From his birth there were those who wanted to kill him (image)

“People of high status would ride horses or elephants when they travel. Joseph and Mary are not rich so they walk to escape danger. They must travel through wild countryside where no one is around to help them.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

His birth brought joy to people of low status (image)

“The low social status of these men is indicated by the fact that they are wearing only one piece of cloth, all that they own. They are men of different ages working out in the fields raising animals. No one usually visits them.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

Abimelech's downfall (image)

Hand colored stencil print on momigami by Sadao Watanabe (1972).

Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe.

For other images of Sadao Watanabe art works in TIPs, see here.

Willingly he identified with sinful people even though he himself had no sin (image)

“The man (John) is pouring water from the conch shell to anoint Jesus for a special task. The use of anointing shells originally came from Hinduism but is now used for special ceremonies in Thailand and surrounding countries. Jesus shows his willingness to identify with this tradition by raising his hands in a wai position indicating surrender.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

ark of the covenant

The Hebrew, Greek, and Latin that is sometimes translated as “ark of the covenant” in English (other English options: “pact chest” [translation by John Goldingay, 2018] or “Coffer of the Covenant” [translation by Everett Fox, 1995]) is translated in various ways:

  • Mairasi: Anasi Farjora or “Covenant Place” (source: Enggavoter 2004)
  • Uma: “Promise Box” (source: Uma Back Translation)
  • Yakan: “Covenant Chest” (source: Yakan Back Translation)
  • Kankanaey: “Chest of the Agreement” (source: Kankanaey Back Translation)
  • Tagbanwa: “Chest of the Initiated-agreement” (source: Tagbanwa Back Translation)
  • Bariai: “law box” (source: Bariai Back Translation)
  • Mairasi: “Covenant Place” (source: Enggavoter 2004)
  • Danish Bibelen 2020: kisten med den hellige aftale or “chest with the holy agreement” (source: Ehrensvärd in HIPHIL Novum 8/2023, p. 81ff. )

Following is reverse applique stitching (“mola”) by an unknown Guna artist depicting the ark:

Source: Sacred Art Pilgrim website .

Following is an artwork by Sister Marie Claire , SMMI (1937–2018) from Bengaluru, India:

For more information about images by Sister Marie Claire and ways to purchase them as lithographs, see here . For other images of Sister Marie Claire paintings in TIPs, see here.

In American Sign Language it is translated with a sign that combines “box” and the wings of the cherubim on top of the ark (see Exod 25:18 and following). (Source: Ruth Anna Spooner, Ron Lawer)


“Ark of the covenant” in American Sign Language, source: Deaf Harbor

See also covenant (tablets), cherub and tabernacle (noun).