In Cherokee, a verbal suffix is used to indicate whether a speaker has direct personal knowledge of a described event or not, such as when the speaker relates an event based on hearsay. The first mode is called EXP (experienced) mode and the second is called NXP (nonexperienced) mode. In the case of Matthew 9:9 the narration of much of the rest of the gospel is switched from NXP to EXP once Jesus sees Matthew at the tax-collection station and calls him away. From this point on, Matthew, the presumed author of the gospel, relates the events from his own experiences rather than from hearsay.
There are exceptions, however, that mark times when Matthew is not present and a switch to the NXP mode is made. These include the killing of John the Baptist (Matthew 14:1-12), the transfiguration (Matthew 17:1-13), in Old Testament quotes and stories (see for example Matthew 24:37-39), or in reports of meetings by others (see Matthew 26:3-5. (Source: Bender / Belt 2025, p. 56ff.)
Many languages have terms for siblings that define whether one is younger or older in relation to another sibling.
Dave Brunn reports this from the translation into Lamogai (see p. 141f. and 181f.):
“Some languages, including Lamogai, have two different words for brother. One means ‘older brother,’ and the other means ‘younger brother.’ In many cases, these languages do not have a generic word that includes both. Relating this to translation, which of the sons of Zebedee do you think was older, James or John? The Bible does not tell us, but there are some clues. The names James and John occur together about twenty times in the New Testament. In every occurrence, James is named first. Since there is not much else to go on, most translators who have faced this issue have considered this to be enough evidence to say James must be the older brother. Here is how we translated this pair of names in Matthew 17:1 in the Lamogai New Testament:
“‘Jems akap ino tikino Jon’ (‘James along-with his younger-brother John’)
“Technically, ‘tikino‘ means younger sibling of the same sex and ‘udikino‘ older sibling of the same sex. A man would refer to his older brother as ‘udikino‘ and his younger brother as ‘tikino.’ And a woman would use the same terms for her older and younger sisters. The term for opposite-sex sibling (either a man to his sister or a woman to her brother) is ‘luku.'” (Source for this paragraph: private communication from Dave Brunn)
In the translation into Oaxaca Chontal, the same principle is applied. (Source: Bratcher / Nida 1961)
The Chilcotin translators have tried to circumvent specifying which of the two is older, even though the language also uses age-specific terms for siblings. In Mark 1:19 and Mark 3:17 it says Zebedee beyiqi… (“Zebedee’s sons…”) and therefore avoids stating their respective age. Likewise in Mark 5:37 it says Peter hink´an ˀelhcheliqi James belh John (“Peter and brothers James and John”) (source: Quindel King).
Following is a Ukrainian Orthodox icon of the Transfiguration by Ivan Rutkovych (c. 1650 – c. 1708) (for the Church of Christ’s Nativity in Zhovkva, Ukraine, today in the Lviv National Museum).
Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )
The Greek and Hebrew that in the referenced verses is translated as “brother” in English is translated in Mandarin Chinese as dìdì (弟弟) or “younger brother.”
Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )
Following is a hand colored stencil print on momigami of Peter by Sadao Watanabe (1970):
Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe. For other images of Sadao Watanabe art works in TIPs, see here.
The term that is transliterated as “John (the disciple)” in English is translated in American Sign Language with the sign for the letter J and the sign signifying “beloved,” referring to John 13:23 et al. (Source: Ruth Anna Spooner, Ron Lawer)
“John” in American Sign Language, source: Deaf Harbor
In Spanish Sign Language it is translated with with the sign for “young.” This refers to the traditional belief that he was the youngest of the apostles and the fact that he was younger than his brother James (see relative age of James and John. (Source: Steve Parkhurst)
Following is a 1973 painting of the JESUS MAFA project, a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:
In this theatrical representation of Jesus’ transfiguration, Jesus is robed in a dazzling white garment, as the story in the gospels describes. He appears to be greeting Moses and Elijah like old friends as they are surrounded by a cloud that makes the whole scene feel ethereal. Peter, James, and John look on with flabbergasted and fearful expressions, bewildered at what they should do. This painting invites the viewer to imagine what it would be like to have seen such amazing things. Undoubtedly, it would inspire one to follow and obey Jesus, just as God commands in the story: “This is my son, the beloved. Listen to him!”
From Art in the Christian Tradition, a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.
The Greek that is translated as “brother” in English in the referenced verses is translated in Lama as rɨtafal or “younger brother.” (Source: Neal Brinneman)
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