This is a contemporary tempera/gouache on leather painting by an unknown Ethiopian artist. Source: Sacred Art Pilgrim website .
The following is a stained glass window in the Sacred Heart Cathedral in Chiang Mai, Thailand, depicting Adam and Eve being banished from Eden:
Photo by Jost Zetzsche
Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )
The Hebrew, Ge’ez, and Greek that is translated into English as “garden” is translated into Naskapi with a word that means “a place for things to grow.”
Doug Lockhart (in Word Alive 2013 ) explains: “‘Garden’ was another term that had no Naskapi equivalent. ‘There are no gardens here,’ Bill [Jancewicz, a translation consultant] explains. ‘So what word do you use for ‘Garden of Eden,’ and have it communicate something logical in Naskapi? We finally came up with a word that means ‘a place for things to grow,’ like a park.'”
The Hebrew, Latin and Greek that is translated in English as “Lord God” or “Lord God” encountered an issue in Tok Pisin. Norm Mundhenk explains why (in The Bible Translator 1985, p. 442ff. ):
“I am not aware of any serious objections to either the word God [for “God”] or Bikpela [for YHWH] alone. However, when trying to translate the expression ‘the Lord God,’ the translators first tried to use Bikpela God. But Bikpela is also an adjective meaning ‘big’ and in the expression Bikpela God, it would usually be understood as “Big God,’ as though there were other smaller gods around also.
“In the Old Testament, as the recent articles have clearly pointed out, the English word ‘Lord‘ often stands for the Hebrew name of God, YHWH, which is usually spelled these days as Yahweh. With this in mind, the name Yawe was tried in Tok Pisin, but it was felt that most readers did not connect this strange name with God. Eventually, we decided to keep Bikpela, but to translate ‘Lord God’ as God, Bikpela, literally ‘God, the Lord.’
“The reason for this decision was really only that the words could be used naturally in this order, without the problem of giving a wrong meaning which we had when putting Bikpela first. It was not until some people asked if it was right to ‘turn around’ the name and the title in this way that we realized that there was really a deeper reason for doing what we did. In fact, for most speakers of Tok Pisin, God is the only God they know, and it seems likely that God is understood as the personal name of God, rather than as a class name. Bikpela, on the other hand, is a class name — there can be more than one Bikpela, though it is recognized that God is the greatest of them and there is no confusion when he is referred to simply as Bikpela. Thus, in Hebrew an expression like ‘YHWH, the God of Israel,’ has the personal name first, followed by the class name explaining who he is. And we have exactly the same situation in Tok Pisin when we say God, Bikpela bilong Isrel. I suspect that in many other languages which have borrowed the word ‘God,’ we might find that it has been borrowed basically as a personal name, rather than as a class name.”
The name that is transliterated as “Jacob” in English means “he will supplant,” “he that follows after,” “a heeler,” “one who trips up,” “takes hold by the land.” (Source: Cornwall / Smith 1997 )
It is translated in Spanish Sign Language with a sign that signifies “lentil,” referring to the soup he gave his brother in exchange for his birthright (see Genesis 25:34). Note that another Spanish Sign Language sign for Jacob also users the sign for Jewish. (Source: Steve Parkhurst)
In Finnish Sign Language it is translated with the signs signifying “smooth arm” (referring to the story starting at Genesis 27:11). (Source: Tarja Sandholm)
3:1 In the garden that Yahweh created there were many animals. Out of all the animals, there was one very cunning creature compared to a serpent who was very deceitful.
It happened that the man and the woman were walking in the garden and the serpent approached them and spoke to them cunningly. To the woman he said, “Did Yahweh really say, ‘You must not eat from any fruit tree in the garden’?”
3:2 The woman replied to the serpent, “No, Yahweh gave us all the trees in the garden to eat from.
3:3 But there is one tree in the middle of the garden whose fruit we must not eat nor touch. If we do, our lives will be ruined and there will be death thereafter.
3:4 The serpent said to the woman, “‘Your lives will be ruined and you will die thereafter?’ Ha. No, you will not die.
