The Hebrew and Greek that is translated into English as “the wrath of God” or “God’s anger” has to be referred to in Bengali as judgment, punishment or whatever fits the context. In Bengali culture, anger is by definition bad and can never be predicated of God. (Source: David Clark)
Translations in other languages:
Quetzaltepec Mixe: “translated with a term that not only expresses anger, but also punishment” (source: Robert Bascom)
Western Bukidnon Manobo: “the coming punishment of God on mankind” (source: Western Bukidnon Manobo Back Translation)
Kankanaey: “God’s fearful/terrible future punishing of people” (source: Kankanaey Back Translation)
Tagbanwa: “the coming anger/hatred of God” (source: Tagbanwa Back Translation)
Tenango Otomi: “the punishment which will come” (source: Tenango Otomi Back Translation)
Bariai: “God’s action of anger comes forth in the open” (source: Bariai Back Translation)
Mairasi: “His anger keeps increasing (until it will definitely arrive)” (source: Enggavoter 2004)
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between. One way to do this is through the usage (or a lack) of an honorific prefix as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. When the referent is God, the “divine” honorific prefix mi- (御) is used as in mi-ikari (御怒り) or “wrath (of God)” in the referenced verses. (Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )
The Hebrew, Latin and Greek that is translated as “anger” or similar in English in this verse is translated with a variety of solutions (Bratcher / Nida says: “Since anger has so many manifestations and seems to affect so many aspects of personality, it is not strange that expressions used to describe this emotional response are so varied”).
Chichewa: “have a burning heart” (source: Mawu a Mulungu mu Chichewa Chalero Back Translation) (see also anger burned in him)
Citak: two different terms, one meaning “angry” and one meaning “offended,” both are actually descriptions of facial expressions. The former can be represented by an angry stretching of the eyes or by an angry frown. The latter is similarly expressed by an offended type of frown with one’s head lowered. (Source: Graham Ogden)
In Akan, a number of metaphors are used, most importantly abufuo, lit. “weedy chest” (the chest is seen as a container that contains the heart but can also metaphorically be filled with other fluids etc.), but also abufuhyeε lit. “hot/burning weedy chest” and anibereε, lit. “reddened eyes.” (Source: Gladys Nyarko Ansah in Kövecses / Benczes / Szelid 2024, p. 21ff.)
Following are a number of back-translations as well as a sample translation for translators of Psalm 7:6:
Chichewa Contempary Chichewa translation, 2002/2016:
“Arise You Jehovah, in your anger;
arise opposing the anger of my enemies.
Awake my God, command your righteousness.” (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Newari:
“O LORD, Rise up and show Your anger.
Rise up against the anger of my enemies.
O God, Wake up from sleep, and do justice.” (Source: Newari Back Translation)
Hiligaynon:
“Go-on now, LORD my God,
show your (sing.) anger to my enemies who (are) really enraged/furious at me,
for justice is what you (sing.) look-for/search-for.” (Source: Hiligaynon Back Translation)
Eastern Bru:
“Oh my Lord, request that you stand up with a hot gall bladder toward my enemies. They are very fierce people. Request you wake up and help me, because you want that people do only straight good only.” (Source: Bru Back Translation)
Laarim:
“LORD you get up from your anger.
You get up against anger of my enemies.
My God, get up and judge the right matter.” (Source: Laarim Back Translation)
Nyakyusa-Ngonde (back-translation into Swahili):
“Ee BWANA, amka, uonyeshe kuwa umechukia,
upigane na hasira ya maadui zangu.
Ee Mungu, amka, uhukumu kwa unyofu.” (Source: Nyakyusa Back Translation)
English:
“But Yahweh, because you are very angry with those who pursue me,
arise and attack/defeat my enemies who are furiously/angrily attacking me
Do to them what is just!” (Source: Translation for Translators)
In Garifuna the second person singular pronoun (“you” in English) has two forms. One is used in women’s speech and one in men’s speech. In the Garifuna Bible the form used in men’s speech is typically used, except when it’s clear that a woman is quoted or in Psalms where the women on the translation team insisted that the form used in women’s speech (buguya) would be used throughout the whole book.
Ronald Ross (in Omanson 2001, p. 375f.) tells the story: “Throughout most of the translation, [the distinctions between the different forms of the pronouns] presented no problem. Whenever the speaker in the text was perceived as a man, the male speech forms were used; and when a woman was speaking, the female speech forms were used. True, the women members of the translation team did object on occasion to the use of the male forms when the author (and narrator) of a book was unknown and the men translators had used the male speech forms as the default. Serious discord arose, however, during the translation of the Psalms because of their highly devotional nature and because throughout the book the psalmist is addressing God. The male translators had, predictably, used the male form to address God, and the male form to refer to the psalmist, even though women speakers of Garifuna never use those forms to address anyone. The women contended that they could not as women read the Psalms meaningfully if God and the psalmist were always addressed as if the readers were men. The men, of course, turned the argument around, claiming that neither could they read the Psalms comfortably if the reader was assumed to be a woman.
“Initially there seemed to be no way out of this impasse. However a solution was found in the ongoing evolution of the language. There is a strong propensity for male speech and female speech to merge in favor of the latter, so the few remaining male forms are gradually dying out. Moreover, male children learn female speech from their mothers and only shift to the male speech forms when they reach adolescence to avoid sounding effeminate. However they use the female form buguya when addressing their parents throughout life. So the women wielded two arguments: First, the general development of the language favored the increasing use of the female forms. Secondly, the female forms are less strange to the men than the male forms are to the women, because the men habitually use them during early childhood and continue to use them to address their parents even in adulthood. Therefore, the female pronominal forms prevailed and were adopted throughout the book of Psalms, though the male forms remained the default forms in the rest of the translation.”
The Greek, Hebrew, Aramaic, Ge’ez, and Latin that is translated as “enemy” or “foe” in English is translated in the HausaCommon Language Bible as “friends of front,” i.e., the person standing opposite you in a battle. (Source: Andy Warren-Rothlin)
In North Alaskan Inupiatun it is translated with a term that implies that it’s not just someone who hates you, but one who wants to do you harm (Source: Robert Bascom), in Tarok as ukpa ìkum or “companion in war/fighting,” and in Ikwere as nye irno m or “person who hates me” (source for this and one above: Chuck and Karen Tessaro in this newsletter ).
Click or tap here to see the rest of this insight.
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way to do this is through the usage (or a lack) of an honorific prefix as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. When the referent is God or a person or persons to be honored, the honorific prefix go- (御 or ご) can be used, as in go-jishin (ご自身), a combination of “onseself” (jishin) and the honorific prefix go-. This can also be used for other reflexive pronouns (myself, himself, yourself etc.)
Click or tap here to see the rest of this insight.
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between. One way Japanese shows different degree of politeness is through the choice of a benefactive construction as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017.
Here, samashite (覚まして) or “wake” is used in combination with kudasaru (くださる), a respectful form of the benefactive kureru (くれる). A benefactive reflects the good will of the giver or the gratitude of a recipient of the favor. To convey this connotation, English translation needs to employ a phrase such as “for me (my sake)” or “for you (your sake).” (Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )
Click or tap here to see the rest of this insight.
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme rare (られ) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, sadame-rare-ru (定められる) or “appoint/ordain” is used.
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