Translation commentary on Song of Songs 1:4

Because of changes in the personal pronouns used, this verse again causes problems for both interpreters and translators. Following on from verse 3, however, it is clear that the young woman is still speaking.

Draw me after you: the young woman speaks of her longing for her lover. The imperative Draw me shows how eager she is for him to take her away with him. Draw speaks of a power that can be for good (as in Hos 11.4) or for evil (Psa 10.9); it may also portray being in bondage to another person, being carried away forcibly. In this context we note the woman’s longing for her lover to carry her off to where they can be alone. We can say “Take me [away] with you” as in Revised English Bible and Good News Translation.

Let us make haste expresses the same feeling as the opening imperative. It is the first of four first person emphatic verb forms in this verse. There is urgency in the woman’s voice, which we can convey by “Let’s run [away],” or more generally, “Let’s hurry.” The plural “us” in this clause certainly must refer to the two young lovers. In languages that make a distinction between different first person plural pronouns, an inclusive “us” should be used. Or a dual form may be appropriate, meaning “you-and-I [we-two].”

The next lines again bring us to the problem of change of person. The first lines have an imperative sense, addressed to the lover: Draw me after you, let us make haste. But the rest of the verse includes several references that are difficult to deal with in translation. First, there is a third person comment, The king has brought me into his chambers. Next, there is another emphatic “we,” one that seems to exclude the lover, because he is in fact addressed: We will exult and rejoice in you; we will extol your love more than wine. Finally another group is introduced: rightly do they love you. These problems will be addressed as we examine each clause.

With the clause The king has brought me into his chambers, it is clear that the young woman is still speaking, but she no longer seems to be addressing her lover. Is this then a statement of fact, as Revised Standard Version suggests? Or is this something imagined by the young woman? Some have proposed a slight change in the Hebrew text and have translated an imperative “take me to your room.” Contemporary English Version says “Take me to your home” (compare Good News Translation). However, the verb form in the Hebrew describes a completed action. Therefore Revised Standard Version seems more correct. Another possibility is to translate the verb as a wish, “Oh, that he would take me to his room.” One French version (Pléiade) emphasizes her happy expectancy: “When he will bring me into his room…!”

In Egyptian love lyrics king or “prince” is a term of endearment for a lover. Following this tradition we understand king here not as a reference to Solomon or to a real king, nor as evidence for a royal wedding ritual; it is simply a term of endearment that the young woman uses when speaking of her lover. In some languages this metaphor will probably not have the same meaning, so we may need to render king as “my lover.” Good News Translation suggests “Be my king and…,” which actually means that the lover is “like a king” to her. Another possibility is to use “my ‘king’ ” within inverted commas to show that it was not a literal reference to a royal person. FRCL says “You are my king!” which clearly expresses the figurative meaning. Otherwise we can add a footnote to explain the meaning of the term, and retain the word “king” or an equivalent such as “chief” or “ruler” in the text.

His chambers is also a plural form in the Hebrew, though this is certainly not crucial to the translation. Perhaps because of the reference to a king, some English versions keep the word “chamber,” and some French versions use a term appropriate for a king’s palace. However, the real meaning is an inner, private room, thus referring to “his [bed]room.” In some cultures a direct reference like this may be inappropriate, so “his room” or “his home” may be more acceptable.

Translation of this clause can be:

• My lover took me to his room.

• My “king” took me to his room.

• My lover took me [to his] home.

We will exult and rejoice in you: this again leaves us with a problem about who is being spoken of. You is clearly the king, so who is we? There are at least three possibilities.
(1) We may be the couple. This is the meaning adopted by Bible en français courant and Good News Translation: “We will be happy together,” where we is the inclusive and dual pronoun form. This same understanding is reflected in New Jerusalem Bible “Let us delight and rejoice in your love,” and Traduction œcuménique de la Bible “Let’s be joyous and happy, thanks to you.”
(2) Others have seen the we as referring to the group of women who admire the young man. In this case the pronoun form will be an exclusive plural form.
(3) Another solution is to see the young woman as talking or referring to herself in the first person plural, a feature that is known to occur in Sumerian sacred marriage songs (Pope).

This last solution seems promising, so we can say “Let me rejoice and take pleasure in you.” Alternatively we can use New Jerusalem Bible and Traduction œcuménique de la Bible as models, where “we” refers to the couple.

Exult and rejoice: the two verbal phrases occur together and have the same meaning, “rejoice.” If necessary we can use one combined or intensive term in the translation, “greatly rejoice.” Otherwise two terms of similar meaning may be used: “Let us rejoice and take pleasure in your love.”

