
Drawing by Ismar David from Charles L. Allen, 1961.
For other images of Ismar David drawings, see here.
נַפְשִׁ֥י יְשׁוֹבֵ֑ב יַֽנְחֵ֥נִי בְמַעְגְּלֵי־צֶ֝֗דֶק לְמַ֣עַן שְׁמֽוֹ׃
3he restores my soul.
He leads me in right paths
for his name’s sake.

Drawing by Ismar David from Charles L. Allen, 1961.
For other images of Ismar David drawings, see here.
The Hebrew, Greek, Ge’ez, and Latin that is translated as “soul” in English is translated in Chol with a term that refers to the invisible aspects of human beings (source: Robert Bascom), in Yagaria with oune or “shadow, reflection” (source: Renck, p. 81), and in Elhomwe as “heart” (source: project-specific translation notes in Paratext).
The Mandarin Chinese línghún (靈魂 / 灵魂), literally “spirit-soul,” is often used for “soul” (along with xīn [心] or “heart”). This is a term that was adopted from Buddhist sources into early Catholic writings and later also by Protestant translators. (Source: Zetzsche 1996, p. 32, see also Clara Ho-yan Chan in this article )
In Chichewa, moyo means both “soul” and “life.” (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
See also heart, soul, mind.
The following is a representation of Psalm 23 in Southern Altai by Aidin Kurman with traditional throat singing:
Provided by Bronwen Cleaver
See also Psalm 90 in Southern Altai throat singing and Jonah in Southern Altai throat singing.
Following are a number of back-translations as well as a sample translation for translators of Psalm 23:3:
David Powlison (1949–2019) once inverted Psalm 23 in English to portray what life feels like and looks like whenever God vanishes from sight. He called it AntiPsalm 23.
I’m on my own.
No one looks out for me or protects me.
I experience a continual sense of need. Nothing’s quite right.
I’m always restless. I’m easily frustrated and often disappointed.
It’s a jungle — I feel overwhelmed. It’s a desert — I’m thirsty.
My soul feels broken, twisted, and stuck. I can’t fix myself.
I stumble down some dark paths.
Still, I insist: I want to do what I want, when I want, how I want.
But life’s confusing. Why don’t things ever really work out?
I’m haunted by emptiness and futility — shadows of death.
I fear the big hurt and final loss.
Death is waiting for me at the end of every road,
but I’d rather not think about that.
I spend my life protecting myself. Bad things can happen.
I find no lasting comfort.
I’m alone . . . facing everything that could hurt me.
Are my friends really friends?
Other people use me for their own ends.
I can’t really trust anyone. No one has my back.
No one is really for me — except me.
And I’m so much all about ME, sometimes it’s sickening.
I belong to no one except myself.
My cup is never quite full enough. I’m left empty.
Disappointment follows me all the days of my life.
Will I just be obliterated into nothingness?
Will I be alone forever, homeless, free-falling into void?
Sartre said, “Hell is other people.”
I have to add, “Hell is also myself.”
It’s a living death,
and then I die.
Quoted by Justin Taylor
Following are a number of translations of Psalm 23 into metre from a number of languages in the British Isles.
The English translation by George Herbert (publ. 1633)
The God of love my shepherd is,
And He that does me feed:
While He is mine, and I am His,
What can I want or need?
He leads me to the tender grass,
Where I both feed and rest;
Then to the streams that gently pass:
In both I have the best.
Or if I stray, He does convert
And bring my mind in frame:
And all this not for my dessert,
But for His holy name.
Yea, in death’s shady black abode
Well may I walk, not fear:
For You are with me; and Your rod
To guide, Your staff to bear.
Nay, you do make me sit and dine,
Ev’n in my enemies’ sight:
My head with oil, my cup with wine
Runs over day and night.
Surely Your sweet and wondrous love
Shall measure all my days;
And as it never shall remove,
So neither shall my praise.
Yr Arglwydd yw fy ’mugail clau,
ni âd byth eisiau arnaf:
Mi a gâf orwedd mewn porfa frâs,
ar lan dwfr gloywlas araf.
Fe goledd f’enaid,
ac a’m dwg rhyd llwybrau diddrwg cyfion,
Er mwyn ei enw mawr dilys
Fo’m tywys ar yr union.
Pe rhodiwn (nid ofnwn am hyn)
yn nyffryn cysgod angau,
Wyd gyda mi, a’th nerth,
a’th ffon, ond tirion ydyw’r arfau:
Gosodaist fy mwrdd i yn frâs,
lle’r oedd fy nghâs yn gweled:
Olew i’m pen, a chwppan llawn,
daionus iawn fu’r weithred.
O’th nawdd y daw y doniau hyn
i’m canlyn byth yn hylwydd:
A minnau a breswyliaf byth
a’m nyth yn nhy yr Arglwydd.