3:5 Yahweh knows that when you eat from this tree your eyes will be opened and you will become enlightened. Yahweh knows good and evil, if you know good and evil you will become like God.”
3:6 The woman looked at the tree with its many fruits with desire. The fruits were pleasing to her eyes and aroused her desire for wisdom. She picked the fruit and ate it. She gave some of the fruit to her husband who also ate it.
3:7 Suddenly, their eyes were opened, they looked at themselves and realized that they were naked. They had transgressed. They tried to cover their bodies. They ran to find large fig leaves which they gathered and weaved together to hide their nakedness.
3:8 In the cool of the evening, Yahweh walked through the garden. The man and woman were still trying to cover their bodies when they heard his footsteps. The man and woman hid fearfully behind the trees.
3:9 Yahweh called to the man “Where are you? Why have you not come to me?”
3:10 The man emerged from behind the trees and answered Yahweh, “I heard you but because I was naked, I was afraid to come to you, so I hid behind the trees.”
3:11 And Yahweh replied, “Who told you that you were naked? Did you eat from the tree which I commanded you not to eat from?”
3:12 Ashamedly, the man replied, “It was the woman you created from my rib to be my companion who picked the fruit from the tree and gave it to me to eat.”
3:13 And Yahweh said to the woman, “What have you done?”
Fearfully, the woman emerged from the trees and replied, “It was the serpent who deceived me. I fell for his trick and ate the fruit from the tree.”
3:14 And Yahweh looked at the serpent and cursed it saying, “Above all the animals, all livestock and wild animals, you are the least. You will be punished by remaining low and crawling on your belly in the dust, you will breathe dust for the rest of your life.
3:15 The serpent and the woman will be enemies; your offspring will be enemies. One of her descendants will crush your head and you will bite his feet.”
3:16 To the woman Yahweh spoke, “For the rest of your life you face struggles and hardship, you will suffer severe childbearing, severe labor and the burden of child rearing will be hard. You will desire a husband as your partner, but your husband will rule over you.”
3:17 To the man Yahweh spoke, “I commanded you not to eat from the tree, but you listened to your wife and ate it. For the rest of your life, you will face struggles and hardship. You will work hard to plow the land for food
3:18 but the soil will produce thorns and weeds that will ruin your crops.
3:19 You will sweat and work hard to gather food for the rest of your life. When your body dies it will break down and return to the dust from which it came. I, Yahweh, created man from dust and to the dust you will return.”
3:20 The man Adam named the woman Eve because she would become the mother of all the living. Eve.
3:21 Yahweh made clothes from animal skin and clothed them.
3:22 And Yahweh said to them, “You have eaten from the tree and transgressed. Now you are like us; you know good and evil. If one eats from the tree of life they will live forever. If you also eat from the tree of life, you will live forever. This cannot be allowed, you must leave.”
3:23 In the garden where they were, Yahweh sent them away. The same soil that Yahweh created human from is the same soil Adam will plow and toil laboriously.
3:24 They left the garden walking towards the East. When they left Yahweh commanded the heavenly beings to guard the tree of life on either side. In the center he placed a sword of fire flashing back and forth. Adam and Eve will never be able to return, the garden remains guarded.
Back-translation by Amakedia Wallen, coordinated by Tashi Widmer
Following are a number of back-translations as well as a sample translation for translators of Genesis 3:23:
Kankanaey: “So God then caused- them -to leave the good land at Eden so-that they would go work the soil, because soil just the same is what God previously used-in-making the body of the man.” (Source: Kankanaey Back Translation)
Newari: “So the LORD God cast the man out of the garden of Eden to cause them to do work in the earth that he had made for them.” (Source: Newari Back Translation)
Hiligaynon: “So the LORD God caused- him -to-leave from the garden of Eden to farm the soil/land from which he came-from.” (Source: Hiligaynon Back Translation)
English: “So Yahweh God expelled the man and his wife from the garden of Eden. Yahweh God had created Adam from the ground, but now he forced him to till that ground so that he could grow food to eat.” (Source: Translation for Translators)
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Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme are (され) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, s-are-ru (される) or “do/make” is used.
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