large lyre / harp

The musical instrument that is most often translated as “harp” or “large lyre” in English is translated in the following ways:

  • Chichewa Contempary Chichewa translation, 2002/2016: “two stringed instrument” (source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
  • Hiligaynon: “instruments which have strings to praise you,” “beautiful to-be-listened-to instruments,” or kudyapi (source: Hiligaynon Back Translation)
  • Newari: sarəngi (source: Newari Back Translation)
  • Adilabad Gondi: karnaat (source: Adilabad Gondi Back-Translation)
  • Nyakyusa-Ngonde: zeze (source: Nyakyusa-Ngonde back translation)
  • Mairasi: kecapi (“like a ukulele”) (source: Enggavoter 2004)
  • Natügu: “ukulele” (source: Brenda Boerger in Open Theology 2016, p. 179ff. )
  • Cherokee: “musical instrument made of suspended wires” (source: Bender / Belt 2025, p. 16)

In the UBS Helps for TranslatorsHuman-made Things in the Bible (original title: The Works of Their Hands: Man-made Things in the Bible) it says the following:

Description: The exact identification of the nevel is very problematic. Some take it to be a kind of harp. The harp consisted of a neck projecting out of a soundbox. Strings were stretched from the extremity of the neck down its length and into the sound box. The body of the harp was made of wood and its strings of animal intestines (perhaps from sheep). The number of strings varied.

Others place the nevel in the category of lyres, where the strings are stretched over top of and parallel to the soundbox. While this is the interpretation preferred here, we will discuss the harp-type of instrument, since the identification is problematic and many translations have preferred “harp” for nevel.

Usage: The strings were plucked either with the fingers or with a thin piece of ivory or metal to give a resonating sound, probably in a lower register than that made by the kinor.

Translation: In several Psalms (33.2; 92.3; 144.9), the nevel is linked to the Hebrew word ‘asor, which could indicate it was “ten-stringed.”

Some degree of cultural adaptation must be made in the translation of these stringed instruments since cultures differ from each other in the shape, the number of strings, and the function of their instruments. Translators will have to select an equivalent instrument in the receptor language. In most passages the most accurate translation for nevel will be “guitar” or some equivalent medium-sized stringed instrument on which the strings are stretched over a sound box and are plucked.

In those passages where nevel and kinor appear together it is recommended that the translator use an instrument that can vary in size and then render the two words as “large and small X,” for example, “large and small guitars.” Alternately, it may be possible to select two stringed instruments that are similar in construction but different in size, for example, “guitar and lute.” It is also possible to say “large and small stringed instruments” or to combine the two, saying “stringed instruments.”

Psalms 33:2: “Praise the LORD with the lyre” (New Revised Standard Version, updated edition) contains two major translation problems. The first problem is that in many languages, the phrase “with the lyre” must be changed into a verb phrase or clause; for example, the whole line may be rendered “Praise the LORD by playing music on the lyre” or “Make music with the lyre, and praise the LORD.” The second problem, which applies also to the second line of this verse, is the terms to be used for the musical instruments here. In languages in which there are several stringed instruments, translators may use one of the smaller ones for kinor (“lyre”) and a larger one for nevel (“harp” in New Revised Standard Version, updated edition). In languages where there is little or no choice, they should use the known local stringed instrument for the kinor, and a more generic expression for the nevel. Where there are no known stringed instruments, it will often be necessary to say “small instruments with strings” for kinor and “large instruments with strings” for nevel.

Harp (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)

Quoted with permission.

complete verse (Amos 5:23)

Following are a number of back-translations as well as a sample translation for translators of Amos 5:23:

  • Kupsabiny: “Do not shout to me through your songs/dances,
    and do not let even your lyres sound to me.” (Source: Kupsabiny Back Translation)
  • Newari: “Keep the terrible noise of your worship songs far away from me.
    I don’t want to listen to the melodies of your harps.” (Source: Newari Back Translation)
  • Hiligaynon: “[You (plur.)] stop now your (plur.) noisy/annoying songs. I do not want to listen to the sound of your (plur.) harps.” (Source: Hiligaynon Back Translation)

formal 2nd person plural pronoun (Japanese)

Click or tap here to see the rest of this insight.

Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way Japanese shows different degree of politeness is through the choice of a formal plural suffix to the second person pronoun (“you” and its various forms) as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. In these verses, anata-gata (あなたがた) is used, combining the second person pronoun anata and the plural suffix -gata to create a formal plural pronoun (“you” [plural] in English).

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

1st person pronoun referring to God (Japanese)

Click or tap here to see the rest of this insight.

Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way Japanese shows different degree of politeness is through the choice of a first person singular and plural pronoun (“I” and “we” and its various forms) as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. The most commonly used watashi/watakushi (私) is typically used when the speaker is humble and asking for help. In these verses, where God / Jesus is referring to himself, watashi is also used but instead of the kanji writing system (私) the syllabary hiragana (わたし) is used to distinguish God from others.

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

See also pronoun for “God”.

Translation commentary on Amos 5:23

The grammatical form of the imperative (take away) in this sentence is singular. However, the command should be understood as addressed to all and should be translated in most languages as spoken to many people.

Take away from me the noise of your songs/Stop your noisy songs. It must be clear in the translation that the singing is a part of the religious worship, part of the festival. The context may be enough to make this clear, but if not, some possibilities are “Stop the noisy songs of your worship” or “Stop trying to worship me with noisy singing.” English has other ways of expressing the meaning of this command: “Away with your noisy songs!” (New American Bible), “No more of your hymns for me!” (Moffatt), “Spare me the sound of your songs” (New English Bible). In some other languages it would be better to translate instead “Go away with the noise of your songs,” “Stop singing your noisy songs,” “Stop bothering me with the noisy singing which you use to worship me.” In some languages the expression may be close to the Hebrew: “the noise you make by singing (or: when you sing).”

To the melody of your harps (Hebrew: lutes) I will not listen/I do not want to listen to your harps. Melody of or “music of” is not expressed in Good News Translation (compare Moffatt) because it is understood in English. In many languages one may have to speak of the “voice” or “sound” or “cry” or “noise” of musical instruments. In some languages will is expressed in the present: “I do not listen to.” After the nose (verse 21b) and the eyes (verse 22b) now the ears are closed.

The musical instrument mentioned here was probably what could be called a “lyre” or “lute” in English. It was a stringed instrument with different numbers of strings (up to ten) and with a sounding box at the top. Some degree of cultural adaptation must be made in translation, since cultures differ among each other in the shape, the number of strings, and the function of their instruments. One will have to select an equivalent instrument in the receptor language.

Quoted with permission from de Waard, Jan & Smalley, William A. A Handbook on Amos. (UBS Helps for Translators). New York: UBS, 1979. For this and other handbooks for translators see here .

SIL Translator’s Notes on Amos 5:23

5:23a Take away from Me the noise of your songs!

Stop (plur.) singing your (plur.) noisy songs,
-or-
Go (plur.) ! Your (plur.) songs are like a horrible/offensive noise to me.

5:23b I will not listen to the music of your harps.

and stop playing tunes on your (plur.) harps ⌊for me⌋ .
-or-
I do not want to listen to the sound of your (plur.) stringed instruments.

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