These were Shem's sons: Elam, Asshur. Arpachshad (he was born two years after the flood), Aram, and Lud. Japheth's sons were: Gomer, Magog, Madai, Javan, Tubal, Meshech, and Tiras. These were Noah's sons.
Jubilees (also known as Lesser Genesis, Leptogenesis, or the Book of Division) is canonical scripture for the Ethiopian Orthodox Tewahedo Church and Eritrean Orthodox Tewahedo Church. The only complete copies of Jubilees are available in Ge’ez (Classical Ethiopic), here used with permission by the Bible Society of Ethiopia.
The Hebrew, Ge’ez, Latin, and Greek that is translated as “flood” in English is translated in the German Luther Bible as Sintflut and the influential Dutch Bibles Statenvertaling and Nieuwe Vertaling as zondvloed. Both terms originally mean “great / permanent flood” but have folk-etymologically been reinterpreted as “sin flood” (“sin” in Dutch is zonde and in German Sünde).
Today these terms are used in either language figuratively as well (“a lot of water” or “a lot”). (Source: Jost Zetzsche)
The name “Shem” is transliterated in English means “name,” “celebrated,” “distinguished,” “renown.” (Source: Cornwall / Smith 1997 )
It is translated in Spanish Sign Language with a sign that signifies “Arab,” referring to the fact that Shem traditionally is seen as the forefather of Semitic people, including Abraham and his descendants (see Genesis 11:26 et al.) (Source: Steve Parkhurst)
Note that the terms “Semite” and “Semitic” are derived from “Shem.”
The following is a stained glass window depicting Noah by Endre Odon Hevezi and Gyula Bajo from 1965 for the Debre Libanos Monastery, Oromia, Ethiopia:
Photo by Timothy A. Gonsalves, hosted by Wikimedia Commons under a Creative Commons Attribution-Share Alike 4.0 International license
Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )
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