אֵיכָ֣ה ׀ יָשְׁבָ֣ה בָדָ֗ד הָעִיר֙ רַבָּ֣תִי עָ֔ם הָיְתָ֖ה כְּאַלְמָנָ֑ה רַּבָּ֣תִי בַגּוֹיִ֗ם שָׂרָ֨תִי֙ בַּמְּדִינ֔וֹת הָיְתָ֖ה לָמַֽס׃ ס
Lamentations 1
The Deserted City
1How lonely sits the city
that once was full of people!
How like a widow she has become,
she that was great among the nations!
She that was a princess among the provinces
has become subject to forced labor.
In Gbaya, the notion of the loneliness of Jerusalem in Lamentations 1:1 with ɓoree, an ideophone that means to be tied or held very tightly.
Ideophones are a class of sound symbolic words expressing human sensation that are used as literary devices in many Central African languages. (Source: Philip Noss)
The Hebrew and Greek that is translated as “widow” in English is translated in West Kewa as ona wasa or “woman shadow” (source: Karl J. Franklin in Notes on Translation 70/1978, pp. 13ff.) and in Newari as “husband already died ones” or “ones who have no husband” (source: Newari Back Translation).
The etymological meaning of the Hebrew almanah (אַלְמָנָה) is likely “pain, ache,” the Greek chéra (χήρα) is likely “to leave behind,” “abandon,” and the English widow (as well as related terms in languages such as Dutch, German, Sanskrit, Welsh, or Persian) is “to separate,” “divide” (source: Wiktionary).
See also widows.
In Gbaya, the notion of a crowd, group movement, or a procession is emphasized with the ideophone tululu.
Ideophones are a class of sound symbolic words expressing human sensation that are used as literary devices in many Central African languages. (Source: Philip Noss)
The Hebrew, Aramaic, Greek, and Latin that is often translated as “gentiles” (or “nations”) in English is often translated as a “local equivalent of ‘foreigners,'” such as “the people of other lands” (Guerrero Amuzgo), “people of other towns” (Tzeltal), “people of other languages” (San Miguel El Grande Mixtec), “strange peoples” (Navajo (Dinė)) (this and above, see Bratcher / Nida), “outsiders” (Ekari), “people of foreign lands” (Kannada), “non-Jews” (North Alaskan Inupiatun), “people being-in-darkness” (a figurative expression for people lacking cultural or religious insight) (Toraja-Sa’dan) (source for this and three above Reiling / Swellengrebel), “from different places all people” (Martu Wangka) (source: Carl Gross).
Tzeltal translates it as “people in all different towns,” Chicahuaxtla Triqui as “the people who live all over the world,” Highland Totonac as “all the outsider people,” Sayula Popoluca as “(people) in every land” (source: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.), Chichimeca-Jonaz as “foreign people who are not Jews,” Sierra de Juárez Zapotec as “people of other nations” (source of this and one above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.), Highland Totonac as “outsider people” (source: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.), Uma as “people who are not the descendants of Israel” (source: Uma Back Translation), “other ethnic groups” (source: Newari Back Translation), and Yakan as “the other tribes” (source: Yakan Back Translation).
In Chichewa, it is translated with mitundu or “races.” (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
See also nations.
The Hebrew text of Lamentations 1-4 uses acrostics, a literary form in which each verse is started with one of the successive 22 letters of the Hebrew alphabet. According to Brenda Boerger (in Open Theology 2016, p. 179ff. ) there are three different reasons for acrostics in the Hebrew text: “for ease of memorization,” the representation “of the full breadth and depth of a topic, all the way from aleph to taw (tav),” and the perception of “the acrostic form as aesthetically attractive.” (p. 191)
While most translations mention the existence of an acrostic in a note or a comment, few implement it in their translation. One such exception is the Danish Bibelen på Hverdagsdansk (publ. 1985, rev. 2015 et al.).
1 Ak ja, den travle by er nu folketom.
Den storslåede by sidder tilbage som en fattig enke.
Dronningen blandt byer blev degraderet til tjenestepige.
2 Byen jamrer og græder natten lang.
Ingen kommer for at trøste hende i sorgen.
Alle de gamle venner har svigtet hende.
3 Det judæiske folk blev mishandlet og ført bort som slaver.
De vansmægter nu i det fremmede uden at finde hvile.
De kunne ikke undslippe, da fjenden oversvømmede byen.
4 Efter at templet blev ødelagt, er det forbi med højtid og fest.
Vejene op til Jerusalem er øde, og byens gader tomme.
Præsterne sørger, pigerne græder, hele byen er fortvivlet.
5 Fjenderne gik af med sejren og plyndrede byen.
Det var Herrens straf for al folkets ulydighed.
Alle byens indbyggere blev ført bort som slaver.
6 Glansen er fuldstændig gået af den før så herlige by.
Byens ledere var udhungrede som hjorte, der forgæves leder efter føde.
De var for udmattede til at undslippe deres forfølgere.
7 Hjemløs og fattig sidder Jerusalem og mindes de skatte, hun har mistet.
Ingen af hendes venner kom hende til hjælp mod fjendens angreb.
Hun blev hånet og spottet af den overlegne fjende.
8 Ingen vil længere se op til Jerusalem, som de gjorde engang.
Hun blev ydmyget og plyndret på grund af sine mange synder.
Nu sidder hun og jamrer, afklædt og skamfuld.
9 Jerusalem var utro mod Herren uden at tænke på følgerne.
Hun fik en frygtelig straf, og der er ingen, der trøster hende.
„Se min elendighed!” råber hun til Herren. „Min fjende foragter mig!”
10 Katastrofen er ikke til at bære, for alt er tabt.
Ikke alene blev alle byens værdier plyndret,
men fremmede folkeslag brød ind i templet og vanhelligede det.
11 Lidelsen ramte alle, som boede i byen.
Hungersnøden tvang dem til at sælge deres sidste ejendele for lidt mad.
Byen råber i sin nød: „Ak, Herre, se dog, hvor foragtet jeg er!
12 Mon der findes en større smerte end min?
Hvad mener I, der står og ser på min ulykke?
Det er jo Herren selv, der har sendt sin straf.
13 Nettet blev kastet ud over mig, og han fangede mig i fælden.
Dommen kom ned fra himlen som en fortærende ild.
Ensom og forladt sidder jeg her i min stadige pine.
14 Om halsen på mig ligger en byrde, som tynger mig til jorden.
Alle mine synder har han lagt som et åg på mine skuldre.
Jeg kunne intet gøre mod de mægtige fjender, han sendte.
15 På slagmarken ligger mine døde, tapre krigere.
Han sendte en mægtig hær mod mine unge soldater.
Han trampede på os, som man tramper druer i vinpersen.
16 Resultatet er en stadig strøm af tårer.
Der er ingen til at trøste og hjælpe mig.
Alt er håbløst, for fjenden har besejret os totalt.”
17 Selv om byen beder om nåde, er der ingen trøst at hente.
Det var Herren, der befalede nabofolkene at gå imod Israel.
De ser nu på Jerusalem som det værste skidt.
18 „Trods mine lidelser,” siger Jerusalem, „ved jeg, at Herrens dom var retfærdig,
for vi gjorde oprør imod alle hans befalinger.
Forstå min smerte, alle I folkeslag: Mine indbyggere er ført bort som slaver.
19 Uanset mit råb om hjælp blev jeg svigtet af mine nærmeste venner.
Mine præster og ledere bukkede under for hungersnøden,
forgæves søgte de efter mad nok til at overleve.
20 Vær mig nådig, Herre, for jeg erkender min synd.
De, der vovede sig ud på gaden, blev dræbt af sværdet,
men de, der blev inde i husene, bukkede under for sulten.
21 Ynkelige suk er alt, hvad jeg kan ytre, og der kommer ingen for at trøste mig.
Mine fjender fryder sig over den dom, du har afsagt over mig.
Gid du snart vil fælde dom over dem, ligesom du dømte mig.
22 Åh, Herre, glem ikke al deres ondskab!
Straf dem, som du har straffet mig!
Mit hjerte er fuldt af sorg, og jeg sukker konstant.”
Copyright © 1985, 1992, 2005, 2013, 2015 by Biblica, Inc.®
The English Bible translation by Ronald Knox (publ. 1950) maintains most Hebrew acrostics (even though Knox’s translation itself is based on the Latin text of the Vulgate rather than the Hebrew):
1 Alone she dwells, the city erewhile so populous; a widow now, once a queen among the nations; tributary now, that once had provinces at her command.
2 Be sure she weeps; there in the darkness her cheeks are wet with tears; of all that courted her, none left to console her, all those lovers grown weary of her, and turned into enemies.
3 Cruel the suffering and the bondage of Juda’s exile; that she must needs dwell among the heathen! Nor respite can she find; close at her heels the pursuit, and peril on either hand.
4 Desolate, the streets of Sion; no flocking, now, to the assembly; the gateways lie deserted. Sighs priest, and the maidens go in mourning, so bitter the grief that hangs over all.
