Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )
The term that is transliterated as “Stephen” in English is translated in American Sign Language with a sign that combines “S” and the sign for “stoned” or “rocks,” referring to Acts 7:58. (Source: Ruth Anna Spooner, Ron Lawer)
“Stephen” in American Sign Language, source: Deaf Harbor
In Spanish Sign Language it is translated with a signs for “see” + “heaven” + “open,” referring to Acts 7:55. (Source: Steve Parkhurst)
The following is a contemporary stained glass window from the Messiah Episcopal Church in St. Paul, Minnesota by Peter Dohmen. Individual glass pieces were made in Germany in accordance with Dohmen’s design, using a technique first developed by Irish monks in the 9th and 10th centuries.
“This window on the east wall of the sanctuary shows us St. Stephen, the first martyr to give his life for Christ. Faith and loyalty are symbolized in the top panel by the cross. You will notice that Stephen’s eyes are turned toward heaven and we recall his words: ‘I see the heavens opened and the Son of Man standing at the right hand of God!’ The bottom section depicts the martyrdom of this great saint who was only in deacon’s orders when he met his death by stoning.”
Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )
The names that is transliterated as “Sarai” and “Sarah” in English mean “contentious,” “quarrelsome,” “my princesses” (Sarai) and “princess,” “chieftainness,” “noblewoman” (Sarah) (Source: Cornwall / Smith 1997 )
It is translated in Spanish Sign Language with the sign depicting coins on a headband, referring to women from the Middle East and North Africa who wear a headband decorated with small coins. (Source: Steve Parkhurst)
The Hebrew that is transliterated as “Rachel” in English is translated in Spanish Sign Language with a sign that signifies the eyelashes, referring to “beautiful eyes” as the opposite of Leah (see Genesis 29:17). (Source: Steve Parkhurst)
The Hebrew, Ge’ez, and Greek that is transliterated as “Baruch” in English is translated in Spanish Sign Language with a sign depicting “Assistant to Jeremiah,” referring to Jeremiah 36:4 et al. For Jeremiah as the “crying prophet” in sign language translation, see here. (Source: Steve Parkhurst)
The Greek that is transliterated as “Herod (Antipas)” in English is translated in Spanish Sign Language with the sign for king and and a sign depicting cutting off the head (of John the Baptist), referring to Matthew 14:10 et al. (Source: Steve Parkhurst)
In American Sign Language it is translated with the sign for “government/governor” plus the sign for “P” with a circular movement. The reference to government indicates Pilate’s position of authority in the Roman Empire. (Source: Ruth Anna Spooner, Ron Lawer)
“Pilate” in American Sign Language, source: Deaf Harbor
The Greek that is transliterated as “Nicodemus” in English is translated in Mandarin Chinese as Nígēdémù (尼哥德慕) in the Protestant tradition. This is an unremarkable transliteration if it were not for the transliteration that was used until a revision of the Union Version in 1988: Nígēdǐmǔ (尼哥底母) which could also be read as “mother of Ni’s older brother,” and which had become one of the most often-cited examples in calls for a revision. (Source: Zetzsche)
In Spanish Sign Language it is translated with with the signs for “thinking” and “bearded one” (the latter is used for “Pharisees”). (Source: Steve Parkhurst)
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