Drawing by Ismar David from Charles L. Allen, 1961.
For other images of Ismar David drawings, see here.
Sacrifice of Isaac
Image taken from an Armenian Gospel Book of 1455 in the Khizan style. (Source: Evans 2018, p. 206)
The following is a contemporary painting by He Qi:
He Qi © 2021 All Rights Reserved.
Image taken from He Qi Art . For purchasing prints of this and other artworks by He Qi go to heqiart.com . For other images of He Qi art works in TIPs, see here.
Following is an artwork by Sister Marie Claire , SMMI (1937–2018) from Bengaluru, India.
For more information about images by Sister Marie Claire and ways to purchase them as lithographs, see here . For other images of Sister Marie Claire paintings in TIPs, see here.
The following is a stained glass window from the Three choir windows in the Marienkirche, Frankfurt (Oder), Germany, of the 14th century:
Source: Der gläserne Schatz: Die Bilderbibel der St. Marienkirche in Frankfurt (Oder), Neuer Berlin Verlag, 2005, copyright for this image: Brandenburgisches Landesamt für Denkmalpflege und Archäologisches Landesmuseum
Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )
See also other stained glass windows from the Marienkirche in Frankfurt.
Peter
Following is a Armenian Orthodox icon of Peter (found in the Ghazanchetsots Cathedral in Shusha, Azerbaijan).
Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )
Following is a hand colored stencil print on momigami of Peter by Sadao Watanabe (1970):
Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe. For other images of Sadao Watanabe art works in TIPs, see here.
In Finnish Sign Language it is translated with the sign signifying “key” (referring to Matthew 16:19). (Source: Tarja Sandholm)
“Peter” or “Cephas” in Finnish Sign Language (source )
In Swiss-German Sign Language it is translated with the sign for “rock,” referring to the meaning of the Greek word for “Peter.”
“Peter” in Swiss-German Sign Language, source: DSGS-Lexikon biblischer Begriffe , © CGG Schweiz
For more information on translations of proper names with sign language see Sign Language Bible Translations Have Something to Say to Hearing Christians .
See also Peter – rock.
Learn more on Bible Odyssey: Peter .
Behold the man, Here is the man
The Greek in John 19:5 that is translated in English as “Here is the man” or “Behold the man” was translated in the Latin Vulgate translation of the 4th century as ecce homo.
“Ecce homo” has become to be known as an important sub-genre of Western Christian art of the 15th through the 17th century that shows the suffering Christ and again in the 20th century depicting images of human suffering in war and the holocaust.
It also is the title of Friedrich Nietzsche’s autobiography (publ. 1908).
He appears to seekers and opens their hearts (image)
“When Jesus raises a cup of water, the two followers suddenly recognize who he is. The water container in the front is northern Thai style. Water is drunk at the end of the meal in Thailand. Water is also a symbol of life.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.
In righteous anger he attacked hypocrisy (image)
“Jesus is doing something extremely dangerous here. The Thai temple is a place in which it is considered by religious people inappropriate to show any anger or strong emotions. It has to be an extremely urgent reason for someone to do something as violent as this in such a sacred space.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.
He was betrayed by a close friend who loved money more than the way of the truth (image)
“This picture indicates that corruption takes place even in temples and even among the religious.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.
He gave freedom to those in bondage of evil (image)
“In Thai society, those who are possessed by evil spirits are usually the weak or mentally unstable. This man is shown as freed from his spiritual and physical chains. Even though he is naked Jesus is not ashamed to be close to him.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.