In you is a masculine singular form. It refers to the young man, or to his love. Good News Translation translates in more general terms, “We will … lose ourselves in love.”

We will extol your love more than wine: we have already noted the association between love and wine in verse 2. Wine is figurative for all that is pleasurable (see comments above in verse 2). The young woman remarks that the young man’s love makes her happier than any wine could. We will extol is another example of the plural with singular meaning; the young woman speaks of her strong feelings toward the young man. Revised Standard Version extol is one possible meaning of the Hebrew verb, whose root meaning is “remember.” In the particular verb form used here, it can mean “recall,” “mention,” or “celebrate.” Hence Jerusalem Bible and New English Bible suggest “praise.” Other possibilities are “boast” as in Psa 20.8 (“Some boast of…”), or “inhale” in the sense of savoring something. Gordis cites examples of the latter meaning in Lev 24.7; Isa 66.3; Hos 14.7.

Various possibilities for translation exist:

• Let me celebrate your love [for me].

• I will recall your love [for me].

• I will praise your love.

Revised Standard Version more than wine indicates the extent of her affection. However, as the phrase stands, it is unclear what it qualifies in the sentence, whether the verb “extol” or the noun phrase “your love.” Will she praise his love for her more than she will praise the pleasures of wine? Or will she celebrate his love, which itself is better than the pleasures of wine? This may seem a fine distinction to make, but the Hebrew text allows both possibilities. If it is necessary to choose one, then probably she intends to say that the pleasure he gives her is greater than the pleasure wine offers.

Two possibilities for rendering this line are:

• I will praise your love, which is more delightful than wine.

• Let me taste your love; it is more enjoyable than wine.

Good News Translation “drink deep and lose ourselves in love” seems to miss the thrust of the comparison. Where reference to wine is a problem (see comments on verse 2), we may say “Let me enjoy your love; it is more enjoyable than anything on earth.”

Rightly do they love you: the initial Hebrew term comes from the root meaning “upright, straight.” Early versions and modern commentators reflect a variety of interpretations. The majority, however, view it as an adverb, “rightly” or “correctly.” This suggests that it is natural to fall in love with a young man like this. Fox and Gordis both follow the ancient Jewish scholar Ibn Ezra and divide the sentence differently, bringing wine together with the word for “right” and explaining the meaning as “smooth,” “good,” or “strong wine.” This interpretation results in a translation, “more than smooth wine do they love you.” They will of course refer to the “maidens” or “other women” mentioned in verse 3. In many translations the pronoun they will have to be expressed as a noun, if it is not immediately clear who is being talked about. Another acceptable solution may be to use the general expression “every woman.” Following this statement the young woman confesses that her lover is irresistible, and even other women find him so.

In translating the last line of the verse, we may follow Good News Translation “No wonder all women love you,” which captures the spirit of the saying well. Other possibilities are “It is natural that any woman would love you”; “It is not surprising that every woman loves you.”

With the variety of possible interpretations, many translation models for the verse as a whole can be considered. Two possibilities are:

• “Take me away with you! Let’s hurry.”
My king took me to his room.
“Let me rejoice and be glad in your love!
I will praise your love more than wine!
No wonder all the women love you!”

• Take me away with you! Let’s hurry!
Oh, [or, I wish] that my king would take me to his room.
Let’s rejoice and enjoy our love!
Your caresses are smoother than wine.
It’s not surprising every woman adores you!

Quoted with permission from Ogden, Graham S. and Zogbo, Lynell. A Handbook on the Book of Song of Songs. (UBS Helps for Translators). New York: UBS, 1998. For this and other handbooks for translators see here .

humble form of "come" (mairu)

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Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.

One way to do this is through the usage of lexical honorific forms, i.e., completely different words, as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. In these verses, mairu (参る), a humble form of kuru (来る) or “come” is used.

(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

See also respectful form of “come” (omie ni naru), respectful form of “come” (oide ni naru), and come (Japanese honorifics).

SIL Translator’s Notes on Song of Songs 1:4

1:4a

Take me away with you—let us hurry!: Here the woman asked the man to hurry and take her with him. She said this because of her great desire to be alone with him. She did not imply that she wanted him to take her hand and lead her. The request also does not imply that she wanted them to elope (go away secretly to have sexual relations or to get married).

Other ways to translate her request are:

Take me with you; let’s run together. (New Century Version)
-or-
Let’s go. Lead me quickly!

