complete verse (Song of Solomon 8:13)

Following are a number of back-translations as well as a sample translation for translators of Song of Solomon 8:13:

  • Kupsabiny: “Oh, speak to me, my beloved there in the garden.
    Speak so my friends hear your voice!” (Source: Kupsabiny Back Translation)
  • Newari: “You who lives in the garden
    with your friends.
    I long to hear your voice.” (Source: Newari Back Translation)
  • Hiligaynon: “Let- me -hear your (sing.) voice, my beloved, just as your (sing.) friends listen to your (sing.) voice while you (plur.) are-strolling in the garden.” (Source: Hiligaynon Back Translation)
  • English: “You are staying in the gardens
    and my friends are listening to your voice;
    so allow me to hear it, too.” (Source: Translation for Translators)

please (adverb / Japanese honorifics)

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Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between. One way to do this is through the usage (or a lack) of an honorific prefix as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017.

The concept of “please” is translated in the Shinkaiyaku Bible as o-kure (おくれ) with the respectful prefix o-. (Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

Translation commentary on Song of Songs 8:13

This verse presents many difficulties for interpretation and translation.

We identify the young man as the speaker here because of the use of a feminine participle to describe the one in the gardens, and the feminine suffix your on the noun voice.

O you who dwell in the gardens addresses the young woman who “dwells” or “sits” (New English Bible) in the gardens. On the noun gardens see comments on 6.2. However, here the gardens cannot refer to the young woman herself, since she is described as living or sitting there. On the other hand the full phrase does describe her. Traduction œcuménique de la Bible notes a comparison to a beautiful flower; in 2.1-2 similar metaphors are found. Bible en français courant tries to express this with “My beautiful one, who is [found] in the garden.” Good News Translation goes even further from the original, “Let me hear your voice from the garden, my love,” and so should probably not be followed.

My companions are listening for your voice: in 1.7 the word companions referred to the young man’s shepherd friends. There is no reason to think the meaning is any different here. Note, however, that New International Version and Contemporary English Version seem to consider these companions as friends of the young woman—perhaps even as the daughters of Jerusalem. However, since companions is masculine, this seems less likely. Several translations add the pronoun my to the noun companions, though the Hebrew merely has a simple noun form. “Friends” or “companions” is an acceptable rendering.

These friends are listening for the young woman to speak. Why they are listening, and what they might expect to hear, are both unanswered questions. Some translations render differently, suggesting that these friends are “in attendance” at the scene; for example, “Companions are attentive” (Pope), “[my] companions attend” (Fox).

Your voice may be the object of the participle are listening or of the following verb let me hear. Translations are divided on this matter; Jerusalem Bible agrees with Revised Standard Version, but New Jerusalem Bible and New International Version, along with a number of commentators, think voice is the object of hear. This gives a sense “Let me hear your voice.” The phrase your voice follows the preposition

Good News Translation seems to understand your voice as doing double duty in this verse, making it both the object of “hear” and the object of “listen”: “Let me hear your voice from the garden, my love; my companions are waiting to hear you speak.”

Let me hear it: the young man asks his lover to speak to him. We can render voice as the object here and say “Let me hear your voice” or “Say something to me.” In some languages this line may be more natural if placed before the previous one; this rearrangement is possible.

The entire verse can be rendered:

• You flower in the garden,
My companions are waiting,
Let me hear your voice!

• Speak to me,
You who dwell in the gardens.
My friends are waiting to hear your voice.

Quoted with permission from Ogden, Graham S. and Zogbo, Lynell. A Handbook on the Book of Song of Songs. (UBS Helps for Translators). New York: UBS, 1998. For this and other handbooks for translators see here .

SIL Translator’s Notes on Song of Songs 8:13

8:13–14

These verses are a brief conversation between the man and woman that shows their deep desire for one another. It repeats themes from early in the book, including gardens, the voice of the beloved, and gazelles. It closes the book by repeating 2:17 with a gazelle bounding over the mountains.

8:13 The man spoke to the woman

8:13a

You who dwell in the gardens: The man referred to the woman here as You who dwell in the gardens. In previous chapters, the woman was often in a garden or connected with a garden (and nature in general). A good example is the garden imagery of 4:12–5:1.

The phrase You who dwell in the gardens probably implies two meanings. The woman was in the gardens and she herself was like a garden. Figuratively, she was like a private garden for the man. The fragrances and tastes of the garden symbolize the pleasure that the woman gave him.

Some other ways to translate You who dwell in the gardens are:

you who sit in the gardens (New American Standard Bible)
-or-
you ⌊love⌋ to be in gardens

Here the word You refers to the woman. In some languages it is helpful to make this clearer. For example:

my beloved, lingering in the gardens (New Living Translation (1996))
-or-
My bride, you stay/linger in the gardens

gardens: Some English versions have “garden” referring to only one garden, but the Hebrew word is plural. The plural form probably implies that the man did not refer to one specific garden. In some languages it is more natural to use a singular form.

In 4:12, the man called the woman a garden locked up and a fountain sealed. Refer to how you translated “garden” there.

8:13b

my companions are listening: Scholars have different views about who the word companions refers to in 8:13b.

(1) The companions were male friends of the man. For example:

my friends are listening (Revised English Bible)

(2) The companions were friends of the woman. For example:

your friends are listening (God’s Word)

It is recommended that you follow option (1), along with more English versions. In the Hebrew text “friends” is masculine here (there is no word for my). The man’s male companions probably correspond to the woman’s female companions in 1:3–4. That helps the preface and epilogue of the Song to form an inclusio. This inclusio indicates that the Song is a unified poem.

are listening for your voice: There are two ways to interpret the Hebrew phrase that the Berean Standard Bible translates as are listening for your voice :

(1) It indicates that the man’s companions want to hear the woman speak. They are alert so that they can hear her when she speaks. For example:

listen for your voice (New Jerusalem Bible)

(2) It indicates that the man’s companions are listening to the woman’s voice as she speaks. For example:

are listening to your voice (God’s Word)

It is recommended that you follow interpretation (1), along with most English versions. However, interpretation (2) also has good support from commentaries. Some other ways to translate interpretation (1) are:

wait to hear you speak
-or-
want to hear your voice

8:13c

Let me hear it!: The phrase Let me hear it contrasts with 8:13b. The man’s companions were listening for the woman’s voice, but the man wanted to be the person that she spoke to. The phrase clearly repeats the theme of 2:14d, which says, “let me hear your voice.” Translate in a similar way here. See the notes for 2:14d–e for further discussion.

it!: The word it refers to the woman’s voice.

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