© British and Foreign Bible Society
Is é Dia féin is áodhaire dhamh,
Aon easbhuidh orm ni bhíaidh.
Do bheir se orm go luighím sios,
A ninbhir fhéir mhínlígh:
A’s fós re taobh na nuisgeadhuidh,
Ag siubhal sios go mall,
Ata se do mo threórughadh,
Go mín réidh ann ’sgach ball.
Aiseógair m’anam dhamh air ais:
Treorochuigh se mo chéim
A slighe ghlan na fíréuntacht,
Do bhrigh dheagh‐anma féin.
Seadh fós, da siubhlóchuin eadhon thríd,
Glean dhorcha sgáil’ an bháis,
Aon olc na urchóid theacht oram,
Ni heagal liom ’sní cás;
Do bhrigh go bhfuil tu leam do ghnáth;
Do lorg ’sdo mhaide tréun,
Atáid ag tabhárt cómhfhurtacht
A’s fuasgladh dhamh a m’fheidhm.
Gléusfa tu bórd a radhárc mo nam’d:
Le hola d’úng mo cheann;
A taosgadh ta mo chupán fós,
Ag meud an lainn tá ann.
Ach leanfuidh maith a’s trócair diom,
A’n fhaid a bhias me beó;
A’s cómhnochad a náras Dé,
Air feadh mo ré, ’smo ló.
Digitized by Bible Societies in Ireland with the help of MissionAssist
Yn Chiarn eh-hene nee mish y rere,
Tra ta mee huggey geam;
Yn bochill mie nee goaill kiarail,
Nagh bee’m dy bragh ayns feme.
Ayns faiyr meenure as lane dy vlaa,
T’eh kinjagh fassagh mee;
Reesht m’y leeideil gys fynneraght,
Yn raad ta geillyn roie.
My chree waggântagh t’eh chyndaa,
Er graih e ennym hene;
As gynsagh mee cre’n aght dy hooyl,
Ayns raaidyn jeeragh, glen.
Ga dy beïn shooyl ayns coan y vaaish,
Cha bee’m ayns dooyt erbee;
Dty ’latt, dty lorg nee m’y endeil,
As kinjagh gerjagh mee.
Neayr’s ta my Yee jeh mooad’s e ghraih,
Er reayll my vea ass gaue;
Yn vea shen neem’s y hymney da,
As ayns e hiamble ceau.
© British and Foreign Bible Society
Is e Dia fhèin as buachaill dhomh,
cha bhi mi ann an dìth.
Bheir e fa-near gu’n laighinn sìos
air cluainean glas’ le sìth:
Is fòs ri taobh nan aibhnichean
thèid seachad sìos gu mall,
A ta e ga mo threòrachadh,
gu mìn rèidh anns gach ball.
Tha ’g aisig m’anam dhomh air ais:
’s a treòrachadh mo cheum
Air slighean glan’ na fìreantachd,
air sgàth dheagh ainme fhèin.
Seadh, fòs ged ghluaisinn eadhon trìd
ghlinn dorcha sgàil a’ bhàis,
Aon olc no urchuid a theachd orm
chan eagal leam ’s cha chàs;
Air son gu bheil thu leam a-ghnàth,
do lorg, ’s do bhata treun,
Tha iad a’ tabhairt comhfhurtachd
is fuasglaidh dhomh am fheum.
Dhomh dheasaich bòrd air beul mo nàmh:
le ola dh’ung mo cheann;
Cur thairis tha mo chupan fòs,
aig meud an làin a th’ann.
Ach leanaidh maith is tròcair rium,
an cian a bhios mi beò;
Is còmhnaicheam an àros Dhè,
ri fad mo rè ’s mo lò.
© 1992, 2016 Comann Bhìoball na h-Alba (Scottish Bible Society)
E’en as a shepherd tents his sheep,
The Lord for me doth fend;
He mak’s me rest, whaur pasture’s best,
And wimplin’ waters wend.
Sood my soul ail, He mak’s it hale
And airts my feet to gang,
For His name’s sake, the bonny gait,
Whaur’s nocht o’ ill or wrang.
Whaun I am boon to traivel doon
The mirky Glen o’ Daith,
Nae dreid I bruik, His stave and crook
Sal haud me free o’ skaith.
Wi’ ample fare Thou dost prepare
My board, while faemen glow’r;
Wi’ eintment fine my heid dis shine,
My bicker’s skailin’ ow’re.
Guidness and mercy a’ my days
Are siccar at my side;
And in God’s hame I’ll be fu’ fain
For evermair to bide.
Digitized by MissionAssist
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way to do this is through the usage (or a lack) of an honorific prefix as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. When the referent is God, the “divine” honorific prefix mi- (御 or み) can be used, as in mi-na (御名) or “name (of God)” in the referenced verses.
(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme are (され) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, michibik-are-ru (導かれる) or “lead/guide” is used.
(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )
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