1:4b

May the king bring me to his chambers: There are different ways to interpret the Hebrew verb form that the Berean Standard Bible translates as bring in this verse. The two main options are:

(1) The verb form expresses a desire or request. For example:

be my king and take me to your room. (Good News Translation)

(2) The verb describes a completed action. For example:

The king has brought me into his bedroom. (New Living Translation (2004))

It is recommended that you follow option (1). It repeats the theme of desire expressed in 1:2a. The woman thought or dreamed about the time when her desire to be with her beloved will be fulfilled.

the king…his: Here the woman referred to her beloved as the king. She was still referring to the same man as in 1:4a and in 1:2–3. She probably spoke directly to the man or imagined what she wanted to say to him.

Use a natural way in your language to indicate that the king is the same man as in 1:2–3. In some languages it is necessary to make that clear by using forms like “you” and “your.” For example:

Hurry, my king! Let’s hurry.

Take me to your home. (Contemporary English Version)

king: In this context the word king is a special term of affection that the woman used for her beloved. The word king is just one of several poetic ways that the woman used to refer to him. She also referred to him as a shepherd (1:7), an apple tree (2:3), a gazelle or stag (2:9), and a magnificent statue (5:14–15). She described him in poetic hyperboles as lovers often do. She probably spoke of her beloved as king to show her admiration. Other ways to say this are:

my Chief
-or-
my royal Darling

Show this admiration in a natural way in your language.

to his chambers: The phrase his chambers refers to the man’s bedroom (the room where he usually slept). The plural chambers may refer to one room that has different parts, rather than to more than one room. In this context chambers may have a figurative sense. It may actually refer to a meeting place under the trees. (See 1:16–17 where their bedroom seems to be under the trees in the forest.)

The word chambers may refer to the place where the man and woman experienced intimate union. It may imply here that the woman was thinking of the time when they will be married.

1:4c–d The women of Jerusalem praised the man that the woman loves

The original Hebrew does not identify the speaker or speakers in 1:4c–d. Scholars suggest two main options:

(1) The speakers in 1:4c–d were a group (chorus) of young women who praised the man. (These were probably the maidens mentioned in 1:3c.) For example:

We rejoice and delight in you; we will praise your love more than wine. (New International Version)

(2) The speaker in 1:4c–d was the woman, and she spoke to the man. When she said “we,” she referred to herself and the man. She did not include the other young women mentioned in 1:3c and 1:4e. For example:

We will be happy together, drink deep, and lose ourselves in love. (Good News Translation)

It is recommended that you follow option (1). It provides the simplest explanation of the words in 1:4c–d. It seems less likely that the women spoke in 1:4e, since the text refers to them with a “they” form rather than with a “we” form.

1:4c–d

We will rejoice and delight in you; we will praise your love: Here the women told what they will do. They will rejoice because of the man, and they will praise his love. Some other ways to translate this intention are:

We will exult and rejoice…will extol your love…. (Revised Standard Version)
-or-
Let us rejoice and be glad….praise your love… (Revised English Bible)
-or-
We are happy….we praise your love. (Contemporary English Version)

rejoice and delight in you: The phrases rejoicein you⌋ and delight in you have similar meanings. The phrases indicate that the women will celebrate and praise the man because of his wonderful qualities, especially his love for the woman. When rejoice and delight are used together, they emphasize the meaning. Emphasize the meaning in a natural way in your language.

In some languages it may be more natural to use a different way to emphasize the meaning. For example:

greatly rejoice

will praise your love:
The Hebrew word that the Berean Standard Bible translates as love here was also used in 1:2b (see the explanation of love in 1:2b). In that context it refers to the man’s love toward the woman. The women of Jerusalem agreed with the woman’s opinion that the way her beloved showed his love for her was wonderful. They did not personally experience his love, but they agreed that it was wonderful.

It is also possible that the speech of the young women is a poetic way to emphasize how wonderful the man was. It may not imply that a particular group of women was speaking.

more than wine: This type of comparison was also used in 1:2b. Here it means:

we will praise your love more than ⌊we will praise⌋ ⌊the pleasures of⌋ ⌊drinking⌋ wine.

In Hebrew and in the Berean Standard Bible, the words “we will praise” are not stated twice because the second “we will praise” is already implied. In some languages it may be necessary to say it twice, as in the example above. Some languages may also need to include some of the other implied information in the example above.

1:4e The woman commented to the man about the young women of Jerusalem

1:4e

It is only right that they adore you: At the end of 1:4d the women of Jerusalem stopped speaking, and here in 1:4e the woman addressed her beloved. She commented on the attitude of the daughters of Jerusalem. She told him that it was natural and right that they loved him.

Here the word right indicates that a response of love is the natural and correct response to someone so wonderful. For example:

How right they are to adore you! (New International Version)

they adore you: Here the Hebrew word that the Berean Standard Bible translates as adore is the same word that was used in 1:3c. The statement they adore you implies that the young women admired the man and were attracted to him.

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