18The length of the court shall be one hundred cubits, the width fifty, and the height five cubits, with hangings of fine twisted linen and bases of bronze.
The Hebrew, Aramaic and Greek that is translated as “cubit” or into a metric or imperial measurement in English is translated in Kutu, Kwere, and Nyamwezi as makono or “armlength.” Since a cubit is the measurement from the elbow to the tip of the middle finger, one armlength (measured from the center of the chest to the fingertips) equals two cubits or roughly 1 meter. (Source: Pioneer Bible Translators, project-specific translation notes in Paratext)
Similarly, in Akoose, the translation is “arm distance.” (Source: Joseph Nkwelle Ngome and Marlie van Rooyen & Jacobus A. Naudé in Communicatio 2009, p. 251ff.)
In Klao it is converted into “hand spans” (app. 6 inches or 12 cm) and “finger spans” (app. 1 inch or 2 cm) (source: Don Slager) and in Bariai into leoa or “fathom,” which comprises the distance from a person’s fingertip to fingertip with arms outstretched, app. 6 feet (source: Bariai Back Translation).
The Hebrew, Latin, Ge’ez, and Greek that is translated as “bronze” in English is translated in Newari as “bell-metal,” since bells are made of bronze in Nepal (source: Newari Back Translation).
The concepts of distance that are translated in English with “long,” “wide,” and “high/tall” are translated in Kwere with one word: utali. (Source: Pioneer Bible Translators, project-specific translation notes in Paratext)
Flax Linum usitatissimum, from which linen cloth is made, was cultivated in the Middle East, including Canaan, at least as early as 5000 B.C. A document from Gezer (in Israel) from around King Saul’s time (1000 B.C.) refers to the cultivation of flax and states that flax and wool were the main materials for making cloth. According to Joshua 2:6, the Israelite spies were hidden under flax stalks by Rahab. Flax was grown extensively in Egypt and made into cloth and mats.
Pesheth and pishtah are probably the original Hebrew words for flax, if indeed the plant was domesticated in the Holy Land, as Zohary (Plants of the Bible. Cambridge University Press, 1982) proposes. They may be related to the word pashat, meaning “to strip off” or “to flay,” or to the word pasas, meaning “to disintegrate.” Pesheth and pishtah are used twenty times in the Old Testament, twice referring clearly to the plant itself (Exodus 9:31; Joshua 2:6). Other references are to the processed flax (Judges 15:14 et al.). A few cases refer to finished products, namely wicks (Isaiah 42:3 et al.), cords (Ezekiel 40:3), and items of clothing (Jeremiah 13:1 et al.).
It is likely that the Hebrews acquired the word shesh from the Egyptians during their sojourn in Egypt, since flax was cultivated there also. The Egyptian word for flax was shent (via shen-suten). Shesh is used thirty-eight times in the Old Testament: for the material that Pharaoh put on Joseph, for the Tabernacle curtains and hangings in Exodus, for the ephod, and for the priests’ tunics. The wise woman of Proverbs 31:22 wears it. In Ezekiel 16:10 et al. it is paired with silk, and in Ezekiel 27:7 “shesh from Egypt” is spoken of as material for the sails of ships.
Several references to linen use the Hebrew word bad. In Exodus 28:42 the priests’ underwear are made from bad, and it is used thereafter in Leviticus to describe various items of clothing—coat, breeches, girdle, and turban. It turns up again in Samuel’s and King David’s “ephods” and then again in Ezekiel and Daniel, where we see visions of “a man clothed in bad.”
Linen is referred by the Hebrew word buts in 1‑2 Chronicles, Esther, and Ezekiel, where the robes of the Temple choir, kings, and rich men are described.
The Old Testament has some references to the Hebrew word sadin (“linen garment”): Judges 14:12 (Samson promises them to his opponents), Proverbs 31:24 (the wise woman makes them), and Isaiah 3:23 (the rich women of Jerusalem wear them). The Septuagint uses the Greek word bussos or sindōn in these passages.
The Hebrew word ’etun occurs only in Proverbs 7:16, where it refers to a linen bedspread from Egypt.
In the New Testament there are three primary Greek words for linen: linon/linous, sindōn, and othonē/othonion. Linon is used to refer to garments of the angels in Revelation 15:6 as well as to the “smoldering wick” in Matthew 12:20. The synoptic Gospel writers refer to the linen cloth that Joseph and Nicodemus used to wrap Jesus’ body as a sindōn. Mark uses the same word to refer to the cloth that was worn by the unidentified young man at the time of Jesus’ arrest (Mark 14:51f.). John uses a different Greek word for Jesus’ burial cloths: othonion.
The rich man referred to in the Lazarus story (Luke 16:19) is clothed in “fine linen” (bussos). The Greek word bussos is the root word for bussinos, which refers to tunics, robes and turbans made from linen fabric (Revelation 18:12 et al.).
