Good news to the shepherds (image)

Hand colored stencil print on washi by Sadao Watanabe (1979)

Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe. For other images of Sadao Watanabe artworks in TIPs, see here.

 

Following is a painting by Chen Yuandu 陳緣督 (1902-1967):

Housed in the Société des Auxiliaires des Missions Collection – Whitworth University.

Image taken from Chinese Christian Posters . For more information on the “Ars Sacra Pekinensis” school of art, see this article , for other artworks of that school in TIPs, see here.

 

Batik dye artwork by Hanna-Cheriyan Varghese, used with permission by the Overseas Ministries Study Center (OMSC) at Princeton Theological Seminary. You can purchase this and many other artworks by artists in residence at the OSMC in high resolution and without a watermark via the OSMC website .

“Hanna-Cheriyan Varghese (1938 – 2009) of Selangor, Malaysia, was the artist in residence at OMSC for the 2006–2007 academic year. She was born to Christian parents, and she remembered her mother taking her to a different worship service every week: ‘My parents encouraged me to attend different churches so that my siblings and I would appreciate the liturgy and traditions of the Christian believers of different denominations. Christians are a minority in Malaysia so we continue to struggle for our identity in a Muslim society. There is no open conflict as such.’

“She always had a passion for painting and drawing. She worked in the mediums of acrylic paint and Batik dye, the latter medium being an ancient decorative craft that has come into use as a high art medium in the last 50 or 60 years. A Batik image is created as a pattern or picture dyed in fabric. Certain parts of the fabric are covered with a wax, which acts as a “resist” to the colorful dyes. Hanna Varghese mastered the medium, and the sacred art images she created with it are original, bold and graphic.

“‘All creative work, be it the spoken word, the written word or the sung word, are essentials in praise and worship, meditation, education, inculturation and evangelism. This also includes art and pictures, which is universal seeing.’ Hanna Varghese.” (Source )

Jesus teaching from a boat (image)

Hand colored stencil print on momigami by Sadao Watanabe (1965).

Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe. For other images of Sadao Watanabe art works in TIPs, see here.

Following is a painting by Xu Jihua 徐濟華 (1912-1937) (housed in the Société des Auxiliaires des Missions Collection – Whitworth University):

Image taken from Chinese Christian Posters . For more information on the “Ars Sacra Pekinensis” school of art, see this article , for other artworks of that school in TIPs, see here.

They left their nets (image)

Hand colored stencil print on momigami by Sadao Watanabe (1970).

Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe.

For other images of Sadao Watanabe art works in TIPs, see here.

 

Gethsemane

Hand colored stencil print on momigami by Sadao Watanabe (1962). Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe. For other images of Sadao Watanabe art works in TIPs, see here.

Following is a painting (“Jesus’ agony in the garden of Gethsemane”) by Kim Ki-chang (1913-2001):

Kim Ki-chang (pen name: Unbo) had been deaf and partially mute since the age of 7. He painted a series of 30 paintings for the “Life of Christ” cycle in 1952 during the Korean War. Kim portrayed Jesus as a seonbi / 선비, or a Joseon Period (1392-1910) gentleman scholar, wearing a gat / 갓 (hat) and dopo / 도포 (robe). For other images of Kim Ki-chang art works in TIPs, see here.

Following is a painting (“Prayer at Gethsemane”) by He Qi:

He Qi © 2021 All Rights Reserved.

Image taken from He Qi Art . For purchasing prints of this and other artworks by He Qi go to heqiart.com . For other images of He Qi art works in TIPs, see here

Following is a painting in the Hamzanama style:

Prayer at Gethsemane, 2017-2018, Paul Abraham with Manish Soni, Opaque watercolour and natural pigments on hand-made paper, © Sarmaya Arts Foundation. (2018.33.12)

The following is a stained glass window from 1906 and made by R. T. Giles & Co. of Minneapolis for the First Presbyterian Church, Salt Lake City, Utah :

Photo by NateBergin, hosted by Wikimedia Commons under a Creative Commons Attribution 4.0 International license

Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )

Abimelech's downfall (image)

Hand colored stencil print on momigami by Sadao Watanabe (1972).

Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe.

For other images of Sadao Watanabe art works in TIPs, see here.

The Bronze Serpent

Hand colored stencil print on washi by Sadao Watanabe (1979).

Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe. For other images of Sadao Watanabe art works in TIPs, see here.

The following is a stained glass window from the Three choir windows in the Marienkirche, Frankfurt (Oder), Germany, of the 14th century:

Source: Der gläserne Schatz: Die Bilderbibel der St. Marienkirche in Frankfurt (Oder), Neuer Berlin Verlag, 2005, copyright for this image: Brandenburgisches Landesamt für Denkmalpflege und Archäologisches Landesmuseum

Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )

See also other stained glass windows from the Marienkirche in Frankfurt.