and those who commit fornication outside the law; and the Athenians and the Medes who trust in their idols, meditating upon them, and making merry before them with the drum, the harp, and the flute.
1 Meqabyan (also known as 1 Ethiopian Maccabees and 1 Ethiopic Maccabees) is canonical scripture for the Ethiopian Orthodox Tewahedo Church and Eritrean Orthodox Tewahedo Church. While “Meqabyan” is the Ge’ez equivalent of “Maccabees,” the content is completely different from 1 Maccabees. The only complete copies of 1 Meqabyan are available in Ge’ez (Classical Ethiopic), here used with permission by the Bible Society of Ethiopia.
The translation into English was provided by Haileyesus Woldemariam (UBS).
The Greek and Ge’ez that is translated as “sexual immorality” or “fornication” or similar is translated much more specifically in some languages. Morelos Nahuatl has “let a man not yield himself to another woman except only to his wife. Also let a woman not yield herself to another man except only to her husband” or in Lalana Chinantec as “not proper for them to mix themselves with other women. The same is true of women for other men also.” (Source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
In Low German as Hurenkram or “things related to prostitution (and/or sleeping around)” (translation by Johannes Jessen, publ. 1933, republ. 2006) and in the German New Testament translation by Berger / Nord (publ. 1999) typically as Sexgier or “sex cravings” (exceptions: Acts 15:10 and 15:29).
The Hebrew, Greek, Ge’ez, and Latin that is translated as “idol(s)” in English is translated in Central Subanen as ledawan or “images” (source: Robert Brichoux in OPTAT 1988/2, p. 80ff. ) and in Cherokee “imaginary gods” (source: Bender / Belt 2025, p. 16).
In German, typically the term Götze is used. Originally this was used as a term of endearment for Gott (“God” — see here ), later for “icon” and “image, likeness.” Luther started to use it in the 16th century in the meaning of “false god, idol.” Other terms that are used in German include Götzenbild(er) (“image[s] of idols”) or Bildnis (“image” — Protestant) / Kultbild (“cultish image” — Catholic) (used for instance in Exodus 20:4 and Deuteronomy 5:8). The latest revision of the Catholic Einheitsübersetzung (publ. 2016) also uses the neologism Nichtse (“nothings”) in 1 Chron. 16:26 and Psalm 96:5. (Source: Zetzsche)
The name that is transliterated as “Mede” or “Medes” in English is translated in Libras (Brazilian Sign Language) after the region they came from with a sign that combines “middle” (likely the meaning of “Media”) and many lands around it (that the Medes conquered). (Source: Missão Kophós )
The musical instrument that is most often translated as “harp” or “large lyre” in English is translated in the following ways:
Chichewa Contempary Chichewa translation, 2002/2016: “two stringed instrument” (source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Hiligaynon: “instruments which have strings to praise you,” “beautiful to-be-listened-to instruments,” or kudyapi (source: Hiligaynon Back Translation)
Description: The exact identification of the nevel is very problematic. Some take it to be a kind of harp. The harp consisted of a neck projecting out of a soundbox. Strings were stretched from the extremity of the neck down its length and into the sound box. The body of the harp was made of wood and its strings of animal intestines (perhaps from sheep). The number of strings varied.
Others place the nevel in the category of lyres, where the strings are stretched over top of and parallel to the soundbox. While this is the interpretation preferred here, we will discuss the harp-type of instrument, since the identification is problematic and many translations have preferred “harp” for nevel.
Usage: The strings were plucked either with the fingers or with a thin piece of ivory or metal to give a resonating sound, probably in a lower register than that made by the kinor.
Translation: In several Psalms (33.2; 92.3; 144.9), the nevel is linked to the Hebrew word ‘asor, which could indicate it was “ten-stringed.”
Some degree of cultural adaptation must be made in the translation of these stringed instruments since cultures differ from each other in the shape, the number of strings, and the function of their instruments. Translators will have to select an equivalent instrument in the receptor language. In most passages the most accurate translation for nevel will be “guitar” or some equivalent medium-sized stringed instrument on which the strings are stretched over a sound box and are plucked.
In those passages where nevel and kinor appear together it is recommended that the translator use an instrument that can vary in size and then render the two words as “large and small X,” for example, “large and small guitars.” Alternately, it may be possible to select two stringed instruments that are similar in construction but different in size, for example, “guitar and lute.” It is also possible to say “large and small stringed instruments” or to combine the two, saying “stringed instruments.”
Psalms 33:2: “Praise the LORD with the lyre” (New Revised Standard Version, updated edition) contains two major translation problems. The first problem is that in many languages, the phrase “with the lyre” must be changed into a verb phrase or clause; for example, the whole line may be rendered “Praise the LORD by playing music on the lyre” or “Make music with the lyre, and praise the LORD.” The second problem, which applies also to the second line of this verse, is the terms to be used for the musical instruments here. In languages in which there are several stringed instruments, translators may use one of the smaller ones for kinor (“lyre”) and a larger one for nevel (“harp” in New Revised Standard Version, updated edition). In languages where there is little or no choice, they should use the known local stringed instrument for the kinor, and a more generic expression for the nevel. Where there are no known stringed instruments, it will often be necessary to say “small instruments with strings” for kinor and “large instruments with strings” for nevel.
Harp (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)
The drum consisted of a membrane, usually of animal skin, which was stretched over a shallow circular, triangular, or square frame.
The drum was struck sharply with one or two hands, depending on where it was situated. It could be held in the left hand, under the left arm, or against the chest and struck with the right hand, or it could be held on the knees or the ground and struck with one or two hands. The fingers of the left hand could be used to tighten or loosen the tension on the membrane as it was struck with the palm of the right hand.
The use of the Hebrew word tof is usually associated with singing, processions, and festivals. Archaeological evidence indicates that drums with metal circlets on the frame (“tambourines” or “timbrels”) were not known in biblical times. As a general rule, the best translation for this word will be “hand drum” or simply “drum.”
Lyre (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)
The Greek, Hebrew, and Ge’ez that is translated in English as “Law” or “law” is translated in Mairasi as oro nasinggiei or “prohibited things” (source: Enggavoter 2004), in Noongar with a capitalized form of the term for “words” (Warrinya) (source: Warda-Kwabba Luke-Ang), in Yucateco as “ordered-word” (for “commandment,” it is “spoken-word”) (source: Nida 1947, p. 198), and in Central Tarahumara it is “writing-command” (source: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.)
McKnight’s English translation (publ. 2023) has it as Covenant Code. He explains (p. 301): “The law of Moses was a covenantal arrangement by God with the people of Israel. This code of conduct expected of them was not the same as law in the Roman world or what law means to us today. It is a revelation of God’s will for God’s covenant people but requires ongoing interpretation and adjustments.”
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