He Drove Out the Humans

This is a contemporary tempera/gouache on leather painting by an unknown Ethiopian artist. Source: Sacred Art Pilgrim website .

The following is a stained glass window in the Sacred Heart Cathedral in Chiang Mai, Thailand, depicting Adam and Eve being banished from Eden:

Photo by Jost Zetzsche

Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )

The Confession of Thomas (icon)

Following is a contemporary Ukrainian Orthodox icon of the confession of Thomas by Ulyana Tomkevych.

 

Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )

See also Thomas and Thomas with the risen Christ (image).

ark of the covenant

The Hebrew, Greek, and Latin that is sometimes translated as “ark of the covenant” in English (other English options: “pact chest” [translation by John Goldingay, 2018] or “Coffer of the Covenant” [translation by Everett Fox, 1995]) is translated in various ways:

  • Mairasi: Anasi Farjora or “Covenant Place” (source: Enggavoter 2004)
  • Uma: “Promise Box” (source: Uma Back Translation)
  • Yakan: “Covenant Chest” (source: Yakan Back Translation)
  • Kankanaey: “Chest of the Agreement” (source: Kankanaey Back Translation)
  • Tagbanwa: “Chest of the Initiated-agreement” (source: Tagbanwa Back Translation)
  • Bariai: “law box” (source: Bariai Back Translation)
  • Mairasi: “Covenant Place” (source: Enggavoter 2004)
  • Danish Bibelen 2020: kisten med den hellige aftale or “chest with the holy agreement” (source: Ehrensvärd in HIPHIL Novum 8/2023, p. 81ff. )

Following is reverse applique stitching (“mola”) by an unknown Guna artist depicting the ark:

Source: Sacred Art Pilgrim website .

Following is an artwork by Sister Marie Claire , SMMI (1937–2018) from Bengaluru, India:

For more information about images by Sister Marie Claire and ways to purchase them as lithographs, see here . For other images of Sister Marie Claire paintings in TIPs, see here.

In American Sign Language it is translated with a sign that combines “box” and the wings of the cherubim on top of the ark (see Exod 25:18 and following). (Source: Ruth Anna Spooner, Ron Lawer)


“Ark of the covenant” in American Sign Language, source: Deaf Harbor

See also covenant (tablets), cherub and tabernacle (noun).

Simon carries the cross

This is a contemporary tempera/gouache on leather painting by an unknown Ethiopian artist. Source: Sacred Art Pilgrim website .

“Miriam-Rose Ungunmerr-Baumann (born 1950) was a member of the Daly River Mission church in Australia’s Northern Territory. When it was being redecorated in 1974 she was invited to paint a series of Stations of the Cross. It is unusual for an Aboriginal woman to paint since this is usually the task of the men, but she accepted the challenge and produced a remarkable series of paintings which, like other Aboriginal art, uses symbols to go beyond external shapes to inner meanings and emotions. The Stations of the Cross were painted in acrylic paint on burnie board.

“Ungunmerr-Baumann explains the symbolism of the Stations of the Cross: ‘The third stop shows Jesus falling for the first time (below). In Jesus’ weakened state the weight of the cross forces him to fall. The patterns on his body show the physical stress he is under. The circles on his head indicate the pain and sorrow locked up inside him. The patterns on the cross show the increasing weight on his shoulders. In the Fifth Station, Simon of Cyrene helps Jesus carry the cross (opposite). When Simon takes hold of the cross, his body merges with that of Jesus. The pattern on Jesus’ head is open: he is giving grace to Simon to strengthen him. When Simon took hold of the cross, something happened inside him: the sun rose inside his head, his mind burst with a new belief, he became a new man. The resurrection had already begun.’ She prays: ‘Jesus you take your heavy cross, It gives you pain. Help all who suffer. Forgive us for the pain we give you and others.'” (Source for this and the image: The Bible Through Asian Eyes by Masao Takenaka and Ron O’Grady 1991)

The Road to Emmaus (icon)

Following is a contemporary Ukrainian Orthodox icon of Christ as the grapevine by Khrystyna Kvyk.

 

Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )

Christ the grapevine (icon)

Following is a contemporary Ukrainian Orthodox icon of Christ as the grapevine by Ulyana Tomkevych.

 

Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )

Annunciation

Image taken from the Wiedmann Bible. For more information about the images and ways to adopt them, see here . For other images of Willy Wiedmann paintings in TIPs, see here.

Following is a contemporary tempera / gouache on leather painting by an unknown Ethiopian artist:

Source: Sacred Art Pilgrim website .

Following is a painting (“Annunciation”) by He Qi:

He Qi © 2021 All Rights Reserved.

Image taken from He Qi Art . For purchasing prints of this and other artworks by He Qi go to heqiart.com . For other images of He Qi art works in TIPs, see here.

Following is an artwork by Sister Marie Claire , SMMI (1937–2018) from Bengaluru, India:

(Note that supernatural beings are always portrayed with this type of upraised scarf and white circle.)

For more information about images by Sister Marie Claire and ways to purchase them as lithographs, see here . For other images of Sister Marie Claire paintings in TIPs, see here.

The following is a contemporary stained glass window from Our Lady of Pity in Swaffham, United Kingdom:

Source: Art in the Christian Tradition , a project of the Vanderbilt University Divinity Library, Nashville, TN. Original source: Wikimedia

Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )