In Gbaya, the notion of a liquid being released with great force is emphasized in the referenced verses with kput-kput, an ideophone that refers to the gushing forth of a liquid.
Ideophones are a class of sound symbolic words expressing human sensation that are used as literary devices in many African languages. (Source: Philip Noss)
See also fountain.
The Greek in James 3:11 that is translated into English as “fresh water and bitter (or: brackish) water” is translated into Yatzachi Zapotec as “sweet water and hard water” and in Mezquital Otomi as “clean water and water that is bitter” (source: Ellis Deibler in Notes on Translation July, 1967, p. 5ff.).
Following are a number of back-translations of James 3:11:
- Uma: “Is there also a spring that brings-forth plain/clear water and bitter water too?” (Source: Uma Back Translation)
- Yakan: “Does stale/tasteless water and good water spring together from one/the same spring? Certainly not.” (Source: Yakan Back Translation)
- Western Bukidnon Manobo: “If, for example, there is a well, it’s not possible for both good water and bitter water to come from there.” (Source: Western Bukidnon Manobo Back Translation)
- Kankanaey: “Is it indeed-the-case (RQ implying of course not) that there is even one spring from-which-comes-out good and brackish water?” (Source: Kankanaey Back Translation)
- Tagbanwa: “For from a single spring does water spring which is good and bad-tasting? Of course not.” (Source: Tagbanwa Back Translation)
- Tenango Otomi: “Now where there springs forth water, there cannot come up good water where there comes up water that is bitter.” (Source: Tenango Otomi Back Translation)
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