purple

The Greek and Hebrew hat is translated as “purple” in English is translated as “blue-red” in Ojitlán Chinantec (source: M. Larson in Notes on Translation 1970, p. 1ff.) and in Elhomwe (source: project-specific translation notes in Paratext). In Silimo it is translated with a local reference: “the colour of the wipegen berry” (source: Buzz and Myrna Maxey ).

In Kasua was a little bit more involved, as Rachel Greco recalls (in The PNG Experience ):

“The Kasua people of Western Province have no word for the color purple. They have words for many other colors: black, red, white, yellow, green, and blue, but not for the color of royalty.

“About nine New Testament passages mention people placing a purple robe on Jesus. The Kasua translation team always wanted to use the word ‘red,’ or keyalo, to describe the robe. Tommy, one of the translation team helpers, disagreed because this is not historically accurate or signifies the royalty of Jesus.

“One of the main rules of translation is that the team must stick to the historical facts when they translate a passage. If they don’t, then how can the readers trust what they’re reading is true? Other questions about truth could bubble in the reader’s minds about the Scriptures. For this reason, Tommy was not willing to change the word purple. So the team hung up the problem, hoping to revisit it later with more inspiration.

“God did not disappoint.

“Years later, Tommy hiked with some of the men near their village. They saw a tree that possessed bulbous growths growing on the side of it like fruit. These growths were ‘the most beautiful color of purple I’d ever seen,’ explained Tommy.

“’What is the name of this tree?’ Tommy asked the men.

“’This is an Okani tree,’ they replied.

“Tommy suggested, ‘Why don’t you, in those passages where we’ve been struggling to translate the color purple, use ‘they put a robe on Jesus the color of the fruit of the Okani tree’?

“’Yeah. We know exactly what color that is,’ the men said enthusiastically.

“Everyone in their village would also visualize this phrase accurately, as the Okani tree is the only tree in that area that produces this kind of purple growth. So now, among the Kasua people, in his royal purple robe, Jesus is shown to be the king that he is.”

flax / linen

Flax Linum usitatissimum, from which linen cloth is made, was cultivated in the Middle East, including Canaan, at least as early as 5000 B.C. A document from Gezer (in Israel) from around King Saul’s time (1000 B.C.) refers to the cultivation of flax and states that flax and wool were the main materials for making cloth. According to Joshua 2:6, the Israelite spies were hidden under flax stalks by Rahab. Flax was grown extensively in Egypt and made into cloth and mats.

Pesheth and pishtah are probably the original Hebrew words for flax, if indeed the plant was domesticated in the Holy Land, as Zohary (Plants of the Bible. Cambridge University Press, 1982) proposes. They may be related to the word pashat, meaning “to strip off” or “to flay,” or to the word pasas, meaning “to disintegrate.” Pesheth and pishtah are used twenty times in the Old Testament, twice referring clearly to the plant itself (Exodus 9:31; Joshua 2:6). Other references are to the processed flax (Judges 15:14 et al.). A few cases refer to finished products, namely wicks (Isaiah 42:3 et al.), cords (Ezekiel 40:3), and items of clothing (Jeremiah 13:1 et al.).

It is likely that the Hebrews acquired the word shesh from the Egyptians during their sojourn in Egypt, since flax was cultivated there also. The Egyptian word for flax was shent (via shen-suten). Shesh is used thirty-eight times in the Old Testament: for the material that Pharaoh put on Joseph, for the Tabernacle curtains and hangings in Exodus, for the ephod, and for the priests’ tunics. The wise woman of Proverbs 31:22 wears it. In Ezekiel 16:10 et al. it is paired with silk, and in Ezekiel 27:7shesh from Egypt” is spoken of as material for the sails of ships.

Several references to linen use the Hebrew word bad. In Exodus 28:42 the priests’ underwear are made from bad, and it is used thereafter in Leviticus to describe various items of clothing—coat, breeches, girdle, and turban. It turns up again in Samuel’s and King David’s “ephods” and then again in Ezekiel and Daniel, where we see visions of “a man clothed in bad.”

Linen is referred by the Hebrew word buts in 1‑2 Chronicles, Esther, and Ezekiel, where the robes of the Temple choir, kings, and rich men are described.

The Old Testament has some references to the Hebrew word sadin (“linen garment”): Judges 14:12 (Samson promises them to his opponents), Proverbs 31:24 (the wise woman makes them), and Isaiah 3:23 (the rich women of Jerusalem wear them). The Septuagint uses the Greek word bussos or sindōn in these passages.

The Hebrew word ’etun occurs only in Proverbs 7:16, where it refers to a linen bedspread from Egypt.

In the New Testament there are three primary Greek words for linen: linon/linous, sindōn, and othonē/othonion. Linon is used to refer to garments of the angels in Revelation 15:6 as well as to the “smoldering wick” in Matthew 12:20. The synoptic Gospel writers refer to the linen cloth that Joseph and Nicodemus used to wrap Jesus’ body as a sindōn. Mark uses the same word to refer to the cloth that was worn by the unidentified young man at the time of Jesus’ arrest (Mark 14:51f.). John uses a different Greek word for Jesus’ burial cloths: othonion.

The rich man referred to in the Lazarus story (Luke 16:19) is clothed in “fine linen” (bussos). The Greek word bussos is the root word for bussinos, which refers to tunics, robes and turbans made from linen fabric (Revelation 18:12 et al.).

Flax is a little taller than a sesame plant, about a meter (3 feet) tall. Its leaves are narrow and the flowers are bright blue with five petals. The seed capsule contains oil that is used for cooking and also for thinning paint. After flax ripens, the plants are uprooted and the stalks are left to dry for a while. The stalks are then soaked, dried, and beaten to separate the fibers, which are then combed and woven into cloth.

Linen cloth was relatively costly in Israel, and being light and easy to dye it was highly valued. Their priests wore linen garments to combat sweating (see Ezekiel 44:18). They had to remove these holy garments when they left the Temple, “lest they communicate holiness to the people” (Ezekiel 44:19). The high esteem given to linen by the Jews is shown also by the fact that they used it for burying the dead, and we are told that the Dead Sea Scrolls were wrapped in linen cloths. However, the flax plant was special in other ways. The crushed stalks of flax plants were also used for making rope and lamp wicks. The seed was used for oil.

Today flax is raised more for the oil that comes from the seeds (called linseed oil) than for the fibers, although flax stalks are also made into special kinds of paper.

Metaphorical uses of flax are relatively few in the Bible, and all suggest the weakness of the material. In Judges 15:14 flax fiber is used as a simile for Samson’s fetters (they snapped like linen thread). Isaiah 42:3 says the Messiah will be gentle with weak people (“a dimly burning wick [pishtah] he will not quench”), in contrast to the typical iron-fisted tyrants of the day. Isaiah 43:17 describes the fate of the Babylonian enemies: they will be snuffed out “like a wick [pishtah].”

Linen cloth (or other cloth with a similar name) is surprisingly widespread. Cloth merchants in the translators’ area may know it under a trade language name, and if so, that can be used.In some places it is used only for burying people. In that case, if it is used in translation at all, the difference in culture should be explained in a footnote. Since linen is bleached white, a generic phrase such as “beautiful white cloth” can be considered in many places. In the three metaphorical passages mentioned above, an appropriate cultural image may be substituted, or an adverb expressing weakness or fragility.

Flax, Wikimedia Commons

Source: Each According to its Kind: Plants and Trees in the Bible (UBS Helps for Translators)

Se also linen.

king

Some languages do not have a concept of kingship and therefore no immediate equivalent for the Greek, Hebrew, Aramaic, and Latin that is translated as “king” in English. Here are some (back-) translations:

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  • Piro: “a great one”
  • Highland Totonac: “the big boss”
  • Huichol: “the one who commanded” (source for this and above: Bratcher / Nida)
  • Ekari: “the one who holds the country” (source: Reiling / Swellengrebel)
  • Una: weik sienyi: “big headman” (source: Kroneman 2004, p. 407)
  • Pass Valley Yali: “Big Man” (source: Daud Soesilo)
  • Ninia Yali: “big brother with the uplifted name” (source: Daud Soesilio in Noss 2007, p. 175)
  • Nyamwezi: mutemi: generic word for ruler, by specifying the city or nation it becomes clear what kind of ruler (source: Pioneer Bible Translators, project-specific translation notes in Paratext)
  • Ghomála’: Fo (“The word Fo refers to the paramount ruler in the kingdoms of West Cameroon. He holds administrative, political, and religious power over his own people, who are divided into two categories: princes (descendants of royalty) and servants (everyone else).” (Source: Michel Kenmogne in Theologizing in Context: An Example from the Study of a Ghomala’ Christian Hymn))

Faye Edgerton retells how the term in Navajo (Dinė) was determined:

“[This term was] easily expressed in the language of Biblical culture, which had kings and noblemen with their brilliant trappings and their position of honor and praise. But leadership among the Navajos is not accompanied by any such titles or distinctions of dress. Those most respected, especially in earlier days, were their headmen, who were the leaders in raids, and the shaman, who was able to serve the people by appealing for them to the gods, or by exorcising evil spirits. Neither of these made any outward show. Neither held his position by political intrigue or heredity. If the headman failed consistently in raids, he was superceded by a better warrior. If the shaman failed many times in his healing ceremonies, it was considered that he was making mistakes in the chants, or had lost favor with the gods, and another was sought. The term Navajos use for headman is derived from a verb meaning ‘to move the head from side to side as in making an oration.’ The headman must be a good orator, able to move the people to go to war, or to follow him in any important decision. This word is naat’áanii which now means ‘one who rules or bosses.’ It is employed now for a foreman or boss of any kind of labor, as well as for the chairman of the tribal council. So in order to show that the king is not just a common boss but the highest ruler, the word ‘aláahgo, which expresses the superlative degree, was put before naat’áanii, and so ‘aláahgo naat’áanii ‘anyone-more-than-being around-he-moves-his-head-the-one-who’ means ‘the highest ruler.’ Naat’áanii was used for governor as the context usually shows that the person was a ruler of a country or associated with kings.”

(Source: Faye Edgerton in The Bible Translator 1962, p. 25ff. )

See also king (Japanese honorifics).

Translation commentary on Esther 8:15   

It is not clear whether verse 15 introduces a new scene at some indefinite later time, or whether the same scene continues from verse 8. If the latter, all of the material in verses 9-14 is simply a continuation of events surrounding the writing and proclamation of Mordecai’s edict before returning to verse 8 to resume the story from that point. These verses then stand in marked contrast to 3.15b, which describes the scene after the first decree was issued.

Mordecai was dressed in royal robes of blue and white, the same colors as the cotton curtains and the hangings in the royal banquet scene in 1.6. And he wore a mantle of fine linen and purple, words that also remind the reader of the cords of white linen and purple in 1.6. Mordecai’s new position is clearly revealed by the “clothing of royalty” that he wore (compare 5.1). His status is now markedly different from that of the days when he sat at the gate of the palace.

The Hebrew says “clothing of royalty,” and some versions use similar general terms; for example, “a royal garment” (Traduction œcuménique de la Bible), “royal garments” (New International Version), “royal dress” (Bible en français courant). Others like Revised Standard Version and Good News Translation interpret Mordecai’s clothing to be royal robes (compare 5.1). The translator may restate to say “dressed in the great clothes of a king” or “dressed in blue and white clothes like a king.” The second item of clothing is usually understood to be a “cloak,” a mantle (Traduction œcuménique de la Bible, Bible en français courant, Chouraqui). This is a garment that was wrapped around oneself or that hung over one’s shoulders. The translator may wish to use a descriptive phrase.

The great golden crown that Mordecai wore was not the royal crown that the king or the queen wore. The Hebrew word for the royal crown in 1.11; 2.17; 6.8 is different from the word here in verse 15, which refers to the turban worn by high officials. If there is no technical term for a turban, one may describe it as “cloth wrapped around head [of important men]” or “head wrapping.” If it was cloth, it was decorated with gold or it had gold stitching. It was not, of course, a scarf.

The Hebrew says that the city of Susa shouted and rejoiced. This is the opposite of 3.15, where Susa was “thrown into confusion.” Some languages may have to say “the people of the city” rather than “the city.” Restructuring may also be used, such as “the city was filled with happy shouting and rejoicing” or “the city rang with the sounds of happy shouting and rejoicing.” The word “shouting” should be used with care, because in some languages it may have connotations of negative emotions such as fear and anger that are not appropriate in this situation.

Quoted with permission from Omanson, Roger L. and Noss, Philip A. A Handbook on Esther (The Hebrew Text). (UBS Helps for Translators). New York: UBS, 1997. For this and other handbooks for translators see here .

SIL Translator’s Notes on Esther 8:15

Paragraph 8:15–17

These verses are in contrast to Esther 4:1–3. Mordecai is dressed in royal robes instead of sackcloth, and there is general rejoicing instead of mourning.

8:15c

crown: This is not the same word in Hebrew as was used in 1:11a, 2:17c and 6:8b. Perhaps a different word was used to make clear that Mordecai wasn’t wearing the king’s crown, but a different sort of hat.

a purple robe of fine linen: This probably means a long cloak or coat, worn over the other garments. It was made of a finely woven material called linen (see note on 1:6a).

purple: see note on 1:6b.

8:15d

And the city of Susa shouted and rejoiced: It is not clear how this sentence is connected to the rest of the verse. Some commentators believe that the city rejoiced when they saw Mordecai in his official robes, but it is more likely that this phrase refers back to the news of the new law. When Haman’s order was issued, the people of the city were upset (see 3:15), but now they rejoiced.

shouted and rejoiced: You should choose an expression in your language which means that the people made a lot of noise to show how happy they were when they heard the news.

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