Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )
“John the Baptist” in Mexican Sign Language (source: BSLM )
In German Sign Language (Catholic) it is translated with the sign for the letter J and the sign signifying a Catholic baptism by sprinkling on the head.
In American Sign Language it is translated with the sign for the letter J and the sign signifying “shout,” referring to John 1:23. (Source: Ruth Anna Spooner, Ron Lawer)
“John” in American Sign Language, source: Deaf Harbor
In Vietnamese (Hanoi) Sign Language it is translated with the sign for leaping in the womb (see Luke 1:41) and baptism. (Source: The Vietnamese Sign Language translation team, VSLBT)
A question of cultural assumptions arose in Tuvan. The instinctive way to translate this name denotatively would be “John the Dipper,” but this would carry the highly misleading connotation that he drowned people. It was therefore decided that his label should focus on the other major aspect of his work, that is, proclaiming that the Messiah would soon succeed him. (Compare his title in Russian Orthodox translation “Иоанн Предтеча” — “John the Forerunner.”) So he became “John the Announcer,” which fortunately did not seem to give rise to any confusion with radio newsreaders! (Source: David Clark in The Bible Translator 2015, p. 117ff. )
In Noongar it is translated as John-Kakaloorniny or “John Washing” (source: Warda-Kwabba Luke-Ang).
A new oral translation into Yao / Ciyawo, spoken in Mozambique, uses John the one who ceremoniously washes/pours water, using a term (kusingula) that “indicates a ceremonial washing or pouring of water on a person in the Yawo’s expression of Islam which can be used for an act done in repentance of sin.” (Source: Houston 2025, p. 236)
In American Sign Language it is translated with the sign for “government/governor” plus the sign for “P” with a circular movement. The reference to government indicates Pilate’s position of authority in the Roman Empire. (Source: Ruth Anna Spooner, Ron Lawer)
“Pilate” in American Sign Language, source: Deaf Harbor
The Hebrew and Greek pesach/pascha that is typically translated in English as “Passover” (see below) is translated in a variety of descriptive ways of various aspects of the Jewish festival. (Click or tap here to see the rest of this insight):
Umiray Dumaget Agta: “the celebration of the day of their being brought out of bondage”
(source for this and above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
Obolo: ijọk Iraraka — “Festival of Passing” (source: Enene Enene)
Yakan: “The festival of the Isra’il tribe which they call For-Remembering” (source: Yakan Back Translation)
Wolof: “Festival of the day of Salvation” (“the term ‘pass over’ brings up the image of a person’s crossing over a chasm after death”) (source: Marilyn Escher)
Bura-Pabir: vir kucelir fəlɓəla kəi — “time-of happiness-of jumping-over house”
Sabaot: Saakweetaab Keeytaayeet — “Festival of Passing-by” (source: Iver Larsen)
Language spoken in India and Bangladesh: “Festival of avoidance”
Vlax Romani: o ghes o baro le Nakhimasko — “the Day of the Passing”
Saint Lucian Creole: Fèt Délivwans — “Feast of Deliverance” (source: David Frank)
Finnish: pääsiäinen (“The term is very probably coined during the NT translation process around 1520-1530. It is connected to a multivalent verb päästä and as such refers either to the Exodus (päästä meaning “to get away [from Egypt]”) or to the end of the Lent [päästä referring to get relieved from the limitations in diet]. The later explanation being far more probable than the first.”)
Northern Sami: beas’sážat (“Coined following the model in Finnish. The Sami verb is beassat and behaves partly like the Finnish one. Many Christian key terms are either borrowed from Finnish or coined following the Finnish example.”)
Estonian: ülestõusmispüha — “holiday/Sunday of the resurrection” — or lihavõttepüha — “holiday/Sunday of returning of meat”
Karelian: äijüpäivü — “the great day” (“Here one can hear the influence of the Eastern Christianity, but not directly Russian as language, because the Russian term is Пасха/Pasha or Воскресение Христово/Voskresenie Hristovo, ‘[the day of] the resurrection of Christ,’ but the week before Easter is called as the great week.”) (Source for this and three above: Seppo Sipilä)
Russian (for Russian speaking Muslims): праздник Освобождения/prazdnik Osvobozhdeniya — “Festival of-liberation” (source: Andy Warren-Rothlin)
Kono: laaŋumɛ̃ɛ̃ or “skip over the person” (provisional term). Alesha Hagemeyer explains in this blog post that laaŋumɛ̃ɛ̃ is a play on the term laaɲámɛ̃ɛ̃ or “to skip over the water” which is traditionally used for the sacrifice of a sheep or a goat after the death of a family member. That term literally means “to skip over the water” so that “their loved one will pass over the water and enter the presence of God”
English: Passover (term coined by William Tyndale that both replicates the sound of the Hebrew original pesah — פסח as well as part of the meaning: “passing over” the houses of the Israelites in Egypt) — oddly, the English Authorized Version (King James Version) translates the occurrence in Acts 12:4 as Easter
Many Romance languages follow the tradition from Latin that has one term for both “Easter” and “Passover” (pascha). Portuguese uses Páscoa for both, Italian uses Pascha, and French has Pâque for “Passover” and the identically pronounced Pâques for “Easter.”
In languages in francophone and lusophone (Portuguese speaking) Africa, indigenous languages typically use the Romance word for “Easter” as a loanword and often transliterate pesach/pascha. In Kinyarwanda and RundiPasika is used, in Swahili and Congo SwahiliPasaka, and in LingalaPasika. In some cases, the transliteration of “Passover” is derived from the European language, such as Umbundu’sPascoa (from Portuguese) and Bulu’sPak (from French). In languages that use Pak or similar for both “Passover” and “Easter” (such as Adioukrou), the identical spelling “serves to reinforce the idea that this is one celebration, not two distinct ones” (source: Hill 2006).
As John Ellingworth (in The Bible Translator 1980, p 445f. ) points out “in most contexts only the presence or absence of the definite article distinguishes them [in French la pâque for Passover and Pâques for Easter]. Since most African languages do not have definite articles, there remains no way to distinguish between the two terms where the general population has borrowed the word for Easter and the Bible translators have borrowed the word for Passover to use in their translation. Some even consider the references to [Passover] before the death of Christ as prophetic!”
The name that is transliterated as “Elizabeth” or “Elisabeth” in English means “God of the oath,” “God is her oath,” a worshiper of God,” “my God has sworn.” (Source: Cornwall / Smith 1997 )
The name of the father of John the Baptist that is transliterated as “Zechariah” in English is translated in Spanish Sign Language as “beard (the sign for a patriarch)” + “mute.” (Source: John Elwode in The Bible Translator 2008, p. 78ff. )
The following is a stained glass window depicting Mary’s visitation to Elizabeth. It was created by Ateliers Maréchal de Metz between 1848 and 1860 for the Cathédrale Notre-Dame de Luxembourg. Zechariah is shown on the right:
Photo by Marcin Szala, hosted by Wikimedia Commons under a Creative Commons Attribution-Share Alike 3.0 Unported license
Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )
