Following is a Ukrainian Orthodox icon of the Transfiguration by Ivan Rutkovych (c. 1650 – c. 1708) (for the Church of Christ’s Nativity in Zhovkva, Ukraine, today in the Lviv National Museum).
Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )
Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )
Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )
Following is a hand colored stencil print on momigami of Peter by Sadao Watanabe (1970):
Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe. For other images of Sadao Watanabe art works in TIPs, see here.
The term that is transliterated as “John (the disciple)” in English is translated in American Sign Language with the sign for the letter J and the sign signifying “beloved,” referring to John 13:23 et al. (Source: Ruth Anna Spooner, Ron Lawer)
“John” in American Sign Language, source: Deaf Harbor
In Spanish Sign Language it is translated with with the sign for “young.” This refers to the traditional belief that he was the youngest of the apostles and the fact that he was younger than his brother James (see relative age of James and John. (Source: Steve Parkhurst)
“beg” or “ask,” (full expression: “ask with one’s heart coming out,” which leaves out selfish praying, for asking with the heart out leaves no place for self to hide) (Tzotzil)
“raise up one’s words to God” (implying an element of worship, as well as communication) (Miskito, Lacandon) (source of this and all above: Bratcher / Nida)
“speak to God” (Shilluk) (source: Nida 1964, p. 237)
“talk together with Great Above One (=God)” (Mairasi) (source: Enggavoter, 2004)
“beg” (waan) (Ik). Terrill Schrock (in Wycliffe Bible Translators 2016, p. 93) explains (click or tap here to read more):
What do begging and praying have to do with each other? Do you beg when you pray? Do I?
“The Ik word for ‘visitor’ is waanam, which means ‘begging person.’ Do you beg when you go visiting? The Ik do. Maybe you don’t beg, but maybe when you visit someone, you are looking for something. Maybe it’s just a listening ear.
When the Ik hear that [my wife] Amber and I are planning trip to this or that place for a certain amount of time, the letters and lists start coming. As the days dwindle before our departure, the little stack of guests grows. ‘Please, sir, remember me for the allowing: shoes, jacket (rainproof), watch, box, trousers, pens, and money for the children. Thank you, sir, for your assistance.’
“A few people come by just to greet us or spend bit of time with us. Another precious few will occasionally confide in us about their problems without asking for anything more than a listening ear. I love that.
“The other day I was in our spare bedroom praying my list of requests to God — a nice list covering most areas of my life, certainly all the points of anxiety. Then it hit me: Does God want my list, or does he want my relationship?
“I decided to try something. Instead of reading off my list of requests to God, I just talk to him about my issues without any expectation of how he should respond. I make it more about our relationship than my list, because if our personhood is like God’s personhood, then maybe God prefers our confidence and time to our lists, letters, and enumerations.”
In Luang it is translated with different shades of meaning (click or tap here to read more):
For Acts 1:14, 20:36, 21:5: kola ttieru-yawur nehla — “hold the waist and hug the neck.” (“This is the more general term for prayer and often refers to worship in prayer as opposed to petition. The Luang people spend the majority of their prayers worshiping rather than petitioning, which explains why this term often is used generically for prayer.”)
For Acts 28:9: sumbiani — “pray.” (“This term is also used generically for ‘prayer’. When praying is referred to several times in close proximity, it serves as a variation for kola ttieru-yawur nehla, in keeping with Luang discourse style. It is also used when a prayer is made up of many requests.”)
For Acts 8:15, 12:5: polu-waka — “call-ask.” (“This is a term for petition that is used especially when the need is very intense.”)
Source: Kathy Taber in Notes on Translation 1/1999, p. 9-16.
Following is a 1973 painting of the JESUS MAFA project, a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:
In this theatrical representation of Jesus’ transfiguration, Jesus is robed in a dazzling white garment, as the story in the gospels describes. He appears to be greeting Moses and Elijah like old friends as they are surrounded by a cloud that makes the whole scene feel ethereal. Peter, James, and John look on with flabbergasted and fearful expressions, bewildered at what they should do. This painting invites the viewer to imagine what it would be like to have seen such amazing things. Undoubtedly, it would inspire one to follow and obey Jesus, just as God commands in the story: “This is my son, the beloved. Listen to him!”
From Art in the Christian Tradition, a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.
Following are a number of back-translations of Luke 9:28:
Noongar: “A week after Jesus had spoken these things, Jesus took Peter, John and James with him and went up a mountain to speak with God.” (Source: Warda-Kwabba Luke-Ang)
Uma: “About a week after that his speaking, Yesus invited Petrus, Yohanes, and Yakobus to climb/ascend going to the top of a mountain, to go to pray.” (Source: Uma Back Translation)
Yakan: “When eight days had gone by after Isa had said this, he took Petros and Yahiya and Yakub with him onto a mountain to pray there to God.” (Source: Yakan Back Translation)
Western Bukidnon Manobo: “About a week later Jesus had said these things, he took Peter, James and John and they went up a mountain to pray to God.” (Source: Western Bukidnon Manobo Back Translation)
Kankanaey: “A week went-by after Jesus’ saying that, then he called Pedro and Juan and Santiago and they climbed a mountain to go pray.” (Source: Kankanaey Back Translation)
Tagbanwa: “Maybe some eight days passed from Jesus having said those things, then Jesus went up a mountain to pray there. He took Pedro, Juan and Santiago with him.” (Source: Tagbanwa Back Translation)
Click or tap here to see the rest of this insight.
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme rare (られ) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, nobo-rare-ru (登られる) or “climb” is used.
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