sin

The Hebrew, Ge’ez, and Greek that is typically translated as “sin” in English has a wide variety of translations.

The Greek ἁμαρτάνω (hamartanō) carries the original verbatim meaning of “miss the mark” and likewise, many translations contain the “connotation of moral responsibility.”

  • Loma: “leaving the road” (which “implies a definite standard, the transgression of which is sin”)
  • Navajo (Dinė): “that which is off to the side” (source for this and above: Bratcher / Nida)
  • Toraja-Sa’dan: kasalan, originally meaning “transgression of a religious or moral rule” and in the context of the Bible “transgression of God’s commandments” (source: H. van der Veen in The Bible Translator 1950, p. 21ff. )
  • Kaingang: “break God’s word”
  • Bariai: “bad behavior” (source: Bariai Back Translation)
  • Sandawe: “miss the mark” (like the original meaning of the Greek term) (source for this and above: Ursula Wiesemann in Holzhausen / Riderer 2010, p. 36ff., 43)
  • Nias: horö, originally a term primarily used for sexual sin. (Source: Hummel / Telaumbanua 2007, p. 256)
  • Mauwake: “heavy” (compare forgiveness as “take away one’s heaviness”) (source: Kwan Poh San in this article )

In Shipibo-Conibo the term is hocha. Nida (1952, p. 149) tells the story of its choosing: “In some instances a native expression for sin includes many connotations, and its full meaning must be completely understood before one ever attempts to use it. This was true, for example, of the term hocha first proposed by Shipibo-Conibo natives as an equivalent for ‘sin.’ The term seemed quite all right until one day the translator heard a girl say after having broken a little pottery jar that she was guilty of ‘hocha.’ Breaking such a little jar scarcely seemed to be sin. However, the Shipibos insisted that hocha was really sin, and they explained more fully the meaning of the word. It could be used of breaking a jar, but only if the jar belonged to someone else. Hocha was nothing more nor less than destroying the possessions of another, but the meaning did not stop with purely material possessions. In their belief God owns the world and all that is in it. Anyone who destroys the work and plan of God is guilty of hocha. Hence the murderer is of all men most guilty of hocha, for he has destroyed God’s most important possession in the world, namely, man. Any destructive and malevolent spirit is hocha, for it is antagonistic and harmful to God’s creation. Rather than being a feeble word for some accidental event, this word for sin turned out to be exceedingly rich in meaning and laid a foundation for the full presentation of the redemptive act of God.”

In Warao it is translated as “bad obojona.” Obojona is a term that “includes the concepts of consciousness, will, attitude, attention and a few other miscellaneous notions.” (Source: Henry Osborn in The Bible Translator 1969, p. 74ff. ). See other occurrences of Obojona in the Warao New Testament.

Martin Ehrensvärd, one of the translators for the Danish Bibelen 2020, comments on the translation of this term: “We would explain terms, such that e.g. sin often became ‘doing what God does not want’ or ‘breaking God’s law’, ‘letting God down’, ‘disrespecting God’, ‘doing evil’, ‘acting stupidly’, ‘becoming guilty’. Now why couldn’t we just use the word sin? Well, sin in contemporary Danish, outside of the church, is mostly used about things such as delicious but unhealthy foods. Exquisite cakes and chocolates are what a sin is today.” (Source: Ehrensvärd in HIPHIL Novum 8/2023, p. 81ff. )

See also sinner.

addressing God

Translators of different languages have found different ways with what kind of formality God is addressed.

Like many languages (but unlike Greek or Hebrew or modern English), Tuvan uses a formal vs. informal 2nd person pronoun (a familiar vs. a respectful “you”). Unlike other languages that have this feature, however, the translators of the Tuvan Bible have attempted to be very consistent in using the different forms of address in every case a 2nd person pronoun has to be used in the translation of the biblical text.

As Voinov shows in Pronominal Theology in Translating the Gospels (in: The Bible Translator 2002, p. 210ff. ), the choice to use either of the pronouns many times involved theological judgment. While the formal pronoun can signal personal distance or a social/power distance between the speaker and addressee, the informal pronoun can indicate familiarity or social/power equality between speaker and addressee.

In these verses, in which humans address God, the informal, familiar pronoun is used that communicates closeness.

Voinov notes that “in the Tuvan Bible, God is only addressed with the informal pronoun. No exceptions. An interesting thing about this is that I’ve heard new Tuvan believers praying with the formal form to God until they are corrected by other Christians who tell them that God is close to us so we should address him with the informal pronoun. As a result, the informal pronoun is the only one that is used in praying to God among the Tuvan church.”

In Gbaya, “a superior, whether father, uncle, or older brother, mother, aunt, or older sister, president, governor, or chief, is never addressed in the singular unless the speaker intends a deliberate insult. When addressing the superior face to face, the second person plural pronoun ɛ́nɛ́ or ‘you (pl.)’ is used, similar to the French usage of vous.

Accordingly, the translators of the current version of the Gbaya Bible chose to use the plural ɛ́nɛ́ to address God. There are a few exceptions. In Psalms 86:8, 97:9, and 138:1, God is addressed alongside other “gods,” and here the third person pronoun o is used to avoid confusion about who is being addressed. In several New Testament passages (Matthew 21:23, 26:68, 27:40, Mark 11:28, Luke 20:2, 23:37, as well as in Jesus’ interaction with Pilate and Jesus’ interaction with the Samaritan woman at the well) the less courteous form for Jesus is used to indicate ignorance of his position or mocking.” (Source Philip Noss)

In the most recent Manchu translation of 1835 (a revision of an earlier edition from 1822), God is never addressed with a pronoun but with “father” (ama /ᠠᠮᠠ) instead. Chengcheng Liu (in this post on the Cambridge Centre for Chinese Theology blog ) explains: “In Manchu tradition, as in Chinese etiquette, second-person pronouns could be considered disrespectful when speaking to superiors or spiritual beings. Manchu Shamanist prayers avoided si [‘you’] and sini [‘your’] for this very reason. To use them for God would be, in Lipovzoff’s [one of the two translators] words, ‘the most uncouth and indecent way to speak to the Almighty — as if He were a servant or slave.’ There was also a grammatical problem. In Manchu, si and sini could refer to both singular and plural subjects. For a faith that insisted on the singularity of God, this was potentially confusing. By contrast, repeating ama removed any ambiguity.”

In Dutch, Afrikaans, Gronings, and Western Frisian translations, God is always addressed with the formal pronoun.

See also formal pronoun: disciples addressing Jesus, female second person singular pronoun in Psalms.

complete verse (Psalm 51:9)

Following are a number of back-translations as well as a sample translation for translators of Psalm 51:9:

  • Chichewa Contempary Chichewa translation, 2002/2016:
    “Look away from my sins
    and erase all my wrongs.” (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
  • Newari:
    “Turn Your face away from my sins,
    and wipe away all my unrighteousness.” (Source: Newari Back Translation)
  • Hiligaynon:
    “Take-(away) my sins;
    erase all my wickedness.” (Source: Hiligaynon Back Translation)
  • Laarim:
    “Cover your eyes not to see my sin
    and remove my sin all.” (Source: Laarim Back Translation)
  • Nyakyusa-Ngonde (back-translation into Swahili):
    “Ugeuke, usitazame dhambi zangu,
    uondoe mabaya yangu yote.” (Source: Nyakyusa Back Translation)
  • English:
    “Do not continue to look at the sins that I have committed;
    erase the record of the evil things that I have done.” (Source: Translation for Translators)

face (of God) (Japanese honorifics)

Click or tap here to see the rest of this insight.

Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way to do this is through the usage (or a lack) of an honorific prefix as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. When the referent is God, the “divine” honorific prefix mi- (御 or み) can be used, as in mi-kao (御顔) or “face (of God)” in the referenced verses.

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

Japanese benefactives (nuguisatte)

Click or tap here to see the rest of this insight.

Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between. One way Japanese shows different degree of politeness is through the choice of a benefactive construction as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017.

Here, nuguisatte (ぬぐい去って) or “wipe away” is used in combination with kudasaru (くださる), a respectful form of the benefactive kureru (くれる). A benefactive reflects the good will of the giver or the gratitude of a recipient of the favor. To convey this connotation, English translation needs to employ a phrase such as “for me (my sake)” or “for you (your sake).” (Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

Translation commentary on Psalm 51:8 - 51:9

Fill me: Revised Standard Version and Biblia Dios Habla Hoy follow the Syriac; the great majority of translations and Hebrew Old Testament Text Project (“B” decision) follow the Hebrew text, “Make me hear.” New Jerusalem Bible makes the line more intelligible by translating “Let me hear tidings of joy and gladness,” and Bible en français courant does even better: “Tell me that you forgive me, and I will be filled with joy.” In some languages it is not possible to speak of joy and gladness having sounds. Therefore if one is following Good News Translation, it may be necessary to say, for example, “Let me feel joy and gladness.”

In verse 8b it is difficult to say whether the bones which thou hast broken refers to physical illness (see comments on 6.2) or to emotional distress, as Good News Translation has taken it; in either case, God is responsible for the psalmist’s condition, and only he can cure it.

Verse 9 is another prayer for forgiveness. First the psalmist asks God to “hide his face” from his sins, and then to blot out (as in verse 1b) his iniquities (same word as in verse 2a). The first request suggests that the psalmist wants God to quit noticing his sins (see 10.11 and discussion) and not pronounce him guilty of iniquity (see 32.2 and comments).

The expression Hide thy face from my sins, if translated literally in some languages, will mean that the psalmist is asking God to be ashamed of his sins. Even the Good News Translation rendering, “Close your eyes,” will in some languages mean that the psalmist wants to sin and does not want God to notice what he is doing. Therefore, in order to avoid these wrong meanings, it will sometimes be necessary to say “take away my sins” or “forgive the evil things I do.”

Verse 9 (also verses 11-12), like verse 2, is chiastic, which is structurally relevant, as this verse falls at the approximate center of the psalm. The psalmist has again employed chiasmus as a poetic device in his petition to God to remove all his sin (see comments on verse 2).

Quoted with permission from Bratcher, Robert G. and Reyburn, William D. A Handbook on the Book of Psalms. (UBS Helps for Translators). New York: UBS, 1991. For this and other handbooks for translators see here .

Psalm 51: Layer by Layer

The following are presentations by the Psalms: Layer by Layer project, run by Scriptura . The first is an overview, the second an introduction into the poetry, and the second an introduction into the exegesis of Psalm 51.


Copyright © Scriptura


Copyright © Scriptura


Copyright © Scriptura