5 Exultant, now, her invaders; with her enemies nothing goes amiss. For her many sins, the Lord has brought doom on her, and all her children have gone into exile, driven before the oppressor.
6 Fled is her beauty, the Sion that was once so fair; her chieftains have yielded their ground before the pursuer, strengthless as rams that can find no pasture.
7 Grievous the memories she holds, of the hour when all her ancient glories passed from her, when her people fell defenceless before the invader, unresisting before an enemy that derided them.
8 Heinously Jerusalem sinned; what wonder if she became an outlaw? How they fell to despising her when they saw her shame, that once flattered her! Deeply she sighed, and turned away her head.
9 Ill might skirts of her robe the defilement conceal; alas, so reckless of her doom, alas, fallen so low, with none to comfort her! Mark it well, Lord; see how humbled I, how exultant my adversary!
10 Jealous hands were laid on all she treasured; so it was that she must see Gentiles profane her sanctuary, Gentiles, by thy ordinance from the assembly debarred.
11 Kindred was none but went sighing for lack of bread, offered its precious heirlooms for food to revive men’s hearts. Mark it well, Lord, and see my pride abased!
12 Look well, you that pass by, and say if there was ever grief like this grief of mine; never a grape on the vineyard left to glean, when the Lord’s threat of vengeance is fulfilled.
13 Must fire from heaven waste my whole being, ere I can learn my lesson? Must he catch me in a net, to drag me back from my course? Desolate he leaves me, to pine away all the day long with grief.
14 No respite it gives me, the yoke of guilt I bear, by his hand fastened down upon my neck; see, I faint under it! The Lord has given me up a prisoner to duress there is no escaping.
15 Of all I had, the Lord has taken away the noblest; lost to me, all the flower of my chivalry, under his strict audit; Sion, poor maid, here was a wine-press well trodden down!
16 Pray you, should I not weep? Fountains these eyes are, that needs must flow; comforter is none at hand, that should revive my spirits. Lost to me, all those sons of mine, outmatched by their enemy.
17 Quest for consolation is vain, let her plead where she will; neighbours of Jacob, so the Lord decrees, are Jacob’s enemies, and all around they shrink from her, as from a thing unclean.
18 Right the Lord has in his quarrel; I have set his commands at defiance. O world, take warning; see what pangs I suffer, all my folk gone into exile, both man and maid.
19 So false the friends that were once my suitors! And now the city lacks priests and elders both, that went begging their bread, to revive the heart in them.
20 Take note, Lord, of my anguish, how my bosom burns, and my heart melts within me, in bitter ruth. And all the while, sword threatens without, and death not less cruel within.
21 Uncomforted my sorrow, but not unheard; my enemies hear it, and rejoice that my miseries are of thy contriving. Ah, but when thy promise comes true, they shall feel my pangs!
22 Vintager who didst leave my boughs so bare, for my much offending, mark well their cruelty, and strip these too in their turn; here be sighs a many, and a sad heart to claim it. (Source )
Spanish has a different tradition of acrostics. It uses non-alphabetic acrostics where the first letters of each line (or verse) together form a word or phrase. In the Traducción en lenguaje actual (publ. 2002, 2004), the translators used the first letters of this chapter of Lamentation to spell out “POBRECITA DE TI, JERUSALEN” (“Poor you, little Jerusalem”) which also is the first line of this chapter of Lamentations (for more on the translation process of this, see Alfredo Tepox in The Bible Translator 2004, p. 233ff. ).
1 ¡Pobrecita de ti, Jerusalén!
Antes eras la más famosa
de todas las ciudades.
¡Antes estabas llena de gente,
pero te has quedado muy sola,
te has quedado viuda!
¡Fuiste la reina de las naciones,
pero hoy eres esclava de ellas!
2 Olvidada y bañada en lágrimas
pasas todas las noches.
Muchos decían que te amaban,
pero hoy nadie te consuela.
Los que se decían tus amigos
hoy son tus enemigos.
3 Bajo el peso de las cadenas,
la gente de Judá salió prisionera.
Sus enemigos los atraparon
y los maltrataron con crueldad.
Ahora son esclavos en países lejanos,
y no han dejado de sufrir.
4 Ruido ya no se escucha
en tus portones, Jerusalén.
¡Qué triste es ver
tus calles desiertas!
Los sacerdotes lloran
y las jóvenes se afligen.
Todo en ti es amargura;
ya nadie viene a tus fiestas.
5 Es tanto tu pecado,
que Dios te castigó.
El enemigo se llevó prisioneros
a todos tus habitantes.
Ahora el enemigo te domina
y vive feliz y contento.
6 ¡Cómo has perdido, Jerusalén,
la belleza que tuviste!
Tus jefes, ya sin fuerzas,
huyen de quienes los persiguen.
¡Hasta parecen venados hambrientos
en busca de pastos frescos!
7 Insistes en recordar
que alguna vez fuiste rica.
Ahora vives en la tristeza
y no tienes a dónde ir.
Cuando el enemigo te conquistó,
no hubo nadie que te ayudara.
Cuando el enemigo te vio vencida,
se burló de verte en desgracia.
8 Tanto has pecado, Jerusalén,
que todos te desprecian.
Los que antes te admiraban
hoy se burlan al verte en desgracia.
¡Ahora derramas lágrimas,
y avergonzada escondes la cara!
9 ¡Asombrosa ha sido tu caída!
¡No hay nadie que te consuele!
Jamás pensaste en llegar a ser
tan despreciada,
y ahora exclamas:
«Mis enemigos me vencieron.
¡Mira, Dios mío, mi aflicción!»
10 Dueño de todas tus riquezas
es ahora tu enemigo.
Tú misma viste entrar en el templo
gente de otros pueblos,
aunque Dios había ordenado
que no debían entrar allí.
11 El pueblo entero llora
y anda en busca de pan.
Con tal de seguir con vida,
cambian sus riquezas por comida.
Llorando le dicen a Dios:
«¡Mira cómo nos humillan!»
12 Todos ustedes, que pasan y me ven,
¿por qué gozan al verme sufrir?
¿Dónde han visto a alguien
que sufra tanto como yo?
Cuando Dios se enojó conmigo,
me mandó este sufrimiento.
13 Intensa lluvia de fuego
ha enviado Dios sobre mí.
Mis huesos se han quemado,
y siento que me muero.
Dios me cerró el paso,
y me hizo retroceder.
Me dejó en el abandono;
mi sufrimiento no tiene fin.
14 Juntó Dios todos mis pecados
y me los ató al cuello.
Ya no me quedan fuerzas;
ya no los soporto más.
Dios me entregó al enemigo,
y no puedo defenderme.
15 En mis calles hay muchos muertos.
¡Dios rechazó a mis valientes!
Juntó un ejército para atacarme,
y acabó con todos mis jóvenes.
Dios me aplastó por completo;
¡me exprimió como a las uvas!
16 Ruedan por mis mejillas
lágrimas que no puedo contener.
Cerca de mí no hay nadie
que me consuele y me reanime.
Mi gente no puede creer
que el enemigo nos haya vencido.
El profeta
17 Un montón de escombros
es ahora Jerusalén.
Suplicante pide ayuda,
pero nadie la consuela.
Dios mismo ordenó
que sus vecinos la atacaran.
Jerusalén
18 Siempre Dios hace lo justo,
pero yo soy muy rebelde.
¡Escuchen, naciones todas!
¡Miren cómo sufro!
¡El enemigo se llevó prisioneros
a todos mis habitantes!
19 Ayuda pedí a mis amigos,
pero me dieron la espalda.
Los jefes y sacerdotes
acabaron perdiendo la vida.
Andaban buscando comida,
y no pudieron sobrevivir.
20 ¡La muerte me quitó a mis hijos
dentro y fuera de la ciudad!
¡Mira mi angustia, Dios mío!
¡Siento que me muero!
¡Tan rebelde he sido contigo
que estoy totalmente confundida!
21 El enemigo no esconde su alegría
porque tú, Dios mío, me haces sufrir.
Todo el mundo escucha mi llanto,
pero nadie me consuela.
¡Ya es tiempo de que los castigues
como me castigaste a mí!
22 No hay un solo pecado
que ellos no hayan cometido;
¡castiga entonces su rebeldía,
como me castigaste a mí!
¡Ya es mucho lo que he llorado,
y siento que me muero!
Traducción en lenguaje actual ® © Sociedades Bíblicas Unidas, 2002, 2004.
Following are a number of back-translations as well as a sample translation for translators of Lamentations 1:1:
Quoted with permission from Reyburn, William D. A Handbook on Lamentations. (UBS Helps for Translators). New York: UBS, 1992. For this and other handbooks for translators see here .
All verses in chapter 1 have three units of parallelism (except 1.7, which has four). The first half-line of each unit is identified in both Revised Standard Version and Good News Translation by its initial capital letter: How, How, She, and “How,” “Once,” “The.”
In all three units of verse 1, the poet contrasts the condition of Jerusalem as it is now, with what the city formerly was. In the first two units the present condition is described in the first half-line, and the former condition in the second half-line. However, in the third unit that order is reversed, with the former status (was a princess) described in the first half-line, and the present condition (become a vassal) in the second half-line. Not only is the poet contrasting “now” with “then,” but by reversing the order in the last unit, a structural contrast is created within the verse. Moreover there is a good bit of matching of meaning between like a widow has she become and has become a vassal, also between great among the nations and princess among the cities. This parallelism of meaning, it should be noticed, occurs between the half-lines of different units rather than between half-lines within the same unit. Good News Translation follows the same order, except in the second unit, where the past condition is placed first; Good News Translation does this apparently for stylistic reasons.
In some languages it may be clearer to reverse the “now … then” order in the first two units so that they conform to the pattern of the third unit. In this way all three units depict the past as occurring before the present. For example:
Jerusalem that was once full of people is now lonely;
she who was once great among the nations is now like a widow;
she who was like a princess is now like a slave.
How … that was: How is the first Hebrew word in the first sentence and serves as the title for the whole book in its Hebrew form. The same word occurs also at the beginning of chapters 2 and 4 and is found in Jeremiah 48.17c and in Isaiah 1.21, where Jerusalem is also described as a woman. The expression serves here to stress the contrast between the past and the present. In many languages this exclamation must be rendered by a clause. For example, “Look, how awful it is” or “It is a very terrible thing.” The same expression may sometimes be rendered idiomatically; for example, “I say this with tears” or “I say this with my heart failing.” In some languages it may be clearer to mark the contrasts between the present sufferings and the past glories by saying, for example, “In earlier times,” “In the past,” or “Before Jerusalem was defeated.”
Sits the city makes the city appear as a person. In some languages it is possible to employ a verb such as sit only with an animate subject. Therefore it may be necessary to say “The city is very empty” or “There are no people in the city.”
The term lonely refers here to the lack of people, or to being deserted by those who once lived there. It may sometimes be translated figuratively; for example, “having only one word left,” “with no one to talk to,” “with only one dog for a friend.”
City refers to the city of Jerusalem, which in modern terms would be more like a village or town. Although today most people are acquainted with noisy modern cities, it may be better to speak of the “town,” if such a category exists in the translator’s language. Good News Translation says “How lonely lies Jerusalem.” This is to make clear that city refers only to the city of Jerusalem and not to some other city.
The expression full of people makes it clear that a population center is in focus. Full of people is an expression of relative degree. A term used in translation should not give the idea that it was so full that there was no space not taken up by people. The sense is “with very many people” or “having a large number of people.”
The expression like a widow compares Jerusalem to a wife who has lost her husband. This may imply that Yahweh has deserted her—a thought that is expanded in verse 2. The picture of a widow is used to emphasize the misery of Jerusalem compared with her previous greatness. The same is true in the last unit of verse 1, where Jerusalem is compared to a slave. If the term widow must be replaced by a descriptive phrase, it may be possible to say “like a miserable woman whose husband has died.” If a nonfigurative expression must be used in place of widow, it may be possible to say, for example, “Jerusalem was a great city, but now is as miserable as a woman whose husband has died.” A further translation decision is whether to keep the third person reference or to change to a more personal second person. If the second person is preferred, the translator should use it consistently.
She that was great among the nations: nations translates the Hebrew term goyim, a word that is sometimes applied to the gentiles or pagan people. For example, in Exodus 34.24, “I will cast out nations (goyim) before you, and enlarge your borders.” The term is also used to refer to the descendants of Abraham in Genesis 12.2, “I will make of you a great nation….” In verse 1 there is no attempt to contrast Israel with the non-Israelites, and so nations refers to all the political groupings, among which Israel was one. Good News Translation “honored by the world” expresses this well.
Princess among the cities refers to the high status of Jerusalem in contrast with the servant status of vassal in the following half-line. The term does not mean the daughter of a king but rather a noble lady, or the wife of a noble or leader among the people. Good News Translation “noblest of cities” may need to be reworded to say, for example, “Before you were like a princess” or, as Bible en français courant says, “Yesterday a princess ruling the provinces, but now reduced to….”
Vassal translates a word which suggests forced labor imposed upon a conquered people, and so Good News Translation “fallen into slavery.” New English Bible has “now put to forced labour.” In some languages it is possible to maintain the figurative language of this unit by saying, for example, “You were like the rich daughter of the chief, but now you have become like the poorest slave” or “You who were like a great princess have now become like a poor servant.”
Quoted with permission from Reyburn, William D. A Handbook on Lamentations. (UBS Helps for Translators). New York: UBS, 1992. For this and other handbooks for translators see here .
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