Following are a number of back-translations as well as a sample translation for translators of Psalm 9:5:
Chichewa Contempary Chichewa translation, 2002/2016:
“You have rebuked human races and you have destroyed wicked people;
You have erased their name forever.” (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Newari:
“You have threatened the nations.
And destroyed the evil persons.
You have wiped out their names forever.” (Source: Newari Back Translation)
Hiligaynon:
“You (sing.) have-sentenced and have-destroyed the wicked nations.
therefore they will- no-longer -be-remembered forever/until the-end/[lit. until whenever].” (Source: Hiligaynon Back Translation)
Eastern Bru:
“You judged every person who didn’t respect you, and you destroyed the wicked, not allowing anyone to remember their names anymore.” (Source: Bru Back Translation)
Laarim:
“You rebuked people of nations, and you killed bad people.
You removed their names completely.” (Source: Laarim Back Translation)
Nyakyusa-Ngonde (back-translation into Swahili):
“Umewakemea watu wa makabila mengine,
umewangamiza watenda mabaya,
majina yao umeyafuta kabisa.” (Source: Nyakyusa Back Translation)
English:
“You rebuked the people of other nations and you have gotten rid of the wicked people;
you have erased their names forever.” (Source: Translation for Translators)
Psalms 9 and 10 constitute one psalm in the Greek Septuagint and the Latin Vulgate translations. Accordingly all Orthodox and some Catholic translations also treat it as one psalm. One indication that it might in fact have been intended to be one psalm is the fact that both Psalm 9 and 10 together constitute one acrostic, a literary form in which each verse is started with one of the successive 22 letters of the Hebrew alphabet. According to Brenda Boerger (in Open Theology 2016, p. 179ff. ) there are three different reasons for acrostics in the Hebrew text: “for ease of memorization,” the representation “of the full breadth and depth of a topic, all the way from aleph to taw (tav),” and the perception of “the acrostic form as aesthetically attractive.” (p. 191)
While most translations mention the existence of the acrostic in a note or a comment, few implement it in their translation. The Natügu translation is one such exception. Boerger (see above) cites a strong tradition in singing the psalms and the fact that Natügu, like Hebrew, also has 22 possible initial letters as motivating factors to maintain the acrostics in that language.
Click or tap here for both Psalm 9 and 10 successively in Natügu
Psalm 9
1 Awi Yawe! Naglqpx-atwrnr-ngrne nim.
Ale-zvzq da kcng tzkctipxng, x napipxxng.
2 Angrlvzx drtqm.
Bilvzx nim kc tqmyalz-esz’ngr.
3 Brngzvxitx nzyzlukr enqmi rnge mz nzmc-krde nim.
Bz x tao-ngrde nzulrm.
4 Clvetio-lzbqx x rpiq kx tubqx.
Clveq leplz amrlx mz nzwxbuo-krme mz tron, x ayzlu-ngrbzme da badr.
5 Dalr nrlc nzmailzlr kxdrka’-ngrng.
Delc napnanati-ngrn nidr x
Drtqdr na-amrbrtx-alobzme.
6 Doa ngr alwx lcng nzyrkrtrpeng.
Enqmi rngeng trpengr nzdcpx-krdr mz drtwr leplz x mztea nyzdr amznrpe-ngrnq.
7 Eu, a’ Yawe ngini-alom King.
Elalvzx nzwxbuo-krme mz tron nyzm murde nzayzlu-krbzme da mz leplz tubq.
8 Eu, murde nzaclve-krm nrlc tubq-esz’ngr,
Esakrlrngr nzpipx-krm nztubqkr leplz o trtingr.
9 Gct, nim lrpalvc nyz kxnzobqszong.
Glxx kx nim me nzrlakitrkr mzli kx prtzngr da.
10 Gct, krkcng tzkrlzlr nim nzabrtrpzlr drtwrdr bam.
Itoto x doa amrlx kcng tzrtangrtilr nim, trmrbrtru mz drtwrm.
11 Itoto x nigu amrlx napipxbzku mz kxnzmnc-mrbrng da kcng tqale Yawe.
Jerusalem ngi mzteadau nyzde mrkc tqmnc-ngrde. Na-angrlvzku nide.
12 Jzsle krkcng tzrnibqting leplz mz nzayzlu-kr-mopwzle badr da kcng tqtrka tzalelr.
Kxnzmncng mz drtq kxetq sa na-ayzlu-kzpzle badr natq ngr nzyrni-krbzlr bade.
13 Kxetu, nayc mz drtwrm ninge x mcom kxmu nzaetq-krm enqmi rngeng drtqnge.
Kxrpalz, bzkq rlrpx-ngrn nzbz-krnge.
14 Kxarlapx, naelalz-ngrm drtwrnge nzarlapx-krm ninge.
Leplz kxkqlu Jerusalem sa naxlrlr nzglqlz-krnge nim.
15-16 Lalztqmamu! Yawe aelwapx-lzbqngr mz nztubqkr nzayzlu-krbzle da mz leplz.
Murde lr mrkzbleng nztao-moung mz gq kx nzekqtilr.
Mz br kx nzatu-kapqlr, nzdwatr-moung elr.
Mz trtxki kx nzamwilr, nzprtz mou kxdrka’-ngrng elr.
17 Mz nzesablqti-krdr Gct,
Nabz-ngrdr leplz ngr nrlc.
18 Nzmu nakxpung, trtxpnzngr nzmrbrtitrkr drtwr Gct nidr.
Nzobqtipxngr kxtrnzrngiscung trtxpnzngr nzbotxpx-krde.
19 Natulzme Yawe, mz nzaryplapx-krm lr mrkzbleng amrlx.
Na-aelwapx-ngrn kx drtwr kxnzetung amrlx ngi brmrda.
20 Namwxlrtilr x na-amrluelr nim.
Nakrlzlr kx nidr leplz txneng, x sa nabzng.
The Dutch translation Tot Lof van God by Frans Croese (publ. 2010) also maintained the acrostic.
Click or tap here for the psalms in the Tot Lof van God translation
Psalm 9 Voor de concertmeester: op ‘De dood, voor de zoon’; een muziekstuk op naam van David.
2
Alom en van ganser harte, zo dank ik Jehovah!
AI Uw wonderdaden, van hen wol ik vertellen!
3
Aangaande U zij mijn verheugen, mijn juichen,
Allerhoogste, maar al te graag bezing ik Uw naam!
4
Bij de aftocht van mijn vijanden
vergingen die struikelend van voor Uw aangezicht;
5
U hebt immers het pleit beslecht, mijn rechtsgeding,
gezeten op de zetel van de rechtvaardige Rechter.
6
De heidense volkeren hebt U bestraft,
het wetteloze te gronde gericht,
hun namen hebt U voor altijd en eeuwig gewist.
7
Het is gedaan met de vijand,
verwoesting alom en voor eeuwig,
waar U complete steden hebt uitgerukt.
Vergaan is hun gedachtenis sowieso.
Feitelijk geldt dat voor henzelf evenzo.
8
Jehovah daarentegen zetelt voor immer,
Zijn zetel gereed voor het gericht.
9
Hij is het die de wereld naar gerechtigheid oordeelt;
eerlijk en billijk, zo richt Hij de staten.
10
Gerechtigheid is er voor de verdrukten;
voor hen is Jehovah een burcht,
een burcht in tijden van nood en ontbering.
11
Wie Uw naam werkelijk kennen, vertrouwen op U;
wie naar U werkelijk vorsen, Jehovah, liet U nooit in de steek.
12
Heft dus aan de muziek voor Jehovah die zetelt op Sion,
verhaalt van Zijn handelen onder de volkeren;
13
Hij heeft gedacht aan wie onschuldig bloed te wreken had,
zoals Hij evenmin de noodkreet der misdeelden vergat:
14
‘Ik smeek U Jehovah, wees mij goedgunstig,
zie de ellende, mij berokkend door hen die mij haten,
door mij op te heffen uit de poorten des doods,
15
zodat ik van al Uw roemrijke daden mag vertellen,
daar, in de poorten van Sions dochter.
Ik wil dansen van vreugde om redding door U!’
16
Jammerlijk zijn zij weggezakt, de natiën, in hun zelfgemaakte kuil,
hun voet verward in het net dat zijzelf zo geniepig hadden gezet.
17
Zo zal men weten: Jehovah verschaft daadwerkelijk recht,
de wetteloze raakt verstrikt in hetgeen hij eigenhandig bewerkt. biggajon, sela
18
Kortom, die wettelozen keren rechtstreeks richting dodenrijk,
al die natiën die God zo gaarne vergeten.
19
Luister, de behoeftige wordt nimmer vergeten,
nooit zal de hoop van wie arm zijn vergaan.
20
O Jehovah, sta toch op,
opdat de macht niet gaat naar ‘mensen slechts’.
Mogen die natiën voor Uw aangezicht worden berecht.
21
O Jehovah, zet hun desnoods het mes op de keel.
De heidense volkeren dienen te weten:
‘mensen slechts’ zijn ook zij. sela
Psalm 10
Maar waarom, Jehovah, staat U zo veraf,
houdt U terug, met daardoor tijden van nood en ontbering?
2
Met gewetenloze hoogmoed brandt men los op de misdeelde,
ze zijn in de ban van ‘listen en lagen’, heel handig bedacht.
3
De gewetenloze geeft hoog op van zijn persoonlijke genoegens,
zijn zegen geldt het winstbejag.
Overduidelijk heeft hij Jehovah veracht,
4
want de gewetenloze, de neus arrogant in de lucht, kijkt nergens naar;
al zijn kwalijke spinsels hebben ‘God is er niet’ als gedachte.
5
En zo gaat hij voort in handel en wandel;
hoe verheven Uw oordelen zijn, ontgaat hem geheel,
allen die hem tegenstaan blaft hij verachtelijk af.
6
Hij zei bij zichzelf: ‘Mij kan toch niets gebeuren,
geen malheur immers, en dat al van geslacht op geslacht.’
7
En vloeken daarbij!
Stijf staat zijn mond van bedrog en intrige,
ongeluk en onrecht liggen paraat onder zijn tong.
8
Zo zet hij zich neer in dicht omheinde hinderlagen,
op verscholen plekken vermoordt hij wie totaal onschuldig is!
Richt zijn spiedend oog zich op zo’n stakker,
9
terwijl hij in zijn schuilplaats op de loer ligt,
als een leeuw in het kreupelhout, op de loer om een ellendige te vangen,
door zijn vangnet dicht te trekken vangt hij de ellendige.
10
Die zakt dan gebroken in elkaar,
gevallen, ten prooi aan zijn brute kracht – de stakkers.
11
Terwijl hij bij zichzelf feitelijk zei:
‘God? Die is het allang vergeten!
Die heeft Zijn gezicht verborgen, heeft nooit iets gezien.’
12
U echter wil ik smeken, Jehovah, sta toch op!
O God, hef op Uw hand,
vergeet niet wie ellendig zijn.
13
Waartoe leidt die gewetenloze godsverachting wel niet,
door wie bij zichzelf zei dat U ‘nergens naar kijkt’?
14
Vast en zeker zag U het, want die ellende en ontsteltenis
neemt U toch waar om het zelf ter hand te nemen?
Op U immers verlaat zich de stakker,
U was de wees toch tot hulp?
15
Welnu, verbreek de sterke arm van we doortrapt gewetenloos is,
met daarbij tevens het kwaad;
speur diens wetteloze sporen na tot U echt niets meer vindt
16
– Jehovah is Koning voor altijd en eeuwig,
de heidense volkeren zullen voorgoed zijn vergaan van Zijn aarde.
17
Zeker zult U luisteren, Jehovah, naar wat die misdeelden verlangen,
U bemoedigt hen, leent hun aandachtig het oor,
18
om recht te verschaffen aan de wees en aan de gekwelde.
Niet langer zal men dan nog proberen
om, waar ook op aarde, gewone mensen te terroriseren.
With thanks to Thamara van Eijzeren
Brenda Boerger (2024) translated psalms 9 and 10 into English and maintained the acrostic:
1 All my thanks I give you, Lord; And my heart says, “You’re adored.”
2 Accolades for all you’ve done, Ballads to Almighty One.
3 Blessedly foes flee in fright, Bad men die when you’re in sight.
4 Cleared name; so I am set free. Case closed for you act justly. Court says heathen are condemned!
5 D’feated, seething, in the end. Don’t consider them again. Dictate evil be wiped out;
6 Endless ruin in their house. Erased, gone hither. Amen.
7 Ever Yahweh, ruler, yes! Faithful rule in righteousness,
8 Fixed on earth your judgment throne: Filled with justice, yours alone.
9/10 God, you keep the battered safe. Glad hearts leap now toward your grace. Glorious Turret, be our host. High security; none lost.
11 Holy one enthroned in Zion. Heathens, hear us sing of God.
12 Ignoring not our troubled cries, It is true our God replies.
13 I say, Mercy! That’s my plea. Just pluck me from th’enemy. Justly come, deliver me!
14 Joyous, Zion-bound I stand Keeping praise sounds in our band; Keeping joy; saved by your hand!
15 Killers dig a hole, and bait it, Lured to roll into that same pit.
16 Lord, you showed your fair decrees Lies the wicked sowed they reaped. Men rejecting God must go: Must be destined for Sheol.
17 Make the needy hold to hope. Not concede or fold up. Nope.
18 Now, Lord Yahweh, raise your hand. Nullify the rebel band. Overwhelm with your great law. Only then, let their fate dawn—
19 Overawed and frightened men. Only light weights, mortal men.
❊ ❊ ❊ ❊
1 Please Yahweh, why far away? Persecuted day by day.
2 Pulling weaker ones aside. Patron, times are bleak. Why hide?
3 Quite proud, they love evil rot. Quarrel, say, “Above’s no God”.
4 Quickly impure ones all say,
“Quite sure we won’t have to pay. ”
5 Rebels cheer in all they do. Ruthless sneering at foes too.
6 Resolutely won’t withdraw; Ruling out King Yahweh’s law.
7 Speak assaults in lie, threat, curse; Speech is salted with set slurs.
8 Shadow-hid, they slink around, Search out victims to bring down. Traitors tear the innocent;
9 Terrify like tigers, rend. Trap the helpless, lie in wait;
10 Troll their net and dangle bait, Unaware ones feel the snare.
11 Until men judge God won’t care. Unaddressed ills stay ignored, Unseen still by Yahweh Lord.
12 Vict’ry, Yahweh, raise your hand. Vindicate us, take a stand.
13 Violent foes revile our God,
“Villains will not get the rod.”
14 Well aware, you see our grief;
We wait, trusting, for relief. Wise one rescues orphaned, poor. Wants to father them, restore.
15 Expunge all evil influence.
Exact their lull recompense.
Expose evil, wicked plans.
16 Yahweh, ever, you command; You drive heathens from your land.
17 Yahweh hears all our requests, Yields hope for the fatherless.
18 Zealous God lifts the oppressed. Zapped, our foes cannot cause fear. Zero hour for man is here.
Click or tap here to see the rest of this insight.
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme rare (られ) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, sa-rare-ru (去られる) or “leave/disappear” is used.
Translators of different languages have found different ways with what kind of formality God is addressed. The first example is from a language where God is always addressed distinctly formal whereas the second is one where the opposite choice was made.
Click or tap here to see the rest of this insight
Like many languages (but unlike Greek or Hebrew or English), Tuvan uses a formal vs. informal 2nd person pronoun (a familiar vs. a respectful “you”). Unlike other languages that have this feature, however, the translators of the Tuvan Bible have attempted to be very consistent in using the different forms of address in every case a 2nd person pronoun has to be used in the translation of the biblical text.
As Voinov shows in Pronominal Theology in Translating the Gospels (in: The Bible Translator2002, p. 210ff. ), the choice to use either of the pronouns many times involved theological judgment. While the formal pronoun can signal personal distance or a social/power distance between the speaker and addressee, the informal pronoun can indicate familiarity or social/power equality between speaker and addressee.
In these verses, in which humans address God, the informal, familiar pronoun is used that communicates closeness.
Voinov notes that “in the Tuvan Bible, God is only addressed with the informal pronoun. No exceptions. An interesting thing about this is that I’ve heard new Tuvan believers praying with the formal form to God until they are corrected by other Christians who tell them that God is close to us so we should address him with the informal pronoun. As a result, the informal pronoun is the only one that is used in praying to God among the Tuvan church.”
In Gbaya, “a superior, whether father, uncle, or older brother, mother, aunt, or older sister, president, governor, or chief, is never addressed in the singular unless the speaker intends a deliberate insult. When addressing the superior face to face, the second person plural pronoun ɛ́nɛ́ or ‘you (pl.)’ is used, similar to the French usage of vous.
Accordingly, the translators of the current version of the Gbaya Bible chose to use the plural ɛ́nɛ́ to address God. There are a few exceptions. In Psalms 86:8, 97:9, and 138:1, God is addressed alongside other “gods,” and here the third person pronoun o is used to avoid confusion about who is being addressed. In several New Testament passages (Matthew 21:23, 26:68, 27:40, Mark 11:28, Luke 20:2, 23:37, as well as in Jesus’ interaction with Pilate and Jesus’ interaction with the Samaritan woman at the well) the less courteous form for Jesus is used to indicate ignorance of his position or mocking (source Philip Noss).
In Dutch and Western Frisian translations, however, God is always addressed with the formal pronoun.
In verses 5-6 the psalmist turns his thoughts to Israel’s enemies, the heathen. He is so confident that God will do it that he speaks of their total annihilation and the destruction of their cities as an accomplished fact. God has “condemned” (Good News Translation) them, literally rebuked them (also 68.30; 119.21). The context requires more than the rather mild idea of chiding or admonishing. Kirkpatrick defines Yahweh’s rebuke as “the effectual sentence of His wrath which carries its own execution with it.” Bible en français courant translates “threaten”; New Jerusalem Bible “You blast the nations.” See in 76.6 what God’s “rebuke” does.
In Hebrew verse 5 has two verbs in the first line and one verb in the second. God’s judgment of the heathen moves in each successive verb to greater intensification, from rebuke to destruction to total extermination, even down to the very name. The translator should represent this progressive intensification in his translation, in so far as the language enables him.
Rebuked the nations with the meaning of “condemned” is sometimes rendered “judged against.” As direct address it can be rendered “You have said to the heathen, ‘You are truly guilty.’ ”
The nations: see comments on 2.1. In English nations does not carry the distinctive connotation of the word used by the biblical writer, so something like Good News Translation “the heathen” is better; Bible en français courant has “these barbarians”; Biblia Dios Habla Hoy “the pagans.”
Since the Hebrew word for nations meant not only all the people and nations who were not Jews, but also carried connotations of worshiping false gods, it is often difficult in other languages to find an equivalent expression. In some versions translators have used “other nations with their false gods” or “nations serving false gods.” They are characterized as wicked and deserve punishment.
Their complete and permanent destruction is pictured vividly: thou hast blotted out their name for ever and ever. The verb blotted out (to wipe out, blot out, exterminate) means that in the future no one will even remember that these people had ever existed (see Deut 9.14; 29.20). It is better, with Revised Standard Version, to keep God as the actor in line b: “you have caused them to be forgotten for ever.” In order to retain the force of the original poetic expression, the translator is encouraged to use figurative language, provided that such expressions are natural in the receptor language. Some languages speak of “washing away the name,” “wiping away the name,” or “causing the name to melt away.”
Quoted with permission from Bratcher, Robert G. and Reyburn, William D. A Handbook on the Book of Psalms. (UBS Helps for Translators). New York: UBS, 1991. For this and other handbooks for translators see here .
The following are presentations by the Psalms: Layer by Layer project, run by Scriptura . The first is an overview, the second an introduction into the poetry, and the third an introduction into the exegesis of Psalm 9.
