In the fifteenth jubilee Noah married a woman whose name was Emzara, the daughter of Raziel, the daughter of his father's brother -- during the first year in the fifth week [1205]. In its third year [1207] she gave birth to Shem for him; in its fifth year [1209] she gave birth to Ham for him;
Jubilees (also known as Lesser Genesis, Leptogenesis, or the Book of Division) is canonical scripture for the Ethiopian Orthodox Tewahedo Church and Eritrean Orthodox Tewahedo Church. The only complete copies of Jubilees are available in Ge’ez (Classical Ethiopic), here used with permission by the Bible Society of Ethiopia.
The Hebrew, Ge’ez, and Greek that is translated as “bear (a child)” or “give birth to” is translated in Mairasi as “go to the forest,” reflecting the traditional place of childbirth for Mairasi women. (Source: Enggavoter 2004)
In Spanish it is translated as dar a luz, literally “to give to light.” Likewise, in Portuguese (dar à luz) and Italian (dare alla luce). (Source: Mark Terwilliger)
The name “Shem” is transliterated in English means “name,” “celebrated,” “distinguished,” “renown.” (Source: Cornwall / Smith 1997 )
It is translated in Spanish Sign Language with a sign that signifies “Arab,” referring to the fact that Shem traditionally is seen as the forefather of Semitic people, including Abraham and his descendants (see Genesis 11:26 et al.) (Source: Steve Parkhurst)
Note that the terms “Semite” and “Semitic” are derived from “Shem.”
The following is a stained glass window depicting Noah by Endre Odon Hevezi and Gyula Bajo from 1965 for the Debre Libanos Monastery, Oromia, Ethiopia:
Photo by Timothy A. Gonsalves, hosted by Wikimedia Commons under a Creative Commons Attribution-Share Alike 4.0 International license
Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )
Leave a Reply
You must be logged in to post a comment.