Flax is a little taller than a sesame plant, about a meter (3 feet) tall. Its leaves are narrow and the flowers are bright blue with five petals. The seed capsule contains oil that is used for cooking and also for thinning paint. After flax ripens, the plants are uprooted and the stalks are left to dry for a while. The stalks are then soaked, dried, and beaten to separate the fibers, which are then combed and woven into cloth.
Linen cloth was relatively costly in Israel, and being light and easy to dye it was highly valued. Their priests wore linen garments to combat sweating (see Ezekiel 44:18). They had to remove these holy garments when they left the Temple, “lest they communicate holiness to the people” (Ezekiel 44:19). The high esteem given to linen by the Jews is shown also by the fact that they used it for burying the dead, and we are told that the Dead Sea Scrolls were wrapped in linen cloths. However, the flax plant was special in other ways. The crushed stalks of flax plants were also used for making rope and lamp wicks. The seed was used for oil.
Today flax is raised more for the oil that comes from the seeds (called linseed oil) than for the fibers, although flax stalks are also made into special kinds of paper.
Metaphorical uses of flax are relatively few in the Bible, and all suggest the weakness of the material. In Judges 15:14 flax fiber is used as a simile for Samson’s fetters (they snapped like linen thread). Isaiah 42:3 says the Messiah will be gentle with weak people (“a dimly burning wick [pishtah] he will not quench”), in contrast to the typical iron-fisted tyrants of the day. Isaiah 43:17 describes the fate of the Babylonian enemies: they will be snuffed out “like a wick [pishtah].”
Linen cloth (or other cloth with a similar name) is surprisingly widespread. Cloth merchants in the translators’ area may know it under a trade language name, and if so, that can be used.In some places it is used only for burying people. In that case, if it is used in translation at all, the difference in culture should be explained in a footnote. Since linen is bleached white, a generic phrase such as “beautiful white cloth” can be considered in many places. In the three metaphorical passages mentioned above, an appropriate cultural image may be substituted, or an adverb expressing weakness or fragility.
Following are a number of back-translations as well as a sample translation for translators of Exodus 27:18:
Kupsabiny: “That compound should be having a length of forty five meters, a width of twenty two and a half meters and going up seven feet and a half. And its curtains should be from an expensive cloth and woven. And the things where it stands on should be of bronze.” (Source: Kupsabiny Back Translation)
Newari: “The courtyard must be a hundred cubits long and fifty cubits wide. And the height must be five cubits. The curtain must be of fine linen and bases of bronze.” (Source: Newari Back Translation)
Hiligaynon: “‘The whole measurement of the courtyard/yard is about 150 feet long and about 75 feet wide. It was-surrounded with a linen curtain, that was seven and a half feet high. Its posts are-set-inside/are-inserted-into bronze bases.” (Source: Hiligaynon Back Translation)
Bariai: “This fence’s length will amount to twenty-five fathoms. And its width will amount to twelve and a half fathoms. Make all the fence’s cloths from good cloths. And the height of the fence will amount to one fathom and an [extra] part extending for 18 inches (lit. our[incl] elbow’s bending). And make its post bases from bras.” (Source: Bariai Back Translation)
Opo: “Thus width of big of fence will be joint of hand which be 100, and width of its small will be joint of hand which be 50, and its height will be joint of hand five. you will hang cloth which they make with flax cloth, and you will erect it in hole which they pound with metal red.” (Source: Opo Back Translation)
English: “The whole courtyard, from the east entrance to the west end, must be 50 yards/44 meters long, and the curtains that enclose it must be 7-1/2 feet/2.3 meters high. All the curtains must be made of fine linen, and all the bases under the posts must be made of bronze.” (Source: Translation for Translators)
The length of the court refers to the distance of the open area, or courtyard, from the entrance at the east end to the far end at the west. A hundred cubits makes it about “50 yards long” (Good News Translation), or “44 meters.” The breadth fifty is literally “fifty on fifty,” which means that it was to be fifty cubits at each end from the north side to the south side. This makes it about “25 yards wide” (Good News Translation) or “22 meters.” And the height five cubits means that the curtained “enclosure” surrounding the courtyard was to be “2½ yards high” (Good News Translation) or “2.2 meters.”
With hangings of fine twined linen is literally “fine linen twisted.” The words with hangings of are not in the Hebrew but are added for clarity, referring to the hangings, or “curtains,” mentioned in verse 9. In languages that do not use the passive voice, one may say “Make the curtains out of fine linen” or “Use fine linen thread to weave the curtains.”
And bases of bronze refers to the bases for the posts in verse 17. Since it is repetitive, some translations omit it. Good News Translation‘s model gives the wrong impression that the bronze bases are for the curtains. Depending on what is natural style in a receptor languages, translators may keep this phrase or omit it.
Quoted with permission from Osborn, Noel D. and Hatton, Howard A. A Handbook on Exodus. (UBS Helps for Translators). New York: UBS, 1999. For this and other handbooks for translators see here .
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