Pantokrator

The Ancient Greek Septuagint translation of the Hebrew Bible used the word pantokrator (παντοκράτωρ) or “Ruler of All” as a translation of the second part of the Hebrew term YHWH Tz’vaót (יְהוָ֨ה צְבָא֜וֹת) or “Lord of hosts” (see here) and occasionally ʼĒl Šadạy (אֵל שַׁדַּי‎), translated in English commonly as “God Almighty.” In the deuterocanonical/apocryphal books, pantokrator might have also been used in the original writing. The New Testament uses it one time in the writings of Paul (2 Cor. 6:18) and several times in the book of Revelation (see esp. Rev. 1:8).

One of the most influential icon styles of the Orthodox church has developed from this concept: Christ Pantocrator. In this icon style, Christ is looking straight at the viewer, his right hand is typically spelling a short form of “Jesus Christ” (see the bottom of the entry on Jesus and icons for an explanation), and his left hand holds a New Testament. His head is often surrounded by a halo.

The earliest preserved icon is found in the Greek Orthodox Saint Catherine’s Monastery on Mount Sinai from the 6th century:

In order to express the two natures of Christ, the two sides of the face are not symmetrical. The right side might represent the qualities of his divinity, while his left side represents human nature. (Source )

Orthodox icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )

“Almighty” is translated in Newari as “the strongest of all” (source: Newari Back Translation) and in the English Job translation by E.L. Greenstein (2019) as name: “Shaddai.”

See also LORD of hosts.

Honorary "rare" construct denoting God ("come")

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Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme rare (られ) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, ko-rare-ru (来られる) or “come” is used.

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

LORD God / Lord God

The Hebrew, Latin and Greek that is translated in English as “Lord God” or “Lord God” encountered an issue in Tok Pisin. Norm Mundhenk explains why (in The Bible Translator 1985, p. 442ff. ):

“I am not aware of any serious objections to either the word God [for “God”] or Bikpela [for YHWH] alone. However, when trying to translate the expression ‘the Lord God,’ the translators first tried to use Bikpela God. But Bikpela is also an adjective meaning ‘big’ and in the expression Bikpela God, it would usually be understood as “Big God,’ as though there were other smaller gods around also.

“In the Old Testament, as the recent articles have clearly pointed out, the English word ‘Lord‘ often stands for the Hebrew name of God, YHWH, which is usually spelled these days as Yahweh. With this in mind, the name Yawe was tried in Tok Pisin, but it was felt that most readers did not connect this strange name with God. Eventually, we decided to keep Bikpela, but to translate ‘Lord God’ as God, Bikpela, literally ‘God, the Lord.’

“The reason for this decision was really only that the words could be used naturally in this order, without the problem of giving a wrong meaning which we had when putting Bikpela first. It was not until some people asked if it was right to ‘turn around’ the name and the title in this way that we realized that there was really a deeper reason for doing what we did. In fact, for most speakers of Tok Pisin, God is the only God they know, and it seems likely that God is understood as the personal name of God, rather than as a class name. Bikpela, on the other hand, is a class name — there can be more than one Bikpela, though it is recognized that God is the greatest of them and there is no confusion when he is referred to simply as Bikpela. Thus, in Hebrew an expression like ‘YHWH, the God of Israel,’ has the personal name first, followed by the class name explaining who he is. And we have exactly the same situation in Tok Pisin when we say God, Bikpela bilong Isrel. I suspect that in many other languages which have borrowed the word ‘God,’ we might find that it has been borrowed basically as a personal name, rather than as a class name.”

Alpha and Omega

The Greek that is translated as “the Alpha and the Omega” in English, referring to the first and the last letter of the Greek alphabet is translated in German as “das A und O.” Even though the German alphabet does not end with the letter O, “das A und O” has become an idiom, that — like the Greek — refers to the end and the beginning or the whole.

Languages that versions of “the Alpha and the Omega” have become an idiom with the same meaning include:

complete verse (Revelation 1:8)

Following are a number of back-translations of Revelation 1:8:

  • Uma: “The Lord God says, ‘I am the beginning and the end. I already was from the first, I am now, I will keep on being forever. My power surpasses everything.'” (Source: Uma Back Translation)
  • Yakan: “God said, the Most-Powerful Lord, ‘I am the beginning and the end of all things,’ says God, the one who does not change since the beginning of time until now and forever.” (Source: Yakan Back Translation)
  • Western Bukidnon Manobo: “Our Lord God who is powerful, who existed before anything was created, He is still in existence today, and He will be in existence even in the future forever. He said, ‘I am the Alpha and Omega, which is to say, the origin and the ending of everything.'” (Source: Western Bukidnon Manobo Back Translation)
  • Kankanaey: “The Lord God who is all powerful who exists now, existed previously and will-exist forever, he said, ‘I am the one who is designated Alfa and Omega, meaning to say, I am the beginning-point and ending-point of everything.'” (Source: Kankanaey Back Translation)
  • Tagbanwa: “God says, ‘I am the one who is first before all and also I am the one who is at the very end. There has indeed been me from long ago, and until forever there will still be me. There really is no-one who can equal my supernatural-power.'” (Source: Tagbanwa Back Translation)
  • Tenango Otomi: “Our Lord God who has all power has this word which he speaks to us: ‘It is I who was living when all things began to exist, and I continue to live now and I will be living at the end. Like the letter A begins and until the end is Z, so am I.’ he says. Because God lives now, and was living the past days and he will live through all the days to come.” (Source: Tenango Otomi Back Translation)

1st person pronoun referring to God (Japanese)

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Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way Japanese shows different degree of politeness is through the choice of a first person singular and plural pronoun (“I” and “we” and its various forms) as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. The most commonly used watashi/watakushi (私) is typically used when the speaker is humble and asking for help. In these verses, where God / Jesus is referring to himself, watashi is also used but instead of the kanji writing system (私) the syllabary hiragana (わたし) is used to distinguish God from others.

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

See also pronoun for “God”.

Honorary "rare" construct denoting God ("is/be present")

Click or tap here to see the rest of this insight.

Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme rare (られ) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, o-rare-ru (おられる) or “is/be present” is used.

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

Honorary "are" construct denoting God ("say")

Click or tap here to see the rest of this insight.

Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme are (され) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, iw-are-ru (言われる) or “say” is used.

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )