The Visit of the Shepherds

Painting by Chen Yuandu 陳緣督 (1902-1967)

Housed in the Société des Auxiliaires des Missions Collection – Whitworth University

 
Image taken from Chinese Christian Posters . For more information on the “Ars Sacra Pekinensis” school of art, see this article , for other artworks of that school in TIPs, see here.

Following is an artwork by Sister Marie Claire , SMMI (1937–2018) from Bengaluru, India:

For more information about images by Sister Marie Claire and ways to purchase them as lithographs, see here . For other images of Sister Marie Claire paintings in TIPs, see here.

His birth brought joy to people of low status (image)

“The low social status of these men is indicated by the fact that they are wearing only one piece of cloth, all that they own. They are men of different ages working out in the fields raising animals. No one usually visits them.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

Good news to the shepherds (image)

Hand colored stencil print on washi by Sadao Watanabe (1979)

Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe. For other images of Sadao Watanabe artworks in TIPs, see here.

 

Following is a painting by Chen Yuandu 陳緣督 (1902-1967):

Housed in the Société des Auxiliaires des Missions Collection – Whitworth University.

Image taken from Chinese Christian Posters . For more information on the “Ars Sacra Pekinensis” school of art, see this article , for other artworks of that school in TIPs, see here.

 

Batik dye artwork by Hanna-Cheriyan Varghese, used with permission by the Overseas Ministries Study Center (OMSC) at Princeton Theological Seminary. You can purchase this and many other artworks by artists in residence at the OSMC in high resolution and without a watermark via the OSMC website .

“Hanna-Cheriyan Varghese (1938 – 2009) of Selangor, Malaysia, was the artist in residence at OMSC for the 2006–2007 academic year. She was born to Christian parents, and she remembered her mother taking her to a different worship service every week: ‘My parents encouraged me to attend different churches so that my siblings and I would appreciate the liturgy and traditions of the Christian believers of different denominations. Christians are a minority in Malaysia so we continue to struggle for our identity in a Muslim society. There is no open conflict as such.’

“She always had a passion for painting and drawing. She worked in the mediums of acrylic paint and Batik dye, the latter medium being an ancient decorative craft that has come into use as a high art medium in the last 50 or 60 years. A Batik image is created as a pattern or picture dyed in fabric. Certain parts of the fabric are covered with a wax, which acts as a “resist” to the colorful dyes. Hanna Varghese mastered the medium, and the sacred art images she created with it are original, bold and graphic.

“‘All creative work, be it the spoken word, the written word or the sung word, are essentials in praise and worship, meditation, education, inculturation and evangelism. This also includes art and pictures, which is universal seeing.’ Hanna Varghese.” (Source )

angel

The Greek, Hebrew, Ge’ez, and Aramaic that is translated as “angel” in English versions is translated in many ways:

  • Pintupi-Luritja: ngaṉka ngurrara: “one who belongs in the sky” (source: Ken Hansen quoted in Steven 1984a, p. 116.)
  • Tetela, Kpelle, Balinese, and Mandarin Chinese: “heavenly messenger”
  • Shilluk / Igede: “spirit messenger”
  • Mashco Piro: “messenger of God”
  • Batak Toba: “envoy, messenger”
  • Navajo (Dinė): “holy servant” (source for this and above: Bratcher / Nida 1961; Igede: Andy Warren-Rothlin)
  • Central Mazahua: “God’s worker” (source: Ronald D. Olson in Notes on Translation January, 1968, p. 15ff.)
  • Saramaccan: basia u Masa Gaangadu köndë or “messenger from God’s country” (source: Jabini 2015, p. 86)
  • Mairasi: atatnyev nyaa or “sent-one” (source: Enggavoter 2004)
  • Shipibo-Conibo: “word bringer” (source: James Lauriault in The Bible Translator 1951, p. 32ff. )
  • Apali: “God’s one with talk from the head” (“basically God’s messenger since head refers to any leader’s talk”) (source: Martha Wade)
  • Michoacán Nahuatl: “clean helper of God” (source: B. Moore / G. Turner in Notes on Translation 1967, p. 1ff.)
  • Noongar: Hdjin-djin-kwabba or “spirit good” (source: Warda-Kwabba Luke-Ang)
  • Wè Northern (Wɛɛ): Kea ‘a “sooa or “the Lord’s soldier” (also: “God’s soldier” or “his soldier”) (source: Drew Maust)
  • Iwaidja: “a man sent with a message” (Sam Freney explains the genesis of this term [in this article ): “For example, in Darwin last year, as we were working on a new translation of Luke 2:6–12 in Iwaidja, a Northern Territory language, the translators had written ‘angel’ as ‘a man with eagle wings’. Even before getting to the question of whether this was an accurate term (or one that imported some other information in), the word for ‘eagle’ started getting discussed. One of the translators had her teenage granddaughter with her, and this word didn’t mean anything to her at all. She’d never heard of it, as it was an archaic term that younger people didn’t use anymore. They ended up changing the translation of ‘angel’ to something like ‘a man sent with a message’, which is both more accurate and clear.”)

Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between. One way to do this is through the use of an honorific prefix as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. When the referent is God, the “divine” honorific prefix mi- (御 or み) is used as in mi-tsukai (御使い) or “messenger (of God).” (Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

Bender / Belt (2025, p. 2f.) report about the translation of “angel” in Cherokee: “In John, the concept of angel is translated using a descriptive neologism rather than a semantic extension, suggesting the lack of a ready parallel. The plural is dmikahnawadidohi, ‘the law-givers’ or ‘those who go around looking after the medicine.’ Cherokee speakers argue that the Cherokee word for ‘law,’ dikahnawadvsdi, expresses the intent to maintain social, physical, and spiritual health and has at its core the word for ‘medicine,’ mwoli, which encompasses all aspects of social and spiritual well-being, including balance and order (Altman and Belt 2009), much more than the English word. Thus, the Cherokee word for ‘angel’ represents a new perspective on this category of spiritual beings named in the Bible. It does not derive from the concept of messenger present in both its Greek (angelos) and Hebrew (malak) antecedents perhaps because the Cherokee word for ‘messenger,’ atsinvsidasdi, is widely used to translate the foreign lexeme ‘servant.'”

See also angel (Acts 12:15) and this devotion on YouVersion .

formal pronoun: angels addressing people

Like many languages (but unlike Greek or Hebrew or English), Tuvan uses a formal vs. informal 2nd person pronoun (a familiar vs. a respectful “you”). Unlike other languages that have this feature, however, the translators of the Tuvan Bible have attempted to be very consistent in using the different forms of address in every case a 2nd person pronoun has to be used in the translation of the biblical text.

As Voinov shows in Pronominal Theology in Translating the Gospels (in: The Bible Translator 2002, p. 210ff. ), the choice to use either of the pronouns many times involved theological judgment. While the formal pronoun can signal personal distance or a social/power distance between the speaker and addressee, the informal pronoun can indicate familiarity or social/power equality between speaker and addressee.

Here, angels address people with the formal pronoun, expressing respect.

In most Dutch as well as in Western Frisian and Afrikaans translations, the angels are addressing people with the informal pronoun.

See also angel.

joy

The Greek, Latin, Ge’ez, and Hebrew that is translated with “joy” or “gladness” in English is translated with various strategies:

  • Baoulé: “a song in the stomach” (see also peace (inner peace))
  • Bambara: “the spirit is made sweet”
  • Kpelle: “sweet heart”
  • Tzeltal: “the good taste of one’s heart”
  • Uduk: “good to the stomach”
  • Mískito: “the liver is wide open” (“happily letting the pleasures flooding in upon it”) (source for this and above: Nida 1952)
  • Mairasi: “good liver” (source: Enggavoter 2004)
  • Noongar: koort-kwabba-djil or “heart very good” (source: Warda-Kwabba Luke-Ang)
  • Chicahuaxtla Triqui: “refreshed heart” (source: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.).
  • Hausa Common Language Bible: farin ciki or “white stomach.” Other languages that use the same expression include Southern Birifor (pʋpɛl), Dera (popolok awo), Reshe (ɾipo ɾipuhã). (Source: Andy Warren-Rothlin)

See also Seat of the Mind for traditional views of “ways of knowing, thinking, and feeling,” happiness / joy, and exceeding joy.

complete verse (Luke 2:10)

Following are a number of back-translations of Luke 2:10:

  • Noongar: “But the angel said to them, “Don’t be afraid! I come here, bringing good news to you. This news will bring much happiness to all people.” (Source: Warda-Kwabba Luke-Ang)
  • Uma: “That angel said to them: ‘Do not be afraid, because my coming here is to bring good news to you, news that makes all people very glad.” (Source: Uma Back Translation)
  • Yakan: “But the angel said, ‘Don’t be afraid, because I have come to tell you good news which will make all the people glad.” (Source: Yakan Back Translation)
  • Western Bukidnon Manobo: “And that angel of the Lord said, he said ‘Don’t you be afraid because I was sent here so that I might tell you some very good news which will be the reason for rejoicing for all mankind.” (Source: Western Bukidnon Manobo Back Translation)
  • Kankanaey: “Whereupon the angel said to them, ‘Don’t be afraid! Because what I will report to you will be the cause-of-happiness of all people.” (Source: Kankanaey Back Translation)
  • Tagbanwa: “But the angel said to them, ‘Don’t be afraid. There is good news which I bring which I will tell you, which will give big happiness to all people.” (Source: Tagbanwa Back Translation)
  • Laragia: “. . . ‘I’ve got really good news for you, and good news for everyone in the world, too.’” (Maan batjji gurrunggurra ankiyak maan batjji binyolkkirra ankiyak.) (see Eternity News )