The Greek that is translated as “put his arms around him and kissed him” or similar in English is translated in the Pfälzisch translation by Walter Sauer (publ. 2012) as is em um de Hals gfalle un hot en abgekisst or “he flung his arms around his neck and smothered him with kisses.” (Source: Zetzsche)

In Elhomwe it is translated as “greeted him by hugging.” (Source: project-specific translation notes in Paratext)

See also kiss.

The following is a contemporary stained glass window depicting the father hugging his son in the Catholic Church of the Resurrection in Bryanston, New Zealand:

Photo by Catholic Church of the Resurrection in Bryanston

The Window of Reconciliation: The Father ran to his son and clasped him in his arms (Luke 15:21). This window portrays the reconciliation of God and ourselves: His grace (shown as brilliant light at the centre of united figures) transforms our hearts. The reconciliation we strive for in our country and our world is also portrayed — and there is no easy road to achieving peace on earth and goodwill to all (Luke 2:14). The modern window shows reconciling figures against a desert-like background that symbolises the death and desolation that threaten us. As the great 20th century poet WH Auden wrote: ‘We must love one another or die.’ (Source: Catholic Church of the Resurrection in Bryanston )

Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )