a superior, whether father, uncle, or older brother, mother, aunt, or older sister, president, governor, or chief, is never addressed in the singular unless the speaker intends a deliberate insult. When addressing the superior face to face, the second person plural pronoun ɛ́nɛ́ or ‘you (pl.)’ is used, similar to the French usage of vous.
Accordingly, the translators of the current version of the Gbaya Bible chose to use the plural ɛ́nɛ́ to address God. There are a few exceptions. In Psalms 86:8, 97:9, and 138:1, God is addressed alongside other “gods,” and here the third person pronoun o is used to avoid confusion about who is being addressed. In several New Testament passages (Matthew 21:23, 26:68, 27:40, Mark 11:28, Luke 20:2, 23:37, as well as in Jesus’ interaction with Pilate and Jesus’ interaction with the Samaritan woman at the well) the less courteous form for Jesus is used to indicate ignorance of his position or mocking.” (Source Philip Noss)
In the most recent Manchu translation of 1835 (a revision of an earlier edition from 1822), God is never addressed with a pronoun but with “father” (ama /ᠠᠮᠠ) instead. Chengcheng Liu (in this post on the Cambridge Centre for Chinese Theology blog ) explains: “In Manchu tradition, as in Chinese etiquette, second-person pronouns could be considered disrespectful when speaking to superiors or spiritual beings. Manchu Shamanist prayers avoided si [‘you’] and sini [‘your’] for this very reason. To use them for God would be, in Lipovzoff’s [one of the two translators] words, ‘the most uncouth and indecent way to speak to the Almighty — as if He were a servant or slave.’ There was also a grammatical problem. In Manchu, si and sini could refer to both singular and plural subjects. For a faith that insisted on the singularity of God, this was potentially confusing. By contrast, repeating ama removed any ambiguity.”
O men translates the Hebrew phrase “sons of man.” Some scholars (see Kirkpatrick, Cohen, Weiser) believe that this means men of rank, wealth, importance (see 49.2; 62.9). So New American Bible translates “Men of rank”; Knox “Great men of the world”; Die Bibel im heutigen Deutsch “You rich men have power”; Biblia Dios Habla Hoy “You who think you are great men.” Moffatt, somewhat differently, “Proud men.” Other scholars see here an emphasis upon their mortality: New English Bible “Mortal men.” There is no way of knowing who these men were except that they were the psalmist’s enemies.
The questions are not requests for information; they are protests and denunciations aimed at the psalmist’s enemies.
Shall my honor suffer shame: “insult me” (Good News Translation) represents what is literally “my glory into shame.” Here the word “glory” seems to mean reputation, fame, honor. The idea appears to be that the psalmist’s enemies, by means of slanders and lies, are deliberately defaming him. Dahood takes “my glory” here to refer to God, “my Glorious One.” The Septuagint has a different text: “How long will you men be stupid?” (literally “heavy of heart”); this text is preferred by New Jerusalem Bible “be heavy of heart”; Bible de Jérusalem (Bible de Jérusalem) has “shut your hearts”; New American Bible “be dull of heart”; Moffatt “how long will you be so misguided.” It is recommended that the Hebrew text be followed, as represented by Revised Standard Version and Good News Translation.
In translation it is important to make clear the shift of person addressed in 4.2; for example, “And now you people….” The question beginning with how long may in some languages require shifting to a negative question; for example, “Will you people never stop insulting me?” Or an emphatic statement may be better, such as “You people will never stop insulting me!”
It is impossible to be sure what vain words and lies refer to. The two expressions in Hebrew are synonymous, and the word for vain words means what is of no value, useless, worthless (see the same word in 2.1). It may be, as some scholars suggest, that this language reflects a trial in court in which the accused man denies the charges brought against him and affirms his innocence, at the same time accusing his adversaries of being liars (verses 1-5). With less probability, a few see here a reference to idols, so that the accusation is that of idolatry. Good News Translation has used two general expressions, “what is worthless” and “what is false.” New Jerusalem Bible “illusions” and “frauds” suggests dishonest conduct, and this may be the best way to translate these two expressions.
Love … seek after: the two verbs represent the attitude and the activity of the psalmist’s enemies. It may be more effective to represent these two phrases by more specific actions, as Bible en français courant has done: “you who love to accuse without cause and who try to dishonor me.”
Selah: see 3.2.
Quoted with permission from Bratcher, Robert G. and Reyburn, William D. A Handbook on the Book of Psalms. (UBS Helps for Translators). New York: UBS, 1991. For this and other handbooks for translators see here .
John Wu Ching-hsiung (1899-1986) was a native of Ningbo, Zhejiang, a renowned jurist who studied in Europe and the United States, and served as a professor of law at Soochow University, as a judge and the Acting President of the Shanghai Provisional Court, and as the Vice President of the Commission for the Drafting of the Constitution of the Republic of China, before becoming the Minister of the Republic of China to the Holy See. Wu has written extensively, not only on law but also on Chinese philosophy, and has also written his autobiography, Beyond East and West, in English. Wu was a devout Catholic and had a personal relationship with Chiang Kai-shek (1887-1975). Wu began translating the the Psalms in 1938, and was encouraged by Chiang to translate the entire New Testament, which he corrected in his own handwriting. (…) John Wu Ching-hsiung’s translation of the Psalms (first draft in 1946, revised in 1975) was translated into Literary Chinese in the form of poetic rhyme, with attention paid to the style of writing. According to the content and mood of the different chapters of the original psalm, Wu chose Chinese poetic forms such as tetrameter, pentameter, heptameter [4, 5 or 7 syllables/Chinese characters per stanza], and the [less formal] Sao style, and sometimes more than two poetic forms were used in a single poem. (Source: Simon Wong)
John Wu Ching-hsiung himself talks about his celebrated and much-admired (though difficult-to-understand) translation in his aforementioned autobiography: (Click or tap here to see)
“Nothing could have been farther from my mind than to translate the Bible or any parts of it with a view to publishing it as an authorized version. I had rendered some of the Psalms into Chinese verse, but that was done as a part of my private devotion and as a literary hobby. When I was in Hongkong in 1938, I had come to know Madame H. H. Kung [Soong Ai-ling], and as she was deeply interested in the Bible, I gave her about a dozen pieces of my amateurish work just for her own enjoyment. What was my surprise when, the next time I saw her, she told me, “My sister [Soong Mei-ling] has written to say that the Generalissimo [Chiang Kai-shek] likes your translation of the Psalms very much, especially the first, the fifteenth, and the twenty-third, the Psalm of the Good Shepherd!”
“In the Autumn of 1940, when I was in Chungking, the Generalissimo invited me several times to lunch with him and expressed his appreciation of the few pieces that he had read. So I sent him some more. A few days later I received a letter from Madame Chiang [Soong Mei-ling], dated September 21, 1940, in which she said that they both liked my translation of the few Psalms I had sent them. ‘For many years,’ she wrote, ‘the Generalissimo has been wanting to have a really adequate and readable Wen-li (literary) translation of the Bible. He has never been able to find anyone who could undertake the matter.’ The letter ends up by saying that I should take up the job and that ‘the Generalissimo would gladly finance the undertaking of this work.’
“After some preliminary study of the commentaries, I started my work with the Psalms on January 6, 1943, the Feast of the Epiphany.
“I had three thousand years of Chinese literature to draw upon. The Chinese vocabulary for describing the beauties of nature is so rich that I seldom failed to find a word, a phrase, and sometimes even a whole line to fit the scene. But what makes such Psalms so unique is that they bring an intimate knowledge of the Creator to bear upon a loving observation of things of nature. I think one of the reasons why my translation is so well received by the Chinese scholars is that I have made the Psalms read like native poems written by a Chinese, who happens to be a Christian. Thus to my countrymen they are at once familiar and new — not so familiar as to be jejune, and not so new as to be bizarre. I did not publish it as a literal translation, but only as a paraphrase.
“To my greatest surprise, [my translation of the Psalms] sold like hot dogs. The popularity of that work was beyond my fondest dreams. Numberless papers and periodicals, irrespective of religion, published reviews too good to be true. I was very much tickled when I saw the opening verse of the first Psalm used as a headline on the front page of one of the non-religious dailies.”
A contemporary researcher (Lindblom 2021) mentions this about Wu’s translation: “Wu created a unique and personal work of sacred art that bears the imprint of his own admitted love and devotion, a landmark achievement comparable to Antoni Gaudi’s Basilica of the Sagrada Família in Barcelona, Spain. Although its use is still somewhat limited today, it continues to attract readers for the aforementioned qualities, and continues to be used in prayers and music by those who desire beauty and an authentic Chinese-sounding text that draws from China’s ancient traditions.”
The translation of Psalm 4 from the 1946 edition is in pentameter (the 1946 edition did not have verse numbers either):
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