John Wu Ching-hsiung (1899-1986) was a native of Ningbo, Zhejiang, a renowned jurist who studied in Europe and the United States, and served as a professor of law at Soochow University, as a judge and the Acting President of the Shanghai Provisional Court, and as the Vice President of the Commission for the Drafting of the Constitution of the Republic of China, before becoming the Minister of the Republic of China to the Holy See. Wu has written extensively, not only on law but also on Chinese philosophy, and has also written his autobiography, Beyond East and West, in English. Wu was a devout Catholic and had a personal relationship with Chiang Kai-shek (1887-1975). Wu began translating the the Psalms in 1938, and was encouraged by Chiang to translate the entire New Testament, which he corrected in his own handwriting. (…) John Wu Ching-hsiung’s translation of the Psalms (first draft in 1946, revised in 1975) was translated into Literary Chinese in the form of poetic rhyme, with attention paid to the style of writing. According to the content and mood of the different chapters of the original psalm, Wu chose Chinese poetic forms such as tetrameter, pentameter, heptameter [4, 5 or 7 syllables/Chinese characters per stanza], and the [less formal] Sao style, and sometimes more than two poetic forms were used in a single poem. (Source: Simon Wong)
John Wu Ching-hsiung himself talks about his celebrated and much-admired (though difficult-to-understand) translation in his aforementioned autobiography: (Click or tap here to see)
“Nothing could have been farther from my mind than to translate the Bible or any parts of it with a view to publishing it as an authorized version. I had rendered some of the Psalms into Chinese verse, but that was done as a part of my private devotion and as a literary hobby. When I was in Hongkong in 1938, I had come to know Madame H. H. Kung [Soong Ai-ling], and as she was deeply interested in the Bible, I gave her about a dozen pieces of my amateurish work just for her own enjoyment. What was my surprise when, the next time I saw her, she told me, “My sister [Soong Mei-ling] has written to say that the Generalissimo [Chiang Kai-shek] likes your translation of the Psalms very much, especially the first, the fifteenth, and the twenty-third, the Psalm of the Good Shepherd!”
“In the Autumn of 1940, when I was in Chungking, the Generalissimo invited me several times to lunch with him and expressed his appreciation of the few pieces that he had read. So I sent him some more. A few days later I received a letter from Madame Chiang [Soong Mei-ling], dated September 21, 1940, in which she said that they both liked my translation of the few Psalms I had sent them. ‘For many years,’ she wrote, ‘the Generalissimo has been wanting to have a really adequate and readable Wen-li (literary) translation of the Bible. He has never been able to find anyone who could undertake the matter.’ The letter ends up by saying that I should take up the job and that ‘the Generalissimo would gladly finance the undertaking of this work.’
“After some preliminary study of the commentaries, I started my work with the Psalms on January 6, 1943, the Feast of the Epiphany.
“I had three thousand years of Chinese literature to draw upon. The Chinese vocabulary for describing the beauties of nature is so rich that I seldom failed to find a word, a phrase, and sometimes even a whole line to fit the scene. But what makes such Psalms so unique is that they bring an intimate knowledge of the Creator to bear upon a loving observation of things of nature. I think one of the reasons why my translation is so well received by the Chinese scholars is that I have made the Psalms read like native poems written by a Chinese, who happens to be a Christian. Thus to my countrymen they are at once familiar and new — not so familiar as to be jejune, and not so new as to be bizarre. I did not publish it as a literal translation, but only as a paraphrase.
“To my greatest surprise, [my translation of the Psalms] sold like hot dogs. The popularity of that work was beyond my fondest dreams. Numberless papers and periodicals, irrespective of religion, published reviews too good to be true. I was very much tickled when I saw the opening verse of the first Psalm used as a headline on the front page of one of the non-religious dailies.”
A contemporary researcher (Lindblom 2021) mentions this about Wu’s translation: “Wu created a unique and personal work of sacred art that bears the imprint of his own admitted love and devotion, a landmark achievement comparable to Antoni Gaudi’s Basilica of the Sagrada Família in Barcelona, Spain. Although its use is still somewhat limited today, it continues to attract readers for the aforementioned qualities, and continues to be used in prayers and music by those who desire beauty and an authentic Chinese-sounding text that draws from China’s ancient traditions.”
The translation of Psalm 9 from the 1946 edition is in heptameter (the 1946 edition did not have verse numbers either and underlined proper names):
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