The Greek in John 19:5 that is translated in English as “Here is the man” or “Behold the man” was translated in the Latin Vulgate translation of the 4th century as ecce homo.
“Ecce homo” has become to be known as an important sub-genre of Western Christian art of the 15th through the 17th century that shows the suffering Christ and again in the 20th century depicting images of human suffering in war and the holocaust.
It also is the title of Friedrich Nietzsche’s autobiography (publ. 1908).
“When Jesus raises a cup of water, the two followers suddenly recognize who he is. The water container in the front is northern Thai style. Water is drunk at the end of the meal in Thailand. Water is also a symbol of life.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.
“Jesus is doing something extremely dangerous here. The Thai temple is a place in which it is considered by religious people inappropriate to show any anger or strong emotions. It has to be an extremely urgent reason for someone to do something as violent as this in such a sacred space.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.
“This picture indicates that corruption takes place even in temples and even among the religious.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.
“In Thai society, those who are possessed by evil spirits are usually the weak or mentally unstable. This man is shown as freed from his spiritual and physical chains. Even though he is naked Jesus is not ashamed to be close to him.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.
“In the religious cultures of Asia, it is often believed that people are blind because of their past karma. The blind often resort to begging in order to survive. Here the blind man stretches out his arms in a polite way to receive a donation but instead he connects with a healing touch. The onlookers are shocked to see Jesus making physical connection with a lowly beggar with bad karma.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.
Learn more on Bible Odyssey: Divine Power in Mark 8 .
“Fishermen relied upon their folk knowledge in order to survive. It is strange that they did not know what to do in the midst of a storm but Jesus did.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.
“Successful Thai gatherings are always crowded. Four people carrying a wooden bed is a symbol of death to Thai people. Here Jesus symbolizes resurrection by raising the man from the sick bed back to health in body and soul.”
Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.
For more images by Sawai Chinnawong in TIPs see here.